Out Now: Cali Wilson

Cali Wilson is the kind of artist who starts playing and the rest of the world melts away, leaving you with her phenomenal voice, warm guitar, and captivating lyrics. The first time I heard Cali play, she was doing her soundcheck for our monthly Queerfest showcase at Vinyl Tap in Nashville. Of course, I had listened to her music before, but I was stunned by how strongly her voice felt live, her vibrato resembling Brandi Carlile’s.

Following Cali’s appearance at Vinyl Tap, I was proud to book her for Queerfest 2022 and Nashville Scene‘s BEST FEST.

Cali’s latest release, “Old Fashioned,” was co-written with Chris Housman, another queer artist in Nashville known for his single “Blueneck.” It’s exciting to see LGBTQ+ artists collaborating and growing together. 

Our Out Now conversation touches on the process of creating music, the challenges around promoting it, and finding a balance between social media and mental health.

Why do you create music? What’s more satisfying to you, the process or the outcome?

CW: I think creating music, for me, is one of my forms of communication. It’s a way I can look inward and reflect on my emotions. Often we are so caught in our own experience, it’s hard for us to be objective. Music has a way of letting me see more points of view. It helps me get outside of myself to find the story in the situations of life. 

I think the process is always amazing and inspiring. It’s art that can keep evolving. To have a song or a record you can physically hear and feel is truly incredible, of course. But I’ll always love the act of writing and feeling it in the moment – a moment that you’ll never have again with that idea. Either by yourself or with co-writers, it’s the challenge of finding the best words to express that. I love that challenge. I love getting better at that process and soaking in how other writers flow, too. It’s the best thing about songwriting. 

Do you create music primarily for yourself or for others?

I think that’s a really difficult question to answer. I find it’s mostly for me as I’m creating it, but then when I play it out, I hear how others connect with it. Then it becomes something else entirely. The best way I can describe it is, it feels like it’s for me, because it is at first. It’s what I feel. It’s my idea. But then it grows to be bigger than that feeling when people connect with it. That’s why music is so universal and beautiful. People can see something in a song that is totally different than what I wrote it for. 

What’s the best advice you’ve ever gotten?

No one is going to promote you if you won’t promote yourself. And you can always be better. I don’t care if you’re the biggest hit writer, you can always learn something from someone in a room or on stage. Don’t get too big for your britches! 

What are your release and touring plans for the next year? 

I am planning some more single releases and maybe even an EP in the near future. Touring will be mostly around Nashville, but I’m heading to other states as well. Looking forward to creating more and broadening my fan base. 

What would a “perfect day” look like for you?

I wake up, take my dog for a walk, and have my morning coffee or matcha. Then I head to co-writes on the row. Grabbing lunch, spending time with my wife and friends after a day like that is my slice of heaven. 

Where did the idea for “Old Fashioned” come from? And how have you found the process of this release from writing to recording and promoting? 

“Old Fashioned” was the first song Chris Housman and I wrote together. We had the title first and then wrote it as a love song. I’m super proud of it. The process was pretty simple. The production and how I wanted the record to sound was the hard part. Promotion is always going to be a challenge. You don’t want to overstimulate your audience, but you also want them to listen when it’s released. It’s tricky. 

Independent artists like myself have nobody else to help with promo, social media, etc. It’s a lot of work, but it’s worth it. 

Over the past year you’ve seen substantial growth on social media. What has that been like for you? Do you enjoy the process of creating content and promoting your work? Do you ever find it tiring or exhausting? How do you balance social media and mental health? 

To be honest, I think social media was so much lighter on my soul when it wasn’t exactly “part of the job” in music. I have a hard time with it, but it’s getting better. I get overwhelmed and it’s hard for me not to compare myself to the peers that are doing better on socials. I get anxious cause I’m not posting enough and then I just get so anxious I don’t post at all. It’s such a hard balance and can really take a toll on you mentally. I try to balance it out with creating posts ahead of time when I can and just floating them up there on a schedule. That has helped a lot with the overthinking. 

I’ve also found it’s okay to be silly and not take yourself too seriously. People want variety in your content regardless of what the “professionals” say. I always try to remember that as well. 


Photo courtesy of Cali Wilson

Step Inside Charlie Mars’ Stunning Yalobusha County, Mississippi Home

(Editor’s Note: Charlie Mars takes BGS readers on a photographic, first-person tour of his gorgeous Yalobusha County, Mississippi home.)

A few years ago I finally got a dog. He’s a Cane Corso mastiff named Kudzu. He’s kind of a handful, so I started looking to move out into the country to give us both a little space. My brother found a finished-out quonset hut on 43 acres for sale in Yalobusha County, Mississippi. It was built on one of the highest points in the county and you can see for 20 miles from the back door. Kudzu liked the view. I bought it and moved in.  

