Tag: tennessee

LISTEN: Dom Flemons, “Hot Chicken”

Posted on by Editor

Artist: Dom Flemons
Hometown: Phoenix, Arizona; now living in Washington D.C.
Song: “Hot Chicken”
Album: Prospect Hill: The American Songster Omnibus
Release Date: February 28, 2020
Record Label: Omnivore Recordings

In Their Words: “In 2012, I was in Murfreesboro, Tennessee, doing a tintype photo session with photographer Bill Steber. Knowing that I was in the area for a few days, Bill recommended that I try one of the best-known regional dishes, hot chicken. After the session, I made my way over to the strip mall in East Nashville, Tennessee, where Prince’s Hot Chicken, the original restaurant, was located. I was fortunate to have my friend Bill prepare me for what I was about to encounter with this amazing dish. He explained that it would take me on a mystical journey if I ordered the extra hot. So, I decided to indulge in the medium-hot flavor and I was instantly inspired to write this song.

“This hokum song is reminiscent of the 1930s era of music that was developed by songsters like Thomas A. Dorsey, Tampa Red, Bo Carter, and Papa Charlie Jackson. Songs like these use small lyrical vignettes to frame a chorus that has a free changing meaning throughout each verse. The vignettes I’ve created incorporate a lot of animal imagery and parables, which is a strong part of early African American music and folktales. This version from What Got Over (a 2015 EP released for Record Store Day) features my vocals and harmonica accompanied by a muscular guitar vibe from Guy Davis. Here’s something I shared in my podcast about the song in a special bonus episode of American Songster Radio.” — Dom Flemons, The American Songster

Photo credit: Timothy Duffy

Logan Ledger Adds ’70s Style to Film Noir Flair

Posted on by Justin Hiltner

I met Logan Ledger at Santa’s Pub in Nashville, sometime late in the winter of 2016. It wasn’t long after that I first heard his voice — one I would never forget and can always identify. Part of me would love to tell you to imagine Ray Price dropping acid with The Grateful Dead on a misty San Francisco day, through the lens of a film noir feature. All of me, however, implores you to listen to his music and dream up your own visuals, which is easy to do when listening to his wonderful, burgeoning body of work.

These photographs (I hope) capture a small slice of the magic he and his music hold. We shot these somewhere in Tennessee. — Laura Partain

Logan in ’70s Levi’s “Action Slacks” and vintage zip boots.

Logan with a Madcap vintage mock turtleneck and the Levi’s “Action Slacks” with vintage zip boots, on a bridge “somewhere in Tennessee.”

Logan in a vintage Montgomery Ward suede, fringe jacket and a vintage “Career Club” shirt, circa 1970s.

Logan in a Jefferson turtleneck sweater and a vintage, double-breasted jacket made for the James Davis Store for Men in Memphis, Tennessee.

Logan’s Jefferson turtleneck sweater and vintage, double-breasted jacket from the James Davis Store for Men, in color.

Button and lining detail of Logan’s James Davis Store for Men double-breasted jacket.

Logan in the Jefferson turtleneck sweater, vintage, double-breasted jacket, and vintage slacks, circa 1970s.

All photos by Laura Partain

Exclusive: Bluegrass Underground Reveals Season X Lineup

Posted on by Editor

The Bluegrass Situation is pleased to announce the artists for Bluegrass Underground’s milestone Season X on PBS. From March 27 through March 29, the Bluegrass Underground TV taping from The Caverns in Pelham, Tennessee will treat music fans to performances by the finest in roots music and Americana.

This special 10th anniversary taping features cutting-edge singer-songwriters Cam, Yola, Courtney Marie Andrews, and Sam Lewis, and harmonious duos Mandolin Orange and three-time Grammy-nominated Milk Carton Kids, as well as legends like Asleep at the Wheel and Blind Boys of Alabama, and rising stars like bluegrass phenom Molly Tuttle, groove-driven jam band Goose, and psychedelic soul group Black Pumas, plus a surprise act to be announced in the coming weeks.

