Artist:Vinnie Paolizzi Hometown: West Chester, Pennsylvania Song: “Ahead of Me” Album:The Vinnie Paolizzi LP Release Date: November 17, 2023
In Their Words: “Ben Danaher and I have both been at this songwriting thing for a minute. Some days it feels like we’re hanging on by a thread, but we have to keep reminding ourselves that our best days are coming around the bend – and this is all going to pay off. I love old R&B music and this was my attempt to throw a few elements of that into the mix on your way out the door. ‘Ahead of Me’ was the first song we recorded and it’s the perfect way to say goodbye and thank you for listening to my debut album.” – Vinnie Paolizzi
Artist:Delaney Ramsdell Hometown: Roosevelt, Texas Album:Rambler EP Release Date: November 2, 2023 Label: North Llano Records
In Their Words: “Rambler is a full spectrum look at my life as a writer. From the dark, smoky moments from ‘Withdrawal’ and ‘Carry the Load’ to the forlorn prayers of ‘Kitchen Window’ and ‘Any Good Wife,’ this project covers every corner of my heart. I wanted to make sure that every piece of this record spoke to the rambler in all of us – the travel, the heartbreak, the fun, and the authenticity life brings as we make our way through the world.
“I hope the listener is able to journey down the roads I walked with these songs when I wrote them, and I hope they are able to pave their own way with them as well. The songs are cut and dry and they speak for themselves, but Rambler is my first real venture out into the world as an artist and I’m grateful for the space and chance to have worked with a great team of writers, producers, and players who helped me realize this dream.” – Delaney Ramsdell
Album Credits:
Writers: Delaney Ramsdell, Autumn Buysse, SJ McDonald, Mia Mantia Produced by: Grady Saxman, Jeff Armstreet at Saxman Studios
Artist:Jon Dee Graham Hometown: Austin, Texas Song: “there’s a ghost on the train” Album:only dead for a little while Release Date: November 10, 2023 Label: Strolling Bones Records (a subsidiary of New West)
In Their Words: “So, my old friend Charlie Hunter, who started Roots on The Rails – Train adventures with live music. We’ve been to see polar bears in Churchill, [Manitoba] on the Hudson! – had made friends with the guy who found and restored The City of New Orleans train of Steve Goodman fame. Charlie asked if I’d play the [train’s] first run from Chicago to NOLA. I was in.
“It’s such an old and iconic train, I got to talking with one of the porters and I said, ‘I bet this train’s got a few ghosts.’ He got all serious and said, ‘Oh, this train is haunted as hell!’ No matter how I wheedled him he wouldn’t say anymore than that.
“So I’m playing on and off late into the night. At one point during a break I’m heading back to the baggage car to have a smoke and as I’m approaching one of the doors between cars, I see a hazy figure on the other side, I get all gooseflesh, and it keeps coming and I think, ‘Sweet Jesus! I’m seeing a ghost on the City of New Orleans!’ When I reached the door, I realized that I was seeing my own reflection in the door’s window. Relieved, but disappointed, I pushed on through to the baggage car. When I entered the dark baggage car, I caught a brief glimpse of 3 or 4 guys sitting in the back and then it was gone… another trick of the light.” – Jon Dee Graham
Track Credits:
Produced by Jon Dee Graham, Michael Hardwick, and Stuart Sullivan. Recorded by Stuart Sullivan at Wire Studio in Austin, Texas. Engineered by Stuart Sullivan. Mastered by Carter Greeves.
Artist: Rosanne Cash Hometown: Born in Memphis, Tennessee; Now lives in New York City, New York Song: “The Truth About You” Album: The Wheel 30th Anniversary Deluxe Reissue Release Date: October 26, 2023 (video); November 17, 2023 (reissue) Label: RumbleStrip Records
In Their Words: “I was turned inside out when I wrote these lyrics. I was full of so much longing that I thought I would drown in it. I was also trying to come to terms with the idea that I might not get what I wanted. It was a deeply melancholy moment, but it had the light of possibility. I gave the lyrics to John, like a supplication in code, and he wrote the music. That was a good sign.” – Rosanne Cash
Artist:Claire Hawkins Hometown: New York City, New York Album:The Name (EP) Release Date: October 27, 2023
In Their Words: “The songs on this EP have been on the road with me for the past two years. I wrote in Ireland and Germany, tracked demos in Thailand, and recorded in my hometown of New York City. I’ve gotten to play them for audiences in Lisbon, Los Angeles, and London, and alongside different musicians from around the world. These songs are my souvenirs from the last two years. This EP is a scrapbook of the people, places, and sounds that have left a mark on me during this period. They’ve been around the world with me, and now they’re out in the world for everyone else to hear.” – Claire Hawkins
Artist:Nora Jane Struthers Hometown: Nashville, Tennessee Song: “Life Of A Dream” Album:Back To Cast Iron Release Date: October 27, 2023
In Their Words: “Co-written with my husband Joe Overton, this song is an inquiry into our own dreams and how our season of life shapes and reshapes those dreams. I think the pandemic gave most people a new perspective on their dreams… in many cases redefining them. My dream of building a family has taken a front seat for the past few years and as I think about what this song means to me right now, I realize that I am standing on a precipice: We are planning our final embryo transfer and if it takes, that means 3.5 more years of living in baby-world. If it doesn’t, we’re only a few years away from having two kids in school and all of the ‘free’ time that comes along with that. What will I do if I am in fact leveling-up and out of the baby-mom season of my life? Pour all my day-light hour energy into writing? Can I refocus on touring on weekends and summers? What is the dream now?” – Nora Jane Struthers
Palmyra is one of those bands you discover and can’t help but continue to come back to. They are not easily forgotten. They write lyrics that are poetic while being relatable – a duality that is not easy to accomplish.
