In August earlier this year, BGS was on hand for the latest edition of Park City Song Summit in Park City, Utah. An intentional and unique event focusing on songwriting, songcraft, singer-songwriters, and more – like mental health, community, wellness, and thought leadership from a musical and artistic perspective – PCSS is a premier event. It’s certainly one-of-a-kind, and in so many ways.
This year, the lineup included artists like Nathaniel Rateliff & the Night Sweats, Mavis Staples, Larkin Poe, Tank and the Bangas, Steve Poltz, Duane Betts, and many more, as well as programming like song summits, sound baths, and panels, conversations, and dialogues.
Beautiful Park City is the perfect home for such a festival, with stunning natural surroundings, an excellent art scene, incredible food and restaurants, but a relatively cozy and small-town feel.
This year at PCSS, photographer Mario Alcauter shot a series of gorgeous portraits of many artists on the PCSS lineup. For BGS, Alcauter collects a handful of his favorite shots and subjects, sharing his thoughts on each.
Check out the photographs below – featuring artists and songwriters Cimafunk, Primera Linea, Sean Marshall, and Jobi Riccio – and make plans to join us in Utah for Park City Song Summit next year, August 14 to 16, 2025.
Cimafunk
Mario Alcauter: “Channeling Cimafunk’s vibe – bold, soulful, and effortlessly cool, just like those iconic shades. This is something I wanted to capture with the short time I had with him. His music isn’t just sound; it’s a whole aesthetic.”
Primera Linea
Mario Alcauter: “Photographing Primera Linea, I wanted to capture their raw, collective energy – young, grounded, and proud of their AfroCuban roots, fused with New Orleans funk. Each member brings their own style, yet together they stand as a united ‘First Line’ from Havana, ready to share their vibrant sound with the world. This shot shows their casual confidence and the pride they carry as they redefine tradition.”
Sean Marshall
Mario Alcauter: “Shot Sean Marshall by an ice machine – low-key and real, just like his blend of folk, indie, and country. His music is as honest and I wanted to capture that in this environment.”
Jobi Riccio
Mario Alcauter: “Capturing Jobi Riccio – authentic, grounded, and a bit rebellious, just like her music. Her songs weave together folk and Americana with a fresh, honest voice, and this outfit – bold stripes, red boots, and all – perfectly reflects that. I wanted this shot to feel like her sound: down-to-earth yet striking, with a personality all its own.”
Mario Alcauter is a Mexican photographer based in Utah who focuses on combining fashion and documentary-style images.
Since 2013, The National Parks have embodied their name in a way few other bands can. In fact, they’ve made a mission of translating the breathtaking majesty of the outdoors into awe-inspiring roots pop – music that ends up like oxygen for the soul, especially if you happen to be lost in a concrete jungle.
A Provo, Utah-based quartet featuring Brady Parks, Sydney Macfarlane, Cam Brannelly, and Megan Parks, the band have explored all over the stylistic trail map in the past, but their new LP Wild Spirit (out August 23) marks a return to base camp. Back to resonate wood-and-string soundscapes, soaring harmonies, and rivers of rushing energy. These days, their brand of upbeat jangle pop is brighter, more encouraging, and more connected to the rhythm of nature than ever.
Speaking with BGS about Wild Spirit’s creation, primary songwriter and guitarist/frontman Brady explains where the mix of uplifting vibes and down-to-earth instruments comes from – and why the group’s new tunes feel like sunrise after a long night.
You’re 10+ years into the band at this point. How’s everybody feeling creatively these days?
Brady Parks: We’re feeling really good. I feel like this new album was kind of just a beautiful process, start to finish. It was, in a way stepping back to our roots – a little more folky, there’s some country elements, some bluegrass, and so it really just feels like rediscovering us. It was just a really fun project to do.
Once you get that far down the road, at some point you have to loop back around and remember what you were doing in the first place, right?