My new album, Times Have Changed [out October 6, 2023], was written on this guitar. I’ve played every show for 15 years on that Gibson Hummingbird. In a transient world, it’s nice to have well made things that work. I toured with REM once, and at the last show Peter Buck told me I had to go to Morocco. He was one of my heroes, so I went straight there from Denmark after wrapping up the tour. I bought that red rug in a Marrakech market and had it shipped to the Memphis airport. Kudzu chewed a hole in it. I saw Peter Buck in Austin a year later and told him I went…”What? I’ve never been there,” he said.  

My grandfather, Charles Mars, was in the Army Air Corp in World War II. He taught me my first notes on the piano. He was a great tap dancer. As a boy, he would take the train from Meridian, Mississippi, to New Orleans, tap dance all day for tips, and take the train home in the evening. I was fortunate enough to spend a great deal of time with him the few weeks before he died. That watch was beside his bed when he passed. Times have changed.  

Eating something I’ve cared for and grown just hits differently. I planted my first rose bush this year. It’s nice to have a little living color in the house. 

My brother, Chad Mars, is a painter. This is one of his first paintings he ever did. It’s of a pumpkin patch in the courtyard of the Episcopal Church in Oxford, Mississippi. I hope I make it through that light at the end of that tunnel one day.  

I bought this bag 20 years ago from my friend Mark, who works at Hinton and Hinton on the Oxford, Mississippi, town square. I’ve traveled with it to every show since. It’s an old doctor’s bag made by Trafalgar. I love that damn bag.  

I bought a Husky toolbox to use as my kitchen island. Kudzu likes to park it on the concrete floor and watch out for intruders.  

I drove a 15-passenger van for many years. I played a show in Austin one night and used the cash to buy that dresser. It was a really fancy store. I told them I was paying cash and taking it with me. “We only take cash if you have exact change, and we normally ship,” he said. It fit in the back of the van with half an inch to spare.  

I had a big night in Vegas many years ago. I came home and bought that Steinway upright piano. I wrote the songs “Country Home” and “Silver Dollar” from the new album on that black beauty. It’s been an inspiration. Quonset huts don’t have a lot of storage, so the Husky tool boxes come in real handy.  

My property was clear cut about 4 years ago. Things have started to grow back. They left enough trees to leave the place looking pretty. I think they left the ugly trees they didn’t have much use for. I like the ugly trees.  

I played the El Cosmico festival in Marfa, Texas, one year. My friend Liz Lambert payed me 300 dollars. There was a girl there selling t-shirts and she used that bench to display the shirts. I asked her if the bench was for sale. She said she’d made it and it was her first piece of furniture she’d ever made. I gave her my 300 bucks and she shipped it to me in Mississippi. I love how simple and sturdy it is.  

I bought that Bang and Olufson stereo in 1997 in Atlanta. It still works like the day I bought it. I remember when the attendant waved his hand in front of it and the glass doors opened… I was sold.  

We filmed the video for my latest single, “Country Home,” in one take at my quonset hut home. Some of my neighbors came over and made cameos in it. Brock rode a three-wheeler, Earl rode a side-by-side, and Eric rocked the tractor. I don’t know where I’d be without my neighbors.  

In the title track, “Times Have Changed,” the chorus says:  “What happened to no sir, yes ma’am, looking folks in the eye? To family and the good Lord and thanking him every night? / I ain’t saying I wanted things to stay the same… but man times have changed.” In the country, things change in harmony with nature. Life is hard, and the reward comes from making it through the hard times. I don’t just know my neighbors, I need them. It’s a different rhythm. All of the songs on my new album come from that different rhythm. I’m grateful to be singing a new song about old ways.


All photos by Charlie Mars

LISTEN: Carrie Newcomer, “Potluck”

Artist: Carrie Newcomer
Hometown: Bloomington, Indiana
Song: “Potluck”
Album: A Great Wild Mercy
Release Date: August 28, 2023 (single); October 13, 2023 (album)
Label: Available Light Records

In Their Words: “Writing and recording this song felt like a magical collaboration with of some of my favorite musicians on the planet to work with creatively (Jim Brock, Brittany Haas, Paul Kowert, Jordan Tice, Gary Walters, & Siri Undlin). ‘Potluck’ was co-written with a luminous new writer Siri Undlin from Humbird. We were both musing one day about the spirit of Midwestern pitch-in gatherings. Essentially, you choose to trust whatever people bring to the table. In times when there seems to be so much distrust and division, a potluck is still a place where we welcome one another with a bit of grace and humor, a place where we still meet folks right where they are — with all their joys and sorrows, quinoa, kale, chocolate cake, and deviled eggs.” – Carrie Newcomer


Photo Credit: Jim Krause

MIXTAPE: Jill Andrews’ Soundtrack for the Making of ‘Modern Age’

