Tag: Kashena Sampson

You Gotta Hear This: New Music From Eddie Barbash, Caitlin Canty, and More

Posted on by Justin Hiltner

You know what Friday means! New music, new songs, new videos – and of course, You Gotta Hear This.

Let’s begin with some Good Country from Idaho’s own Colby Acuff. His new album, Enjoy the Ride, is out today and we’re enjoying the ride ourselves with a lyric video for the title track from his excellent collection of country that’s both traditional and forward-looking born from beyond the continental divide. Singer-songwriter Kashena Sampson brings us a song from her brand new album, Ghost Of Me, that we find at the intersection of vibey Americana and contemplative indie. “Thick As Thieves” is a daydream in a song about teenage years, friendship, and holding onto – if you can – the ineffable magic of youth.

One of our longtime friends, Caitlin Canty, released her new album, Night Owl Envies the Mourning Dove, yesterday. Based in Vermont, the singer-songwriter crafts music that rests comfortably between folk, bluegrass, string band, and Americana sounds. To celebrate her new album, she’s shared a special live performance video of “Don’t Worry About Nothing,” inspired by parenthood, our frenetic day-to-day, and giving up control – and worry – whenever we can. Speaking of string band music, Damn Tall Buildings, a Brooklyn-based group playing on the fringes of bluegrass, old-time, and swing, have a brand new video for “Turkish Airlines,” a funny and all-too-relatable track they describe as portraying the haze of travel dreams, the desire to be seen, and late-night self-reflection.

And don’t miss your essential dose of bluegrass saxophone, as one of the foremost purveyors of the form, Eddie Barbash, begins a BGS mini-series sharing videos of solo performances of traditional fiddle tunes on sax. To begin, check out his rendition of “Forked Deer,” which Barbash picked up from Sierra Hull while touring with Cory Wong. If you aren’t familiar with Barbash, you may be surprised how perfect fiddle tunes can feel on saxophone. If you are already familiar, you’ll love getting to hear him offer his takes on these classic melodies. More sax-fiddle tunes are coming soon.

There’s a little something for everyone in this week’s roundup, as usual. We hope you enjoy, because You Gotta Hear This!

Colby Acuff, “Enjoy The Ride”

Artist: Colby Acuff
Hometown: Coeur d’Alene, Idaho
Song: “Enjoy The Ride”
Album: Enjoy The Ride
Release Date: October 3, 2025

In Their Words: “The title track of this project does not pull any punches. This song sets up the world where this story takes place. Like most of my songs, it takes place in the real world. In the plains of Oklahoma, the mountains of Idaho, or the heat of the desert. This record is for real people. People that we talked to on the streets and truly got a look into who they are. This song is meant to represent the people of this country for what it is. I hope people love this one as much as I do.” – Colby Acuff

Eddie Barbash, “Forked Deer”

Artist: Eddie Barbash
Hometown: Nashville, Tennessee
Song: “Forked Deer”
Album: Larkspur
Release Date: November 28, 2025 (The album will be released one song at a time with the last track coming out Nov. 28.)

In Their Words: “This performance was recorded in a dry streambed at the Larkspur Conservation natural burial ground in northern Tennessee. I learned ‘Forked Deer’ from Sierra Hull while we were on tour with Cory Wong. The harmonic lift in the B part is what makes the tune for me. Modulating to the 5 is a tried-and-true move at least as old as the Baroque. In my playing I tried to capture what I love most about bluegrass – the fast and hard-driving, yet still light and bouncy, groove and the thrilling rhythmic and melodic variations. To achieve the bluegrass backbeat, I made generous use of one of my favorite bowing techniques that I learned from Alex Hargreaves called the ‘Georgia shuffle bow.'” – Eddie Barbash

Video Credits: Shot and edited by Jeremy Stanley.

Caitlin Canty, “Don’t Worry About Nothing”

Artist: Caitlin Canty
Hometown: Danby, Vermont
Song: “Don’t Worry About Nothing”
Album: Night Owl Envies the Mourning Dove
Release Date: October 2, 2025

In Their Words: “I started writing this song to my son when his Magna-Tiles castle came crashing down in a spectacular heap. It felt like what was happening at that time to my view of the wider world. This song helps me wind down from worrying about what doesn’t matter so much and focus my powers on fighting for what does matter. It’s written from my own unshakeable mom’s point of view – I love how she sees the world and walks through it with a smile, even on the darkest days. I’m so looking forward to touring Night Owl Envies the Mourning Dove and playing this song each night with my full band! ” – Caitlin Canty

Video Credits: Filmed and edited by Brian Carroll. Mixed by Dave Sinko.