Totally. I mean, we’ve definitely dipped our feet into going more pop at times, and including those elements, so it was fun to bring everything we’ve done over the course of our career back to our roots.
Tell me a little bit about those roots. You seem to capture these natural themes and sounds within the music – the sway of trees in the wind, the rush of a river. Has that always been with you?
Totally. I feel like nature has always been a huge part of my songwriting. I grew up in Colorado and living in the mountains, I just loved it. I was outside all the time. And now living Utah for the last 13 or so years, just being surrounded by so much natural beauty, I tend to find a lot of parallels between love and life and nature, and how it all comes together.
I think it’s always been really inspiring to me musically – and also not musically, just in general. So I think it’s always naturally played a role in our music. And then over the years as we kind of discovered who we are more and more and more with each project, I think it’s become a bit more intentional. We want our music to inspire people to get outside. We want to capture what it feels like.
What do you think is so intriguing about that connection between nature and the human soul? Is there wisdom in slowing down and just learning to look around?
Yeah, and this is something that we talk about all the time as a band when we’re feeling overwhelmed, or depressed, or anxious, or anything. The thing that grounds us the most is getting outside, and it helps us recenter ourselves. I don’t know, I think when you’re out on a hike or you’re out in nature doing something, your soul kind of connects to something bigger than yourself, and it helps you breathe again. I think that’s a big thing for all of us in the band.
Wild Spirit arrives August 23. Tell me, from the band’s perspective, what do you think makes this one a little bit different?
I think this album comes from a lot of soul searching, a lot of going through different personal things. This album captures what it’s like to get lost, and then what it feels like to find yourself when you’re lost. … When I was writing this album, I was working through all those things that I’ve been going through and kind of had this picture in my mind of a forest at night and being lost in it, and what it is to be terrified in this darkness, this unknown, this uncertainty. But also when you’re lost, the daylight comes and you start hiking up and you get different vantage point, and you see things clearer and see the beauty in the journey of it all.
During the writing process, was there a moment where things started to coalesce?
There was definitely a moment pretty early on that we kind of hit on, “This is what the album is, this is what it’s going to feel like, this is what it’s going to narratively be about.” And that was when I was writing “Wild Spirit.” I actually wrote that in Nashville, and it was just one of those writes that was super inspiring and [I] walked away from it really excited to re-listen to this song a million times. I sent it to the band after – I actually sent a group of songs – and that was the one song that everyone was like, whoa, “Wild Spirit.”
Tell me about “Timber.” I love mixing the natural theme with the romantic idea of falling like a tree in love. Where did that come from?
That was written as a love song to my wife Megan, who plays violin in the band. It was a song about letting go of anything that was holding me back and not in our relationship, but I mean, just candidly, we’ve been going through some stuff with our faith and our journey in that aspect. And yeah, this was a song about letting go of everything we’ve known and trust falling with each other, and just realizing that this is what is important to us – our relationship and each other. And that’s all. You just kind of let go of the roots that hold you and fall, and I think there’s a lot of beauty in that.
There’s some wonderful duet harmony on “Where You Are.” Can you tell me where that song came from?
“Where You Are” was a song I wrote about feeling kind of stuck in between places. Sometime I feel this “in-between” in life, coming out of something and moving into something else. Like antsy to get going again, and it was a song I wrote to myself like, “Hey, you can get where you’re going, but it’s okay to be where you’re at right now.” So it’s kind of a song about knowing that one day you’ll get to where you need to go, but it’s okay to not be there.
How about “Scenic Route”? This one is really beautiful to me and lyrically full of natural references. Spiritually speaking, do you tend to choose the scenic route? Or are you more of a direct to the point kind of guy?
I would say I’ve been a direct to the point kind of guy most of my life. And now I feel like more on the scenic route of things, just enjoying life, enjoying the things that matter and trying to slow it down. “Scenic Route” actually is one of the first songs I wrote for the record when I was still trying to figure out thematically what to do, and I really wrote it about Meg and being on a journey together. No matter what hard times we go through, again, it’s about leaning on the person that matters most to you and slowing it down and just enjoying life, even through uncertainty.
