Basic Folk – Lily Henley

Fiddler and singer-songwriter Lily Henley’s latest album, Oras Dezaoradas, is a full-on celebration of her Sephardic Jewish Heritage. The lineage of Sephardic people can be traced back to the Iberian Jews expelled from Spain and Portugal in 1492. For Jewish people, there are many diasporas and lots of different ethnic heritages and practices that have been adopted and blended from many other groups along the way. Lily’s heritage is different from the Ashkenazi Jewish people, which is the most represented Jewish sect in the United States, who can be traced back to Eastern Europeans. Lily graciously gives a very brief overview of the diaspora (which is pretty amazing to take in) and the geographical and cultural differences.

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Lily grew up moving around a lot and talks about how that act of moving from place to place impacted her as a young person and how it still affects her. She found a sense of belonging and home at the fiddle camps she attended alongside other musicians her own age. At camp, she learned to play Celtic, old-time and Cape Breton style tunes. While at home, she played traditional Sephardic tunes sung in the Ladino language, also called Judeo-Spanish, which is a combination of Spanish with Hebrew, Arabic, and Turkish elements spoken by less than 100,000 people. As an adult, she was inspired by living in Tel Aviv for three years and immersed in Sephardic culture. She was awarded a Fulbright research grant and is currently an artist residency at the Cité Internationale des Arts in Paris. She recorded her latest album in Paris: on a label run by a Sephardic community leader while being embraced by and collaborating with the Sephardic community there. OH! Lily has another new non-Ladino album on the way: Imperfect By Design coming January 2023. It’s an Indie-Folk anthology about love, belonging, independence, and change. Look out for that and enjoy this deeply educational conversation!


Photo Credit: Ally Schmaling

WATCH: Hannah Sanders & Ben Savage, “Polly O Polly”

Artist: Hannah Sanders & Ben Savage
Hometown: Cambridge, England
Song: “Polly O Polly”
Album: Ink of the Rosy Morning
Label: Topic Records

In Their Words: “Many moons ago I travelled to a storytelling festival in Wenlock Edge and David Holt dropped into the bus for tea and stories and sang this song with his banjo. I was immediately struck by the economy of the storytelling and the dark, menacing melody. He gave me a cassette which I played to death. Some years later I heard him and Doc Watson play this at Newport Folk Festival. I never ‘played it out,’ but Ben immediately knew how to bring it to air.” — Hannah Sanders


Photo Credit: Rosie Hardy

Basic Folk – Grace Givertz

Grace Givertz, born and raised in South Florida, began writing and performing at age eleven when she got a guitar and learned to play off of YouTube videos. Grace is a survivor in many ways: She manages and confronts several chronic illnesses, she survived having her Berklee scholarship rescinded due to a systematic error and lived through being struck by a city bus in 2015.

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The accident left her unable to play her instruments for several months. During that idle time, she reflected on how being a musician defines who she is. Her writing changed and became more open and honest about chronic illnesses. In her most recent single, “Papa,” she writes about the traumatic murder of her grandfather and how he lives on in Grace.

I first came across Grace working at Club Passim in the Boston area, where she currently lives. Grace’s visual appearance, sense of humor and sparkling personality are undeniable. In addition to music, she’s super crafty and her reputation for cute outfits, cute earrings (which she sells on Etsy) and her cute apartment (which I’ve seen a lot of thanks to Zoom concerts and social media) proceeds her. She surrounds herself with her adorable pets that pop up frequently on her social media. One time, my mom (unprovoked – she doesn’t know Grace!) sent me a video of Grace’s bearded dragon, Baby Pancake, being cuddled by her peachy cat Persimmon. Yes, I know most of her pets’ names and have a Grace Givertz t-shirt with a sweet Baby Pancake design on it. I am a fan all around.


Photo Credit: Omari Spears

Basic Folk – Amy Correia

LA-based singer-songwriter Amy Correia will tell you that she is not a prolific writer, which… okay maybe she doesn’t write a million songs in one year, but holy crap, those songs and that voice will wallop you. Originally from Lakeville, Massachusetts, Amy’s musical roots lay in New York City’s Lower East Side in a scene that produced Jeff Buckley, Richard Julian and Jesse Harris.

 

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She discovered her musical voice while recovering from a back injury her junior year of college. She was actually a big fan of laying in bed and doing nothing but writing songs and playing around on her guitar. After college, she was playing around and got offered a major label deal, recorded an album with seven different producers and countless musicians, left her label and signed another deal, which would eventually become the place where she released her debut, Carnival Love, in the year 2000. Another album followed in 2004 (fan funded) and another in 2010 (also fan funded). She opened for big acts like Chrissie Hynde, John Hiatt, Richard Thompson and Marc Cohn. She started living in Boston, fully embraced by “a collective of musicians who uplifted her with their creative camaraderie,” which included Kimon Kirk who turned out to be one of her most important friends and collaborators.

