LISTEN: Phil Leadbetter, “I Will Always Love You”

Artist: Phil Leadbetter
Hometown: Knoxville, Tennessee
Song: “I Will Always Love You”
Album: Masters of Slide: Spider Sessions (Various Artists)
Release Date: June 25, 2021
Label: Mountain Home Music Company

In Their Words: “I always loved this tune. I remember the first time I heard Dolly sing this live, it just killed me! Not only her voice, but the lyrics to the song were so heart-wrenching. I saw her many times telling the story about how the song came about. The story is a very sad one. I used to drive around and listen to that song from several of Dolly’s compilation albums, and it always had such a great melody that I kept hearing in my head over and over. I started messing with it, and liked the direction it was going. In 2010, I got a brand new Scheerhorn guitar. I was at a friend of mine’s home, and I was curious to see how the guitar sounded. I started noodling around and playing different songs to see how the new guitar sounded. My friend told me that I should seriously think about keeping the track. The track got lost over the years, but one day while looking through a bunch of files, I found it!! Me and my engineer worked on it, and I had thought about using it a few years back. So happy I saved it so it could be part of the Masters of Slide album.” — Phil Leadbetter


Photo courtesy of Phil Leadbetter

WATCH: Maya de Vitry, “Working Man”

Artist: Maya de Vitry
Hometown: Lancaster, Pennsylvania
Song: “Working Man”
Release Date: January 8, 2021
Label: Mad Maker Studio

In Their Words: “When I was writing this song last summer I was thinking about the creation of the railroads in the United States, imagining the distance between the hands that physically laid the tracks and the statues and wealth and legacy of the men we remember as having ‘built’ the railroads. I was reflecting on the respect and dignity and security we all long for, the satisfaction of doing a job well done, the pride of being part of something greater than ourselves. The pandemic has elevated and made more visible some of the more underpaid and overworked people in our society, and it’s also made us face the instability of work in general. I was thinking about how so often the blood, sweat, tears, and sacrifice of so many benefit the super-comfort of so few. How can we reimagine our society, and reimagine work, with the empathy and perspective we’ve gained from this last year?” — Maya de Vitry


Photo credit: Kaitlyn Raitz

WATCH: Rory Feek, “Time Won’t Tell”

Artist: Rory Feek
Hometown: Columbia, Tennessee
Song: “Time Won’t Tell” (written by Harlan Howard and Beth Nielsen Chapman)
Album: Gentle Man
Release Date: June 18, 2021
Label: Gaither Music Group

In Their Words: “I first heard this song in the mid-’90s when I was writing for Harlan Howard, and he and Beth wrote it. I’ve always loved it and my wife Joey and I even had it on a shortlist to record for her to sing one day. All these years later, the lyric is even more special to me. It’s been five years since Joey passed, and there isn’t a day that goes by that I don’t wonder what life might be like if she was still here. If it was her tucking our little girl Indiana in bed at night and not just me. What the song says is so true… sometimes, ‘time won’t tell.'” — Rory Feek


Photo credit: Michael Hayes

LISTEN: Maggie Pope, “The Bird Painter”

Artist: Maggie Pope
Hometown: Philadelphia, Pennsylvania
Song: “The Bird Painter”
Release Date: June 25, 2021

In Their Words: “‘The Bird Painter’ was written after a conversation I had with a songwriting mentor of mine: Steve Varney, frontman of Kid Reverie, and banjoist/guitarist for Gregory Alan Isakov. It was a nod to my love of ‘train songs’ as we called them… those that have a steady, relatively unchanging chord progression as a foundation. Humble little tunes that invite the listener to embark on more of a meditative, introspective journey rather than incorporating a more traditional song structure with a big chorus (which is also fun).

