You Gotta Hear This: New Music From JOSEPH, East Nash Grass, and More

You Gotta Hear This! It’s another excellent roundup of track and video premieres plus new music arriving on digital “store shelves” today. There’s bluegrass, folk, Americana, and more.

Kicking us off, Kentucky’s Bibelhauser Brothers enlist their hero and friend Sam Bush on their rendition of “One Tin Soldier,” from their upcoming album, Down The Road. As an added bonus, Aaron Bibelhauser and Sam Bush had a nearly hour-long chat about the track, too – you can find and watch that video below. Also in a bluegrass space, Irish ‘grasser Danny Burns offers his cover of “Brother Wind,” a modern classic written by Tim O’Brien. Dan Tyminski joins Burns on the track, which does O’Brien and Darrell Scott’s versions of the song justice, for sure.

Alt- and indie-folk outfit JOSEPH return with new music, bringing us a video for their new track, “Bye and Bye,” borrowing a classic and often ecclesiastical line to explore growth, loss, and the drawn out transformations life brings each of us – while tipping their hat to a bar by the same name. You can also hear Appalachian mountain music duo the Wildmans perform “Autumn 1941,” a song co-written by Berklee’s Mark Simos and Roger Brown that touches on the harrowing reality of eugenics in the mountains of the Southeast.

East Nashville’s favorite band of lovable bluegrass delinquents, East Nash Grass, released a new single earlier this week, too! Don’t miss the excellent and lovely “Followin’ You,” written by ENG guitarist James Kee and new Travelin’ McCourys fiddler Christian Ward especially for Maddie Denton to sing. Plus, Nick Dumas is readying a bluegrass album, offering our readers a peek at a new video for “Where Have You Been,” a song about how sometimes folks you love “go away” without actually leaving.

There’s still more fantastic roots music, though! Award-winning fiddling phenoms Deanie Richardson and Kimber Ludiker are teaming up on a twin-fiddle album coming soon from Mountain Home Music Company; you can hear “Cacklin’ Hen,” the first offering from that project, below. And, wrapping us up this week, Jessica Willis Fisher went into the studio with Bryan Sutton playing guitar and mandolin to record the heartfelt and touching, “Seeds,” a country/Americana flavored track about interrupting generational cycles of pain and trauma and refusing to reap the seeds someone else may have sown in your heart and mind.

It’s quite the collection of music, and, as we say every week: You Gotta Hear This!

Bibelhauser Brothers, “One Tin Soldier” (Featuring Sam Bush)

Artist: Bibelhauser Brothers
Hometown: Louisville, Kentucky
Song:One Tin Soldier” featuring Sam Bush
Album: Down The Road
Release Date: May 15, 2025 (single)
Label: Common Loon Records

In Their Words: “Our latest collaborative effort, ‘One Tin Soldier,’ marks the first studio version of the familiar song that features Sam Bush singing and playing mandolin. The Father of Newgrass jumped right in as an honorary Bibelhauser Brother on this fourth single from our forthcoming album, Down The Road, slated for release this October. (I actually had a candid, nearly hour-long conversation with Sam on video to chat about the track – check that out here.) With his help, we’ve made an honest attempt to frame this song as a missing link in ‘newgrass’ history, connecting the dots between some larger-than-life personalities quintessential to the evolution of the bluegrass world. Much like many of our heroes, we’d like to keep the traditional torch burning bright, while igniting our own flame, fusing elements of blues, country-rock, and soul with our primordial bluegrass sensibilities.” – Aaron Bibelhauser

Track Credits:
Sam Bush – Mandolin, vocal
Adam Bibelhauser – Vocal, bass
Aaron Bibelhauser – Vocal, guitar
Steve Cooley – Banjo
Jeff Guernsey – Fiddle


Danny Burns, “Brother Wind” (Featuring Dan Tyminski)

Artist: Danny Burns
Hometown: Donegal, Ireland
Song: “Brother Wind” featuring Dan Tyminski
Album: Southern Sky
Release Date: May 16, 2025 (single); August 22, 2025 (album)
Label: Bonfire Recording Co.

