WATCH: Stillhouse Junkies, “Never Going Back Again”

Artist: Stillhouse Junkies
Hometown: Durango, Colorado
Song: “Never Going Back Again”
Album: Small Towns
Release Date: September 9, 2022
Label: Dark Shadow Recording

In Their Words: “‘Never Going Back Again’ was always on our short list of cover ideas and it felt like a natural candidate for the lone cover slot on our Small Towns album. The 1977 Lindsey Buckingham song was a fun challenge to arrange for the trio since it’s essentially just a fingerpicked guitar riff to start with. We changed the groove and added some melodic interplay between the fiddle and guitar over Cody’s backbeat bass line and came up with what we think is a fresh take that still honors the spirit of the original.

“Given the source material, it only seemed appropriate to make a video that looked and felt unlike anything we’d ever done before. Our amazing creative team of Hanna Irene (Hanna Irene Motion Pictures) and Renee Cornue (Renee Cornue Studio) came up with a concept that captured the funky, retro vibe of the song and used a stop motion technique to create a unique aesthetic that fit our reworked two-and-a-half minute arrangement perfectly. We shot the video in one day in an old gymnasium in Green Mountain Falls, Colorado, as part of an artist residency at Green Box Arts. We’re absolutely thrilled with the outcome and can’t wait to share it with the world.” – Stillhouse Junkies


Photo Credit: Renee Cornue Studio

WATCH: Stillhouse Junkies, “1963”

Artist: Stillhouse Junkies
Hometown: Durango, Colorado
Song: “1963”
Album: Small Towns
Release Date: April 7, 2023 (vinyl)
Label: Dark Shadow Recording

In Their Words: “‘1963’ was written only a few months after I moved to Durango, Colorado, from New England where I had left behind a high school teaching career. I was feeling nostalgic and more than a little uncertain about what my new life would look like in the mountains, and tried to tap into that feeling to write one of the earliest Stillhouse Junkies songs. It’s the story of someone who, looking back at the ups and downs of life, is OK with what was and what never came to be, and has made peace with lost love. The song is also a not-so-subtle tribute to single malt whiskey in all its glorious complexity. Like a 15-year-old Scotch, life does seem to become richer with age and experience and that has been something of a mantra (and consolation) for me as I’ve navigated a new life in music.” — Fred Kosak, Stillhouse Junkies


Photo Credit: Madison Thorn

Rising Bluegrass Artists Hear Something Special in Yamaha Custom FG Guitars

Bluegrass music is based in tradition, yet every guitarist brings their own touch to the genre. Among a new generation of acoustic musicians, Yamaha Custom FG guitars have become a welcome addition on stage and in the studio. From the design to the tone to the overall feel, Yamaha Custom FG guitars bring out the best in these players, who have been making their mark in bluegrass music. Within mere moments, they have noticed the attention to detail and craftsmanship of Yamaha’s Senior Acoustic Guitar Builder Andrew Enns and his team.

Fred Kosak of Stillhouse Junkies plays a custom Yamaha FG made to complement his musical approach in a variety of settings. Hailing from Durango, Colorado, the band won an IBMA Momentum Award for Band of the Year in 2021, and they have continued to build their fan base through touring, especially in Colorado and Utah.

“I’ve long believed in the power of the connection between instrument and player,” Kosak says, “and that’s why I’ve worked with custom builders over the years to imagine and build instruments that suit my individual attack, style, and taste and with which I feel an immediate bond. My custom Yamaha FG is no exception: from the first strum I knew that Andrew Enns had created something special. He captured a sonic signature and vibe that I could take on stage with me in any situation knowing it would respond exactly the way I wanted it to. Yamaha has taken a ground-up approach to design and rolling out this new line of acoustics that I think is very player-centric and unique for a larger manufacturer, and the results are easy to see in every instrument they’ve produced.”


West Virginia musician Jake Eddy, a 2022 IBMA Momentum Instrumentalist of the Year nominee, has played music professionally since he was a teenager. In addition to touring in bluegrass songwriter/fiddler Becky Buller’s band, he’s recorded an album of fiddle tunes on guitar. He played his new Yamaha custom FG prototype at the Fretboard Summit.

“The new guitars being built by Andrew Enns at Yamaha are great!” Eddy says. “My old D-18 will always be a part of my life, but this guitar has really squeezed its way into my musical world. It feels and sounds how a mahogany guitar should. Lightweight, and fast!”