Big picture, I’m just wondering what you hope people take away from this one?
I just hope this album in particular can help people that are feeling lost, that are feeling confused, that feel stuck. I hope they know that they’re not alone and that it’s okay to be where you’re at. And then I also hope it can uplift musically. A big part of our brand and messaging is to inspire people to look at the world around them, to get outside and see the beauty in life. So I think those would be the main takeaways.
[Editor’s Note: In September 2023, fine art photographer Erika Goldring (Getty Images, New York Times, Billboard) was on hand at Park City Song Summit in Utah to document the music and wellness event. Below, enjoy selections from her PCSS photographs and her reflections on this one of a kind gathering of songmakers.]
All in all, what moved me about Park City Song Summit was seeing artists and fans connect in a different way — more intimate shows, the opportunity to ask questions. We’re all just trying to make our way through this crazy world. Song Summit has created a community for those of us in the industry to have open and honest conversations about navigating personal struggles. – Erika Goldring, photographer
When I first heard about Park City Song Summit, I was like, “This is where I need to be!” It’s more than a music festival, it’s four days of music AND wellness! It’s a chance to take a deeper dive into the lives of the musicians I love, whether it’s hearing about someone’s creative process or what they do to maintain sanity on the road. No one is afraid to talk about mental health and recovery, and this is where the magic lies for me.
To see an artist do a solo acoustic set who doesn’t usually do that is always a treat. You know you’re getting something different. When Lukas Nelson sat down at the keyboard to do the title song of his last album, A Few Stars Apart, I got goosebumps — it felt so intimate and vulnerable. He did a few covers at the end of his set, including Pearl Jam’s “Breathe” and the Grateful Dead’s “Ripple.” I loved it, the audience loved it, we all joined in singing, and it was lovely to see him enjoying himself.
I first met Harold Owens at Imagine Recovery in New Orleans when MusiCares invited Ivan Neville to tell his recovery story. I have crossed paths with him many times since then. He’s helped a lot of people with substance abuse issues get into treatment.
Elliott Adnopoz, aka Ramblin Jack Elliott, a cowboy folksinger. The first time I saw him was on Arlo Guthrie’s Ridin’ on the City of New Orleans tour, post-Hurricane Katrina. He’s 92 years old and still at it! He sat in with Bob Weir for a cover of Bob Dylan’s “I’ll Be Your Baby Tonight.”
I was thrilled to see Caroline Randall Williams (right) announced as a panelist with Adia Victoria (left) and Celisse (center). She wrote a piece early on in the pandemic about Confederate monuments that really made me think in a different way. These are smart and eloquent women talking about the blues and loving every minute of it.
Emily Lichter has a great spirit. Not only did she speak about managing artists, but she also brought Leta Herman from Alchemy Healing Center and speaker Ruthie Lindsey to Song Summit. Hilary Saunders subbed for Marissa Moss as moderator, due to an illness, and did a great job.
I would say Steve Poltz is a stand-up comedian first and a songwriter second. He wrote “You Were Meant for Me” with Jewel. I met him about 20 years ago when he was still drinking. He’s sober now and his stories are hysterical. I left his panel with a smile on my face and then went to watch him teach people how to write songs. I have no musical abilities. I don’t know how to play any instrument and would not even know where to begin to write a song… maybe lyrics, but definitely not music. This creative process is foreign to me even though music is my life!
At 40, Danielle Ponder quit her job as a public defender to launch a career in music. She is a reminder to be brave and follow your dreams. She can command a crowd with her voice, sometimes delicate and sometimes roaring. While shooting the second photo, I saw this halo of light appear the very moment she belted out “Run!” during her cover of Radiohead’s “Creep” that ended her set.