In Their Words: “I first discovered ‘Brother Wind’ on the Transatlantic Sessions on BBC many moons ago. I’ve had the great pleasure of knowing Tim O’Brien and working with him — he was one of my very first collaborators in Nashville when we cut a few songs at John Prine and Ferg’s Butcher Shoppe [studio]. I asked him about ‘Brother Wind’ and he said, ‘Yeah, you should cut it.’ So, we did — tried to stay true to his original version while adding something new. Having Dan T. come in and sing on it brought it to another level of cool.” – Danny Burns

Track Credits:
Danny Burns – Vocals, guitars
Dan Tyminski – Vocals
Ethan Burkhardt – Upright bass
Billy Contreras – Fiddle
Matt Menefee – Banjo, mandolin
Cody Kilby – Guitars
Jerry Roe – Drums

Video Credit: Shot by Ryan Kay at the Station Inn, Nashville, Tennessee.


Nick Dumas, “Where Have You Been”

Artist: Nick Dumas
Hometown: Sturgeon Bay, Wisconsin
Song: “Where Have You Been”
Album: Where Have You Been
Release Date: May 16, 2025
Label: Skyline Records

In Their Words: “Everyone has been in that place – where someone close to you just isn’t there like they used to be, even if they haven’t gone anywhere. This song really struck me because of how real and universal that feeling is. And when Jim Van Cleve came in to mix it, he completely brought out the emotional tension in a way that blew me away. There’s this haunting, almost cinematic atmosphere that he created in the mix – it’s ominous, raw, and it elevates the story in a way that made me hear the song differently. It gave the whole track this weight, like you’re walking through fog trying to find someone.” – Nick Dumas

Video Credit: Thomas F. Obrien, TFOBV 


East Nash Grass, “Followin’ You”

Artist: East Nash Grass
Hometown: Madison, Tennessee
Song: “Followin’ You”
Album: All God’s Children
Release Date: May 13, 2025 (single); August 22, 2025 (album)
Label: Mountain Fever

In Their Words: “East Nash Grass was touring Ireland the first time I heard the demo recording of ‘Followin’ You,’ which I was told that our guitar player, James Kee, and our good songwriting pal and fiddler, Christian Ward, had written for me to sing on our upcoming record, All God’s Children. We were on the way to our next gig, driving through scenery too incredible to describe, and I was enchanted by an iPhone recording of Christian playing the guitar and singing this new song. The chorus is simple: following you. That’s all. And right there, in the beauty of simplicity, I understood that we had all been brought together to make this music to share, not because someone told us to or because of any hidden agenda; but purely because there was no other option for us.” – Maddie Denton

Track Credits:
Harry Clark – Mandolin
James Kee – Guitar
Jeff Partin – Bass
Maddie Denton – Fiddle
Cory Walker – Banjo
Gaven Largent – Dobro


JOSEPH, “Bye and Bye”

Artist: JOSEPH
Hometown: Portland, Oregon
Song: “Bye and Bye”
Release Date: May 16, 2025
Label: Nettwerk Music Group

In Their Words: “This song is about being a woman in her late thirties with none of the results she expected from the plans she made – no husband, no house, no kids, no religion. The start of the song came one night when I was getting dinner with my then-girlfriend Talia at a bar called the Bye and Bye on Alberta St. in Portland. Our sister Allie had just quit the band, I was about a year past my divorce, I had a hunch the relationship I was in couldn’t keep going in its current form. I told Talia, ‘I feel like, in a way, I just died. Like everything I am – every bit of identity I’ve had – is over.’ I started crying in the way that isn’t tidy so I ran to the bathroom and let the tears rip. It had been a rough few days and as I sat on the toilet lid bawling I opened my notes app and typed ‘Crying in the bathroom of the Bye and Bye/ Saturday’s mascara in my eye/ it’s Tuesday.’” — Natalie Closner


Deanie Richardson & Kimber Ludiker, “Cacklin’ Hen”

Artist: Deanie Richardson & Kimber Ludiker
Hometown: Nashville, Tennessee; Silver Spring, Maryland
Song: “Cacklin’ Hen”
Release Date: May 16, 2025
Label: Mountain Home Music Company

