WATCH: Unspoken Tradition, “Cold Mountain Town”

Artist: Unspoken Tradition
Hometown: Western North Carolina
Song: “Cold Mountain Town”
Album: Myths We Tell Our Young
Label: Mountain Home Music Company

In Their Words: “For the album Myths We Tell Our Young, we explore themes of mountain culture and how it is evolving. There is no better example than Asheville, North Carolina. I’ve lived and played music in this city for over 25 years and watched it change and grow while still holding strong to its rich Appalachian music culture. This song is dedicated to artists that continue to struggle and survive in this ‘Cold Mountain Town.'” — Ty Gilpin, Unspoken Tradition songwriter, mandolin player, and vocalist


Photo credit: Sandlin Gaither

WATCH: Jon Stickley Trio, “Animate Object”

Artist: Jon Stickley Trio
Hometown: Asheville, North Carolina
Song: “Animate Object”
Label: Organic Records

In Their Words: “‘Animate Object’ is the trio’s current theme song. At heart, it’s a little flatpicking tune to have fun with, but we’ve rhythmically turned it on its head like we like to do. This video was shot in three different locations with deep significance to us. The World Famous Station Inn represents our love and respect for our bluegrass roots. Spirit of the Suwannee is where our band was born, and where we thankfully return every year to connect with that spirit and experience rebirth under the live oaks. And finally, the [Caverns and] Bluegrass Underground symbolize the deep, introspective dive we’ve taken into ourselves in search of the meaning of our music and where it is coming from. This track is the next step in a never-ending evolutionary journey that is the Jon Stickley Trio.” — Jon Stickley


Photo credit: Sandlin Gaither

The Shift List – Katie Button (Cúrate) – Asheville, N.C.

Katie Button is at the helm of two restaurants in Asheville, North Carolina: the lively and authentic Spanish experience at the acclaimed tapas restaurant Cúrate, as well as Button & Co. Bagels, influenced by Katie’s upbringing in New Jersey.

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Chef Katie Button took a winding road to open her restaurants in Asheville, first pursuing science degrees at Cornell and earning her master’s degree in biomedical engineering in Paris. Realizing that a life in science wasn’t for her, she changed course to the culinary field, starting as a server at one of José Andrés’ restaurants in Washington, D.C. She volunteered on her days off to work at his avant-garde restaurant minibar to help prep in the kitchen, since she didn’t have any professional cooking experience.

Being in the kitchen made her realize that it was the place she wanted to be most, so from there, she got a position as an intern in the pastry kitchen at New York’s Jean-Georges. After that, she moved to LA to work at The Bazaar by José Andrés, and that following summer, she landed a position in the pastry kitchen at El Bulli, Chef Ferran and Albert Adria’s legendary three-Michelin star restaurant in Spain.

It was there that she met her husband Felix, and together they moved to Asheville to open a restaurant with her parents, where they eventually opened Cúrate in 2011. The classic Spanish tapas restaurant received instant attention and accolades, from mentions in the Wall Street Journal and the New York Times t0 earning status as a nominee for the James Beard Foundation’s Rising Star Chef award in 2014, a semi-finalist for Best Chefs in America in 2015, and a nominee for Best Chef Southeast 2018 and 2019.

In this episode, Chef Katie admits that when she’s expediting dishes, she really doesn’t hear much going on around her, underscoring her intense focus while working the line. But when she’s prepping for a shift, her staff has been surprised to learn that underground indie rock from the mid to late 90s is her go too – think “The Moon & Antarctica” by Modest Mouse, Archers of Loaf, and Built to Spill.

Katie Button’s Shift List 
Jason Durulo – “Want To Want Me”
Beyoncé – “Run The World”
Wilson Phillips – “Hold On”
Soul Coughing – “Super Bon Bon”
Modest Mouse – “Trailer Trash”
The Rolling Stones – “Honky Tonk Women”

The Shift List – Ashleigh Shanti (Benne on Eagle) – Asheville, N.C.

This week, our guest is Ashleigh Shanti, Chef de Cuisine of Benne on Eagle in Asheville, North Carolina.

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Benne on Eagle is located on Eagle Street in a historic Asheville neighborhood called The Block. Shanti describes Benne on Eagle’s fare as Appalachian soul food. She works closely with Chef John Fleer, who’s best known around Asheville for his acclaimed restaurant Rhubarb and its sister cafe/bakery, The Rhu. The menu at Benne on Eagle pays homage to the rich African American culinary traditions that once thrived in The Block, as well as honoring Shanti’s own history as a Southern, African American woman.

The restaurant opened in late 2018, and it’s captured the attention of numerous media outlets, landing an Shanti-centered feature in the New York Times as one of the 16 black chefs changing food in America. Benne on Eagle has also been listed on Bon Appetit’s the Hot 10: America’s Best New Restaurants 2019.