Kimon encouraged Amy to record this new batch of songs on her latest release, the EP As We Are, which just came out in March 2022. During our conversation, Amy revealed that the recording session took place in 2015, but she wasn’t ready to release the music until now. Kimon had persuaded her to revisit the songs during the pandemic and the plan was set in motion for the EP. We also discussed Amy’s connection to spirituality, her affinity and experience in the theater world and letting go of control. She also opens up about her relationship to her singing voice, which is so special and always digs deep in me every time I hear it. I hope you enjoy this wonderful and vulnerable conversation with Amy Correia!


Photo Credit: Chris Strother

Basic Folk – Mason Jennings

Mason Jennings has the most interesting songwriting process I’ve come across. Since he was around 13 years old, the Minneapolis songwriter has had songs just come to him while randomly playing guitar and singing. He gets in touch with his subconscious and discovers his songs there very naturally. He also never writes the songs down. That’s right, he commits each song to memory and only writes them down for liner notes.

 

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Born in Honolulu and raised in Pittsburgh, he chose Minneapolis to settle into his music career. There, he found lots of success and managed to avoid the ever-tempting major label record contracts, which were being offered as high as $1 million. Wanting to remain in control of his creativity, he opted to stay independent until he signed with Glacial Pace, a subsidiary of Sony’s Epic Records headed by Isaac Brock of Modest Mouse. He released Boneclouds in 2006 and gained much acclaim. An album with Jack Johnson’s label and an appearance on the soundtrack to Todd Haynes’ Bob Dylan film I’m Not There, solidified his presence in the folk mainstream.

Fast forward to his latest album (his 14th studio record), Real Heart, co-produced by Pearl Jam guitarist Stone Gossard, is an ode to the acoustic guitar and a love letter to songwriting. Lately, Mason’s been working on himself through therapy and self-reflection. In the last few years, he’s been working on conquering and controlling depression, agoraphobia and living a sober life. He’s also gotten married again to Josie Jennings and the couple just recently welcomed their son Western in March 2022. A lot of these themes appear on Real Heart. We dig into those as well as his painting, the lake he lives on and Painted Shield, his synth-based rock and roll band with Stone Gossard and Matt Chamberlain. Mason’s a very special person and I’m grateful for this conversation!


Photo Credit: Benson Ramsey

Basic Folk – Tatiana Hargreaves

When Tatiana Hargreaves was younger, she was a shit-hot fiddle player; recording her debut album at age 14, a first prize winner at the Clifftop Appalachian Stringband Festival Fiddle Contest that same year and gaining all sorts of accolades before even graduating high school. After some thought, she went after a degree in ethnomusicology and performance at Hampshire College in Amherst, MA, where she continued to play fiddle like a maniac. Her time in college allowed her to reconnect with her friend, the equally impressive banjo player, Allison de Groot. She reflects on one summer where she and Allison kept finding each other and jamming at various events and festivals. They decided to record their debut album and tour. The duo are back again with the new record Hurricane Clarice, using traditional stringband music as a way to interpret our uncertain times.

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Our conversation leads into topics like the negative impact of music as competition. Tati has spoken before of her experience competing on the Texas Fiddle circuit that’s pretty popular on the West Coast. Also, after college, she moved to Durham, NC, to be closer to and work with old-time legend Alice Gerrard. Since 2017, she’s been soaking up Alice’s influence and knowledge through being her fiddle player and digitizing her old photos. This has led to a vast amount of inspiration, from recording songs on the new record that Alice had introduced to her to going back to school to study library science. I am fascinated by this person and her work. Tatiana keeps it close to the chest, but I’m grateful for what she shared in conversation.


Photo Credit: Tasha Miller

WATCH: Buffalo Rose, “I Give You the Morning” (Feat. Tom Paxton)

Artist: Buffalo Rose
Hometown: Pittsburgh, Pennsylvania
Song: “I Give You the Morning”
Album: Rabbit EP
Release Date: February 22, 2022
Label: Misra Records

In Their Words: “Working with Tom on this entire project was an incredible gift and joy. He was so gracious with his time, his creative energy, and his enduring passion for music and songwriting. This song is just so well-written, with such stunning and unique imagery, so we were really excited to put our own spin on it, and create some moments where the harmonies and instrumental passages could accentuate the lyrics. We were all down at Pulp Arts studio in Gainesville, Florida, and had just tracked our parts and sent it off to Tom to record in Virginia. We got his final verse and played it in the control room. It was so powerful and emotional to hear his voice on this track, revisited 50 years later. Seeing it side-by-side with some footage of him singing in the ’60s really connects us with the power of music to connect people across space and time, and how there are aspects of humanity that transcend both.” — Shane McLaughlin, Buffalo Rose


Photo Credit: Zian Meng

Carolina Calling, Greensboro: the Crossroads of Carolina

Known as the Gate City, Greensboro, North Carolina is a transitional town: hub of the Piedmont between the mountain high country to the west and coastal Sandhill Plains to the east, and a city defined by the people who have come, gone, and passed through over the years. As a crossroads location, it has long been a way station for many endeavors, including touring musicians – from the likes of the Rolling Stones and Jimi Hendrix at the Greensboro Coliseum, the state’s largest indoor arena, to James Brown and Otis Redding at clubs like the El Rocco on the Chitlin’ Circuit. Throw in the country and string band influences from the textile mill towns in the area, and the regional style of the Piedmont blues, and you’ve got yourself quite the musical melting pot.