In Their Words: “I’ve been a Kimber Ludiker fan for many, many years now since I heard her play at the Grand Master’s Fiddler contest. I was a judge that year and she completely blew me away. I think Kimber is one of the most tasteful, versatile fiddlers that we have in bluegrass music today and the work she’s done with Della Mae speaks volumes for her integrity and her talent. Kimber and I have been talking about doing a twin fiddle record for at least three years now and we’re so glad that we found a home and so glad that we found a place to record this record. Mountain Home has been so generous and good to me and allowed Kimber and I the space to come record this twin fiddle record. And we took it back-old school — just twin fiddles through the whole thing and we’re super excited for you guys to hear some fun music.” – Deanie Richardson

“Deanie Richardson has long been one of my favorite fiddlers and has always been my favorite to play with. We’ve been dreaming about a twin fiddle record for years and Mountain Home is the perfect label to share our excitement and vision. With our bands Della Mae and Sister Sadie, we’ve both had a long commitment to showcase and create a platform for women in this music, and we’re excited to add our fiddling to the canon of tunes in our music. I especially hope young girls will be excited to have more and more recordings of instrumentals played by women to inspire their learning.” – Kimber Ludiker

Track Credits:
Deanie Richardson – Fiddle
Kimber Ludiker – Fiddle
Cody Kilby – Acoustic guitar
Hasee Ciaccio – Upright bass
Tristan Scroggins – Mandolin
Kristin Benson – Banjo


The Wildmans, “Autumn 1941”

Artist: The Wildmans
Hometown: Floyd, Virginia
Song: “Autumn 1941”
Album: Longtime Friend
Release Date: July 11, 2025
Label: New West Records

In Their Words: “‘Autumn 1941’ is a song Roger Brown, former Berklee College of Music President, co-wrote with Berklee songwriting professor Mark Simos. Mark has written for Alison Krauss, the Infamous Stringdusters, and Del McCoury. Del recently released the other song in this series titled ‘Working for the WPA.’ The ‘Autumn 1941’ story hails from Roger’s North Carolina Appalachian roots, it was passed down through his family and while some of the specifics remain unknown, different versions of this story of eugenics prove to be true across Appalachian regions and more largely other minorities throughout American early-mid 20th century history. Stories of this same movement took place in Virginia and communities like Floyd, our hometown. Once we got into the studio with this song, it just flowed and out of it came a haunting authenticity we hadn’t yet discovered in our music.” – The Wildmans


Jessica Willis Fisher, “Seeds”

Artist: Jessica Willis Fisher
Hometown: Nashville, Tennessee
Song: “Seeds”
Album: Blooming
Release Date: May 16, 2025
Label: Bard Craft Records

In Their Words: “When we’re young, much of our life is shaped in ways we can’t control. Seeds are planted in our life and when we grow up, we can be left reaping the effects of toxic generational patterns. A big part of my life the last few years has been weeding out so many beliefs and habits that, if left to continue to grow, would choke me to death in many ways. Some days are harder than others and I still have doubts that rise up about which way to go in life, how to best move forward, how to heal from the abuse I experienced when I was younger.

“That vulnerability and honesty felt important to include on this record which centers around healing and growth.” – Jessica Willis Fisher

Track Credits:
Jessica Willis Fisher – Vocals
Bryan Sutton – Acoustic guitar, mandolin
Ben Fowler – Engineer, producer, mix engineer


Photo Credit: JOSEPH by Gardenia Miramontes; East Nash Grass by Scott Simontacchi.

MIXTAPE: Carley Arrowood’s Colorful, Vibrant Bluegrass

Music is so colorful, whether the lyrics have actual color words, carry a deeper meaning, are just stylistically vibrant, or paint a mental picture without using words at all. Music is meant to reach down and touch your soul in all kinds of ways, evoking special emotions and calling to mind familiar times.

