WATCH: Erik Stucky, “Heaven Only Knows”

Artist: Erik Stucky
Hometown: Nashville, Tennessee
Song: “Heaven Only Knows”
Album: Good Vibrations
Release Date: August 6, 2021
Label: Binasaur Records

In Their Words: “This song is one of my favorites on the album. It brings a bit of depth and intensity to the concept of Good Vibrations. Specifically, there are things we can do with our time to improve this situation: ‘Heaven only knows what is possible, if we love ourselves like we are capable.’ This has a bit of a double meaning in that love for others is only possible to the extent that we love our individual selves. We are all one, and when we further love our individual self we simultaneously extend that love for the greater whole… humanity, the world, the universe, the never-ending consciousness. Amen.” — Erik Stucky


Photo credit: Chad Krash

LISTEN: Naomi Westwater, “Americana”

Artist: Naomi Westwater
Hometown: Brockton, Massachusetts
Song: “Americana”
Album: Feelings
Release Date: September 3, 2021

In Their Words: “‘Americana’ is a song about race and pain. It’s a song about being in the in-between. This is a song for multiracial Americans — for every person who’s been asked, ‘What are you?’ This is for the people who are white, and Black, and brown all at once, and at the same time never white, or Black, or brown enough. This is my love letter to America, I think we need to break up? This song is me asking, post-racial America? For who?” — Naomi Westwater


Photo credit: blahnik x westwater

WATCH: Andrea von Kampen, “Water Flowing Downward”

Artist: Andrea von Kampen
Hometown: Lincoln, Nebraska
Song: “Water Flowing Downward”
Album: That Spell
Release Date: August 6, 2021
Label: Fantasy Records

In Their Words: “The way I approached the writing of this song was different than usual. I wrote the lyrics one afternoon to an old hymn tune called ‘Beach Spring.’ I had just watched the film Parasite and was feeling restless to create and get my thoughts out and these tumbled out but I knew the hymn tune never really worked. I filed it all away and four months later my brother David and I thought about co-writing the last song on the record and I remembered these lyrics. I sent them over and by early July we had our song. I love the moodiness of the piano and strings and the sound of a perpetual movement.” — Andrea von Kampen


Photo credit: Mark Cluney

WATCH: Nathaniel Rateliff Adds a String Quartet to “And It’s Still Alright”

Nathaniel Rateliff’s And It’s Still Alright album is the product of a tumultuous time in the writer’s life, but such are the circumstances that yield the most compelling songs, records, and artistic expressions. In this NPR Tiny Desk (Home) Concert filmed at the Mercury Café in Denver, Rateliff performs several songs from the 2020 record, including the title track and “All or Nothing,” a more wistful selection. Since the Tiny Desk shows have reformatted to accommodate for safety, the features have frequently been scaled-back performances, often filmed in the homes of the artists, but in this case, Rateliff adds his band and a string quartet to the studio-like space. The surroundings may not be as iconic as the actual Tiny Desk, but we’re thankful that artists are going above and beyond to give us outstanding mini concerts. This Tiny Desk set is no different, and like the album, it crescendos gradually from an atmospheric, ponderous beginning to a triumphant, boisterous finale with the songs “Redemption” and “Mavis.”


Photo credit: Rett Rogers

WATCH: Jeremy Squires, “Fade”

Artist: Jeremy Squires
Hometown: New Bern, North Carolina
Song: “Fade”
Album: UNRAVEL
Release Date: July 30, 2021
Label: Blackbird Record Label

In Their Words: “‘Fade’ is about facing yourself and revisiting memories and/or demons and coming to terms with them. There were so many things going through my head when I wrote this song. My grandmother had passed and my life was changing and the people around me were changing and spiraling. I was faced with difficult life choices I had to make and this song was an outlet.

“The video for ‘Fade’ was filmed at various locations in my hometown and in a small neighboring town. I filmed multiple scenes in my granny’s old home that she left to me. I feel the lyrics reflect the imagery in the video. I filmed a specific scene as I burned a life’s worth of papers and collected memories outside in her yard one night with an old crutch and it was cathartic. ‘Fade’ is one of my favorite videos and I feel that it is one of the best songs on the album. It is definitely one that I am connected to.” — Jeremy Squires


Photo credit: Shelley Ann Squires

LISTEN: Beta Radio, “I Need My Prayers”

Artist: Beta Radio
Hometown: Wilmington, North Carolina
Song: “I Need My Prayers”
Album: Year of Love
Release Date: June 11, 2021
Label: Nettwerk Music Group

In Their Words: “It usually takes us long stretches of time to write songs, we normally feel great if we can write and record a whole record in a year, so ‘I Need My Prayers’ was a real surprise when it came about. When writing, Brent and I will usually share audio files back and forth, so he sent me a lyric-less guitar demo… I listened to it once, and then played it again while recording on my phone, and then the song lyrics just came out. I think it was all done within 15 minutes maybe. I was in a mental and spiritual place of needing something to hold onto, I felt like I had lost all my footing in the world and didn’t know where to turn. And a lot of personal things felt like they were falling apart. So… I guess I just needed my prayers.” — Benjamin Mabry, Beta Radio


Photo credit: Amanda Holloman

WATCH: Lea Thomas, “Hummingbird”

Artist: Lea Thomas
Hometown: Born in Hawaii, based in Brooklyn
Song: “Hummingbird”
Release Date: May 26, 2021
Label: Spirit House Records

