MIXTAPE: Jim and Sam’s Songs That Got Us Through Playing One Show Every Day for a Year

“We discovered these songs right before we left home, while we were on the road, or soon after we got back from our 365-everyday tour. Each song is soaked in nostalgia and transports us right back into the wildest year of our lives. The songs of ours that appear on this Mixtape were born during or inspired by our tour.” — Jim and Sam, from the film After So Many Days

Jim and Sam – “After So Many Days”

On day 360, we were nearing Santa Barbara on our last cross-country trip of the tour. We were both feeling overwhelmed, sad, excited, and confused as we were inching our way back home to Los Angeles. We were listening to songs we had discovered while traveling throughout 14 different countries, when the last song came to an end. The car was quiet, tears were rolling down both of our faces, and we decided to pull over into a strip mall parking lot to take a break. We pulled out the guitar and a notebook, and this song came pouring out. We ended up using the original audio recording of this writing session as the soundtrack to the final moments of the film. When the tour ended, we tucked the song away for a while, and it ended up being the last song we recorded for the album.

Lucinda Williams – “Passionate Kisses”

This song captures so many of the simple things we want out of life and our career. Lucinda’s endless drive as an artist has always inspired us. “Is it too much to demand/ I want a full house and a rock-‘n’-roll band/ Pens that won’t run out of ink/ And cool quiet and time to think…”

Mulligan Brothers – “So Are You”

For 30 days we were on tour in Sweden with the amazing bluegrass band, The Mulligan Brothers. It took us all a few nights to get comfortable with each other, but once we did, the rest of the month felt like summer camp. Whether it was sitting on the stage after a show telling stories all night, late night fast food runs, discovering small Swedish towns together, or just listening to their amazing music night after night — having another road family for a month was a really magical and necessary part of the year.

Katie Melua – “Mary Pickford”

There was a week where we had to keep booking, cancelling, and rebooking our flight because our plans were changing. Every time we called up Norwegian Air, this song was playing in the background. What started out as an earworm became a song that traveled with us throughout the rest of the year and we now love. It’s also a beautiful song about the power of collaboration.

Jim and Sam – “Bloodstream”

The song is about trusting someone enough to let them see (and help you calm) your panic. It’s also about being there for the person you love in their most vulnerable moments. This song was co-written and produced by one of our best friends, Hustle Standard. HS had surprised us along the tour by attending several shows in LA, New York, and Houston. Knowing he had seen firsthand how we were struggling and changing during the tour, we knew we wanted to collaborate with him for the record.

Grateful Dead – “Brokedown Palace”

We got invited to play a birthday party at a farm filled with alpacas and goats in upstate New York, and were asked to play any Grateful Dead song we knew. Not being too familiar with The Dead we asked a Deadhead friend of ours what song we should cover… with no hesitation they texted back, “Brokedown Palace.”

Lauren Ruth Ward – “Did I Offend You”

We met Lauren playing on the same bill at Echo Park Rising in Los Angeles. We were first to go on that day and no one was in the room except for Lauren and LP. We stayed to watch Lauren’s set and were blown away by her power on stage. Even in the quiet moments she took up all of the space in the room. We’ve been a huge fan of hers ever since… This is one of our favorites.

LP – “Lost on You”

We met LP the same night we met Lauren. About a month later we went to watch her at an intimate venue in LA. We heard her sing a song called “Lost on You” (before it became the global hit that it is now). Jim and I turned to each other as we normally do when we both hear a song we love. About a year later, she was touring all over Europe and asked us to join her for a few shows during our year. After so many days of small and strange venues, playing to a sold out room of 3000 people in cities we had never been to was insane.

Rayland Baxter – “Yellow Eyes”

Something about the sound of this song reminds of the lines on the road when we’re leaving a city we just played in.

Jim and Sam – “Cold Cold Blood” (feat. Good Harvest & Rob Lewis)

A good friend of ours, Jono Hart, was putting on shows in churches throughout the UK. We actually met him right before our tour began. He said to us, “Any time you’re in the UK let me know, and if you need a church or a show, give me a call.” He ended up booking us some of our favorite shows on the tour, and he also gave us the key to this gorgeous church in Stoke Newington, London, to record. In the pouring rain, our friend, composer and cellist Rob Lewis, kindly let us borrow his gear and talent and we recorded this version in about 45 minutes before we had to leave. We then asked one of our favorite duos from Sweden, Good Harvest, to contribute their incredible harmonies to the track about 200 days later in another church, this time in Falun, Sweden. Finally, we had Tyler Chester record guitars in a garage in LA and Ryan Lipman mixed the track somewhere in Highland Park.

