The BGS Radio Hour – Episode 203

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been our weekly recap of all the great music, new and old, featured on the pages of BGS. This week, we’ve got music from CeeLo Green to Loretta Lynn! Remember to check back every week for a new episode.

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Loretta Lynn feat. Margo Price – “One’s On The Way”

Loretta Lynn’s original cut of this song made it to No. 1 on the charts in 1971. When Margo Price teamed up with Lynn to celebrate the latter’s 50th anniversary of “Coal Miner’s Daughter,” Price chose this song specifically, suggesting how legendary it was for Lynn to have sung about women’s rights and birth control in the country music of the ’70s. It’s still legendary today.

Todd Snider – “Turn Me Loose (I’ll Never Be the Same)”

“Turn me loose, I’ll never be the same!” is a phrase that rodeo cowboys used to yell when they were ready – something Snider first heard from Jerry Jeff Walker, but fitting himself perfectly. He asked the cosmos to provide a rock to put is foot on, and so the story goes, the new album from Todd Snider: First Agnostic Church of Hope and Wonder. 

DL Rossi – “Tumbling”

From Grand Rapids, Michigan, DL Rossi brings us a song from his upcoming album, Lonesome Kind. It’s a kind of youthful innocence, warming up to the harsher realities of life. And while we can’t opt out of our hurtful experiences, as Rossi suggests, we can share them to encourage one another.

Aaron Burdett – “Arlo”

North Carolina-based singer and songwriter Aaron Burdett compiled this song by noting quotes that his friend Arlo would say, collecting them for over 10 years. Arlo isn’t necessarily the character in the song, Burdett says, but character, someone who always has a bold thing to say.

CeeLo Green – “Slow Down”

CeeLo Green brings us a video for “Slow Down” from his latest album, CeeLo Green is… Thomas Calloway. From the writing of the song, to the recording and then making of the video, it was a completely expressive process for Green, who called it an “out of body experience.” Ironically titled, the song pulls the listener even closer into the climactic height of the record.

Natalie D-Napoleon – “Gasoline & Liquor”

Driving through the rural Mojave, D-Napoleon passed a sign that read “Gasoline and Liquor.” While she knew it would be a song, she thought it sounded like a man’s song, one written via passing lines back and forth with her husband. The video reflects the landscape of the “Wild Wests” of both the American desert and Western Australia, the places between which this artist splits her time.

Danny Paisley and the Southern Grass – “Date With an Angel”

Danny Paisley is the current reigning prince of Baltimore-D.C.-area bluegrass, a scene with rich history dating back to the 1950s. This week, Paisley and his band the Southern Grass bring us a song from their upcoming release, Bluegrass Troubadour. 

Aoife O’Donovan feat. Kris Drever – “Transatlantic”

Aoife O’Donovan is no stranger here at BGS, or anywhere in the roots community for that matter! Her work with artists like Crooked Still, I’m With Her, and the Goat Rodeo Sessions proves why that is. This week on BGS, she teams up with Scottish artist Kris Drever to bring us a message that we’ll all be together again.

Brigitte DeMeyer – “Salt of the Earth”

BGS caught up with Brigitte DeMeyer from San Francisco this week on a 5+5 – that is, 5 questions, 5 songs. We talked musical inspirations, songwriting techniques, and her mission statement: being herself.

Will Orchard – “Rita”

For Boston-based Will Orchard, this song is about trusting impulses, and the constant questioning of whether or not those feelings are valid. Written on tour in two parts separated by almost year, Orchard was able to combine them with the perspective of time, earning a place on his newly released album, I Reached My Hand Out. 

Helena Rose – “What’s Killing You is Killing Me”

Helena Rose wrote this song while struggling to tell a loved one how she felt about their addiction. Rose offers this song to others who have loved ones battling addiction, giving hope to the struggle, and showing that there is a light at the end of the tunnel.

Valerie June – “Smile”

As March has slipped away and we welcome April, we bid farewell to our March Artist of the Month, Valerie June. This song comes from her latest album, The Moon and the Stars: Prescriptions for Dreamers.

The Bones of J.R. Jones – “Bad Moves”

In celebration of his latest album, A Celebration, we caught up with the Bones of J.R. Jones for a 5+5, talking about performance memories, art forms, and songwriting techniques. Jones’ curated playlist brings us everything from Nina Simone to Bruce Springsteen to the White Stripes.