Jam-packed into one epic weekend of underground concerts, the performances will be captured for the 10th anniversary of the multiple Emmy Award-winning Bluegrass Underground series on PBS. To be in attendance at the 3-day live taping event is a music lover’s ultimate experience. The milestone Season X will premiere in the fall of 2020 on PBS stations nationwide.

“It’s amazing that Bluegrass Underground is the second-longest music series on American Public Television,” says Todd Mayo, Bluegrass Underground creator and co-producer. “And we look forward to the next 10 years of partnering with PBS in presenting the quality and diversity of roots music from one of the most iconic music destinations in the world, The Caverns in Grundy County, Tennessee.”

Three-Day & Single-Day Tickets go on sale on Friday, November 22 at 11 am CT at TheCaverns.com

Here’s the lineup for Bluegrass Underground Season X PBS TV Taping in The Caverns:

March 27:

● Molly Tuttle: An artist on the leading edge of bluegrass music, steeped in tradition while driving the genre forward in today’s musical landscape.

● Goose: This New England band’s mix of rock, funk, tropical grooves and extended jams will turn The Caverns into a subterranean dance party.

● Cam: From a GRAMMY nomination to headlining the Ryman Auditorium, this multi-platinum country singer-songwriter is a force to be reckoned with.

● Asleep at the Wheel: Ray Benson has now been leading a Western Swing band longer than Bob Wills, and he brings his iconic group to The Caverns for their 50th Anniversary Tour. Historic.

March 28:

● Sam Lewis: Best-known for touring and collaborating with Chris Stapleton (who helped inaugurate Bluegrass Underground in 2008), this singer-songwriter is one of the defining talents of modern Americana.

● Courtney Marie Andrews: Powerful vocals, passionate songs from one of today’s finest singer-songwriters.

● The Milk Carton Kids: One of Americana’s best live acts, the duo of singer/guitarists Kenneth Pattengale and Joey Ryan combine close harmonies, wonderful original songs and humor.

● TBA: Bluegrass Underground will be announcing the day’s fourth artist in coming weeks. Who doesn’t love a surprise?

March 29:

● Blind Boys of Alabama: A rousing Sunday in The Caverns with the five-time GRAMMY Award-winning gospel group that helped create the genre.

● Black Pumas: Austin, Texas is known for its dynamic live music scene. Black Pumas are the city’s leading soul/funk band. Enough said.

● Yola: Demolishing genre with her evocative voice and debut record Walk Through Fire, Yola establishes herself as the Queen of Country Soul from the very first note.

● Mandolin Orange: Intimate and emotional, the music of multi-instrumental duo Emily Frantz and songwriter Andrew Marlin draws you into their world with a sound that floats like a butterfly, but speaks to the heart.

While the national festival season remains in hibernation, Bluegrass Underground and The Caverns will welcome spring to the rolling hills of Tennessee with its unique, world-renowned combination of top artists, award-winning sound and lighting production, and breathtaking natural beauty, creating an underground festival experience like none other. Bluegrass Underground events feature a clean and comfortable, fan-friendly environment, complete with high-quality concessions and beverage offerings, including craft beers.

Tickets & travel packages and Stay-and-Cave hotel packages make for a perfect and easy getaway weekend. Packages include the best seats to all tapings, lodging accommodations for two, transportation to and from the venue, food, and commemorative merchandise. There is no better way to experience the Bluegrass Underground tapings than a Stay-and-Cave package. Packages and tickets will go on sale on Friday, November 22nd at 11am central at TheCaverns.com

Bluegrass Underground is underwritten on PBS by Tennessee Tourism and by Grundy County, Tennessee. The 12-episode series is presented to PBS nationally in partnership with WCTE in Cookeville, Tennessee, which serves the Upper Cumberland and Middle Tennessee.