As a songwriter, it’s always my goal to be able to create such colors for listeners and these songs are some of my absolute favorites when it comes to all of the above. Each one has made a huge mark on me through my music journey, adding to my palette of influence and helping me see more the beauty of this art. – Carley Arrowood

“Shadows” – Tony Rice

When my husband and I first started talking, I went to see his band The Trailblazers perform. It was a sweet evening of music, seeing some of my old friends, meeting his family, and of course getting to visit with him. I went home with a CD and played it endlessly in my Jeep Liberty. “Shadows” was in the mix, and I just remember loving hearing him sing it. Fast forward two and a half years, and he’s singing it to our little girl.

Gordon Lightfoot had such a way with words. This is one of those songs where you can just picture your surroundings, and the one you love.

“Fall Creek Falls” – Jim VanCleve

Jim has always been a huge fiddle influence of mine and when I first heard this song, my heart just leapt at the minor [chords] walking to the majors. “Fall Creek Falls” is a bucket list place to visit, but with the progression of the music I can just picture a beautiful waterfall, maybe turning into a big rushing river with all its twists and turns. The musicianship on this track is just incredible.

“Daylight” – Alison Krauss & Union Station

“Daylight falls … Safe in shadow, it’s never as dark as the daylight.” Honestly though, how true is that? This is such a sweet poem full of vibrant imagery. It offers contemplation of realizing and learning that you have to be yourself in life and not try to be someone you’re not, as scary as that can be. Sometimes the dark is way more comfortable, as no one can see your flaws or mistakes, but when you bring it all to the daylight you realize everyone is just the same. “I see it’s safer to connect to the daylight.” My sister and I grew up listening to Alison, and this one was always a favorite.

“Redbird” – Cadillac Sky

Dang, I love this song. These guys were so influential to my sister and I – and her husband, who plays bass in my band. My dad also really loves this song! We all used to sing it in the car together, each grabbing a different harmony part. There were only two in the original recording, but Autumn would add in the tenor for a cool extra layer.

“Redbird” tells the story of heartache turned to hope, as the singer declares, “You can burn me down to ashes, bury me beneath your clay / But I’ll rise again like Lazarus, and live to love another day.” I love how you can feel the hurt and frustration of the lyrics in the solos. I had the absolute privilege of playing with Matt Menefee for a couple years when I was touring with Darin and Brooke, and I asked him one time, “Do you remember any of your solos from Cadillac Sky?” hoping he’d just go off on the one in this song. He just kinda laughed and answered, “Nope!” So that tells me he was just crushing some improv in the studio. So, so good!

“God of All My Days” – Casting Crowns

I listen to this song whenever I feel burdened by the weight of the world, or even just by the weight of my to-do list for the day. It reminds me that everything I do has a purpose from the Lord and He is over it all, and that when “my seasons change, [He] stay[s] the same.” I’m reminded that there’s nowhere else for me to find comfort when all else fails. He’s the God of all my days.

“Colors” – Carley Arrowood

I’ll stick this one right here, because it goes with the theme of the last song. When my husband and I wrote “Colors,” we were sitting in our living room watching a gorgeous sunset glisten through our windows. It’s amazing just how much more this song has come to mean to me personally since I wrote it. I had a friend in mind who was dealing with a lot of anxiety while we were writing it, and while it wasn’t directly written to her, she stayed on my mind throughout the process. And when she came out of her anxious state victorious, she said the song really spoke deep. “Colors” is just a reassurance that whatever we are going through, the Lord means for our good and His glory, even though we may not understand it in the present thick of it.

“Harvest Sky” – Nick Dumas

My buddy Nick wrote a killer instrumental jam that paints a gorgeous Wisconsin sunset! I’m so glad he asked me to play fiddle on this. Let your mind run wild with this one!

“Two Boys from Kentucky” – Randy Kohrs

The Brother’s War, families split between blue and gray, the tragic shades of our American story. Randy’s writing in this kills me every time, especially with what happens – lyrically and musically – “while the cannon fire rang down.” It’ll move you to tears as the story progresses.

“Space and Time” – The Trailblazers

In 2020 the Trailblazers (my husband’s band) came out with a stellar album of progressive bluegrass originals and covers, and the title track, “Space and Time,” is one that sticks after you hear it. Flooded with colorful imagery, the song follows a contemplative traveler through weary lands who longs for a perfect home. It’s one of my favorite songs on this album, and no, not just because my husband wrote it! 😉 It’s been sweet to see his growth as a musician and writer since we’ve been together.

