WATCH: The Western Express, “Honky Tonk Saints”

Artist: The Western Express
Hometown: Austin, Texas
Song: “Honky Tonk Saints”
Album: Lunatics, Lovers & Poets
Release Date: August 5, 2022

In Their Words: “‘Honky Tonk Saints’ was one of the first country songs I wrote after playing church music for many years before. One night while I was riding home in an Uber, I thought, ‘What if the honky-tonk were our church? How would we take communion at the honky-tonk? What would the praise songs be? Who would be the saints of the honky-tonk?’ I originally wrote it for people like Hank Williams, Willie Nelson, and Kitty Wells. But in 2020 and 2021, James Hand and James White died — two Austin honky-tonk heroes who were larger than life to me. James White owned the Broken Spoke, and gave us our start by booking us in the very beginning. We recorded a great music video at that venue, and it’s dedicated to our two local heroes, Hand and White.” — Stephen Castillo, The Western Express


Photo Credit: Eryn Brooke

LISTEN: Nick Pagliari, “Down in a Rainstorm”

Artist: Nick Pagliari
Hometown: Memphis, Tennessee
Song: Down in a Rainstorm
Album: Hard Lessons
Release Date: July 22, 2022
Label: Ride the River Records

In Their Words: “The song was written during a jog one spring afternoon in my neighborhood of North Austin. I got caught in a torrential rain that came out of nowhere and at some point started humming what would become the chorus. I remember a feeling of excitement and liberation as I ran through the storm. This was pre-pandemic so it wasn’t until later that I realized that the whole thing was somewhat metaphorical.” — Nick Pagliari


Photo Credit: Barbara FG

LISTEN: Kevin Galloway, “Not That Far Removed”

Artist: Kevin Galloway (formerly of Uncle Lucius)
Hometown: Austin, Texas
Song: “Not That Far Removed”
Album: Secondhand Starlight
Release Date: June 24, 2022
Label: Natchile / Nine Mile Records

In Their Words: “My overall outlook is less self-centered now. I’ve quite enjoyed the transition to solo work. I had gotten burned out by album cycles and the ever-spinning wheel. Now, not pushing myself constantly to keep the machine running has led to more freedom and happiness for me. And there are other advantages to solo decision-making, as opposed to an all out democracy. I’ve grown more confident in my abilities, and more mature in my handling of the ups and downs. I can’t really tell if my approach to the music has really changed. But I realized long ago that I’m at my best when I pay attention to inspiration and feeling, and just let everything unfold on its own.

“Long walks in nature, and reflections upon life’s mysteries, birthed this song. Listen closely in the first verse after the lyrics ‘birds fly in patterns, singing songs’ and you may hear what sounds like birds chirping. This is perhaps a cosmic coincidence. We believe it’s organ and/or guitar frequencies in a high register. Either way, leaving it in there was a no-brainer. Jamie Lin Wilson and Kelley Mickwee, formerly of The Trishas, provide the angelic background vocals.” — Kevin Galloway

Kevin Galloway · Not That Far Removed

Photo credit: Mary Bruton

LISTEN: Parker Twomey, “Til the Morning Comes”

Artist: Parker Twomey
Hometown: Dallas, Texas
Song: “Til the Morning Comes”
Album: All This Life
Release Date: July 15, 2022

In Their Words: “I wrote ‘Til the Morning Comes’ with Paul Cauthen back in 2018 at his old apartment in Dallas. I showed up, and Paul already had some defined melodic ideas that I loved and resonated with as soon as he played ’em for me. We poured some coffee, sat down, and knocked the song out before I finished my cup. Definitely, the fastest song I’ve ever written. To me, this song feels like the thumping heartbeat of young love and everything that comes with it. The first-time feelings, the losing yourself in another, the heartbreak, and the longing once they’re gone. This song embodies a relatable innocence and loss of it that I believe is deeply ingrained in all of our hearts.” — Parker Twomey

PARKER TWOMEY · Til The Morning Comes

Photo Credit: Sam Tippets

LISTEN: Micah Edwards, “Can’t Without You”

Artist: Micah Edwards
Hometown: Houston, Texas
Song: “Can’t Without You”
Album: Jean Leon
Release Date: June 10, 2022

In Their Words: “This concept album is filled with grief, heartbreak, and familial baggage. There are several points on the record that seem pretty grim and hopeless. But threaded through every track, there is that sliver of hope for redemption, and that’s the role this track serves on the album. It wraps up the record with a prayer. ‘Lord, I can’t conquer any of this familial baggage on my own — I need You.’ The only track that incorporates fiddle, this one also stretches the Texas soul spectrum a bit more. It swings pretty far country, reminding the listener just exactly where we call home.” — Micah Edwards