Theo MacMillan had his heart set on acoustic music from an early age, playing in churches and local talent shows as a kid. He surrounded himself with bluegrass as a college student in Kentucky before moving to Nashville after graduation. The versatile musician (who also plays fiddle) presents his original music through performing as a solo singer-songwriter as well as singing with his younger sister in the Theo & Brenna Band. He says he’s been pleased with his Yamaha Custom FG for a variety of reasons.

“Since I got the FG from Yamaha, I’ve been pleasantly surprised at how great it sounds plugged in. This is a new experience for me (playing live with the pickup) and it has significantly affected my live performances. I’m a big fan of the tone that the FG is capable of even when it’s plugged in. Andrew and I talked about giving it extra low and high end (more of a scooped eq) — the result was a guitar very capable of acoustic lead and bass-y rhythm. I’m finding it to be my guitar of choice if I’m playing duo shows or solo for a songwriter round, although it definitely holds its own for pure bluegrass rhythm playing. In addition to the sound, the guitar is absolutely gorgeous. I get comments on its aesthetic all the time.”

 

 

 


Jordan Tice is a member of progressive bluegrass band Hawktail and also performs with Yola. His fifth album as a solo artist, Motivational Speakeasy, puts his voice and his guitar front and center. Based in Nashville, Tice is eagerly awaiting his Yamaha custom FG to be completed and delivered.

“I really enjoyed playing that new Yamaha FS model with mahogany back and sides for my Fretboard Summit show in Chicago,” Tice says. “It had the features I love from old Yamahas combined with high quality materials and modern boutique craftsmanship. It had quite a nice range but remained balanced and focused and I was also impressed with the depth of the tone — a good amount of low end without feeling muddy, tubby or unclear. It plays very nicely too — love the feel of the neck and it had a very nice string tension. A lot of great music has been made on Yamaha guitars over the years and hearing them take these styles to the next level is really cool. I would play that guitar all the time both live and at home if I had it.”


As a singer-songwriter, Isaac Horn from The Arcadian Wild believes that a guitar’s rosewood back and sides can “hug the voice and create this really wide, open area that you can sing into.” Upon first seeing the prototype of his own Yamaha custom FG, Horn noticed a design on the fret overlays that he had never seen before. He also admired the beauty and elegance of the rosette, the purfling, and even the pickguard. The Adirondack top of the guitar was also shaved down to allow for the quiet playing that Horn sometimes prefers.

“It was really reassuring because I knew that Andrew and the team were making choices that were really creative and intentional,” he says in a video interview about the guitar. “My expectations have been exceeded for sure.”


Editor’s Note: Read our Q&A with Senior Acoustic Guitar Builder Andrew Enns and see how Yamaha Guitars have guided numerous well-known musicians to their signature sound.

WATCH: Cody Tinnin, “No Man for Workin'”

Artist: Cody Tinnin
Hometown: Durango, Colorado
Song: “No Man for Workin'”
Album: Perennial
Release Date: March 26, 2021
Label: Western Yoke Records

In Their Words: “No Man for Workin’,” from my debut solo album Perennial, is the tale of two prospectors in the Rocky Mountains of Colorado in the late 19th century: a murder ballad with a twist. Clawhammer banjo and high tenor vocals, recorded on vintage analog recording gear, help convey the darkness that dwells within the song’s protagonist. ‘No Man for Workin” is an original composition that captures the lo-fi familiarity of a classic old-time ballad. The song’s video also documents the Perennial home recording session with Jon Atkinson of Bigtone Records. Perennial is a snapshot into my personal study of clawhammer banjo, old-time, and my lifelong relationship with music. Years before I joined Stillhouse Junkies and became a full-time musician, my grandmother Mary Bartee told me that she believed music was my true calling. It has taken some time and searching to find my path as a musician but in the past few years, I believe I have finally found what it is I’m supposed to do in this life. Turns out, Grandma was right.” — Cody Tinnin


Video produced by Rees Gibbons. Photo credit: Renee Cornue

The BGS Radio Hour – Episode 189

For the first time, we are so excited to bring to you the BGS Radio Hour in podcast form! Since 2017 the BGS Radio Hour has been a weekly recap of the wonderful music, new and old, that we’ve covered here on BGS. Check back in every Monday to kick your weeks off with the best of BGS via the BGS Radio Hour.


