LISTEN: Jesper Lindell, “If There Comes a Time”

Artist: Jesper Lindell
Hometown: Ludvika, Sweden
Song: “If There Comes a Time”
Album: Twilights
Release Date: March 18, 2022
Label: Brunnsvik Sounds

In Their Words: “I wrote ‘If There Comes a Time’ around March 2020 and together with ‘Living Easy’ they are the first songs I wrote for what came to be Twilights. ‘If There Comes a Time’ is probably my own personal favourite on the album, because of what the words mean to me and just the overall vibe we managed to get on that song. And I hope people are going to like it and the whole album as much as all of us who recorded it do. And I guess I can only speak for myself when I say that recording Twilights is the most fun I’ve ever had playing music, but I think everyone in the band feels somewhat the same way at least. And I hope that shines through in the songs as well.” — Jesper Lindell

Rootsy · 02 If There Comes A Time

Photo Credit: Emilia Bergmark-Jiménez

Basic Folk – Suz Slezak (David Wax Museum)

Suz Slezak is one half of the extremely talented, thoughtful and kind folk band David Wax Museum. Suz, along with her husband David, have been touring and performing their Mexican inspired, Americana folk act since 2009. Along the way, the two got married, had a couple of kids and settled pretty finely into the pandemic with bi-weekly and then weekly live streams. All the while, Suz has been living with her bipolar disorder, which has impacted her life in incredibly unbelievable ways.

 

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She’s also been pretty vocal, especially lately, about how she interacted with her brain health, mental health and treatment for both of those elements, which includes her intense journey with medications. Her Instagram is filled with brutally honest posts about the difficulty of finding meds that continuously help her stabilize her brain. She’s also very willing to share stories from the times where it didn’t matter what prescriptions she was on.

On her new album, Our Wings May Be Featherless, Suz is addressing her life from the perspective of a person who is bipolar, a mother, a touring musician and a creative person. She digs into the power of acceptance, traumatic birth, and grief. In our conversation, we talk about what a special musician she is and how she’s been able to cultivate and keep a childlike wonder alive through her playing. This conversation is heavily rooted in Suz’s journey with her bipolar disorder and you’ll learn a lot about her experience, as she is very open. She addresses the choice to share her experiences publicly and how the sharing impacts her. About the album, she says, “I hope you will also hear the way that a song, or any piece of art, can transform haunting pain into sounds and rhythm, allowing it to finally diffuse. I have needed to make this record for a long time. The relief I feel that it is finally emerging into this physical realm for you to enjoy is immense.” SUZ!


Photo Credit: Tristan Williams

LISTEN: Edgar Loudermilk, “The Deal That Won’t Go Down”

Artist: Edgar Loudermilk Band
Hometown: Eastanollee, Georgia
Song: “The Deal That Won’t Go Down”
Album: The Dark Side of Lonesome
Release Date: March 18, 2022
Label: Rural Rhythms Records/Green Hill Music

In Their Words: “This is a song that I wrote with Zack Autry one night while traveling through the beautiful state of Colorado. We were driving out of Denver on I-70 during a snow storm and saw these big canyon walls. This immediately put us in the mindset to write a western-style cowboy song. It’s about a roving gambler who falls in love with a girl at one of his regular stops. He finds betrayal and catches himself in a bit of trouble.” — Edgar Loudermilk


Photo Credit: Paris Mountain Photography

LISTEN: MacKenzie Grant, “Coffee and Wine”

Artist: MacKenzie Grant
Hometown: Syracuse, New York; Nashville, Tennessee
Song: “Coffee and Wine”
Album: Wonder World
Release Date: March 18, 2022
Label: Blackbird Record Label

In Their Words: “I think a marriage or any long-term committed relationship can start to feel like a fever dream, especially when you’re young and have little kids. If you and your partner are struggling, add in sleepless nights and exhaustion, you are just surviving for a while, in the trenches, coping. ‘Coffee and Wine’ is about pulling back from those situations, maybe after years, to take stock of what the state of your partnership really is. So many people I know, including myself, have been through a divorce. It’s heartbreaking to see how you both have been coping with everything as best you can, with whatever crutches you might have used, and you finally just realize that it’s not going to work. This song is about that moment of realization, coming up for air in the midst of things, and processing the grief and loss of what you hoped for in a marriage and facing the truth that it’s over.” — MacKenzie Grant


Photo Credit: Bram Fairhead

BGS 5+5: Matt Andersen

Artist: Matt Andersen
Hometown: Perth-Andover, New Brunswick, Canada
Latest Album: House to House
Nicknames or Rejected Band Names: No nicknames, none that I’m aware of anyway… No real rejected band names either. The first band I was in was called Stubbyfingers. Loved that name and loved the people I played with.

