The Show on the Road – Caroline Spence

This week on The Show On The Road, we feature a conversation with an admired and sharp-witted singer-songwriter in the fertile Nashville Americana scene, Caroline Spence.


LISTEN: APPLE PODCASTSSPOTIFYSTITCHER
A sought-after lyricist who mines her own vulnerabilities and lovelorn past to tell delicately crafted story-songs, Caroline Spence’s voice seems to always hover angelically above the page, bringing to mind new-wave country pop heroine Alison Krauss or her vocal hero, Emmylou Harris.

Growing up in Charlottesville, VA daydreaming to Harris’ signature twangy honey-toned records like Wrecking Ball, Spence admittedly was a bit starstruck when the silver-maned lady herself came on board to sing harmonies on the title track of Spence’s newest LP, Mint Condition. It quickly became a critic’s darling and an Americana radio staple nationwide.

As a conversationalist, she usually leads with cheerful southern modesty, but beginning with her 2015 debut, Somehow, Spence wasn’t afraid to push at country music’s guy-centric boundaries. She brought aboard a talented group of genre-defining collaborators like blue-eyed soul hero Anderson East and pop-folk favorite Erin Rae to give the songs new heft. Her follow-up Spades And Roses brought more lush atmospherics to her yearning acoustic stories, elevating the clear-eyed feminine power behind emotive songs like “Heart Of Somebody.”

While Spence will tell you she is just furthering the empowered spirit of roots songwriter pioneers who came before her, during this time of high anxiety, her deeply felt love songs like “Sit Here and Love Me” and “Slow Dancer” seem especially fitting, touching on her bouts of depression and her inability to connect with the ones who are trying to help her through.

Sometimes sad songs truly do make people happy, and if you’re feeling a bit low, maybe pop on her newest single “The Choir,” about finding your people when you need them most.


Photo credit: Angelina Castillo

LISTEN: Korby Lenker, “All in My Head”

Artist: Korby Lenker
Hometown: East Nashville
Song: “All in My Head”
Album: Man in the Maroon
Release Date: May 21, 2021
Label: Grind Ethos

In Their Words: “‘All in My Head’ is the first track on my 8th studio album, Man in the Maroon. It’s about a depressed person who entertains the idea that maybe there’s a different perspective out there. I wrote it last spring over several nights while jogging through my neighborhood in East Nashville. The outings happened to coincide with the Nashville 8 o’clock howl, a typically quirky East Nash neo-tradition where for the first several months of the pandemic, people would stand out on their porch every night at 8 and just go crazy. I heard the howling, in the distance mostly, before I ever knew what it was, and after a few nights, I started joining in. Just yelling at the top of my lungs. Purging that threatening despair that seemed to be everywhere, inside and out. Later, when I was recording the song, I posted on social media, asking if anyone knew who started it. In no time I was sitting over coffee with the founder herself. She put me in touch with some of the howlers… if you listen closely, after the bridge you can hear a few of the more choice examples of the East Nashville 8 o’clock howl.” — Korby Lenker

https://soundcloud.com/user-747568408/all-in-my-head/s-Hjv7RcuUYYF?in=user-747568408/sets/man-in-the-maroon//s-0dkClBhP9E3


Photo credit: David McClister

LISTEN: Todd Snider, “Turn Me Loose (I’ll Never Be the Same)”

Artist: Todd Snider
Hometown: East Nashville, Tennessee
Single: “Turn Me Loose (I’ll Never Be the Same)”
Album: First Agnostic Church of Hope and Wonder
Release Date: April 23, 2021
Label: Aimless Records / Thirty Tigers