Now 29 years old, Shanti traveled across the US on a six-month sabbatical before landing in Asheville after being tapped by John Fleer, and as that story in the Times reported, she decided that her next step as a chef needed to fulfill a critical desire to “[cook] food that celebrated her heritage as a black woman from the South and rebuffed assumptions about what that food could be.”

And if she wasn’t running the kitchen at Benne On Eagle or didn’t have any culinary skills, Ashleigh professes that being a rapper would be her dream job. She even writes a bit here and there, like the time Chef Carla Hall stopped by the restaurant for a visit and Ashleigh presented an original rap in her honor.

Ashleigh Shanti’s Shift List
A Tribe Called Quest – “Check The Rhime”
Nina Simone – “My Baby Just Cares For Me”
Megan Thee Stalion – “Big Drank”
Wynton Marsalis – “When It’s Sleepy Time Down South”
ODESZA – “Late Night”
Kendrick Lamar – “DNA”
Lauren Hill – “Doo Wop (That Thing)”
The Neptunes – “Frontin’ (Feat. Jay Z)”

Heading to Asheville, NC? Reserve a Table at Benne On Eagle here.

LISTEN: Fireside Collective, “She Was an Angel”

Artist: Fireside Collective
Hometown: Asheville, North Carolina
Song: “She Was an Angel”
Release Date: September 6, 2019 (single)
Label: Mountain Home Music Company

In Their Words: “‘She Was an Angel’ is a song about losing someone you love and seeing them fall into a bad crowd. On the surface, it deals with the emotional repercussions of watching someone sliding down a troubled path. It also explores the feelings of being rejected and left behind, while also hoping for some intervention or circumstance where the one who’s leaving realizes they are on a dark path and turns it around. The music begins as a contemporary bluegrass song which takes a sudden journey into unknown territory during the bridge. The bridge is supposed to serve as the symbolic struggle of the lost lover, and eventually culminates in the realization that it’s time to move on.” — Jesse Iaquinto, vocalist and mandolinist


Photo credit: Heather Hambor

LISTEN: Steep Canyon Rangers, Asheville Symphony, Boyz II Men, “Be Still Moses”

Here’s a surprise from the Western North Carolina music scene. Steep Canyon Rangers and Asheville Symphony have partnered with R&B group Boyz II Men for a refresher of “Be Still Moses.”

Instinctively believing that these genres would blend, Steep Canyon Rangers’ producer Michael Selverne collaborated with musical director Michael Bearden to bring all the entities together, thus elevating an SCR crowd favorite into something special for all three groups.

“We always get this chill when we know we are in the right place,” says Boyz II Men’s Shawn Stockman. “And we got a few chills working on this project.”


Photo credit of Steep Canyon Rangers: David Simchock
Photo credit of Boyz II Men: Debby Wong

Provided by Yep Roc Records

LISTEN: Songs from the Road Band, “Any Highway”

Artist: Songs from the Road Band
Hometown: Asheville, North Carolina
Song: “Any Highway”
Album: Waiting on a Ride
Release Date: July 31, 2019
Label: Lucks Dumpy Toad Records

In Their Words: “‘Any Highway’ is a song about the one that got away! It’s set out west in a desert town. Its relevancy is timeless. It was written by Darren Nicholson of Balsam Range fame and Charles R Humphrey III. We made it the first track on our new album because it introduces the themes of change, transition, travel, and nostalgia. Those threads are woven throughout the album and seem to tie this batch of songs together as one cohesive project.” — Songs from the Road Band


Photo credit: Keith Wright

LISTEN: Zoe & Cloyd, “Satan, Your Kingdom Must Come Down”

Artist: Zoe & Cloyd
Hometown: Asheville, North Carolina
Song: “Satan, Your Kingdom Must Come Down”
Album: I Am Your Neighbor
Release Date: June 14, 2019 (single); Fall 2019 (album)
Label: Organic Records

In Their Words: “‘Satan, Your Kingdom Must Come Down’ is a traditional African American spiritual that we learned from a solo field recording of Frank Proffitt from 1965. Proffitt claimed to have learned the song from a black banjo player named Dave Thompson, also from the Sugar Grove area of northwestern North Carolina. It is a simple yet powerful musical statement, and Natalya’s stark, solo vocal mirrors the sound of many old-time source recordings that we love. The lyrics are haunting and hypnotic and our version features flat-picked guitar and bowed upright bass coupled with the more ‘old-time’ elements of cross-tuned fiddle and clawhammer banjo. There is a timelessness to this song that contributes to its survival. Every generation has its Satan. — John Cloyd Miller


Photo credit: Sandlin Gaither

LISTEN: Tyler Ramsey, “Evening Country”

Artist: Tyler Ramsey
Hometown: Asheville, North Carolina
Song: “Evening Country”
Album: For the Morning
Release Date: April 5, 2019
Label: Fantasy Records

In Their Words: “A couple of years ago my band and I started messing around with some of my older and more pared-down songs and trying to bring them into a band setting. ‘Evening Kitchen’ was a song that I had written for the Band of Horses record Infinite Arms and when we did that record it stood out because it was in contrast with the rest of the album and really bare bones. A lot of that album was lushly produced and I thought having the song recorded with a single acoustic guitar and vocals would help balance things. It worked well in the sequence of that album and led to a lot of the more intimate moments in our live shows and the direction we headed in for the live Ryman acoustic album.