What’s your favorite memory from being on stage?

It was my second tour with Stuart McLean and The Vinyl Cafe. We were making our way across Canada playing all of our largest cities as part of his annual Christmas tour. As the tour was coming to an end, I was lamenting to Stuart how I really wished that my parents would be able to catch the show, but didn’t see it happening as my dad had never been in a plane, and wasn’t keen to ever be in one. We had two shows coming up in Ottawa at the National Arts Centre, a venue that holds around 2,500 people. After passing the phone to Stuart during a call home to my folks one night before a show, he convinced my dad to get on the flight and come see me play. On show day at soundcheck, we got my mum up on stage to sing a song with the band. After seeing that, Stuart decided he’d surprise mum and get her up to sing during the show. Standing beside my mum in that room in front of a sold-out crowd was, and still is one of my favourite moments. It was a beautiful melding of where I came from and where I was.

What rituals do you have, either in the studio or before a show?

Not so much of a ritual, but more of a headspace I like to get in. I love having a quiet room to myself a good 15 or 20 minutes before a show. No distractions or decisions, just a space of time before I hit the stage. If there is an opener on the bill I’ll pop out to check out a song and see if I can get a sense for the energy in the room. If I’m the opener I’ll stick my head out and have a listen to the crowd as they come in. I can often get a feel for them just by listening to the bustle as they get themselves situated. Other than that, I change my strings before every show. More of a necessity than a ritual, but I sometimes feel like that’s my equivalent of a morning coffee before stepping into the office.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

If I try to enjoy a meal and a performance at the same time I find it takes away from both experiences for me. I’m too caught up in the music to really focus on the food that has been prepared and I end up missing the subtle nuances of a song when my head is down searching for the best approach to my plate. For me, the best pairing would be Bonnie Raitt with just her voice and a guitar in a room that is just slightly too warm and small enough that I could hear her voice as much off the stage as I could through the speakers. A generous pour of a peaty scotch would be the perfect accompaniment. After the show… steak and eggs.

What has been the best advice you’ve received in your career so far?

“Always be the worst musician in your band.” A friend/bandmate told me this years ago when I first started going out on my own. I’m not sure if it’s something that he learned himself, or if it’s a wisdom that was passed down to him. I’ve always surrounded myself with musicians that I have to work to keep up with, musicians that inspire and challenge me. It’s a comfort to be on a stage and know that the only person I need to worry about making a mistake is myself.

What was the first moment that you knew you wanted to be a musician?

Music was something I just grew up with. My grandfather was a big influence, as well as my mother. Many other family members played and folks in the community. Whenever there was a gathering at the house, there was music. It was something I did more to fit in and be a part of the family than anything. I never really thought about being a musician. Music has always been there for me. I do recall however the day that I decided to take a swing playing music full time. I’d been gigging on weekends while working through the week at a factory making frozen dinners and fruit pies. One day they called me into the office and gave me the option of putting on a beard net or shaving my sideburns. I gave them my two weeks’ notice.


Photo Credit: Scott Doubt

Basic Folk – Maya De Vitry

Maya De Vitry released her third solo record, Violet Light, earlier this year and I, for one, am happy that my fiancée has a new Maya record to play endlessly in our house. Lol jk. I love Maya and this album is perfect. Maya’s originally from Lancaster, Pennsylvania, where she lived and met the members of her old band The Stray Birds. Since the dissolution of the Birds, she’s been incredibly prolific with all these solo albums, co-writes and the like. If you’re not familiar, this record is a great intro to the genius of one of the greatest musicians on the scene today. The vibes I’m getting on this record are John Prine, Patty Griffin and, of course, Gillian Welch & Dave Rawlings. We. Are. Digging. IN!

 

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I’m so happy Maya was up for going through this beauty of a record track by track! It’s a brilliant collection that subtly knocks you to the ground over the course of its eleven songs. Produced at home with her partner, the much in-demand bassist and producer Ethan Jodziewicz (The Milk Carton Kids, Sierra Hull, Aoife O’Donovan, Darol Anger, Tony Trischka), Violet Light actually contains a ton of collaborations from Maya’s extensive musical community. This includes her own family; her siblings all collaborated for the very first time on tape for the song “Real Time, Real Tears,” about losing a favorite uncle. Yeah, you try not to cry during that one. Anyhoo. It feels like a gift to be able to turn these songs over and over, contemplate their meaning, their creation and then be able to talk directly to the brains behind it all. I implore you to check out this whole episode and then go buy Maya’s new album, preferably on Bandcamp. Support an independent artist whose music is meaningful and worth getting paid for. She’s a once in a lifetime artist.