I love a songwriter round – the joy in this hootenanny was infectious! This round featured Danny Myrick, Travis Howard, Aaron Benward and Matt Warren.
Darryl “DMC” McDaniels, half of Run DMC, was in Park City to celebrate 50 years of hip hop. While we were all watching Run’s House on TV, DMC was in rehab for addiction and depression. The first photo is another shot when I saw the light surrounding him in an intense moment of rap.
DMC and Chuck D of Public Enemy onstage discussing the first 50 years of hip hop. These two guys toured all over together in the ’80s and ’90s, so they know each other well. I loved seeing them enjoy each other’s company while talking about their hugely successful careers.
Celisse loves you. She has such a beautiful smile and she let it rip on that guitar!
Bob Weir is the artist I was most excited to see at PCSS. The Grateful Dead were the soundtrack to my college years. I loved the album Blue Mountain and was excited to see what the Wolf Bros had in store for us on Saturday night. I love this photo, because he actually looks like he’s smiling.
The first time I saw Brittney Spencer, she opened for Jason Isbell in Detroit, Michigan. She joined Isbell and the 400 Unit to cover the Rolling Stones’ “Gimme Shelter” and nearly knocked me on my butt. The woman is a powerhouse! She joined Bobby for “Looks Like Rain” and showed all her tender glory. It was beautiful.
JD Souther, come on! This guy wrote or co-wrote some of the Eagles biggest hits. He also joined Bobby on stage for “Heartache Tonight.”
Devon Gilfillian was part of Sunday morning’s Biscuit and Jam benefitting Café Momentum, a restaurant and culinary program designed to teach teens involved in the juvenile justice system life skills so they don’t end up in jail again. Devon’s warm heart and soulful voice was a good compliment.
I think the only times I’ve seen Even Stevens have been in someone’s living room on a Sunday afternoon in Key West, playing hit after hit that I grew up listening to in the ’70s, many for Eddie Rabbit. “I Love a Rainy Night,” “When You’re in Love With a Beautiful Woman,” “Drivin’ My Life Away,” and “Step by Step,” to name a few. Kenny Rogers’ “Love Will Turn You Around.” Pop country classics!
Collaboration, connection. Negah Santos plays with Jon Batiste, but ended up in Park City as the guest of another participant. They added her to the Eric Krasno show on the mountain with Dumpstaphunk and some New Orleans horn players. She fit like a glove.
If you know me, you know I love Cuba and Cuban music. I’ve been traveling to Cuba for 20 years so I am always excited to see Cimafunk. The first time I saw Erik, the lead singer, was in Havana with an all-star band called Interactivo. It was March 2016 and I was in Havana to see the Rolling Stones. This band brings a mix of funk, hip hop, Cuban, and Afro-Caribbean music to the stage that will get you moving.
Tony Hall and Steve Poltz traveled all over the world together as part of Jewel’s band during the height of her career. Tony was performing with Eric Krasno & Friends on Saturday night of the Summit. It was mostly New Orleans musicians from Ivan Neville’s band, Dumpstaphunk, plus Anders Osborne and Negah Santos. I spotted Poltz in the crowd rocking out when Tony Hall stepped off stage to let Ben Anderson take over on bass. This photo is just a moment captured — two old friends running into each other. I honestly don’t think I’ve ever seen Tony smile like this.
All photos courtesy of Erika Goldring. Lead Photo: Eric Krasno & Friends perform at Park City Song Summit 2023.