“Steve ended up producing this one, arranging and adding almost all of the elements beyond my own vocal and acoustic guitar; that cool electric slide, his warm vocal, and a tambourine that suddenly made me realize that tambourine sounds are some of my favorite sounds in the world. Music will do that sometimes. My dear friend (and another musical mentor) Adam Monaco then topped things off with a perfectly simple piano addition that somehow and inexplicably captures my love of twinkly lights. Music will do that sometimes, too.” — Maggie Pope


Photo credit: Robert Stolpe

WATCH: Timothy Howls, “The Rubble”

Artist: Timothy Howls
Hometown: Austin, Texas, by way of Santa Barbara, California
Song: “The Rubble”
Album: The Rubble EP
Release Date: May 21, 2021

In Their Words: “‘The Rubble’ is a broken-hearted love song about a relationship hanging by a thread. It was an introspective outpouring about my own inability to commit fully to someone else and realizing how that was hurting the woman I was with. I wrote it at a low point and thankfully we fought through and came out stronger on the other side. The video was shot in a desolate mining town called Terlingua, Texas, with more scenic shots from Marfa. The dilapidated landscapes perfectly fall in line with the sentiment I was attempting to convey in the lyrics. Thanks for checking it out!” — Timothy Howls


Photo credit: Garrett Porter

LISTEN: Nick Africano, “Heavy to Hold”

Artist: Nick Africano
Hometown: Brooklyn, New York
Song: “Heavy to Hold”
Album: Gossip of Flames
Release Date: June 18, 2021

In Their Words: “This is a song about not having a chance to say goodbye, and living with that lack of closure and guilt. Sometimes, all we want to do is hold on: to pain, to sadness, to grief, to guilt…because, if we can’t have the person or thing we lost, at least we have the pain, the sadness, the guilt still; the loss isn’t as final, we convince ourselves. Letting go is a risk…an ultimate act of trust…trust that perhaps we won’t be forever cut off from what we let go of, but, rather, even closer. When I went to my mother’s house after we lost her, her bible was open to a passage that read, ‘Do not let your hearts be troubled, don’t be afraid.’ It sent chills through me. But I don’t think I listened. Hahaha. Maybe in this song I’m trying to say, ‘I’m listening now.'” — Nick Africano


Photo credit: Owen Donovan

WATCH: Wilson Banjo Co., “When the Crow Comes Down”

Artist: Wilson Banjo Co.
Hometowns: Steve Wilson: Spencer, N.Y., and lives in Westminster, S.C.; Sarah Logan: Gorham, Maine, and lives in Johnson City, Tenn.
Song: “When the Crow Comes Down”
Album: Six Degrees of Separation
Release Date: June 4, 2021
Label: Pinecastle Records

In Their Words: “’When The Crow Comes Down’ is a really well-written story song that was co-written by a tremendous Nashville singer-songwriter, Jordan Rainer. We fell in love with the spooky theme and the imagery she created. The Appalachian tone and timbre of Sarah’s unique vocal was perfect for the delivery. Creating the mood for this song through arrangement was exciting, but it was the artists who all truly captured my vision. Richard Bennett and I work together a lot in the studio and his distinctive guitar picking constantly blows my mind. I was so honored when he agreed to be such a huge part of this project! And Deanie Richardson’s fiddle was the perfect fit for this song! She’s able to perfectly capture each emotion in the story; she is truly outstanding. Everyone’s contributions came together to create such an amazing final recording for this song! A video was a must! And who doesn’t enjoy a good scary movie? Bonfire Music Group did a great job with the production and we all had fun watching Sarah get creepy! We hope you enjoy it!”– Steve Wilson, Wilson Banjo Co.


Photo credit: Pinecastle Records

LISTEN: The Bittersweets, “Livin’ on the Edge”

Artist: The Bittersweets
Hometown: Nashville, Tennessee
Song: “Livin’ on the Edge” (Aerosmith cover)
Release Date: June 11, 2021
Label: Compass Records

In Their Words: “After wearing this record to death as a kid and subsequently growing away from it, ‘Livin’ on the Edge’ came on the radio at some point during the last year and we looked at each other and said, ‘Oh my gosh — this could have been written in 2020.’ We set out to create a version of the song for today, converting a ’90s Aerosmith hard rock song into a meditative acoustic folk ballad. And we must meditate on these important questions. From the persistent fight for racial justice to the pandemic to the eventual storming of the Capitol, it really feels like we are all living on the edge right now, staring at a precipice that will either remind us who we are or ultimately be our demise.” – Chris Meyers, The Bittersweets


Photo credit: Fairlight Hubbard

BGS 5+5: Them Coulee Boys

Artist name: Them Coulee Boys
Hometown: Eau Claire, Wisconsin
Latest album: Namesake (available August 6, 2021 on Some Fun Records)
Personal nicknames (or rejected band names): For better or worse, we’ve always been Them Coulee Boys.