LISTEN: John Bowman, “Silverthorn Mountain”

Posted on by Editor

Artist: John Bowman
Hometown: Hendersonville, Tennessee
Song: “Silverthorn Mountain”
Album: The Hole
Release Date: September 27, 2019
Label: Mountain Home Music Company

In Their Words: “Last summer, some friends and I were rehearsing for a show at the Wilson County Fair. He said, ‘Let’s do “Silverthorn Mountain.”‘ I knew Merle Haggard had written it and it was a good song. I told my buddy that I was thinking about recording it, and I’m glad I did. I love this simple song about a man who has a checkered past and the piece of land that brings him so much joy and peace. The song also shows Haggard’s love of country and the fact that he received a second chance at life. This is the first ‘bluegrass’ song I’ve cut since the last CD I made with the Boxcars.” — John Bowman

Photo courtesy of Mountain Home Music Company

The Estate at Cherokee Dock: Nashville’s Stately Gem

Posted on by Justin Hiltner

Just outside of Nashville, Tennessee, on the shores of Old Hickory Lake, is a stunning 13-acre estate whose crown jewel is The Estate at Cherokee Dock. Early this summer, the BGS team was fortunate enough to be invited to stay on the premises for our annual company retreat and work session, bringing together our staff in Los Angeles and Nashville for a relaxing, productive, and beautiful few days on site, which is most famous for being the former residence of country legend and BGS favorite, Reba McEntire. Our team spent three days, dividing up the themed bedrooms among us — all inspired by legends like Garth Brooks, Johnny Cash, Loretta Lynn, Willie Nelson, Dolly Parton, and of course, Reba.

As an events hub, the 13,000-square-foot Southern Colonial home’s most popular use now is hosting all-inclusive weddings. Yet the sprawling space — replete with stables, a guitar-shaped swimming pool, a well-equipped game room, gorgeous grounds and gardens, and oh-so-much more — also hosts corporate events, film and photo shoots, community concerts, mixers and networking parties, and just about any other function you can imagine. After two full days of BGS planning, creating, and brainstorming of course we made time for a 90s country karaoke sing off, a Skee-Ball tournament, some hot tub time, a small gathering of friends, and even some pickin’.

Although the surroundings are opulent, the comfortable vibe of the home lends itself surprisingly well to meetings, whether teams are seated around the large dining room table, or (in our case) simply gathered in a circle of couches and chairs in the sunny living room. Most of the time, we either gravitated to the inviting kitchen and its huge island, or carried our lunch plates out to the patio. There are enough areas of the home to still have privacy when the laptops are powered down and phones silenced for the day, too. Although BGS staffers are always on the go, the Estate at Cherokee Dock makes it easy to just stay put and enjoy some valuable time together.

For all of you fans of beautiful architecture, Middle Tennessee’s beauty, and our goddess, Reba, take a journey across The Estate at Cherokee Dock in photographs. And, make plans to visit for your own retreat, no matter the occasion.

All photos by Laura E. Partain

LISTEN: Matt Woods, “Drive-Thru Town”

Posted on by Editor

Artist: Matt Woods
Hometown: Knoxville, Tennessee
Song: “Drive-Thru Town”
Album: Natural Disasters
Release Date: June 28, 2019
Label: Lonely Ones Records

In Their Words: “After spending the better part of the last decade criss-crossing this country, I feel like I have watched many towns literally start to dwindle to little more than a corporate box store and fast food restaurants. Meanwhile, the people living there struggle to navigate their new reality, out of opportunity and resources. I have met those hanging on to hope and those who feel like there is little hope left. This song attempts to capture that reality.” — Matt Woods

Photo credit: Chad Cochran

LISTEN: Kelly Hunt, “Across the Great Divide”

Posted on by Editor

Artist: Kelly Hunt
Hometown: Memphis, Tennessee
Song: “Across the Great Divide”
Album: Even the Sparrow
Release Date: May 17, 2019
Label: Rare Bird Records