John Smith – “Friends”

The pandemic was hard on us all, no doubt, but for Wales-based John Smith, it just kept bringing the punches. Trying to make sense of it all, Smith brings us The Fray, his latest album in a 15-year career, teaming up with artists and friends like Sarah Jarosz and Bill Frisell.


Photos: (L to R) Margo Price by Bobbi Rich; Aoife O’Donovan by Rich Gilligan; Todd Snider by Stacie Huckeba

BGS 5+5: Brigitte DeMeyer

Artist name: Brigitte DeMeyer
Hometown: San Francisco, California
Latest album: Seeker
Personal nicknames (or rejected band names): Well, my husband calls me Bubba. My friends sometimes call me B, or Brig. My nieces and nephews call me “Tante Brigie.”

What was the first moment that you knew you wanted to be a musician?

I always knew I loved to sing, as far back as age 12 when I won the talent show at summer camp. I sang whenever I could, in church, in school musicals, in various bands, just for the fun of it. But, in my late 20s I was asked to jump in and sing at an informal party with a very talented friend who was playing acoustic guitar for folks. He played in such a way that a feeling came through me when I began singing, it was like I left the building and got lost in the song. I felt like notes were coming through me from somewhere else.

When I opened my eyes at the end of the song the room of people had gone quiet and all had gathered around me and erupted into a joyous cheer at the end of the song. It was the first time I remember getting naturally high from singing. I have spent my whole career chasing that feeling of connection to whatever came through me that day. It can come from anywhere. Collaborating with someone with the right chemistry, connecting with the audience, or just being by myself writing. They may not be the best performances of my life when that happens. But, it’s about the feeling I get, from connecting to something higher. It’s also really fun to play with friends. Energy exchanging and collaborating. Hope all that makes sense.

What’s the toughest time you ever had writing a song?

I guess I would say the toughest time trying to write a song is when I am super happy. You have to really dig in deep and create something out of nothing. “Cat Man Do” came out that way. It took me a year to write that song. You have to make up a character or situation from scratch. I have enough life experiences to draw from. And, inspiration can come from anywhere so I force myself to be open and pay attention. You mix a little fiction with imagination and add a bit of grease and salt, or sugar if that’s what the song calls for. Approaching a song like a poem or a story is something I enjoy as well, or using old language that isn’t vernacular is fun. It makes the song feel deeper and have more character I think. Though it has to make sense to the listener as well, so finding balance lyrically there is tricky at times.

What’s your favorite memory from being on stage?

I have so many. But one of them, was at Humphreys in San Diego in 2014, when I opened for Gregg Allman. He was in the wings watching and listening to me during my whole set. When I came off the stage, he approached and told me I had a beautiful voice. I told him he did. That was a great day. Another great memory was in Ullapool, Scotland, sitting in at the pub with those raucous Scots listening in. They are so appreciative and warm in the U.K. I love performing there.

Which elements of nature do you spend the most time with and how do those impact your work?

This is an easy one for me. I am an avid horse enthusiast. I am often out at the barn where I board my horse, which is surrounded with rolling hills and wildlife, like hawks, coyotes, goats, etc., and a neighboring cattle farm. Horses for me remind me nature is king, and give me that feeling of connection to something higher as well. I come home way happier every time I go and spend time with my horse. It is also a confidence builder.

If you had to write a mission statement for your career, what would it be?

I would say trust your gut, and just be yourself. Don’t try to sound like anyone else, or write like anyone else. And don’t let anyone tell you what is right for you. If you need to get your mix right, do it. Don’t settle. Also, I was told I was too old in my late 20s to begin my career. I did not listen. I forged my own path kind of organically. Oh yeah, and ALWAYS surround yourself with people who make you happy in your work. If the vibe is there, the music will follow. It shows in the music.


 

LISTEN: Brigitte DeMeyer & Will Kimbrough, ‘Broken Fences’

Artist: Brigitte DeMeyer & Will Kimbrough
Hometown: Nashville/San Francisco
Song: "Broken Fences"
Album: Mockingbird Soul
Release Date: January 27, 2017
Label: BDM via Sony RED

In Their Words: "Brigitte came to me with these lyrics, and I was so moved I immediately came up with some music. Then she suggested I sing lead, and we had such a great time making this energetic blast of a song.” — Will Kimbrough

"This is a song about someone who's in trouble. They've messed up and are trying to make it right. The lyrics were inspired by a friend." — Brigitte DeMeyer


Photo credit: David McClister