“This version, called ‘Evening Country,’ was a way to reimagine the song and a chance to put it into a new frame with some truly amazing musicians. It was recorded in Louisville, Kentucky, with Seth Kauffman (Floating Action), Kevin Ratterman (Lalaland Studio, My Morning Jacket, Ray Lamontagne), and I doing the basic tracking. Seth had worked with pedal steel guitarist Russ Pahl before and we were able to get him to play on it (I still jump up and down when I hear his playing!). And the goosebump-inducing harmony vocals were sung by Molly Parden and Thad Cockrell and recorded at the Fleetwood Shack in Nashville by my old friend Bill Reynolds (former Band of Horses bassist). The opportunity to revisit this song in the way that we did has given it a new energy for me as well as new meaning.

“A wild memory of this song: years ago we were playing at Bonnaroo after Infinite Arms had been released. We finished our set and climbed down off the stage and our manager came up and told us to go back up and play a couple more songs because Bruce Springsteen had come onto our side stage to watch us play just as we were walking off. We ran back up and ended up playing ‘Evening Kitchen’ last, and all I could think about the whole time was that there was Bruce Springsteen standing fifteen feet away from me and watching us play this song I’d written — don’t f*ck it up! We made it through and headed back down off the stage and there he was with that Bruce Springsteen smile and handshakes all around. Our monitor man Jon Cronin told me afterwards that he heard Bruce say ‘That’s a good song!’ That’s enough for me!” — Tyler Ramsey


Photo credit: Jameykay and Arlie

Camp Tunefox Immerses New Musicians in Bluegrass and Creativity

Camp Tunefox strives to bring out the creativity in aspiring bluegrass musicians, even those who are just starting on guitar, banjo, or mandolin. This year’s camp takes place on May 15-19 in Montreat, North Carolina (right outside of Asheville), with teachers such as Danny Barnes, Wes Corbett, Grant Gordy, Clay Hess, Joe Walsh, and Mike Compton. Tunefox’s Bennett Sullivan answered a few questions by email about the upcoming event.

What sets Camp Tunefox apart from other instrument camps?

I’d say our focus on creativity and musicality over pure technique is what makes Camp Tunefox different. The schedule for the camp is organized using daily themes so each day all of the campers will have a focus that they can practice and discuss together. The teachers will teach their material with the theme in mind and the small group rehearsals will be aligned with it as well.

Tunefox is an app company and we have online content that will help support the students’ learning at camp. We’ll be launching a new feature and the campers will be the first ones to experience it in May.

How do you decide upon the instructors?

We wanted teachers that reflected both the tradition of bluegrass and pushing the envelope. Most of all, the teachers at camp are creators at heart. They’re people that have studied with the great bluegrass artists, either with their records or in person, and they bring that knowledge and passion with them to every gig, teaching event, or recording session.

I also am looking forward to learning from each of the teachers. As a professional musician, I know more than anyone the value of hearing a different perspective, be it musical or academic.

Your 2019 theme is Cultivating Individual Creativity. What does that mean to you?

It’s what I strive for every day! These days I’m writing more music in an attempt to further discover who I am. The creative process is a vulnerable, yet revealing space. At Camp I want the students to be inspired to look in themselves to not only technically play music but play it with intention. Bluegrass can be intimidating and when you label yourself as a ‘bluegrass musician’ it seems you have to play a lot of notes really quickly. I want the students to leave camp knowing themselves a little bit better. And I’d like that for myself, too.

What can a someone who is new to the instrument expect to learn at Tunefox?

[New players] will be immersed in an experience where they will learn foundational concepts like rhythm and chords but also be encouraged to create, improvise, and explore what music means to them. I think beginners can do this from the start. We’ve all listened to music before and we have a taste of what we like and dislike. So when you approach learning an instrument, you bring that discernment with you. It’s important to learn the fundamentals but when it comes to choosing songs to learn, pick what you dig most. Eventually, this will translate into ‘your sound.’

What is it like, from your perspective, to see these beginners develop their ability?

It’s exciting. The smallest breakthrough by a student gives me so much joy. All of the teachers resonate with this as well. Camp Tunefox will be a hands-on experience, giving students even more of an opportunity to make these breakthroughs with the guidance of experts at hand.

 


Photo courtesy of Tunefox

 

Discover more about Camp Tunefox and the Tunefox app at tunefox.com