In Their Words: “This song came to me on a street corner. I was on a run when the inkling of a melody struck me. I remember singing it into into my phone’s voice recorder to capture the thoughts as they came. It’s a song that took me by surprise and managed to say everything that needed saying in that moment. Pure catharsis. I went into the studio just a couple weeks later and recorded this take.” — Kelly Hunt

Photo credit: Lori Locke

LISTEN: Sarah Spencer, “Little One Bedroom”

Posted on by Editor

Artist: Sarah Spencer
Hometown: Nashville, Tennessee
Song: “Little One Bedroom”
Release Date: April 12, 2019

In Their Words: “‘Little One Bedroom’ is about being lazy in love. I wrote it for my husband — more accurately, the first part of the song is for him. By the bridge, we’ve moved away from our life together just a bit, and into fiction, because I wanted to tell a certain story. So it’s all autobiographical up to that point. But the song makes me think of cold Sunday mornings with him, wanting to stay in bed all day. That kind of free day where you don’t have to do anything for anyone else except just be in love with each other. I’ve pitched this song to other artists quite a few times but I’m glad it never stuck. It’s always been an important one to me. And I’m thrilled that Todd Lombardo’s beautiful arrangement gets to be shared now.” — Sarah Spencer

Photo credit: Sarah Spencer

WATCH: Bill and the Belles, “That’ll Be Just Fine”

Posted on by Editor

Artist name: Bill and the Belles
Hometown: Johnson City, Tennessee
Song: “That’ll Be Just Fine”

In Their Words: “We’re excited to share a new side of Bill and the Belles, a bigger, moodier, more decade-ambiguous sound! We wanted to nod toward early R&B and girl group pop vocals (think early Sam Phillips-era Sun Records, the Shangri-Las), while growing our instrumental backdrop with the introduction of stride piano and drums. Working with Bristol’s Big Tone Records was a thrill: we’re no strangers to vintage recording methods, and we think the warmth and depth of recording to tape really suits us. In the glow of fluorescent lights in an unmarked building in Southwest Virginia, the Big Tone studio accomplishes something remarkable: each microphone, each piece of furniture, even the clock on the wall carries a story, and with ‘That’ll Be Just Fine,’ we’re working to carry that narrative forward.” –Bill and the Belles

Photo credit: Nico LaRoche-Humby

Nefesh Mountain, “Eretz’s Reel”

Posted on by Justin Hiltner

For forty years now the Station Inn has lurked in Nashville’s Gulch, carrying the bluegrass banner in a town with pop country and cover bands to spare, while condo high-rises, wine bars, rooftop lounges, and organic groceries have sprouted up around the small, unassuming stone club. On any given night of those forty long years a bluegrass fan or a nonchalant passerby could step through the door and expect the best in bluegrass and old, real country. Luckily for every roots music fan in the universe, that fact is still true — and will be for the foreseeable future.

What one would not, perhaps, expect upon entering the Station Inn is vocals sung in Hebrew, or bluegrass songs based on Jewish traditions and turns of phrase. But on a recent evening, these were the sounds wafting from that fabled stage, as Nefesh Mountain performed songs from their new album, Beneath the Open Sky. It’s not as though bluegrass as a genre isn’t already predicated upon subverting expectations — it’s arguably a core precept of the form — but an average Station Inn patron might still be surprised by the Jewish-infused, modern ‘grass of Eric Lindberg, Doni Zasloff, et. al. “Eretz’s Reel,” an instrumental off the new record, is a less overt example of their Jewish perspective, but brings in a transatlantic flair, Tony Trischka-esque melodic turns, and a potent dose of originality and imagination. On the record, bluegrass phenoms Sam Bush, Jerry Douglas, and David Grier lend their talents to the track, but live at the Station, Lindberg stands apart as the imagineer and linchpin of this stripped-down version of the tune.