William Fitzsimmons – “Second Hand Smoke”

A year after our tour we got invited to support William Fitzsimmons throughout North America and Europe in a few venues we had always dreamed of playing. Picking a favorite from William is hard, but even after 40 nights of hearing his set… we’d usually always stand in the wings to listen to this one.

Tom Petty – “Walls”

Tom Petty passed away during the last month of our tour and became the soundtrack of our final month while driving home. We still quote this song everytime we are having a bad day… “some days are diamonds, some days are rocks.”

Chimney – “Paintings Are the Only Place You Never Lied to Me”

Chimney (aka Dan Molad) is a longtime friend of ours and also the producer of our Yeah Whatever Young Forever EP as well as the soundtrack tracks, “Unravel” and “Saturday Night (Low).” Jim wrote this song with Danny about our mutual friend who passed away. A few months before the tour, Danny had Facetimed Jim asking to help expand on an idea he started. One hour later, the song was finished, and 48 hours later Danny had recorded the song for his debut record.

Indigo Girls – “Closer to Fine”

We often roll the windows down and unapologetically sing this song at the top of our lungs like two high school girls getting ready for choir practice.

Jake Hill & Deep Creek – “High & Low”

Jake Hill is one of our oldest friends and remains a songwriter who is constantly inspiring us with whatever he’s creating. During our tour he hosted us for an event called Supper & Song in Plymouth, Massachusetts, where he would prepare an incredible three-course meal for a room full of people in a building from the 1800s…he would then play a few of his amazing songs and introduce another artist to perform. This was easily one of our favorite evenings on the tour and this is one of our favorite Jake Hill songs.

Jim and Sam – “Witch in a Window”

Upon returning home to LA from the tour we felt some whiplash; we had just emerged from feeling so inspired after having such intimate and real connections with strangers all around the world, then all of a sudden were thrown back into a city and industry obsessed with first impressions and fueled by small talk. Everything felt magnified. We began noticing people morphing into different versions of themselves to fit in or get ahead. We love LA; however, “Witch in a Window” is our tribute to the trickery and disguise the city perpetuates and makes us all believe we have to keep up with.

Rob Lewis – “The Sea”

We first heard this song from our friend Rob Lewis as a demo in his car on a rainy night in London. This song and all of Rob’s music is ethereal, calming, surprising and inspiring. Rob played cello on a few songs on our album and also contributed a few stunning score pieces to the film.

Starship – “Nothing’s Gonna Stop Us Now”

Self explanatory.


Photo credit: Mike Zwahlen

 

The Show on the Road – Run River North

This week on The Show On The Road, we bring you a cross-freeway conversation with a daring electro-roots outfit born and raised in the San Fernando Valley of LA: Run River North.


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Host Z. Lupetin caught up with frontman and lyricist Alex Hwang to discuss how this group of Korean-American friends came together nearly a decade ago (they then called themselves Monsters Calling Home). They found a waiting fanbase who eagerly embraced their masterfully done emotive songs about immigrant family dramas with acoustic instruments and a lush electronic backdrop. Early standout songs like “Growing Up” harnessed their nuanced classical chops and show how large the divide can be between their parents’ and grandparents’ view of America and how it really is for the new generation born and raised in LA.

Gaining notice in Southern California’s coffee shop scene, an unexpected performance on Jimmy Kimmel Live (thanks to a beloved music video they shot in their Honda) shot the band to national awareness. Non-stop touring began in earnest with their gorgeous self-titled rebrand — Run River North got them signed to Nettwerk.

It’s no secret that the band is looked up to in the rarely-represented Asian rock and pop communities, and by 2016 Run River North was playing some of their biggest shows to date at festivals in Japan and South Korea. In 2018, with the realities of the road hitting hard, the group pared down its lineup to what we see today, with founding members Alex Hwang (guitar/vocals), Daniel Chae (guitars/vocals), and Sally Kang (keys/vocals) leading the way.