“Chasin’ Indigo” – Carley Arrowood

I added this one off my new album, Colors, just because of the fun color language! Daniel and I wrote this from our love of sunset watching, and we hope it encourages you to pick your head up from your work and enjoy time with your loved ones. We’re not promised tomorrow, so chase today’s colors to the very end.


Photo Credit: Laci Mack

BGS 5+5: Appalachian Road Show

Artist: Appalachian Road Show
Hometown: Canton, North Carolina (Jim Van Cleve); Lexington, North Carolina (Zeb Snyder)
Personal Nicknames: Jibby (Jim);  Appalachian Zeb (Zeb)

Editor’s Note: As BGS and Come Hear NC team up in November, we present North Carolina natives Jim Van Cleve and Zeb Snyder of Appalachian Road Show for this edition of BGS 5+5. Their newest album is Tribulation.

What other art forms — literature, film, dance, painting, etc — inform your music?

I think in a subconscious way, film and photography likely inspire my writing and even playing in a powerful way — and especially when referring to instrumental pieces. I’ve often said that when I’m writing, I can almost see or even “feel” a scene from a movie or a compelling visual image or something. There’s almost like this “unseen visual” which informs the emotional content of the piece of music in question. In some subconscious way, the gravity of a scene from a movie, or in a powerful photograph, will inhabit the melody shapes and rhythmic feel I’ll gravitate towards.

And, I think when I’m writing, I’m often subconsciously wondering… “What is happening in the movie that THIS song is the score for?” It’s difficult to put in words, but I definitely feel it. With Appalachian Road Show, there are such compelling stories that come from the region of our namesake, that it feels like it saturates every note of every song when we’re at our emotional peak. I can often envision scenes from Cold Mountain or The Outlander or Braveheart even during certain songs we’ll perform. — Jim Van Cleve 

Which artist has influenced you the most … and how?

I’d have to say Tony Rice. When I think back on my growth as a flatpicker, I can see how Tony’s influence on me has changed and come from different directions over the years. When I first discovered his music at eleven years old, I was all about figuring out his lead playing on bluegrass songs and fiddle tunes. After that, I started getting into his original instrumentals and his work with [David] Grisman and on Béla Fleck’s albums, which taught me new chord voicings and more challenging leads.

The next and maybe the most important phase would be when I started taking rhythm playing more seriously as a teenager and started studying all of the subtleties of Tony’s rhythm pattern and embellishments, particularly on the Bluegrass Album Band stuff. I have so many favorite guitar players, but I always come back to Tony every so often and figure out things that I had never noticed or understood earlier in life. — Zeb Snyder

What’s the toughest time you ever had writing a song?

I believe maybe the one that was the most challenging for me was when I was asked to write a new IBMA Awards show theme song. The song was ultimately called “The Road From Rosine,” and there were a LOT of angles to consider with that one. For starters, the previous song, “Shoulder to Shoulder,” was written and recorded by one of my heroes Jerry Douglas, (and the whole band on that track is a bluegrass Mount Rushmore). The tune itself is a classic and had been used for years and years as the awards show theme. I’d grown up with the song, and it being a staple of the show, so I had this subconscious mountain to climb in the first place.

Then, on top of that, you have all of these “marks” — emotional and energy/dynamic-wise — that a song being used like this has to hit, because you know how it needs to be used throughout the show. So, it just had a lot of different roles it needed to fill, and in general you just want it to be as great as it can be, given the gravity of that situation. I wanted the song to capture the essence and spirit of bluegrass… the way the founding fathers of the music intended for it to feel, but I also wanted it to embody a sense of where the music is heading, with kind of a forward looking element. So basically, I was trying to write a song that would bridge all the gaps between the past, the present, and the future of our music, and also be theme-ish. — Jim Van Cleve

If you had to write a mission statement for your career, what would it be?