The musicality of these three highly skilled instrumentalists – Teddy, Manoa, and Sasha – is strong and their energy is quirky, fun, and engaging. Lately, they’ve been touring all over the East Coast, recording, working with artists like Liv Greene and Jobi Riccio, who was previously featured on our column. If you can’t tell yet, the queer music industry is incredibly small and interconnected!
Palmyra uses their innovative songwriting and performance skills to transform traditional folk instruments and three-part harmonies into something you’ve never heard before. We hope you enjoy our Out Now interview featuring Palmyra.
(Editor’s Notes: Interview answers supplied by Sasha Them)
Who are your favorite LGBTQ+ artists and bands?
Among my absolute favorite things about our touring over the last few years are the moments that we get to share stages with other queer artists. Liv Greene is a personal favorite mine; all of their songs exist in their own world of brilliance and masterful craft. Brittany Ann Tranbaugh has songs that absolutely wreck me. Another artist that’s constantly on repeat in the van for us is Brennan Wedl! Their song “Bag of Bones” is one of the most incredible songs I have ever heard and turns me into a pulp every single time I revisit it.
For anyone reading this who might not be out of the closet, were there any specific people, musicians, or resources that helped you find yourself as a queer individual?
Yes! I am an out-and-proud queer person now, but it took quite a while to settle into the person I am today. There are so many artists that helped move the needle for me; particularly the abundance of queer and trans folks I connected with online during the lockdown. Backxwash is top of the list for me; she’s a killin’ rapper and producer based out of Canada and her music helped me to understand that as artists we can channel complicated emotions and inner turmoil to create something empowering and badass and beautiful.
What are your release and touring plans for the next year?
Touring has been our full time job for two-and-a-half years now, and we plan on continuing to hit the road in full force in 2024. Our hope is to branch out to some new regions and cities, and I am sure we’ll be visiting all of our favorite places along the East Coast, from Maine to Georgia. Now that I say that, I’m realizing that, as a band, we kind of follow the Appalachian Trail in our tour routing…
We’ve got two more singles coming out this year, and are planning on putting out a few projects in 2024. I am so excited to share the music we’ve been working on.
This year, you’ve been sharing stages with bands like Watchhouse, playing festivals, and touring all over the East Coast of the U.S. What has that been like for you?
This year has definitely been our wildest one yet. Some of the experiences we’ve had, like opening for Watchhouse, have been so surreal to me. It feels like the work we’ve been putting in for so long has started to pay off in very real ways. Getting to play Newport Folk Festival is one of the highest honors any of us have ever had and it is beyond cool to get to connect with folks all over just by doing the thing we all love most – playing and writing songs.
What does your songwriting process look like? You have incredibly strong lyrics that are both relatable and poetic. Do you map out the structure and content of the song first? Do you think about song structure and tools like prosody, lyrical placement, and rhyme types? Do you spend a lot of time editing?
The songwriting process looks pretty different for all three of us, but each song typically starts with one writer and then is brought to the group to arrange and flesh out. There’s a very special (and sometimes uncomfortable) moment that has to happen when one of us brings a song to the group; you have to be able to release ownership of the thing you’ve created so that it can become a collective version that everybody has had their hands on.
For me, I usually start with one line that comes to me when I’m away from any instruments – typically when I’m out driving or walking! I am very particular about what words feel good coming out of my mouth and what feels the most authentic to my own personhood. Prosody and internal rhyme schemes are almost always on my mind, especially when I’m reworking a tune. I love getting into the nitty gritty parts of a song, and I love the moment I am able to zoom out when a song is finished and take care to make sure everything fits together.
Photo Credit: Joey Wharton
Out Now is a partnership of Queerfest and BGS authored by Queerfest founder and director Sara Gougeon.