The last few years saw the band go independent again, and during the pandemic they have put out a flurry of hooky folk-pop gems, like the subversive “Pretty Lies,” that have them cautiously more excited about the future than ever.

Stick around to the end of the episode to hear Hwang present his favorite new single, “Cemetery,” about the off-kilter first date he took his now wife on. Run River North’s new full length album, Creatures In Your Head, will drop early 2021.


 

LISTEN: Ashleigh Flynn & the Riveters, “The Lion and the Lamb”

Artist: Ashleigh Flynn & the Riveters
Hometown: Portland, Oregon, and Los Angeles
Song: “The Lion and the Lamb”
Album: The Lion and the Lamb (Digital 45)
Release Date: October 20, 2020
Label: Home Perm Records

In Their Words: “‘The Lion and the Lamb’ draws from Bible stories as an overlay for the situation we find ourselves in today — enveloped in the COVID-19 pandemic, civil unrest/peaceful protests, the rise in domestic terrorist groups in the US, the devastating impacts of climate change/fires that are destroying our communities… things feel hopeless…. While I am not a religious person, I am a spiritual person, and believe the goodness in the hearts of Americans translating into benevolent action is what will heal us as a nation; that ‘savage and cruel beasts’ find their kind and gentle nature, and work to restore of the world to peace and ‘righteousness.’

“This song (with lyrics by Ashleigh Flynn and Virginia Cohen) and the Digital 45 were recorded remotely, with our guitar player Nancy Luca at the helm of arrangement and production from her home studio in LA. She says this about the song, ‘When Ashleigh sent me her song a few months ago, and as we are all locked down because of the COVID-19 pandemic, we worked hard to bring life to this endeavor despite the distance. The Riveters recorded their parts safe at home on their iPhone or DAWs and I mixed it all in the sonic blender of my session. My hope is that you hear the musical emotion of this wonderful and poignant song. Ready world? It’s ready for you.'” — Ashleigh Flynn

https://soundcloud.com/smashedflynn-1/the-lion-and-the-lamb/s-bI67cGnOGMZ


Photo credit: Kate Flather

The Show on the Road – Mt. Joy

This week we feature a conversation with songwriter and singer Matt Quinn of jangly-pop phenomenons Mt. Joy.

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Much like host Z. Lupetin’s group Dustbowl Revival, Mt. Joy began thanks partially to some Craigslist kismet. After Quinn took the leap from PA to LA and reconnected with fellow guitarist Sam Cooper (who he used to jam with at their high school in Philadelphia), the band found their bassist Michael Byrnes, and Byrnes’ flatmate, producer Caleb Nelson, helped create their infectious breakout singles “Astrovan” and “Sheep.”

While most rising bands might shy away from writing extensively about addiction; or describing Jesus as a reborn Grateful Dead-loving stoner; or examining generational violence and brutality in Baltimore; with some deeper listening, it’s not hard to notice that Mt. Joy’s bouncy, arena-friendly sing-alongs are admirably subversive and often quite heavy below the pop shimmer.

A whirlwind of touring on some of America’s biggest stages followed the resounding streaming success of their first homemade singles, bringing the band from tiny rehearsal spaces and obscurity to the most hallowed festivals in America — like Newport Folk and Bonnaroo — and huge white-knuckle tours opening for The Shins, The Head and The Heart, and The Lumineers. By 2018 their joyous, full-throated rock sound had fully gelled with the addition of Sotiris Eliopoulos on drums and Jackie Miclau on keys. Their catchy and confident self-titled record arrived on Dualtone and seemed to go everywhere at once — with the acoustic-guitar led anthem, “Silver Lining,” surprising the band most of all by hitting #1 on the AAA radio charts.

But, as Quinn mentions early on in the talk, by the time the band released their much-hyped sequel record, Rearrange Us, in early 2020, the group of friends and collaborators were fraying at the seams. Relentless time away from loved ones caused breakups that were a long time coming, and trying to match incredibly high expectations had forced the band to ask themselves what they really wanted out of this new nomadic, whiplash life. Thus Rearrange Us dives courageously into darker shadows than its predecessor. In emotional standout songs like “Strangers” Quinn has an achy-voiced knack for pinpointing that exact moment when good love goes wrong — and how feeding off the endless adoring energy of the strangers he meets in every new town can only sustain him for so long.

