LISTEN: Balsam Range, “Richest Man”

Artist: Balsam Range
Hometown: Haywood County, North Carolina
Song: “Richest Man”
Release Date: May 8, 2020
Label: Mountain Home Music Company

In Their Words: “Who has not thought about being the richest man? But what defines being rich? To have a life without regrets is easier said than done. The sacrifices made for gain can seldom be undone. The things lost and those won will only show with time. The old saying ‘You can’t take it with you’ comes to mind when I hear ‘Richest Man’ and the theme resonates throughout the song as it states, ‘We’re all going out the same way that we came in…with nothing. So why in the world are we always worried about nothing, for nothing?’” — Buddy Melton, Balsam Range

Crossroads Label Group · Balsam Range – Richest Man

Photo credit: David Simchock

BGS 5+5: American Aquarium

Artist: American Aquarium
Hometown: Raleigh, North Carolina
Latest album: Lamentations

Answers provided by BJ Barham

Which artist has influenced you the most … and how?

I can confidently say that I wouldn’t be the songwriter I am today if it weren’t for the discovery of Bruce Springsteen and his music in my early twenties. A friend played me Nebraska and I was floored. Must have listened to that album for a month straight. He was one of the first artists I have a clear memory of hearing and saying, “I want to do that.”

He writes these elaborate short stories set to music. The songs are expansive and cinematic. The characters are all people we know personally. Intimate snapshots into the lives of the working class. He speaks the universal language in a way not many people will ever be able to. There is something so simple, yet so complex about the way he tells stories. I don’t trust a songwriter who says they aren’t a fan of Springsteen.

What other art forms — literature, film, dance, painting, etc — inform your music?

I read a lot. I usually prefer fiction, but I’ll occasionally do a deep dive into a music-related autobiography. I tend to go for Southern writers and gravitate to the darker side of the genre. My songs take place in the darker corners of the Southern experience, so it doesn’t surprise me that my literary taste tend to go there as well. Faulkner, O’Connor, Harper Lee. The greats are what sucked me in.

I’ve been reading a lot of Cormac McCarthy, David Joy and Barry Hannah as of late. There is a familiarity of place that I really enjoy about them. I think a lot of the flaws in the characters of my songs are a direct result of the books I read in my leisure time. In my lifetime, literature has informed so much of what I know about people, I would be lying if I said it didn’t have an effect on me as a writer.

What was the first moment that you knew you wanted to be a musician?

The first time I played songs in front of people I was hooked. I was double majoring in political science and history at NC State University with every intention of going to law school after my undergraduate work. Then I fell in love with songs. I remember the first show like it was yesterday. Me and some friends from high school played (horribly) at Tate Street Coffee in Greensboro, North Carolina, in front of about 20 people. I was hooked. I became a student of every aspect of the trade. Songwriting. Performing. Business. There was no looking back after that first show. I had found my calling.

If you had to write a mission statement for your career, what would it be?

I played a lot of sports growing up and every time I would complain about a loss or another player just getting a “lucky” shot, my father always said that “luck was the product of hard work” and that is something that has always stuck with me. Work Hard. Get Lucky. It’s so simple, yet so profound. I have those words tattooed across my chest to remind me every morning that luck is not just something that happens to people. There’s a really great quote about luck being the intersection of hard work and opportunity. I think that was what my Dad was trying to say all those years ago, just a little less poetic.

When I started this band back in 2005, I knew I wasn’t the best writer. I knew I didn’t have the best voice. The one thing I did have control over was how hard I was willing to work. I truly believe that willingness to outwork anyone that was better than me is the only reason that I am where I am today. I get to earn a living from writing songs and playing them for people because I dedicated myself to the craft of songwriting and refused to take no for an answer. Some friends always say that I’m so lucky to be able to play music for a living. I just smile and silently thank my father for the lessons he instilled in me at such an early age.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

When I first started writing songs, they were extremely detailed and autobiographical accounts of my youth. The partying, the mistakes, the love lost. As I got older, I started moving more toward character based fictional narrative. Don’t get me wrong, there’s a little bit of myself in every single one of my characters. Some more than others. I believe it’s important to always add those dashes of personal experience into the songs. It makes them more believable to the listener and allows you to fall into those characters as you perform these songs every night.

The fiction is where you have the ability to make the songs universal and not just about you. The bigger picture versus the guy looking back at you in the mirror. I think part of the craft of songwriting is learning that balance. The greats came out of the gate with that gift. The rest of us had to learn it the hard way. It took me quite a few years to stop writing about the person that I currently am and start writing about the better versions of myself that I hope to become.