Photo Credit: Of The Rose Studios

LISTEN: Drew Kennedy, “Peace and Quiet”

Artist: Drew Kennedy
Hometown: New Braunfels, Texas
Song: “Peace and Quiet”
Album: Marathon
Release Date: June 17, 2022
Label: ATLAS AURORA

In Their Words: “I wrote this song with two heroes of mine — Matraca Berg and Jeff Hanna — at their house one cloudy morning in Nashville. The hook arrived all gift wrapped and ready to go during a conversation with a friend after a show. I asked him how he had survived a two-year stint in rural Arkansas for work, being more accustomed to the hustle and bustle of Dallas, and he shrugged his shoulders and said, ‘I guess I just made peace with the peace and quiet.’ I love it when songs find you like that. I took the idea to Matraca and Jeff and that morning the three of us made this magical little song. I love the second verse so much: I woke up with the morning raining down upon my windowpane in perfect harmony with ‘Faded Love,’ and you won’t catch me complaining. Still gets me every time I sing it!” — Drew Kennedy


Photo Credit: Carly duMenil-Martinez

WATCH: The Suffers, “Yada Yada”

Artist: The Suffers
Hometown: Houston, Texas
Song: “Yada Yada”
Album: It Starts With Love
Label: Missing Piece Group
Release Date: June 3, 2022

In Their Words: “I wrote this song for any artist in this industry feeling discouraged by the games, politics, and made-up sets of rules created within the music community by gatekeepers and the people that support them. The lyrics were written on a September night in Nashville after I had one of the most degrading and racist experiences of my career. The lyrics quickly found a home weeks later when my co-writer, Raymond Auzenne (Mannie Fresh, Lil Wayne), played me the beat that eventually became the music for the song. The Suffers played the song on stage a few times during our tour with Big Freedia in late 2019, and we knew it was ready to record when ‘The Queen Diva’ sang along with it on her Instagram stories. After the tour with Freedia, we went straight to the Echo Lab recording studio in Argyle, Texas, to record with Matt Pence (Midlake, Jason Isbell, Shakey Graves) and Jason Burt (Leon Bridges, The Texas Gentlemen). We had an absolute blast working with them and playing on all of the amazing instruments at that studio. My favorite instrument on ‘Yada Yada’ is the box of rocks you hear rumbling in the intro, but I love every part of this song, and finishing it gave me back my power.” — Kam Franklin, The Suffers


Photo Credit: Agave Bloom Photography. Makeup: Amore Monet. Styled by Michele Kruschik. Set Design: Kam Franklin. Pictured (L-R): Michael Razo, Jose “Chapy” Luna, Kevin Bernier, Kam Franklin, Nick Zamora, Juliet Terrill, Jon Durbin

LISTEN: Tody Castillo, “What It Means to Be a Man”

Artist: Tody Castillo
Hometown: Austin, Texas
Song: “What It Means to Be a Man”
Album: Old Rodriguez
Release Date: April 8, 2022
Label: Strolling Bones Records

In Their Words: “This is a song about a person dealing with depression and anxiety without a playbook. It touches on the second-guessing nature of someone who is emotionally damaged. It deals with overcoming fear and uncertainty through bravery. It’s a story about a person hanging onto their dreams with what feels like the weight of the world on their back. ‘What It Means To Be a Man’ is the third tune on the album and I believe it sets the tone for the remaining songs. I love the dreamy soundscape that engineer/mixing engineer Steve Christensen (Steve Earle, Khruangbin, Paul McCartney) creates during the bridge. I was also able to use a 12 string Rickenbacker throughout the tune which ties it all together. Who doesn’t love a 12 string?!” — Tody Castillo


Photo Credit: Justin Cook

BGS Top 50 Moments: SXSW Brooklyn Country Cantina

It was a collaboration that quickly became one of our favorite events of the year (and definitely the best part of every marathon SXSW week): The Brooklyn Country Cantina was held for five years at Licha’s Cantina in East Austin in partnership with BGS. Featuring an ever-evolving rotation of talent, it was a launch pad for so many artists in the BGS fam, and a special laid-back underplay for those buzzworthy artists wrapping up a crazy week.