Photo Credit: Laura Partain

WATCH: Geneviève Racette, “Maybe” (Live)

Artist: Geneviève Racette
Hometown: Montréal
Song: “Maybe”
Album: Satellite
Release Date: March 18, 2022
Label: InTempo Musique

In Their Words: “‘Maybe’ is the first song we released off my third full-length record, Satellite. It’s also the first one I wrote for it. It definitely set the tone for the rest of the album. I wrote it with two of my best friends: Danielle Knibbe and Barbra Lica. We were sitting in our friend’s kitchen just talking about our love lives and ended up writing and singing about it. The song is basically about hazy nebulous relationships. Friends or more than friends? What are we? The video was shot in Lachine’s Honkytonk Danse Country. There aren’t many honky-tonk bars in Montréal let me tell you! It was such a pleasure to sing there.” — Geneviève Racette


Photo Credit: Eva-Maude TC

WATCH: Caroline Spence, “Clean Getaway”

Artist: Caroline Spence
Hometown: Charlottesville, Virginia; Nashville, Tennessee
Song: “Clean Getaway”
Album: True North
Release Date: April 29, 2022
Label: Rounder

In Their Words: “This song is meant to be a cathartic, windows-down, feel-good and feel-bad anthem to sing at the top of your lungs as a way to honor yourself while owning your flaws — it’s for those folks that are still working through their baggage and might need a little help celebrating who they are in the meantime. This song absolutely came out of the lockdown in 2020, a time when none of us had the luxury of being able to hide from ourselves. I think I thought that time off the road would make me a different person in a certain way, but things didn’t get easier with more time, they just got pulled more into focus because you are all that is left when everything else falls away.

“In the video, we wanted to show the lighthearted part of my experience with my Saturn Return — entering a new phase of adulthood where you can actually make space for your inner child instead of running from them. We used home movies of me as a kid to show this. I got to see that my interests and personality really haven’t changed much at all. I think I thought I’d be different by the time I hit 30 and the Saturn Return ended, but it left me exactly where I started, with just with more acceptance of who I am deep down.” — Caroline Spence


Image Credit: Kaitlyn Raitz

WATCH: Mark Joseph & The American Soul, “Early Riser”

Artist: Mark Joseph & The American Soul
Hometown: Minneapolis, Minnesota
Song: “Early Riser”
Album: Vegas Motel
Release Date: November 19, 2021

In Their Words: “‘Early Riser’ is a really special song to me and writing it and recording it was truly a joy. It was a concept I came up with early one morning and developed into a beautiful vehicle for Ryan Young (Trampled by Turtles) to create his amazing melodic and harmonic fiddle soundscapes. In some ways I feel like I wrote this subconsciously for Ryan. When we started tracking it in the studio, (co-producer) JT Bates and I just looked at each other and knew we had something very special. It came together very naturally and showcases the genuine brothership and 20 years of history that Ryan and I share together. Enjoy! Thank you for listening!” — Mark Joseph


Photo Credit: Brent Snyder

LISTEN: Elliah Heifetz, “Keep the Grass in the Ground”

Artist: Elliah Heifetz
Hometown: New York City
Song: “Keep the Grass in the Ground”
Album: First Generation American
Release Date: April 1, 2022

In Their Words: “Written within a week of John Prine’s passing, ‘Keep the Grass in the Ground’ is a tonal ode to one of my biggest heroes. I’ve learned so much about life and how to best live it from John’s lyrics, advice I wish I’d heard as a kid… so this song is basically an imagined conversation where I’m giving my younger self that advice. The thought is, we should follow our instincts, pursue our dreams and urges, open our hearts, let the tears fall when they come, and take the risks we need to. But never, ever at the expense of anyone else. It’s important to appreciate beauty, and just as important to know when to leave it be. I start every chorus with: ‘Take a stone, throw it; take a leaf, blow it; take a drive when the night sky’s good n’ glowing; Aw, but never grab a smile and pull it down.’” — Elliah Heifetz


Photo Credit: Angelina Castillo