Photo Credit: Cal & Aly

LISTEN: Zoe & Cloyd, “Where Do You Stand”

Artist: Zoe & Cloyd
Hometown: Asheville, North Carolina
Song: “Where Do You Stand”
Release Date: May 8, 2020
Label: Organic Records

In Their Words: “‘Where Do You Stand’ is a commentary on the state of our national discourse. Often, it’s the farthest ends of the political spectrum that make the news and it seems like inflammatory rhetoric is the only thing that gets heard these days. I’d like for us to remember that we’re all connected and are more alike than we are different, no matter who tries to convince us otherwise. For us to move forward, we have to find common ground on which to build a path toward a sustainable future.” — John Cloyd Miller

Crossroads Label Group · Zoe & Cloyd – Where Do You Stand

Photo credit: Sandlin Gaither

BGS 5+5: Chatham County Line

Artist: Chatham County Line
Hometown: Raleigh, North Carolina
Latest album: Strange Fascination

Answers by Dave Wilson (songwriter/vocalist/guitarist)

Which artist has influenced you the most … and how?

This is a tough question and a hard one to pin down to just one artist. As a songwriter I believe that one needs to pick up inspiration from all facets of the world and in every way possible. Personally I am in awe of those artists who can follow their muse sometimes to the detriment of fame and fortune. I believe a true artist is driven by an inner guiding artistic force, a force that pushes them to create something new and miraculous, with no thought to the consequences. David Lynch is an artist that I really admire for this quality. When you are in the presence of his work, you feel connected not only to the piece of work but also the mind behind it, the artist themselves, and I believe that to be the linchpin of true artistic work.

What’s your favorite memory from being on stage?

I don’t know if it is a favorite, but we had an unforeseen moment at a show in Portland, Oregon. Four songs into the first set, the monitor engineer let me know that a woman in the audience was having a medical emergency. In order to stop the show gracefully and take the attention away from her situation, I told the audience that I had ripped a hole in the seat of my pants and we would take a short break to fix it. The paramedics swooped in and were able to administer aid to her and the audience was distracted by the fool on stage. Live performance is a strange business to be a part of, but you must be prepared and willing to turn on a dime for anyone and anything.

What other art forms — literature, film, dance, painting, etc — inform your music?

I believe that film is one of the greatest treasures that modern technology has given to man. The ability to tell a story, to elicit an emotional response by playing with light and sound is an amazing thing. I’m continually awed at the way that the genre is pushed and pulled to play with the conventions of the medium. I love that even in the early and very technologically limited days of cinema, someone like Georges Méliès was already manipulating the camera and the film stock to play with his audience. In this age we live in I pray that real cinema can survive and folks will still go to the theatre. Much like live music, it needs to be experienced with others and when everything clicks, its power is undeniable.

What was the first moment that you knew you wanted to be a musician?

I was away from home one summer at some sort of camp that intermingled folks from different socio-economic backgrounds in a very thoughtful way. I was taken by the experience and wrote a little song about it. The response I got from my fellow campers when I played the song on the last night was something I will never forget. Someone told me that I should be a songwriter and I laughed it off. It still seems like a dream today to actually have followed that once unimaginable path.

Which elements of nature do you spend the most time with and how do those impact your work?

I’m an avid cyclist and try and get out for a couple of long rides every week. I find something about the solitude of cycling and the rhythm have a real meditative and restorative quality. That seems to help reset me a little bit if I am living a little too much in my head. Although I did write one of CCL’s most popular tunes while mowing my grass so who knows?


Photo credit: York Wilson

LISTEN: Aaron Burdett, “Dirt Poor”

Artist: Aaron Burdett
Hometown: Saluda, North Carolina
Song: “Dirt Poor”
Release Date: April 17, 2020 (watch the teaser)
Label: Organic Records

In Their Words: “‘Dirt Poor’ is about nostalgia and hope and the passage of time. We’re all doing the best we can with what we have each day, and trying to look ahead and plan, but for the most part we’re all adding up tiny decisions and moves day to day with the hope that they add up to something we want in the end. My family moved into an old summer cabin in the woods in Saluda in 1979, when I was four and my brother John was a newborn. My brother Joseph was born a few years later. This song is in part about my parents and our family and my experience growing up there, but it’s also about their friends and the community in aggregate. It was a simpler time. Or at least I think it was. That’s another element of this song I hope comes across: our perception and memory of times past. The nostalgia element, if you will.” — Aaron Burdett