I wrote the songs for Modern Age over a period of a few years. It was a time of reflection. I was looking back on my past, because I had recently gone back to my hometown to sing at a childhood friend’s memorial service. I’m normally a present and future thinker, but this gave me the opportunity to sit with my past for a bit and spend time remembering. I walked around my old neighborhood and drove by my high school. I sat in my car at the park that my friends and I used to go to after school to talk and hang out. The songs that came were a mixture of simple, joyful childhood memories juxtaposed with the beauty and heaviness of adulthood. I listened to quite a bit of music over this period of time. Most of the songs that I was drawn to had beautiful melodies, lush production, and very descriptive lyrics. Here are a few of my favorites. – Jill Andrews

“Beauty Into Cliches” – Madison Cunningham

I first heard this song on the Cayamo cruise, which is a music cruise that sails through the Caribbean. I was a featured artist on the ship, as was Madison. I love the way Madison calls out the beauty standards of our society in this song. As a female artist, this feels especially poignant. There are extra pressures to look and act certain ways in the music industry. Madison’s lyrics are creating space for everyone. Not only is it a positive message, the melody is lovely and the rhythm is so vibey.

“Nightflyer” – Allison Russell

Allison and I run in some of the same circles in Nashville, so when I heard she was putting out an album I immediately checked it out. I was drawn to this song for the obvious reasons, the melody and overall vibe are gorgeous and, in addition, the descriptive nature of her lyrics really made me feel like I was in the same room with her. She uses all of her senses to let the listener in. It’s so descriptive and sings like a poem. “I’m the melody and the space between. Every note the swallow sings. I’m 14 vultures circling. I’m that crawling, dying thing…”

“Pressure Machine” – The Killers

The desperation of this song gets me every time. It describes hard living in a small town in such a visceral way. “A mattress on a hardwood floor. Who could ever ask for more? I’ll get up and cut the grass. Ain’t nothing wrong with working class.” I have listened to this song over and over. It always hits me in a new way. The melody is so delicate and gorgeous.

“First Time” – Becca Mancari

“I remember the first time my Dad didn’t hug me back. Under the porch light with my sister’s old cigarettes. With your hands hanging to your side and my face to your chest.” I love Becca’s description of this moment. It’s so sad and so beautiful. After I heard this song, I messaged Becca and asked her if she would sing on Modern Age. We had met a few years prior, but didn’t know each other well. She ended up singing on three of the songs: “80’s Baby,” “Kids,” and “Better Life.” She is such a talent.

“Teenage Drug” – Ethan Gruska

The production of this song is really cool. It feels very alive, the way that it moves and breathes. I love how the melody follows the instrumentation in the chorus. I first heard this song on a playlist when I was jogging. I kept coming back to it over and over.

“Chemicals” – Gregory Alan Isakov

I played a show that Greg was on a few years back with Hush Kids. When I saw him live, I fell in love with his music. I have listened to his album, Evening Machines, hundreds of times since then. “Chemicals” is my favorite song on that album. I love the lines, “You saw her bathing in the creek. Are you jealous of the water?”

“The Night We Met” – Lord Huron

I first heard Lord Huron play this song at Forecastle Festival in Louisville, Kentucky, a few years ago. I had just gotten done performing and I wandered to the nearest stage to see who was playing. Seeing it live got me hooked. This song feels like a dream. I think it’s a mixture of the heavy tremolo on the electric guitar and the vast reverb on his vocals that capture this dream-state so perfectly. The lyrical theme of wanting to go back in time sits so nicely in this vibe.

“Slow Burn” – Kacey Musgraves

I love the vast soundscape on this song. The album Golden Hour is such a good example of music blurring the genre lines in whatever way feels natural to the artist. These songs could have been produced in a traditional country format, but instead she and producers, (and buddies of mine!) Daniel Tashian and Ian Fitchuk, decided to take it a totally different, interesting way. This was incredibly inspiring and helped guide my way of thinking during the making of Modern Age.


Photo Credit: Fairlight Hubbard

LISTEN: Hallie Spoor, “Julia”

Artist: Hallie Spoor
Hometown: Denver, Colorado
Song: “Julia”
Album: Heart Like Thunder
Release Date: August 22, 2023 (single); October 17, 2023 (album)

In Their Words: “‘Julia’ is the first song I wrote for what would eventually (three full years later) become a new record, Heart Like Thunder. I had just seen a Bonny Light Horseman show at Levon Helm Studios in Woodstock, NY, and was very inspired by the performance. Their music has a grounded and natural energy, and that was how I approached writing the song that evolved into ‘Julia.’