Artist:Ira Wolf Hometown: Montana Album:Rock Bottom Release Date: October 13, 2023 Label: Nettwerk Music Group
In Their Words: “When I began writing Rock Bottom, over a year had passed since the onset of the pandemic. Every piece of my life had been affected. It felt like I had lost everything that once gave my existence meaning: My career as a touring musician, my nomadic way of life, my passion, my sense of community, and finally, my person. I was alone for the first time in almost five years after calling off my wedding and leaving an unhealthy relationship that had wreaked havoc on my mental health. As I sat by myself in the van amidst the red rocks of the Utah desert, I couldn’t fathom how things could deteriorate further from where they stood, amidst the depths of sorrow that paradoxically offered some solace. ‘If this is rock bottom, at least I’m on solid ground,’ I mused, finding a semblance of stability in the sentiment. I knew healing would take time, and writing and recording these songs helped me process an immense amount of grief in the way I needed – slowly, viscerally. It helped me feel everything, say everything, forgive everything, and in doing so it helped me find a way back to myself.” – Ira Wolf
There are so many! It’s really hard to pick a single moment. There is one that comes to mind, however. We were a young band, having barely made the move to start playing outside of our home state. I can’t remember exactly where the show was, but it was one of our first times in Colorado. We were playing in a town that we had never been to, had no friends or family in, going in completely blind. Little did we know, but two of our songs “Home” and “Ski and Party” had gotten ahead of us and struck a chord with these mountain town ski bums. When we played those songs there were a bunch of people who knew ALL of the words!!! We were absolutely floored. It was the first time that had happened outside of our hometown, and it still is an amazing feeling when something born of our hearts resonates in the hearts of others. Really makes you feel warm and fuzzy, seen and heard.
If you had to write a mission statement for your career, what would it be?
When the going gets tough, the tough get silly. Too often in the music industry do we find seriousness at every step of the way. We are peddling joy in the industry of revelry, and while any job is bound to have its rough patches and challenges, a little bit of absurdity and playfulness can help bring us all back to the heart of the matter.
What rituals do you have, either in the studio or before a show?
We often do pre-show group burpees to hype ourselves up, but there is one thing that permeates all we do. I wouldn’t call it so much of a ritual as more of an inevitability. It’s practically tradition at this point that the longer we do a thing, the more our brains unravel and the weirder we get. When we’re approaching the 9th hour of a studio day, you might find Pixie and Andrew doing a ragtime rendition of a song about worms from her childhood that randomly popped into her brain, while the rest of us wriggle around on the ground like worms on a rainy day. At the end of a tour, when we are weeks deep and far from home, you might find us in the green room latching onto some catchy phrase and chanting it while we dance around the room. The most recent being “last night of the run, make it a good show cuz it’s fun!!!” When the gas tank is running low, nonsense is the name of the game.
Which elements of nature do you spend the most time with and how do those impact your work?
We all live in the state of Utah, and Utah has some amazing nature! Whether we moved here, grew up here, or left to then return, we all stayed for the mountains and deserts. It’s pretty obvious, listening to our lyrics, how deeply the mountains, deserts, and rivers of our home have influenced our music. We are all active skiers/snowboarders, desert dogs, mountain folk, and river rats. A lot of our songs directly reference these activities and the natural areas in which they take place, while the ephemeral nature of the snow, the permanence of the mountains and desert, and the ever changing fluidity of the river shape the way we think and view the world, and naturally that affects the way we compose.
What other art forms — literature, film, dance, painting, etc. — inform your music?
Dance has been heavily influential in our development. Years ago we were lucky enough to collaborate with Sarah Longoria and The Municipal Ballet Co. in Salt Lake City. Together we did an adaptation of Tchaikovsky’s Nutcracker, which we call The River of Rosewater. We performed it in a historic downtown mansion, with the guests following the band and dancers from room to room. We hope to release the recorded music this coming holiday season, and a video of the performance can be found on YouTube. Sarah and her husband, Colby, are also river rats, so we collaborated to create The River Speaks Plainly, which tells the tales of river heroes and heroines from Colorado River lore. The music, which can be found on Spotify, combines storytelling elements as we had Colby tell the stories campfire style between the songs. Writing for dance allows us to be a little more abstract and evocative, something that has found its way into our arrangements and compositions ever since.