Photo credit: Sandlin Gaither

WATCH: Saro Lynch-Thomason & Sam Gleaves, “1920”

Artist: Saro Lynch-Thomason & Sam Gleaves
Hometown: Asheville, North Carolina
Song: “1920”
Album: I Have Known Women
Release Date: May 1, 2020
Label: Strictly Country Records

In Their Words: “This song was written to keep us mindful of the strong herstory of resisting oppression in the U.S. and to celebrate the centennial of the ratification of the 19th amendment. As this song states, ‘So much has changed. So much remains.’ There is much more work to be done before all U.S. residents are welcomed to participate in the democratic process. We hope that this song will serve as a reminder of the many generations of inspiring women who have brought us to this point in time, and inspire those in the present to keep fighting for justice and representation.” — Saro-Lynch Thomason and Sam Gleaves


Photo credit: Ben Bateson

LISTEN: Fireside Collective, “Bring It on Home”

Artist: Fireside Collective
Hometown: Asheville, North Carolina
Song: “Bring It On Home”
Album: Elements
Release Date: March 20, 2020
Label: Mountain Home Music Company

In Their Words: “We love all genres, especially funk. Getting to show that side of our band is always fun and a nice break from bluegrass, which we also love. Carson and Jesse worked a lot on getting the bass line as groovy as possible and I think they succeeded in making this one extra funky!” — Tommy Maher, dobro

“‘Bring It On Home’ is a great example of what can be done with bluegrass instruments outside of the bluegrass groove. The song begins with a unison riff before branching out into a funky groove with tight harmonies and tasty fills and solos to match. While it doesn’t land in the bluegrass groove, this song is a great example of where the genre is heading.” — Alex Genova, banjo


Photo credit: Heather Hambor

LISTEN: Carolina Blue, “Grown Cold”

Artist: Carolina Blue
Hometown: Brevard, North Carolina
Song: “Grown Cold”
Album: Take Me Back
Release Date: June 19, 2020
Label: Billy Blue Records

In Their Words: “‘Grown Cold’ is the lead single from our forthcoming album, Take Me Back, on Billy Blue Records. I wrote the song specifically for Tim Jones to sing, and boy, does he deliver! What makes this song ideal, in my opinion, is that it’s different from anything that’s out there today, and that was intentional on my part as the songwriter. It really fits our motto of ‘Original yet Traditional.’ As a band, we want the listeners to be able to identify our music the moment that it comes on the radio, and I think we will be successful, not only with ‘Grown Cold,’ but with every track on the album. Hope you all enjoy it!” — Bobby Powell, Carolina Blue


Photo credit: Corey Johnson Studios

BGS 5+5: Jonathan Wilson

Artist: Jonathan Wilson
Hometown: Forest City, North Carolina
Latest Album: Dixie Blur

What other art forms — literature, film, dance, painting, etc — inform your music?

Painting more than others really, I’ve always admired the visual arts so…..I want to be a great painter and the painters want to be a musician…….

What rituals do you have, either in the studio or before a show?

The studio ritual is weed, the live ritual is multi-faceted: setlist, vocal warm-up for good luck, a tequila onstage and voila.

Which elements of nature do you spend the most time with and how do those impact your work?

I live in nature and have for most of my recording career, it’s hugely important, the moon, the sunsets, they inspire new work, they make everything feel meaningful and magical … I live in the woods.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

A Gjelina dinner with Neil Young is on my bucket list.


Photo credit: Louis Rodiger

WATCH: Darin & Brooke Aldridge, “Emmylou”

Artist: Darin & Brooke Aldridge
Hometown: Shelby, North Carolina
Song: “Emmylou” (First Aid Kit cover)
Album: Inner Journey
Label: Rounder Records

In Their Words: “When we were choosing songs for this album project, Brooke and I were poring through YouTube videos looking through Emmylou Harris songs, when this tune popped up. We immediately were drawn to it and decided to record it.” — Darin Aldridge

“The song seemed perfect for us as a couple that makes music together. There’s not a day that goes by that Darin and I don’t share a smile and wonder how we got lucky enough to find each other. Years of searching and praying for that exact moment when love would find us. Little did we know what started out as the same musical goals and ambitions would bring our hearts together in a marriage and a career of music.” — Brooke Aldridge


Photo courtesy of Darin & Brooke Aldridge