LISTEN: Greg Sover Band, “Feelin’ Sumthin'”

Artist: Greg Sover Band
Hometown: Philadelphia, Pennsylvania
Song: “Feelin’ Sumthin'”
Album: The Parade
Label: Grounded Soul

In Their Words: “‘Feelin’ Sumthin” is a song I wrote because I wanted to make people feel good. Beyond the upbeat music that you can dance to, the main goal was to make the listener feel somewhat spiritual. That’s why I chose the gospel/country and blues sound. I remember having this melody in my head and the words feeling something kept coming up. I added my resonator guitar in open E tuning with a little distortion to add the edge.” — Greg Sover


Photo credit: Jeff Fasano Photography

The Show On The Road – Langhorne Slim

This week on The Show On The Road, a wide-ranging conversation with the peripatetic, Pennsylvania-born, confessional folk songwriter Sean Scolnick, who for the last fifteen years has become a troubadour truth-teller of the Americana circuit, amassing a devoted following performing as his many-hatted, impish alter-ego: Langhorne Slim.


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Host Z. Lupetin caught up with Slim to discuss his much awaited new LP, Strawberry Mansion (just released last week via Dualtone), which is named after the neighborhood in Philadelphia where both of his grandfathers grew up. Coming out of a deep creative funk, Slim produced a record of many entwined reckonings. A flurry of twenty-two diaristic sonic sketches, incantations, and emotive story-songs follow his struggle with mental illness, sometimes in real time, his pandemic isolation, and sobriety. It’s an overall hopeful collection that shows Langhorne may finally be finding his true calling on the other side of the darkness.

Sean Scolnick is never shy about revealing how his mental health and creativity are ever-evolving. Without playing the hundreds of international shows and festivals a year he normally does, Scolnick had to create at home in a new way. A note his therapist gave him still holds true, as he releases his newest record without being able to take his guitar and his trademark worn hat in public to support it: “When you’re freaking out, just play.”

Make sure you stick around ’til the end of the episode when Slim plays an acoustic rendition of “Morning Prayer,” joined briefly by his cat, Mr. Beautiful.


Photo credit: Harvey Robinson

LISTEN: Susan Werner, “To Be There”

Artist: Susan Werner
Hometown: Philadelphia, Pennsylvania
Song: “To Be There”
Album: Flyover Country
Release Date: September 27, 2020

In Their Words: “In the early months of this year I’d been writing a ‘country’ album, and when the pandemic hit I thought, ‘Well, we aren’t the first generation to face something like this, somebody must have written a plenty good song already.’ I went through the Carter Family and Louvin Brothers and Hazel Dickens catalogs and couldn’t find anything about a flu; black lung yes, influenza no. Having written a ‘gospel’ album in 2007, I remembered that one element of the best gospel music is hope, the anticipation of something better, whether on Earth or in Heaven. And in this moment, everybody on Earth is united in hope, hope that we arrive safely on the other side of this dark time to see and embrace our friends and family, to hold them close, and for the musically inclined among us, to stand shoulder to shoulder with them and hear them singing on either side of us. That was always Heaven itself to me; I don’t know that until this year I realized it.

“I grew up in a kind of magically musical singing family; my farming parents and all six kids, we’d spontaneously harmonize in the car on the way to church, to my grandparents’ farms for holidays. We had no idea other families did not do this, by the way. I was home in Iowa this February (yes, for the caucuses) and went with my folks to church — I’m an agnostic, honestly, I just go to see friends and family and to sing with them. To my left I heard my father, to my right, my mother. Who knew that something could arise that would take that, singing, away from us? Unthinkable. So I had to weave that into the lyrics of this ‘hymn.’ Heaven might have singing angels, but I know for a fact Earth does and I can’t wait to get back in the company of others in church or on stage or in the bar, it’s all good and it’s all the work of God.” — Susan Werner


 

BGS 5+5: Native Harrow

Artist: Native Harrow (Devin Tuel and Stephen Harms)
Hometown: Just outside of Philadelphia
Latest album: Closeness
Personal nicknames (or rejected band names): A good band name we didn’t use is “Tuel & Harms.” As for personal nicknames, well, those are secret and too embarrassing to share.