Instead of being another schmoozy networking event at SXSW, the BCC was always a reprieve away from the chaotic cacophony of downtown Austin or Congress Street — an all-ages affair where artists and fans alike got to see their friends, take a breather, and eat some really good tacos.

Below, rediscover some of our favorite moments from the Brooklyn Country Cantina, as captured by BGS photographers:

 

MIXTAPE: The Wilder Blue’s Smooth Harmony Jams

Something special happens when multiple human voices intertwine. Maybe it stirs something in our DNA, some echo of countless lost generations and the songs they sang together on countless fire-lit nights. All I know is that people love it. It’s the part of our show people remark upon the most afterward, often adding something along the lines of “You just don’t hear harmonies like that much anymore.” While it does seem to be true that solo artists tend to dominate the charts these days, there are still a lot of groups out there keeping harmonies alive. Here are some of our favorites from both past and present. — The Wilder Blue


From Paul Eason, lead guitar

Alison Krauss & Union Station – “Maybe” (from Live From The Louisville Palace, Kentucky)

These harmonies (which are performed live!) are just super interesting and not predictable. I love how the first chorus is just a single harmony and the second adds the third part.

Punch Brothers – “My Oh My”

These guys are just some of the best musicians alive, and their harmonies match their virtuosic instrumentalism. I have seen them do it live, and it seems they are incapable of singing even slightly off pitch.

Darrell Scott – “No Love in Arkansas”

I don’t know if I love the harmonies as much as I just love this song. It has the feel of a live recording — but a real, real good live recording. I get the impression that Darrell surrounded himself with players as effortlessly musical as he is, and the song just came out the way it was supposed to be.


from Andy Rogers, multi-instrumentalist

Bluegrass Album Band – “So Happy I’ll Be”

I grew up singing bluegrass gospel music with my family and this tune always stuck out to me. I love the call-and-response singing and of course that sweet guitar pickin’.

I’m With Her – “See You Around”

I can’t say enough good things about these three artists’ solo work, but putting them together and hearing those beautiful three-part female harmonies is just magical to me. They sort of remind of a more modern sounding Trio.

The Brother Brothers – “On the Road Again”

I found this group through a friend’s suggestion and just instantly loved it. I mean, does it get much better than sibling harmony? They are incredible songwriters as well. I often send this tune out to the guys in the band when we’ve been off the road for a little too long, at least in my opinion, lol.


from Sean Rodriguez, bassist

The Band – “Time to Kill”

I think it’s pretty undeniable the effect The Band had on harmony-driven bands in America, despite everyone but Levon Helm being Canadian. This great Richard Manuel-led song I think is underrated in their catalog and has great harmony parts throughout.

Billy Preston – “Let the Music Play”

After watching The Beatles doc Get Back, I couldn’t resist the urge to dive further into Billy Preston’s catalog. The vocal arrangements here bit me hard and haven’t let go.

The Staples Singers – “Respect Yourself”

There’s just something special about a family that sings harmony together. The blend of the voices can’t be beat, not to mention the message here. Respect yourself, baby!


from Zach Williams, frontman

Brandi Carlile – “The Eye”

This was the song that got me hooked on Brandi. I was instantly roped in by the beautiful stripped-down harmonies and The Firewatcher’s Daughter is still my favorite album of hers.

Alabama – “I’m in a Hurry (And Don’t Know Why)”

There were a lot of great harmony-based country groups in the ’90s. I could’ve picked Diamond Rio, Blackhawk, Little Texas, or any number of others. But this is the one that came to mind, and I remember jamming along with it back in my college days.

Acappella – “I Feel Good”

Speaking of my college days, I was raised in the church of Christ and went to Abilene Christian University. Churches of Christ traditionally don’t use instruments in worship and the whole congregation sings together in four-part harmony. My first paying gig as a musician was singing bass and beat-boxing in an all-vocal group at ACU, and I only wished I could sing bass like the guy in this premier C of C singing outfit… Acappella


from Lyndon Hughes, drummer

Eagles – “Witchy Woman”

This is one of my favorite Eagles tunes. The way they break it down on the bridge to just vocals, drums and bass is absolutely brilliant. #BandGoals

Dan Fogelberg – “Leader of the Band”

Oh the smooth harmonies of Dan Fogelberg. Nothing too complicated… just crystal clear vocals and guitars (and a bonus horn solo).

The Beatles – “Because”

Here is a beautiful and eerie song by a little known band called The Beatles. Over 50 years later… the harmonies never get old.


Photo Credit: Cal and Aly