(All answers from Soren Staff)

What’s the toughest time you ever had writing a song?

For me, it’s never about how tough it is writing a song, but rather when to move on from one. I generally build songs from a line or two that I’m excited about, whatever makes my stomach burn and rush to write more. Sometimes they come in minutes, but sometimes those lines can ruminate in my head for weeks or months, caught in limbo. When I try to force them out, it often isn’t something I’m proud of. The hardest part of writing for me is realizing when to take a step back and let songs breathe. That line is still going to be there when I come back, and maybe this time there’s more to the story. “Given Up” worked that way, and space let me fill out the story in a way not possible if I forced that out.

Which artist has influenced you the most … and how?

I feel like this is an answer that changes, but one artist that has loomed large in his influence on our work is Bruce Springsteen. It might not be sonically obvious, but I think every small town kid has looked at him and seen some of their story in his. The lesson I always come back to is that the intensely personal details can feel universal. On this next record particularly, I was more comfortable using characters that weren’t me. Just because you haven’t specifically lived it doesn’t mean someone you know and love hasn’t. We model so much of what we do off his example, be it in our powerful live performances, our evolving sound, or intimate style of writing. He’s a master at so many things, and I feel like I’m continually learning.

What’s your favorite memory from being on stage?

Right before COVID hit, we were on the biggest tour of our young careers, opening up for our friends in Trampled By Turtles at The Sylvee in Madison, Wisconsin. Being the closest show on the run to home, so many family and friends were in the audience, but in particular was the family of my dear friend Phil Marks. We lost Phil the year before, and this was the first time that his family could make a show. Every night when we play our song “I Won’t Be Defined” I talk about mental health, and that night I talked about Phil. When you get a crowd of 3,000 to go from joyfully dancing, to a complete silence, and then back to dancing, you feel the power in what you can do through song. I miss making people feel something, be it joy or sorrow. I’m so grateful to have that chance again very soon.

If you had to write a mission statement for your career, what would it be?

We are a band of family and friends that seek to create community through joy, energy, and sincerity in their work and performances. We learned very early how people respond to genuine expression, and we’ve made it our mission to be the absolute most authentic version of ourselves. We love what we do, and we hope you do too. One part bear hug, one part gut punch, and one part steadying hand. That’s what we want our listeners to feel when they listen to us.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Well, we are dreaming here, so I’m going all out! It’s tempting to think I’d be able to soak up some advice, but I love good food and I think I’d get distracted. First, I’d start with brunch with Joni Mitchell and my mother and let them do the talking. I’ve learned so much from them both and I know they’d hit it off. Then I’m headed over to LC’s, my favorite BBQ joint in Kansas City with Bob Dylan and the rest of Them Coulee Boys, if only to see how he handles the literal gallons of BBQ sauce in front of us. Finally, I’m ending the night drinking Handsome Johnnys with John Prine at my hometown Eau Claire, Wisconsin, dive The Joynt. I feel like he wouldn’t mind me picking his brain a bit with a few glasses of vodka and ginger ale.


Photo credit: Nathaniel Nelson

WATCH: Our Band, “Fading”

Artist: Our Band
Hometown: New York, New York
Song: “Fading”
Album: Bright as You
Release Date: June 25, 2021

In Their Words: “Our song ‘Fading’ was sparked by the sound of those first two chords against each other. There is a sweetness, coupled with a kind of foreboding feeling. Relationships have a kind of inevitable gravity to them, and this song deals with the moment where you take the plunge. You have to lose yourself a little, and it is mysterious and kind of frightening. Sasha and I tried to capture that moment musically, and the great nonagenarian Dean of American Folk Music, David Amram, is on flute. The sonority of the steel guitar, David’s flute, and a real vintage Mellotron tape-based sampler is one of my favorite textures on the album – a little vintage futurism, you could say.” — Justin Poindexter, Our Band


Photo credit: Gabriela Herman