Every undertaking, big or small, do it to the absolute best of your ability, keeping integrity and transparency above all. If you’re going to do a thing, do it beyond the point of excellence. Be authentic and strive to treat the people you work with like you’d wish to be treated, even (and especially) when they make it difficult to do so! haha! 😉 Full disclosure: It’s been our intention from the start to adopt this philosophy in Appalachian Road Show, and we feel that it’s been an important part of our early successes. — Jim Van Cleve

What was the first moment that you knew you wanted to be a musician?

Well, I started playing music through classical lessons. I was seven years old, and my sister had just started doing Suzuki method violin lessons. My parents got me into the Suzuki classical guitar program. At that point, I enjoyed playing, but it was kind of like a favorite school subject, not a passion. Four years later I started playing bluegrass guitar. That was when everything changed. I was so passionate about playing, and I was acting on my own initiative instead of treating practice like it was homework.

I would lose track of time while I was practicing, figure songs and licks out on my own, spend hours researching and listening my favorite artists on the internet, and even get random ideas for my own little instrumentals and licks before I even really knew what I was doing. When my family band started playing a few gigs, that was it. I discovered that I could feel pretty calm and confident on stage, even though I was a shy and reserved kid by nature. My passion for the music took over, and I couldn’t imagine doing anything else for a living. — Zeb Snyder


Photo credit: Micah Schweinsberg

WATCH: Lindley Creek, “The Mockingbird’s Voice”

Artist: Lindley Creek
Hometown: Springfield, Missouri
Song: “The Mockingbird’s Voice”
Album: Freedom, Love, and the Open Road
Release Date: August 2020
Label: Pinecastle Records

In Their Words: “This sultry song reinforces the age-old truth that things aren’t always as they seem. I was in a happy relationship when our producer first brought ‘The Mockingbird’s Voice’ to us. Even in that happy time, the sadness and heartbreak in the lyric almost called to me. Sometime after recording it, that relationship ended. The lyric then gave voice to everything I was feeling, and more. It became mine, my anthem.

“When we shot the video I was moved to put all of those feelings into the storyline. It lays bare all the feelings of betrayal, of heartbreak, and of lessons learned the hardest way. We set out to record songs about real life and ‘The Mockingbird’s Voice’ is as real as it gets. It’s been exhilarating working with our producer Jim VanCleve and our label Pinecastle, who have both believed in us since the beginning. We literally cannot wait to release the rest of the upcoming album, Freedom, Love, and the Open Road later this summer!” — Katie Greer, Lindley Creek


Photo credit: Becci Leigh Photography

WATCH: Appalachian Road Show, “Goin’ to Bring Her Back”

Artist: Appalachian Road Show
Hometown: Southern Appalachia
Song: “Goin’ to Bring Her Back”
Album: TRIBULATION
Release Date: March 27, 2020
Label: Billy Blue Records

In Their Words: “Jim Van Cleve wrote this one. It tells the tale in a humorous way of an ol’ mountain boy who fell in love, but unfortunately, the poor fella doesn’t realize that the object of his affection may not feel quite the same … seeing as how she ran off on a train across ‘them yonder mountains!’ We had a lot of fun with this one in the studio and I think it shows through.” — Barry Abernathy, Appalachian Road Show


Photo credit: Micah Schweinsberg

LISTEN: Appalachian Road Show, “Goin’ to Bring Her Back”

Artist: Appalachian Road Show
Hometown: Appalachia
Song: “Goin’ to Bring Her Back”
Album: Tribulation
Release Date: March 27, 2020
Label: Billy Blue Records

In Their Words: “‘Goin’ to Bring Her Back’ tells the tale — in quite a humorous way — of a mountain boy who has fallen in love. Unfortunately, he doesn’t realize that the girl he loves might not feel the same way, seeing as how she has run off and caught the train across ‘them yonder mountains!’

“I wanted to create a piece that made the album more dynamic and this chorus jumped into my head! An hour later, the song was complete. I felt pretty confident it was something that Darrell Webb and Barry Abernathy would play and sing the daylights out of. We felt that this song fit right into the Appalachian aesthetic and into the overall narrative we’ve been developing within this band and especially this project. It feels ‘classic’ to us, but the ink has barely dried, and we love that!” — Jimmy Van Cleve, Appalachian Road Show


Photo credit: Micah Schweinsberg