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This historical mixture was not lost on one of Greensboro’s own, Rhiannon Giddens – one of modern day Americana’s ultimate crossover artists. A child of black and white parents, she grew up in the area hearing folk and country music, participating in music programs in local public schools, and eventually going on to study opera at Oberlin Conservatory in Ohio. Once she returned to North Carolina and came under the study of fiddler Joe Thompson and the Black string band tradition, she began playing folk music and forged an artistic identity steeped in classical as well as vernacular music. In this episode of Carolina Calling, we spoke with Giddens about her background in Greensboro and how growing up mixed and immersed in various cultures, in a city so informed by its history of segregation and status as a key civil rights battleground, informed her artistic interests and endeavors, musical styles, and her mission in the music industry.

Subscribe to Carolina Calling on any and all podcast platforms to follow along as we journey across the Old North State, visiting towns like Durham, Wilmington, Shelby, and more.


Music featured in this episode:

Rhiannon Giddens – “Black is the Color”
Andrew Marlin – “Erie Fiddler”
Carolina Chocolate Drops – “Cornbread and Butterbeans”
The Rolling Stones – “Rocks Off”
Count Basie and His Orchestra – “Honeysuckle Rose”
Roy Harvey – “Blue Eyes”
Blind Boy Fuller – “Step It Up and Go”
Rhiannon Giddens, Francesco Turrisi – “Avalon”
Carolina Chocolate Drops – “Snowden’s Jig (Genuine Negro Jig)”
Barbara Lewis -“Hello Stranger”
The O’Kaysions – “Girl Watcher”
Joe and Odell Thompson – “Donna Got a Rambling Mind”
Carolina Chocolate Drops – “Country Girl”
Carolina Chocolate Drops – “Hit ‘Em Up Style”
Our Native Daughters – “Moon Meets the Sun”
Rhiannon Giddens, Francesco Turrisi – “Si Dolce é’l Tormento”


BGS is proud to produce Carolina Calling in partnership with Come Hear NC, a campaign from the North Carolina Department of Natural & Cultural Resources designed to celebrate North Carolinians’ contribution to the canon of American music.

Photo Credit: Ebru Yildiz

Enter to win a prize bundle featuring a signed copy of author and Carolina Calling host David Menconi’s ‘Step It Up and Go: The Story of North Carolina Music,’ BGS Merch, and surprises from our friends at Come Hear North Carolina.

LISTEN: Susan Werner, “The Birds of Florida”

Artist: Susan Werner
Hometown: Chicago, Illinois
Song: “The Birds of Florida”
Album: The Birds of Florida
Release Date: January 9, 2022
Label: Sleeve Dog Records

In Their Words: “Last winter, a friend down here in Siesta Key said, ‘Every day now, a thousand people move to Florida. A THOUSAND.’ And from what I can tell, that number is about right or might even be too low. As a songwriter, there’s facts and then there’s the stories behind the facts, and I started thinking about the people I know who have moved here, how they left other places behind, other versions of themselves behind. The title came from guidebooks you’ll find in almost every household in the state, these full-color guides to birds. And though you may see occasional guides to The Snakes of Florida, that concept didn’t sound quite worthy of a song, or it’d be a very different song, for sure.” — Susan Werner


Photo Courtesy of Susan Werner

LISTEN: Kate MacLeod, “Every Year Among the Pines”

Artist: Kate MacLeod
Hometown: Salt Lake City, Utah
Song: “Every Year Among the Pines”
Album: Uranium Maiden
Release Date: February 4, 2022

In Their Words: The subject matter in this song is taken directly from my reading accounts of community members who lived in the small town of Widtsoe, Utah, which is now a ghost town. There’s been a long standing practice of families and descendants of those who lived in that town, in meeting for an annual reunion. I particularly enjoy portraying stories of the American West through research on pioneers, miners, families, outlaws, Native Americans, and historic events from the region that I live in. Knowing first hand of the geography, culture, and some of the people represented in these songs, I find the details of life in the region to be ripe with lyrical content waiting to be sung. Musicians on this track are Kate MacLeod on vocals and acoustic guitars, Dan Salini on pedal steel, Mark Hazel on vocal harmonies, and Robert Dow on acoustic bass. The writing of this song was commissioned from Utah Heritage Arts.” — Kate MacLeod

Kate MacLeod · Every Year Among The Pines

Photo Credit: Jeanette Bonnell