Answers provided by Devin Tuel

Which artist has influenced you the most … and how?

Though I could list about 50 artists, I feel the most honest answer is Neil Young. I used to listen to Live at Massey Hall while I rode the M1 bus up and down First Avenue from my college to the Lower East Side. Listening not just to the brilliant songs and guitar playing, but also to the way he held attention, to the way he tuned, to his grumbling, and his storytelling. I was transfixed by that record.

I grew up listening to Neil. My Dad is a huge fan. He took me to see him perform when I was young and I remember being on the edge of my seat the entire show, mouth agape. I felt so electric after seeing that. And thru the many years of my own career I have looked to him for inspiration, for guts when I can’t find mine, and for a “What would Neil do?” approach to difficult situations. He seems to have a reverence for nature that I share and I have always felt he could appreciate an open field just as I do.

What’s your favorite memory from being on stage?

This past year and much of 2019 we have been in the UK more than the States supporting our release of Happier Now with Loose. We have played in so many beautiful spaces and met many wonderful people. These are some of our favorite memories of touring to date. And in January we played a sold-out show at Paper Dress Vintage in London during the Americana UK Fest, and as I was singing the opening notes of our first song, “Can’t Go On Like This,” I realized there were people in the audience singing along with me. If any musician ever says they don’t care about that, they’re lying. It’s the most special, heartwarming, exciting thing ever. Someone loves your song enough that they want to sing with you. That’s the best.

What other art forms — literature, film, dance, painting, etc — inform your music?

I grew up dancing — I was a ballerina with a Pennsylvania-based ballet company for about 13 years. So since a very young age I have been exposed to theatre life and the world of the performing arts. I still find seeing ballet so moving I often end up in tears. The classical music I grew up dancing to feels deeply rooted in my muscles and bones. It is so evocative of human emotion and passion and can take your spirit on such a journey. I think that is something we are always trying to achieve with our albums. We want to take you on a journey where the listener is transported away for a while and when the last notes ring out, you are slightly changed by what you’ve just experienced.

Certainly poetry has long been an art form that I have drawn inspiration from. I am deeply connected to nature and thus very moved by the poetry of the natural world — Whitman, Wordsworth, Frost, Keats, etc.

Which elements of nature do you spend the most time with and how do those impact your work?

Stephen and I take two walks daily that wind up and down the rolling hills near our home, past fields of sweet grass and hay, dense forest, and old farm houses. Whether the sun is shining or grey clouds and rain accompany us, it’s so necessary to turn off and just be in nature. I am always making a reference to the weather, the season, or birds on several songs on each album we’ve made. The song “Turn Turn” on Closeness begins with “Turn, turn, watch the weeks go by, moving slowly ‘cross the field ‘til the grass is greener….”

I have written poetry for over a decade and almost all of it is nature-based! There is endless inspiration and it is ever-changing, full of life and full of mystery.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Hardly ever! I am honest when it is about me. Which for better or for worse has kept our songs raw and truthful. The best material I have to draw from is that which is stirring in my own heart and before my own eyes. So I try to tell it honestly and rarely rely on fiction to save my face.


Photo credit: Parri Thomas

LISTEN: Colebrook Road, “All You Need To Know (For MJW)”

Artist: Colebrook Road
Hometown: Harrisburg, Pennsylvania
Song: “All You Need To Know (For MJW)”
Album: All You Need To Know
Release Date: May 12, 2020 (Single)
Label: Mountain Fever Records

In Their Words: “I wrote this song last summer while I was sitting on a cooler at a bluegrass festival. It was the day before the funeral service for our friend and former banjo player, so the song is in his memory. Recently, it’s taken on a whole new significance with the pandemic we’re going through. Everyone is isolated, all events are cancelled, and there is a lot of fear out there, so we’re in need of human connection more than ever. And that’s the gist of the song, that love between people is all you need to know.” — Jesse Eisenbise, Colebrook Road


Photo courtesy of Mountain Fever Records

LISTEN: G.F. Patrick, “Tennessee”

Artist: G.F. Patrick
Hometown: Philadelphia, Pennsylvania
Song: “Tennessee”
Album: One Town Over
Release Date: May 29, 2020
Label: Need To Know Music