Damn Tall Buildings, “Turkish Airlines”

Artist: Damn Tall Buildings
Hometown: Brooklyn, New York
Song: “Turkish Airlines”
Album: The Universe Is Hungry
Release Date: October 8, 2025 (single); October 24, 2025 (album)

In Their Words: “We are honored to share this single from our fourth upcoming studio LP with BGS! ‘Turkish Airlines’ explores the sensation of being loved, but not being sure which version of you someone is loving. We’re always evolving and changing as humans, and this song floats through the uncertainty that can be triggered by that truth. We had a blast crafting this track to portray the haze of travel dreams, the desire to be seen through the complexity, and late-night self-reflection. Through creative experimentation in the recording and production of the track, we were able to bring a bit of studio magic to this song that we hope will become a DTB classic. Hit us up on the socials to let us know what you think!. Thanks for listening, see y’all on the road.” – Damn Tall Buildings

Kashena Sampson, “Thick As Thieves”

Artist: Kashena Sampson
Hometown: Nashville, Tennessee
Song: “Thick As Thieves”
Album: Ghost Of Me
Release Date: October 3, 2025

In Their Words: “I wrote this song for my best friend, Sulayla. It’s a daydream about our teenage years growing up in Las Vegas. It’s about those carefree days when the world felt full of endless possibilities. The song came to me after a conversation we had, realizing that adulthood isn’t quite what we imagined and wishing we could go back to those golden moments. Driving through the desert in my old Ford Explorer, listening to the Beatles and feeling like anything was possible.” – Kashena Sampson

Track Credits:
Kashena Sampson – Vocals, songwriter
Jolana Sampson – Songwriter
B.L. Reed – Guitar
Tom Myers – Drums
Jon Estes – Bass

Photo Credit: Eddie Barbash by Jeremy Stanley; Caitlin Canty by Brian Carroll.

The BGS Radio Hour – Episode 217

Posted on by Shelby Williamson

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week we have California country from Elijah Ocean and the Ben Reddell Band, acoustic folk goodness from Anna Tivel, a final farewell to our August Artist of the Month Amythyst Kiah, and much more.

APPLE PODCASTS, SPOTIFY

Amythyst Kiah – “Black Myself”

In our recent two-part interview with our August Artist of the Month, Amythyst Kiah, she spoke with us about faith, about mental health and singing vulnerable, open songs every night, and the intent behind lyrics and songs like “Black Myself.” Plus, she retells the series of events that helped her leave her “shut-up-and-sing” policy behind. Thank goodness for that.

Chris J. Norwood – “Good Guy With a Gun”

On “Good Guy With a Gun,” singer-songwriter Chris J Norwood examines the grief and loss of his father’s suicide while challenging the United States’ gun culture: “Truth be told, we as a country need to talk more openly about suicide. Especially as it relates to the gun debate…”

Ava Earl – “New Light”

One of the first love songs singer-songwriter Ava Earl ever wrote, “New Light” is also a little existential — it deals with the wonder and mystery of the universe as well as that of love.

Elijah Ocean – “Honky Tonk Hole”

As Elijah Ocean himself puts it: “‘Honky Tonk Hole’ is about a guy who has seen better days and whose big dreams have all gone up in smoke. Now he spends all his time drinking and playing country music in bars. Not entirely sure why he’s complaining about it, though. Seems kinda fun and not a bad life. It’s a high-energy shuffle about falling into a rut but also kind of loving it.”

Ben Reddell Band – “12 Bar Blues”

Musician and frontman Ben Reddell recently put together a Mixtape celebrating bands and artists who have played The Grand Ole Echo, a roots music concert series he books at LA’s Echo Park, or who rely on the creative and rehearsal space he manages, Bedrock LA. To quote: “We love our traditional country here in Echo Park, but we also like to let our freak flag fly with the hippie-dippie, pot-smoking types as well.” Check out the community-minded Mixtape here.

Kashena Sampson – “Hello Darkness”

Nashville-based Americana singer Kashena Sampson brings us a Shocking Blue cover that carries a feeling of yearning for someone you can’t be with.

Morningsiders – “This Could Be Good”

Morningsiders began writing their new album after the pandemic lockdowns began. They wanted “This Could Be Good” to be dance-y and delicate while being about aimless nights out with friends.