Artist:The National Parks Hometown: Provo, Utah Song: “Desert Creatures” Album:8th Wonder Release Date: March 3, 2023
In Their Words: “The overarching theme of the album is getting out of our heads, getting into nature and experiencing the world around us with the people who matter the most and living life to the fullest. This was the last song I wrote for the album and was one of my favorites to write because I had such a clear visual in my mind the whole time — the desert at night. It’s about living a nomadic life and stepping away from the glow of the neon cities and dancing under the lights of the stars to the music of the world around us.” — Brady Parks, The National Parks
Artist:Kate MacLeod Hometown: Salt Lake City, Utah Song: “Every Year Among the Pines” Album:Uranium Maiden Release Date: February 4, 2022
In Their Words: The subject matter in this song is taken directly from my reading accounts of community members who lived in the small town of Widtsoe, Utah, which is now a ghost town. There’s been a long standing practice of families and descendants of those who lived in that town, in meeting for an annual reunion. I particularly enjoy portraying stories of the American West through research on pioneers, miners, families, outlaws, Native Americans, and historic events from the region that I live in. Knowing first hand of the geography, culture, and some of the people represented in these songs, I find the details of life in the region to be ripe with lyrical content waiting to be sung. Musicians on this track are Kate MacLeod on vocals and acoustic guitars, Dan Salini on pedal steel, Mark Hazel on vocal harmonies, and Robert Dow on acoustic bass. The writing of this song was commissioned from Utah Heritage Arts.” — Kate MacLeod
Artist:Alicia Stockman Hometown: Salt Lake City, Utah Song: “Halfway to Houston” Album:These Four Walls Release Date: November 5, 2021
In Their Words: “I think we all love a good, sad breakup song because they’re a sort of therapeutic salve for the soul. Writing ‘Halfway to Houston’ was no different for me. It was important that I got it right. I spent a lot of time on the craft of this song: being particular about how the chorus gains strength each time it comes around; choosing the rhyme scheme — or lack thereof; cutting the chaff and keeping the parts near and dear to my heart. As a primarily acoustic musician, I love the musical elements and fullness the studio players brought to this song. Of course I have Mary Bragg to thank for taking this little acoustic song and bringing it to life in the studio.” — Alicia Stockman
Artist:Jane Bruce Hometown: Ogden, Utah Song: “Best of Me” Album:My Bed Release Date: February 11, 2022
In Their Words: “This song really flowed out of me. I find it (too) easy to write and sing about my insecurities and the pieces of myself that I don’t love, but I felt that writing a song that clearly laid out those things in the hopes that it might make someone love me more was an interesting twist on a ‘pining-for-you’ love song and an exploration of the ways we present ourselves to the people we desire. Growing up in Utah I felt constantly aware of my different-ness and keenly attuned to all the things that made me unlovable, or wrong. With time I have come to realize that these so-called shortcomings are human and that my deep-seated fears of disappointing others come from a place of empathy, not weakness.” — Jane Bruce
Artist:Grizzly Goat Hometown: Provo, Utah/ Knoxville, Tennessee Song: “Wallowa, OR 1877” Album:Bound to Go to Waste Release Date: May 29, 2020
In Their Words: “While in Oregon, performing in the Joseph Mountain Jubilee festival, I spotted a statue of Chief Joseph. This sparked my curiosity as a history enthusiast and I soon listened to the 18-hour audiobook, Thunder in the Mountains. I learned that the area had been home to Joseph’s Nez Perce tribe which the US government wanted to claim for white settlers. Despite Chief Joseph’s efforts to negotiate rights for his people peacefully, a war broke out causing the tribe to flee 1,170 miles before they were surrounded near the Canadian border. When this ‘spaghetti western’ melody came to me, I was inspired to shed light on the story of Chief Joseph and a neglected piece of American history.” — Nate Waggoner, Grizzly Goat
Photo credit: Ryan Carter
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