In Their Words: “As a musician, Tennessee is one of those places to which all roads seem to lead. Still, to find happiness, we sometimes pump the brakes and pull over before reaching our planned destination. This song examines the tropes of love beyond sense and the draw of bright lights in far-off places. Instead of ending in the fantastic dreaming where these stories most often stop, the song continues to the undreamt of conclusion. While the love is real, the belief that it would overcome all obstacles is thwarted and the deeper realities of love are revealed in the settling.” — G.F. Patrick


Photo credit: Gina Fitzpatrick

WATCH: LULLANAS, “Memphis”

Artist: LULLANAS
Hometown: Worcester, Pennsylvania
Song: “Memphis”
Album: Before Everything Got Real
Release Date: April 24, 2020
Label: Nettwerk

In Their Words: “What started as a few scribbles on a page and some acoustic guitar was brought to a level we couldn’t have ever imagined. Everyone has their own version of their ‘Memphis.’ This song takes listeners on their own journey, but in the end, we all end up at the same place with the same feeling. We got to record our debut EP with Grammy Award-winning producer Peter Katis (The National, The Head and the Heart, The Paper Kites) whose work we have admired for years. Seeing our song being built from the ground up was truly a life changing experience for us. The video was directed by Lenne Chai, and seeing her stunning interpretation of our lyrics really brought the song life.” — Atisha and Nishita Lulla, LULLANAS


Photo credit: Lenne Chai

LISTEN: Seamus Egan, “Two Little Ducks”

Artist: Seamus Egan
Hometown: Philadelphia, Pennsylvania
Song: “Two Little Ducks”
Album: Early Bright
Release Date: January 17, 2020
Label: THL Records

In Their Words: “This mandolin-driven track is inspired by my love of Baroque music. I spent many hours as a teenager sitting in the front room of the great Irish musician and folklorist Mick Moloney’s house in Philadelphia, listening to mandolin concertos and trying to learn them by ear. I was never very successful in that endeavor, but my love of Baroque, and in particular, mandolin music endured.

“This track is also a nod, in its own way, to an old De Dannan track called ‘Arrival of the Queen of Sheba to Galway,’ from their 1983 album, Song For Ireland. This was their interpretation of the Handel piece, The Arrival of the Queen of Sheba. Hearing that track was a watershed moment for me. It opened my ears to what could be possible with Irish music. It was like getting permission to look outside the tradition and see what you could find and bring back with you. It was incredibly liberating. Joining on this track is Kyle Sanna on guitar and Owen Marshall on bouzouki.” — Seamus Egan

WATCH: Veronica Stanton, “Wildflower”

Artist: Veronica Stanton
Hometown: Jenkintown, Pennsylvania
Song: “Wildflower”
Album: 827 Miles

In Their Words: “I wrote ‘Wildflower’ about having the desire to be seen and loved but also knowing that I’d miss the freedom and independence that comes with being alone. To me, being alone doesn’t have to mean being lonely and this song is my little ode to individualism. Matt Boylson captured the beautiful footage of wildflowers in California and Kentucky and then he and Nathan Powell filmed the studio footage together. The track is off of my debut EP 827 Miles, which was produced by Dan Knobler and recorded by Justin Francis at Goosehead Palace in Nashville. It was tracked live with Dan Knobler on acoustic guitar, Anthony da Costa on electric guitar, Danny Mitchell on keys, Dom Billett on drums, Sam Howard on bass, and Erin Rae on harmony vocals.” — Veronica Stanton


Photo credit: Bridgette Aikens

LISTEN: Lizanne Knott, “I Was a Bird”

Artist: Lizanne Knott
Hometown: Philadelphia, Pennsylvania
Song: “I Was a Bird”
Album: Bones and Gravity
Release Date: October 4, 2019

In Their Words: “I wrote ‘I Was a Bird’ about coming back to a place you’re meant to be, a home, in whatever form that takes. I was a bird. I’ve always been a bird, flying whichever way the wind blows, at the expense of my soul. I’ve learned some hard lessons, lost some friends along the way, even lost myself. But I came back, and (at least for now) I’m here to stay.” — Lizanne Knott


Photo credit: Tod Elmore