In a way, the pandemic-forced time off coinciding with their record gaining steam was a blessing in disguise, allowing Quinn and the band to reflect and recharge. But of course, with a feverish fanbase from Philly to LA waiting, Mt. Joy wasn’t about to rest long. If you’re a fan, you may have noticed that they are currently playing safe, sold out drive-in shows across the East coast and Midwest with more on the way.


Photo credit: Matt Everitt

LISTEN: Delta Spirit, “What Is There”

Artist: Delta Spirit
Hometown: NYC, Brooklyn, Los Angeles, Austin, Montreal
Song: “What Is There”
Album: What Is There
Release Date: September 11, 2020
Label: New West Records

In Their Words: “’What is There’ is an acrostic poem that I wrote for the guys in the band, with each verse directed at a specific person. I wrote the song in the winter of 2018 while living in Oslo. We had just decided to give the band another go and I was feeling sentimental about the journey we had been on since 2005. We were all just kids trying to break into this business. Each of us had been burned by the major label system with other projects. Starting Delta Spirit with my best friends, traveling the world, and playing music that meant the world to us was such an improbable miracle, but then it felt inevitable. There were moments when we lost our way as brothers and as creative collaborators, but since the break, we have found new and better ways to communicate. And that feeling of inevitability is back.” — Matthew Logan Vasquez, Delta Spirit


Photo credit: Alex Kweskin

WATCH: Taylor Goldsmith of Dawes Performs at the Autry Museum in L.A.

In an effort to support the visual and musical arts, especially during a time when we can’t visit museums or concert venues, The Autry Museum of the American West is presenting a music video series featuring intimate, acoustic performances by some of L.A.’s best musical artists, all filmed live on location. The Autry will be unveiling a new performance every two weeks.

The Autry Presents: The Best of Los Angeles, produced by Gia Hughes and filmed by Emmy-winning filmmaker Austin Straub, will feature 20+ minute sets by Los Angeles-based artists Taylor Goldsmith, Gaby Moreno, Aubrie Sellers and Chris Pierce. The musicians will perform alongside artwork and objects on display at The Autry including Bridges by James Doolin, War Music II by Mateo Romero, and a Concord Mail Stage Coach made by Lewis Downing.

Hughes tells BGS, “We’re excited that the first video in the series features the prolific songwriter Taylor Goldsmith, of LA’s hometown heroes Dawes. I’ve been fortunate enough to have seen them in countless live settings over the years, and getting to share this particular performance with Taylor is just as special. You feel like you’re in the room with him and get to hear just how unique and special his songwriting is.”

BGS 5+5: Aubrie Sellers

Artist: Aubrie Sellers
Hometown: Los Angeles, California
Latest album: World on Fire and Far From Home
Personal nicknames (or rejected band names): Aub, Ubrie, Grand Ole Aubrie

Which artist has influenced you the most … and how?

I’m hugely influenced by Buddy and Julie Miller. Their songwriting, production, voices, playing, everything is so incredible and unique. They put so much of their soul into every bit of it. Songs like “You Make My Heart Beat Too Fast” and “Dirty Water” are on my all-time favorites list. If the world of music was filled with with artists like Buddy and Julie, we would be looking at a very different landscape.

What’s your favorite memory from being on stage?

On album release day for Far From Home, I was playing Town Hall in New York with Brandy Clark and Tanya Tucker. I was so excited that my record was out that day, and that I was getting to play with these two incredible artists who I admire. But, I was missing a lot of people who couldn’t be there with me to celebrate. In the middle of my set, I felt a tap on my shoulder, and my first thought was something had gone really wrong because they had been experiencing some technical issues. I turned around and Presley, Tanya’s daughter, was standing there with some flowers for me to make me feel more at home. That’s the first time I’ve ever cried on stage, and I’ll never forget it!

What other art forms — literature, film, dance, painting, etc — inform your music?