“‘Julia’ is a strophic song – meaning it’s a very simple, three-verse format that is a tad unusual to the way I typically approach songwriting. (Verse, chorus, verse, chorus, bridge, etc.) But I think the simplicity of the form is what allows the story to shine. ‘Julia’ is about losing your lover to their best friend. In real life, we humans can be jealous bitter creatures, but in art we get to be wise and soulful. ‘Julia’ ultimately is about forgiveness – and I hope that feeling of peace is what the listener takes away.” – Hallie Spoor


Photo Credit: Sierra Voss

LISTEN: Jon Danforth, “Can’t Stay Here”

Artist: Jon Danforth
Hometown: Dallas, Texas
Song: “Can’t Stay Here”
Album: Repetitions
Release Date: August 18, 2023 (single); October 27, 2023 (album)

In Their Words: “‘Can’t Stay Here’ is a bit of a rambling song, but it is also self-aware enough to know that rambling is typically not a solution to life’s problems. The song acknowledges the strong impulse and the feeling of needing to get away while admitting that, most of the time, that won’t solve anything. It’s a reminder that most of our problems need to be addressed by doing the work on ourselves. At the end of the day, as the saying goes, ‘wherever you go, there you are.'” – Jon Danforth


Photo Credit: Faith Alesia 

LISTEN: Sandy Bailey, “Like You Loved Me”

Artist: Sandy Bailey
Hometown: Northfield, Massachusetts
Song: “Like You Loved Me”
Album: Daughter Of Abraham
Release Date: August 18, 2023
Label: Red Parlor Records

In Their Words: “I first wrote and recorded this song about 10 years ago and never released it. When we were tracking it, the drummer started crying and I realized I had written something that would resonate with people. Still, in typical artist fashion, I constantly second guess myself and try to perfect things and get in my own way. Because of this I have a whole catalog of songs that will probably never be heard. The only people who ever listened to what I recorded were my kids. They made me play this song for them all the time, it was one of their favorites. I decided I wanted to finally release it on this album, but I had to make a new recording, because my voice had changed 10 years later. Not only has my voice changed, but so has my son’s! I guess it turned out to be fortunate that I waited, because I was able to record his new man voice for the background vocals on one of his favorite songs.” – Sandy Bailey


Photo Credit: Anja Schütz

LISTEN: John McCutcheon & Tom Paxton, “Life Before You”

Artist: John McCutcheon & Tom Paxton
Hometown: Smoke Rise, Georgia; Alexandria, Virginia
Song: “Life Before You”
Album: Together
Release Date: October 13, 2023
Label: Appalseed

In Their Words: “Tom Paxton and I started writing together early on during the pandemic and, with seemingly endless time on our hands, we tackled all manner of subjects and ideas. This one started out as a pretty standard love song. But, often, along the way, one of us will say, ‘Wait a minute, what if this turned left instead of right?,’ and we’ll bravely go down that blind alley. Sometimes it works, sometimes it doesn’t. Tom was particularly enamored of the way the ending comes out of left field to the listener, a real surprise. He breaks into a big grin every time the end of verse three rolls around. One of the great joys of songwriting teamwork is to see your partner so delighted with the final result. Doesn’t get any better…” – John McCutcheon


Photo Credit: Michael G. Stewart

WATCH: Arny Margret, “waiting”

Artist: Arny Margret
Hometown: Ísafjörður, Iceland
Song: “waiting”
Album: dinner alone EP
Release Date: September 22, 2023 (EP)
Label: One Little Independent Records

In Their Words: “Sometimes you feel like you’re waiting for someone, or for a moment to say something, but the person doesn’t really see or give you the time. This song is about a lot of things: feeling left out and alone, feeling unheard and unwanted. It’s a song that was scary for me to write. Like most of my newer songs, I feel like I’m starting to write in a bit of a different way, a more honest way. This song is all the things I would never say out loud to anyone, I’m not using any metaphors or trying to mask anything here. That’s a pretty scary thing to do to, at least for me.” – Arny Margret


Photo Credit: Keiko Ichihara

LISTEN: Scott Sean White, “Hope You Never Do” (Feat. Radney Foster)

Artist: Scott Sean White
Hometown: Dallas, Texas/Nashville, Tennessee
Song: “Hope You Never Do” (Featuring Radney Foster)
Album: Even Better On the Bad Days
Release Date: August 18, 2023 (single); January 19, 2024 (album)

In Their Words: “Eric Erdman and Radney Foster were writing at Radney’s house one day and the news or something came on the TV while they were having lunch. Whatever it was, it made one of Radney’s kids say, ‘Dad, I don’t even know what it’s like to ball up my fist to hit someone.’ And Radney teared up and said, ‘I hope you never do.’ Eric gave him a minute and then said, ‘We’re writing THAT!’ They got stuck on the idea for some reason and couldn’t get it where they wanted. It was a year-and-a-half later that I met Eric for the first time and for some reason, he thought I was the guy to help them and their other co-writer, Chad Wilson, get it unstuck. We got together over Zoom one day and left with this.” – Scott Sean White


Photo Credit: Ted Parker Jr.