In Their Words: “if you listen to jerry jeff walker’s a man must carry on record, right before he plays ‘sea cruise,’ he yells to his band ‘turn me loose, i’ll never be the same.’ and as soon as i heard it i knew the same was true of myself. i am still totally certain of it. for better or worse, bragging or complaining, it is what is. but what if it isn’t what it is? at first this was going to be for a girl in chattanooga but she was too young for me. so i changed it, it was the right thing to do. trust me, I’m a reverend. i started over by calling jerry jeff and asking him why he yelled that. he said it was something rodeo cowboys yelled when they were ready. when I think a song is ready it’s because it feels like it has a rock I can put my foot on when I sing. so i yelled put your foot on the rock, asked the cosmos to hook me up, and the next thing you know ol’ jed’s a millionaire.” — Todd Snider


Photo Credit: Stacie Huckeba

WATCH: Margo Price, “Hey Child”

Artist: Margo Price
Hometown: Nashville, Tennessee
Song: “Hey Child”
Album: That’s How Rumors Get Started
Label: Loma Vista Recordings

In Their Words: “‘Hey Child’ was a song that was written back in 2012 not long after my husband Jeremy and I lost our son Ezra. We were playing shows with our rock and roll band Buffalo Clover and occupying most of the bars in East Nashville. We had begun hanging with a rowdy group of degenerate musician friends and partying harder than The Rolling Stones… The song was about how many of our talented friends were drinking and partying their talents away, but after a few years had passed, we realized it was just as much about us as our friends. I had retired it when the band broke up but Sturgill Simpson resurrected it when he asked me if I would re-record it for That’s How Rumors Get Started.” — Margo Price


Photo credit: Bobbi Rich

WATCH: The Rough & Tumble, “You’re Not Going Alone”

Artist: The Rough & Tumble
Hometown: On the road permanently, with a P.O. Box in East Nashville
Song: “You’re Not Going Alone”
Album: We’re Only Family If You Say So
Release Date: February 19, 2021

In Their Words: “Written in the spring of 2019 in a borrowed kitchen in Michigan, one week after the collapse of our family. This song is one that was written into the darkness, realizing that we could never go home again — not in the way we always have, if at all. But those things — like the maple tree in the front yard, or the blackberry bushes — those can still be ours. As difficult and traumatic as family severance is, we decided we didn’t have to lose everything. We didn’t have to be alone. We have as much right to a family to call our own as the family that won’t call us their own, anymore.” — Scott Tyler and Mallory Graham, The Rough & Tumble


Photo credit: Annie Minicuci Fine Art Photography

LISTEN: Gina Sicilia, “For a Little While”

Artist: Gina Sicilia
Hometown: Philadelphia, PA — with East Nashville as her adopted/current home
Song: “For a Little While” (feat. Luther Dickinson)
Album: Love Me Madly
Release Date: May 29, 2020
Label: Blue Élan Records

In Their Words: “I wrote this tune in a dark room late at night, and I think that moment is captured by the tenderness and melancholy mood of this song, which is about missing someone — something I’ve felt often. I kept the lyrics brief, saying all that needed to be said to express a pretty simple, pure emotion. Luther Dickinson’s guitar solo is stunning and I love how this song almost has the feeling of an interlude, of a fleeting thought that you express, tuck away and don’t dwell on. This is a fragile song and getting my vocals to be as delicate as the song’s temperament was a challenge, but I’m so proud of the overall feeling that was accomplished with the help of my producer, Cody Dickinson, who devoted so much time to making sure we got this song right.” — Gina Sicilia


Photo of Gina Sicilia with Cody Dickinson: Madison Thorn

Bright Sunshine and Intense Badassery: Lilly Hiatt’s Rock ‘n’ Roll Style

This shoot happened just a few days after venues began closing and tours were being cancelled due to the coronavirus. Lilly Hiatt and I decided to continue, holing up in an empty venue called Drkmttr Collective here in Nashville by ourselves for a few hours. (You can support Drkmttr’s GoFundMe to help keep them afloat, if you feel inclined.)