I’m a huge movie fan, and I moved to Los Angeles to act. I know music in film has always inspired my music, never more so than on Far From Home. I was listening to a lot of Tarantino soundtracks leading up to making that record, and I think because of my love for films I’m always seeing those visuals in my head when making music. I think it probably also informs my love of production because I love putting together a song in the studio and giving the whole record that cohesive feeling that a lot of art-driven films have.

If you had to write a mission statement for your career, what would it be?

I think the most important thing is to be true to yourself. As an artist, everyone around you has opinions on how things should be done, but you always have to follow your own light. Sometimes just being yourself can burn bridges if people don’t understand it. But, at the end of the day, I know if I don’t do that I won’t end up being proud of what I’m putting out into the world.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Growing up, I often found acting much easier than singing because I could hide behind a character. I don’t find myself doing that with music, most of my songs, if not all, come from a very personal place and being on stage as a frontwoman feels incredibly vulnerable to me. I’m a very sensitive and introverted person, and I can often hide it, but that doesn’t make it any less true to me. I love listening to music that has that raw quality to it, and so I think that’s naturally come into my songwriting.


Photo credit: Rose Carroll

LISTEN: Ted Russell Kamp, “Stick With Me”

Artist: Ted Russell Kamp
Hometown: Originally Hartsdale, New York; now many, many years in Los Angeles
Song: “Stick With Me”
Album: Down in the Den
Release Date: July 24, 2020
Label: PoMo Records

In Their Words: “This is a classic folk song I wrote that was inspired by the music of Nanci Griffith and John Prine. I wrote most of it on my own and then finished it with a good friend and very respected Nashville songwriter Dylan Altman. At the time, we were writing for the same Music Row publisher in Nashville so we did a lot of writing together.

“I married my college sweetheart, but met her just at the tail end of college. Before we knew each other, she had taken a summer-long road trip from New York to Seattle and back with her ex-boyfriend. He didn’t treat her all that well on the trip and later broke her heart. She was very cautious with wanting to start a budding relationship with me when I started falling for her and this song was based on the feelings for her I had at the time. She was running from life and I was trying to find her, comfort her, and let her know I was the one for her. It focuses on the running and our very human attempts to comfort the people we love and our wishes to work through barriers of insecurity and loneliness. Especially in crazy times like these, being compassionate and loving and creating deeper relationships is our way to a better life.

“I recorded this song while I was on tour in Europe six or seven years ago. (It’s one of the oldest songs on the record). The basic tracks were done on a day in between gigs in Finland, and the band on the recording is the band I still play with every time I go back to Finland to tour: Tommi Viksten and Tokela on guitar and Janne Haavisto on drums and percussion. All of these players are deeply respected and talented in their own country and they are on par with some of the best musicians I’ve ever played with. We cut the track live at E Studio in Helsinki. I then sang my final vocal take and added Hammond organ later that day. When I got home to the US, I asked my friend, Eric Heywood (Son Volt, Ray LaMontagne, the Pretenders) to play pedal steel and that’s the recording.” — Ted Russell Kamp


Photo credit: Karman Kruschke

WATCH: Distant Cousins, “Angelina” (Live)

Artist: Distant Cousins
Hometown: Los Angeles, California
Song: “Angelina”
Album: Here & Now
Release Date: June 5, 2020 (single); June 26, 2020 (album)
Label: Jullian Records

In Their Words: “A few months back, B.C.E (Before Coronavirus Era), we rented out one of our favorite studios for the day and we recorded and filmed it all — nine songs in the day. The vibe in the room was really special. All day long, our musician friends kept coming and going to lend their special talent to our music. It’s hard to believe that that was just a few months ago. Now it all feels like a dream. Certain songs ask for a feeling of intimacy and ‘Angelina’ felt like it needed just that. We found a quiet moment somewhere towards the middle of the day while no one else was around and in the dimly lit room, the song almost played itself. We are very pleased with the result and love how our director, David Schlussel, captured that sense of intimacy that the song represents to us.” — Distant Cousins


Photo credit: Ehud Lazin

Watkins Family Hour Find a Silver Lining in Work From Home Livestream

By the time Sean and Sara Watkins were about to launch a new Watkins Family Hour album and national tour, the live music industry (and life in general) got turned upside down by the sudden need for social distancing and sheltering at home. It could have been a major blow for the band, considering that they have built the WFH brand through live, multi-artist performances at the Los Angeles club Largo.