Artist:Sully Bright Hometown: Forest City, North Carolina; currently lives in Nashville, Tennessee Song: “Appalachia” Album:Darling, Wake Up Release Date: October 13, 2023
(Editor’s Note: Over six weeks, singer-songwriter Sully Bright will premiere a series of four live performance videos shot in the mountains of North Carolina. Watch each installment every other week right here on BGS.)
In Their Words: “I got the idea for the song ‘Appalachia’ on my drive back home to North Carolina from Nashville. Driving the Blue Ridge Mountains is one of my favorite things to do, especially in the fall. The North Carolina mountains are my favorite place in the world; they are home to me. That’s what I wrote this song about: ‘Home is what you make of it, and darling you’re mine.’
“This is one of my favorite videos we captured in North Carolina. We recorded it on a river near Roan Mountain. There couldn’t be a better place to sing the song than in a cold mountain river in Appalachia. I hope you enjoy the video and check back for the next one in two weeks.” – Sully Bright
Photo & Video Credit: Seth and Jenna Herlich, Wonderfilmco
Artist:Jason Hawk Harris Hometown: Houston, Texas Latest Album:Thin Places Personal Nicknames (or rejected band names): “J,” “Jase”
What’s your favorite memory from being on stage?
I was playing at the Milk Bar in San Francisco with the Show Ponies once. The crowd was responsive to what we were playing in a way that I’ve never experienced before or since. We would get louder, and they would move like a wave of silk. We’d get quieter and they would be still as candles. It was a really wild moment that I’ll never forget. It’s a small, divey place, but even still, it’s like walking into a church for me these days, because I always remember that show.
What other art forms — literature, film, dance, painting, etc. — inform your music?
Lyrically, literature is a big influence on me. My favorite authors are those who write in the magic realism vein. Salman Rushdie, Gabriel García Márquez, Carmen Maria Machado, Haruki Murakami, and Charles Williams are some of my favorites. I like the genre (magic realism) because it seems to view the physical and spiritual plane of existence as one in the same. The world has always made more sense to me when I think of it in those terms. Empiricism holds no interest for me, personally. The nature of existence has always seemed bigger to me than what I can touch, taste, smell, hear, or see.
What was the first moment that you knew you wanted to be a musician?
I wish I had a more hip answer to this, but I don’t. When I heard Simba sing the song “I Just Can’t Wait to Be King” in the Lion King, I knew I wanted to sing in front of people for the rest of my life. I was 6 when I first saw it and that song absolutely enthralled me. I think there were earlier moments than that while watching my parents sing in church, but that song was a very formative moment for me. I remember my parents having to ask me to sing something besides the one song from Lion King.
What’s the toughest time you ever had writing a song?
“Jordan and the Nile” legitimately took me five years, from first spark to final mix. The refrain came to me in about 10 seconds, but everything else came at a crawl. I wrote around 40 verses and they all seemed wrong in one way or another. Then, when I’d finally finished the verses and felt good about them, I started arranging. It’s usually the lyrics that take me a while. The music almost always comes easy. Not the case with “Jordan.” I must’ve trashed everything and started over on this song at least five times. It was labor, but I’ve never been happier with a final product than I am with that song.
If you had to write a mission statement for your career, what would it be?
Don’t let the cynicism of the streaming age inform the music you write. This is, and has been, my mantra for a while now. I think in this day and age, musicians are under constant pressure to write music that people “like” instead of writing something that we think is good. The temptation is stronger than ever. Being placed on a Spotify sponsored playlist can make you thousands of dollars in a way that other avenues of income won’t. I have personal experience with this. The Show Ponies, the band I was a part of for seven years, were placed on a playlist back in 2013. We still receive monthly checks and we haven’t played a show in over four years. It’s powerful, but I don’t want a tech company deciding what music I make is or isn’t worthwhile.
Artist:Ynana Rose Hometown: I was born in Mendocino, California, and grew up in rural Northern California and Southern Oregon. I’ve lived in San Luis Obispo, California, for the last 20 years. Song: “Strawberry Moon” Album:Under a Cathedral Sky Release Date: October 20, 2023 (song); November 3, 2023 (album)
In Their Words: “‘Strawberry Moon’ is an old–time song of forbidden love and every time I play it I give thanks for being born in the here and now – where I can choose how to be and who to love. This is the first song I wrote for my album and I play it at every show. It came together so easily in the studio: Co-producer Damon Castillo and I knew just how to bring it to life. Tammy Rogers (of The SteelDrivers) and Scotty Sanders add fiddle and Dobro to the already meaty mix of upright bass, drums, and electric guitar. The audio for the video is spare, just guitar and vocals – sound engineer/producer Graham Ginsberg and I were really aiming for a haunted, yearning kind of a vibe. It’s a story that feels true, so I sing it that way.” – Ynana Rose
(Editor’s Note: You may also stream the studio version of “Strawberry Rose” below.)
Photo Credit: Barry Goyette
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