Lilly is a mixture of bright sunshine and intense badassery; her good nature and spirit was a welcomed respite from the scary unknown so many of us artists were heading into then, and of course are still navigating. I thought Drkmttr Collective would be a great spot for her — a little quirky, a lotta rock ‘n’ roll. The three outfits she sported fit easily into the feel of the place.

As it stands, this was my last shoot before so much was canceled and shut down, but we no doubt ended on a high note. Until next time! Stay safe and well out there, y’all. — Laura Partain

Pictured above, Lilly wears a Low Cut Connie tee and Blank NYC leather jacket.


Lilly wears a glitter mock turtleneck top from H&M, Top Shop jeans, and Frye boots.


Strap and buckle detail of Lilly’s Frye boots.


Lilly wearing a red Petites by Willi top from Anaconda Vintage in Nashville, necklace by Madewell, and Top Shop jeans.


Necklace by Madewell, Frito Pie ring by Snash Jewelry, black stone ring by Pale Silver, and red Petites by Willi top.


The top by Petites by Willi, necklace by Madewell, Frye boots, and Top Shop jeans look is completed with a Rickenbacker and an earplug dispenser at Drkmttr Collective in Nashville.


All photos by Laura Partain

WATCH: Nashville Covers Dylan for SAFPAW, “All I Really Want to Do”

Artist: Nashville Covers Dylan for SAFPAW
Hometown: Nashville, Tennessee
Song: “All I Really Want to Do” (Bob Dylan)
Release Date: November 18, 2019

In Their Words: “Each person involved with this project donated their time and skills to make this happen. We all see what Laurie Green of Southern Alliance for People and Animal Welfare (SAFPAW) is doing for our community, and we love the spirit and songs of Bob Dylan, so we have merged concepts and talents to raise awareness for something truly worthwhile.” — Tim Easton

Donations can be made here.

Editor’s Note: New West Records artist Aaron Lee Tasjan, ANTI- artist Darrin Bradbury, Cafe Rooster Records artists Brian Wright, Sally Jaye, Jon Latham, and Nikki Barber of The Minks, spearheaded by Tim Easton and producer Gabe Masterson, gathered at Club Roar Recording studio to record Bob Dylan’s “All I Really Want to Do” to raise awareness for SAFPAW (Southern Alliance of People and Animal Welfare). Directed and edited by Stacie Huckeba, the live video session marks the fifth consecutive year that Easton, Huckeba, and Masterson have partnered to record and film a Bob Dylan cover for a Nashville-based charity.

LISTEN: Hugh Masterson, “Trouble”

Artist: Hugh Masterson
Hometown: Nashville, Tennessee
Song: “Trouble”
Release Date: July 19, 2019 (single)
Label: Rock Ridge Music

In Their Words: “‘Trouble’ was the first song I wrote with Justin Glasco when we began the process of making this new record at his studio in East Nashville. It’s a song about life and loss and always wanting something more but ultimately realizing that much is beyond our control. I find that the song takes on its own meaning for every listener. After Justin played the song for his girlfriend, she asked, ‘What the fuck is that supposed to mean?'” — Hugh Masterson


Photo credit: Danielle Holbert

WATCH: Amelia White, “Free Advice”

Artist: Amelia White
Hometown: East Nashville by way of Boston
Song: “Free Advice”
Album: Rhythm of the Rain

In Their Words: “This song has been building up in me from years of people telling me what to change in my appearance to become more successful. ‘If you’d try to smile more onstage / shed the glasses, four eyes only worked for Lisa Loeb / You’ve got good legs, how about a skirt and some heels?’ This is some of the ‘free advice’ I’ve gotten after shows, along with more than a few warnings that Nashville is a ‘five-year town’ and women especially have a window of time to ‘make it.’ Zoom out and the tune is simply about the sad (but kinda funny too) fact that women feel the need to double-triple-check how they look before stepping into the public view. I’m hoping to provide a little tragic-comedy here to say, ‘Just be real, you are more than enough, just as you are.'” –Amelia White


Photo credit: Stacie Huckeba