LISTEN: APPLE MUSIC

Shemekia Copeland – “Clotilda’s on Fire”

Highly awarded modern blues artist — and our current Artist of the Month — Shemekia Copeland brings us a new release, Uncivil War, offering us a number of topical songs with perspectives on gun violence, LGBTQ+ rights, and more.

StillHouse Junkies – “Mountains of New Mexico”

Colorado-based StillHouse Junkies bring us a classic murder ballad inside an ode to the American West.

Marc Scibilia – “Good Times”

Recent 5+5 guest Marc Scibilia brings us a song from his new release, Seed of Joy.

Leyla McCalla – “Song for a Dark Girl”

Leyla McCalla (who you may know from folk supergroup Our Native Daughters) brings us a song from her new Smithsonian Folkways re-release, Vari-Colored Songs: a Tribute to Langston Hughes.

My Darling Clementine – “I Lost You”

UK-based duo My Darling Clementine brings us a new interpretation of an Elvis Costello/Jim Lauderdale co-write.

The Caleb Daugherty Band – “Daylight’s Burning”

The Caleb Daugherty Band pays tribute to Aubrey Holt of the acclaimed Boys From Indiana with a cover of “Daylight’s Burning.”

Madison Cunningham – “The Age Of Worry”

Madison Cunningham is back on BGS with a brand new EP, Wednesday, an interpretation of a handful of cover songs chosen by the California-based singer, songwriter, and guitarist.

Adam Hurt – “The Scolding Wife”

“Clawhammerist” Adam Hurt was a recent feature on Tunesday Tuesday with a solo gourd banjo rendition of “The Scolding Wife.”

The Avett Brothers – “Victory”

Everyone’s favorite roots music brothers — that is, the Avett Brothers — are back with The Third Gleam, a follow up to the first and second Gleam EPs. Much like their earlier sounds, the new record is stripped down, with timely discussions of gun violence, mortality, and the human condition. Check out our conversation with Scott, Seth, and Bob Crawford.

Jeff Cramer and the Wooden Sound – “Aimless Love”

Denver-based singer-songwriter Jeff Cramer brings us an edition of The Shed Sessions along with his band the Wooden Sound, and a wonderful tribute to the late, great John Prine.

Max Gomez – “He Was a Friend of Mine”

Regular friend of BGS, Max Gomez brings us a timely, social justice-inspired song.

Mipso – “Your Body”

Pop string band Mipso is just one of so many great North Carolina groups that we’re proud to feature this month in our Made in NC playlist for #NCMusicMonth!

Julian Taylor – “Love Enough”

Julian Taylor was the guest of honor on our most recent episode of Shout & Shinea series that serves as a platform for Black, Brown, Indigenous, Asian, LGBTQ+, and disabled musicians, who are so often marginalized in genres to which they’ve constantly contributed.

Tony Trischka – “Carry Me Over The Sea”

Quintessential banjo legend Tony Trischka was featured this week with a new single from his 2021 release, Shall We Hope, that also features Irish singer Maura O’Connell.

Susan Werner – “To Be There”

Like many, Susan Werner is currently hoping for better times. And better times is what this Carter Family-inspired number is all about.


Photo credit: (L to R) Tony Trischka by Zoe Trischka; Shemekia Copeland by Mike White; Leyla McCalla by Rush Jagoe.

WATCH: Stillhouse Junkies, “Mountains of New Mexico”

Artist: Stillhouse Junkies
Hometown: Durango, Colorado
Song: “Mountains of New Mexico”
Album: Calamity

In Their Words: “‘Mountains of New Mexico’ is an old-school murder ballad about misunderstood victim vs. outlaw, but it’s also an ode to the great wildernesses of the American West and their ability, even in the Information Age, to humble us as they have since the beginning of time. And what better backdrop for this kind of tale than northern New Mexico’s Bisti Badlands, a sun-scarred, alien landscape of hoodoos, gullies, and maze-like washes. The August sun limited our video shoot schedule to early morning and sunset, and the light was nothing short of magical; the song’s windswept climax came to life in a way we had scarcely imagined. ‘Mountains of New Mexico’ is a reminder that trading one kind of trouble for another doesn’t always work in our favor.” — Cody Tinnin, Stillhouse Junkies


Photo credit: Renee Anna Cornue