Anna Tivel – “Illinois”

Singer-songwriter Anna Tivel talked with us about her pre-show rituals (or lack thereof), drawing inspiration from literature and poetry, observing the natural and manmade world, and more in a recent 5+5.

Anya Hinkle – “Why Women Need Wine”

Asheville’s Anya Hinkle told us about the massive influence Gillian Welch had on her musically, combining the spirits of musicians who had influenced Hinkle early on — like Tony Rice, the Grateful Dead, Joan Baez, Sarah McLachlan and Madonna — into one tangible, modern, and original roots sound. Read more in this edition of 5+5.

Jay Nash – “Shine”

Jay Nash wrote “Shine” inspired by the new arrival of his daughter. It took him nearly ten years to return to the song idea: “Because, as all parents know, what followed those calm and quiet moments of parenthood was an all-out sprint… a crash course [of] becoming a parent.”

Dallas Burrow – “My Father’s Son”

On his new track, “My Father’s Son,” self-described troubadour Dallas Burrow tells the four-generation story of the men in his family line — and the influence they’ve had on their sons. It’s a tender, honest, autobiographical history.

Lonesome River Band – “Every Minute Means a Mile”

The Lonesome River Band pays tribute to the Easter Brothers on their upcoming album, Singing Up There: A Tribute to the Easter Brothers. And “Every Minute Means a Mile” is an uncomplicated Easter Brothers classic.

Adeline Stringband – “Hickory”

Adeline Stringband — a veritable old-time supergroup featuring Chris Coole, Mark Kilianski, John Showman, Adrian Gross, and Sam Allison — holed up in a cabin in the woods and recorded old time tunes for three days and three nights. Gross describes it as one of the most off-the-cuff and creative sessions he’s ever been a part of: “Seeing as it was -20º and there was a blizzard outside the whole time, there was nothing to do but pick tunes and roll the tape, and that’s exactly what we did.”

Jackson Melnick – “John the Revelator”

“Apocalypse isn’t to be confused with tragedy. Apocalypse is seeing something in truth, and the pain that might come from having the blinders pulled off.” Jackson Melnick brings us a bluegrass version of this classic blues song.

Photos: (L to R) Elijah Ocean by Wolfe & Von; Amythyst Kiah by Sandlin Gaither; Anna Tivel by Matt Kennelly

LISTEN: Kashena Sampson, “Hello Darkness”

Posted on by Justin Hiltner

Artist: Kashena Sampson
Hometown: Nashville, TN
Song: “Hello Darkness”
Album: Time Machine
Release Date: September 10, 2021
Label: New Moon Records

In Their Words: “This is a cover song by the Dutch rock band, Shocking Blue. I asked my best friend if she could choose one song for me to cover which one would she choose, it was this. I love Shocking Blue and I think it’s a great song and I connect to the lyrics, especially with what I was going through at that time in my life. To me, this song carries the message of yearning for someone who you cannot be with. It goes along with what a lot of the songs on this record are about. My struggles with codependency, fantasizing in relationships and thinking someone outside of me was the answer to my problems. It is a very heavy feeling when you think that someone else can fix you and you find out that they are not the answer. A good portion of the songs on this record are about a relationship I had with someone I cared for very much, who had gotten into some trouble and was incarcerated. I went into rescue mode and believed I had to save them in order to be ok.” — Kashena Sampson

Photo credit: Laura Partain

LISTEN: Kashena Sampson, ‘Greasy Spoon’

Posted on by Editor

Artist: Kashena Sampson
Hometown: Las Vegas, NV
Song: “Greasy Spoon”
Album: Wild Heart
Release Date: August 18, 2017

In Their Words: “I bartended my ass off to make this record. I payed for everything with cash! I moved to Nashville without ever being here, didn’t know anyone. I just had a feeling it was where I needed to be and I went with it. I had to make this record. It’s been four years in the making. Some friends mentioned the Bomb Shelter to me, so I met up with Andrija [Tokic] and checked it out. The studio is just awesome. He put me together with Jon Estes, who worked with me on the album, producing and mixing. It was a perfect fit. Like magic! He understood what I was going for right from the start. We tracked all the songs in two days to tape with Jon Radford on drums, Jeremy Fetzer on guitar, and Jon Estes on bass, and a bunch of other instruments. The whole record was recorded in six days total. It was great. I wish I could record at that studio everyday.” — Kashena Sampson

Photo credit: Jonathan Rogers