Nevertheless, the siblings are used to making decisions on the fly, so they put their heads together and figured out how to keep the spirit of their famous Watkins Family Hour shows intact. The result? Work From Home, a livestream series on Zoom every Thursday in May that begins at 4 pm PT. (However, your ticket purchases allows you to watch whenever it’s convenient for you.)

A portion of all ticket sales benefit MusiCares’ COVID-19 Relief Fund. Artists such as John C. Reilly, Mandy Moore & Taylor Goldsmith, Ruston Kelly, The War & Treaty, Mandolin Orange, Mike Viola and Tré Burt have all confirmed appearances for the series.

During an afternoon phone call, Sean and Sara shared the silver lining of virtually introducing their new album, titled brother sister, to the world, and the satisfaction that comes with launching a successful livestream.

https://www.instagram.com/p/CALW2u_heFt/

BGS: What kind of vibe did you want to capture in this Work From Home series?

Sara: We wanted to try and give people the sense of some kind of normalcy. Maybe if people are sitting at home in front of their TVs or their computers watching it, maybe they can for a second forget that they’re not able to go to shows and enjoy some of the genuine back-and-forth that would happen at a normal Family Hour show. It’s been really nice so far having these moments on screen to catch up with our friends and just connect, in a way, because a big part for everyone’s isolation is that feeling of disconnect.

It’s been surprising to both Sean and me how good it feels to do these shows. We’re putting a lot of thought into the shows and learning how to do them on the tech side. They’re live, so there’s a little bit of a countdown. It’s been a nice, familiar rhythm of, “OK, we’ve got to get ready! We’ve got 15 minutes!” Getting everything ready and making sure we have all the things we need — the set list, any notes we have to ask the guests, and then it starts! And we’re live!

That’s a huge part of our life when we’re working, and then afterwards, it’s a release. And it feels good to play these songs. So, on a selfish level, it’s so nice to have that familiar rhythm. The greater hope is that we’re able to share the genuine camaraderie that we have with other musicians and with each other, and to commune in these very strange times, and to hopefully give company to everyone else who’s in their own isolation.

https://www.instagram.com/p/CAD8eyHh7VP/

The banter makes the viewer feel like they’re part of the conversation, too.

Sara: Yeah! That’s what we hoped for. In the first week, we were able to ask for requests and do one of them, and that’s nice. But instead of chatting with people on this particular series, we’ve just been trying to play a show.

Sean: One thing that we always aim to do at Family Hour is to bring an element of what goes on backstage onto the stage. And a big part of what goes on backstage is conversations about music and life. There’s a tendency to have this onstage personality, or way of talking about things, and an offstage version. I think we’re trying to blend those two. There’s good stuff that gets talked about backstage. A lot of it can be boring for most people but a lot of it can be really interesting.

Sara: The thing about Family Hour is that every show is different, and typically there are a lot of guests coming on and off stage, so there’s not really room for a script, or even a rhythm. So, that has taught us that we need to be prepared and nimble, and to be professional, but in a way that feels natural and honest with the relationships we have with the musicians on stage. This is something that we really care about — these conversations — and we don’t want to fake moments on stage with our guests. We want to have genuine interaction. And a lot of audience members want to see what we genuinely care about, and talk with our friends about.

What has been the reward for you in seeing this Work From Home livestream come together?

Sean: Just being able to do a show for people and see that they’re listening, and hear back from them. A lot of the comments are from people saying where they’re listening from. Typically when we do our shows, it’s just LA people that are coming to Largo, so that’s really a cool aspect of doing these online. We did a fair amount of work and preparation for these shows, and when they go off, especially with technology in play, it feels really good to get to the end of it and to have done it! We’ve done two of them and it felt really good. It felt like walking off stage, kinda. [Laughs]

Sara: We’re learning new things about mediums every week and ways that we can make it look better and sound better. Sean is always trying to up the sonic level, but it sounds really good and it’s nice to be able to have a reason to practice different things, learn different things. The cyclical rhythm is really pleasing and I love that people are building us into their week. It seems like people either have all the time in the world, or no time at all, during this, and it takes an effort to carve out an hour in your day, so I really love that and appreciate that.


Photo credit: Jacob Boll