In Their Words: “‘Hummingbird’ was inspired by a dream I had in which I shape-shifted into a white wolf and ran like the wind across a mountainside, overwhelmed with the beauty and the interconnectedness of all life. I knew from the start that I wanted the song and the video to feel similarly ecstatic, like a celebration of life and a reminder of how psychedelic and magical everyday life can be. I’m especially in love with the way the horn and slide guitar duets turned out for that reason. This is the first record I’ve arranged for horns and that instrumental section still gets me so excited every time I hear it!” — Lea Thomas


Photo credit: Hannah Rosa Lewis Lopes

LISTEN: DoomFolk StarterKit, “Look at Miss Ohio”

Artist: DoomFolk StarterKit
Hometown: Portland, Oregon
Song: “Look at Miss Ohio”
Album: Like You Mean It Records Sampler Vol. 1
Release Date: May 21, 2021
Label: Like You Mean It Records

In Their Words: “Recording any of Gillian Welch’s work is such an honor. ‘Look at Miss Ohio’ holds this fantastic tension between societal and familial pressures and a deep desire to find new ways of living. The line that pushes me over the edge is ‘I know all about it so you don’t have to shout it / I’m gonna straighten it out somehow.’ There’s so much there — it’s a line you might shout at a parent defensively, but it is also packed with utter humility and self-awareness. For me, this song depicts the story of someone choosing to embrace ambiguity while living with the hope that it’s going to shake out alright, somehow. Making peace with the fact of uncertainty is a theme that’s found its way into some of my own songs here and there. I’ve tried to represent that in this cover with a balance of lightness and melancholy in the arrangement.” — David Swick, DoomFolk StarterKit


Photo credit: Emily Barrett

The Show on the Road – Ani DiFranco

This week on The Show On The Road, we bring you a truly inspiring talk with the activist, author, and free-spirited feminist folk icon Ani DiFranco, who just released her lushly orchestrated twenty-second album: Revolutionary Love.

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Many things have been said about the music Ani DiFranco has created for the last thirty years since she burst on the scene with her fiery self-titled LP in 1990. With her shaved head on the cover, fearlessly bisexual love songs, dexterous guitar work and hold-no-prisoners lyrics sparing no one from her poetic magnifying glass, DiFranco’s persona became almost synonymous with a rejuvenated women’s movement that blossomed in the late-1990’s Lilith Fair moment. And yet she was always a bit more committed to the cause than some of her more pop-leaning contemporaries, who faded away as soon as their hits subsided.

Framing herself somewhere between the rebellious folk-singing teacher Pete Seeger and the gender-fluid show-stopping rock spirit in Prince, (who she recorded with after he became a fan,) DiFranco was always just as passionate about raising awareness for abortion rights, ensuring safety for gay and trans youth and bringing music to prisons, as she was promoting her latest musical experiment. She began playing publicly around age ten, and as a nineteen-year-old runaway from Buffalo, NY, she started her own label, Righteous Babe Records, that allowed her to operate free of corporate (and overwhelmingly male) oversight. Indeed, despite gaining a wide international fanbase she has released every album herself since the beginning — as well as championing genre-defying songwriters like Andrew Bird, Anaïs Mitchell, Utah Philips, and others. It was DiFranco’s encouragement that helped Mitchell’s opus Hadestown become a Tony-winning Broadway smash. DiFranco may have been deemed a bit too left-of-center for pop radio, but her beloved 1997 live record Living In Clip went gold.

Let’s get something out of the way real quick: was this male podcast host initially a bit intimidated to dive into her encyclopedic album collection after admiring her work from afar and believing the songs were not meant for his ears? Indeed. I grew up with girlfriends and fellow musicians who rocked Ani’s Righteous Babe pins and patches on their jean jackets like they were religious ornaments. What I found during this mind-bending conversation, and after listening to her polished and mystical newest record especially, was that DiFranco has never tried to push away people that don’t look or talk like her — or tried to mock or belittle conservative movements she doesn’t agree with or understand. There is a deep kindness and empathy in her songwriting that I never expected and in her 2019 autobiography, No Walls And The Recurring Dream, she acknowledges how lonely and exhausting it can be trying to fight against a societal tide that doesn’t want to stop and give you space to be who you are.

What became increasingly clear during our conversation was that DiFranco wants to make music for everyone. She prides herself on her quirky, multi-generational fanbase — with grandparents and kids, dads and sons, daughters and aunties alike singing along to favorites like “Both Hands,” “Untouchable Face,” and covers like Woody Guthrie’s “This Land Is Your Land” at packed shows across three continents.

I had my own goosebumps-inducing moment singing with Ani that I’ll never forget. The oldest folk festival in America, The Ann Arbor Folk Fest, once put me on stage to sing harmony on “Angel From Montgomery” with DiFranco at the acoustically perfect Hill Auditorium. I attended the University Of Michigan years earlier and I saw John Prine sing that classic in that same room, and it felt like a full circle moment. Seeing how DiFranco transfixed the crowd that night, and how the women songwriters and musicians offstage especially watched her with such admiration made me want to see what her music — which I had never fully listened to — was all about.

If you have a chance, listen to Revolutionary Love start to finish, and stick around to the end of the episode to hear DiFranco read lyrics as poetry.


Photo credit: Daymon Gardner

Artist of the Month: Valerie June

Valerie June is broadening her horizons with The Moon and Stars: Prescriptions For Dreamers, a new album arriving this month on Fantasy Records. Upon revealing the project, she stated, “For this album I wanted to see how we could bring some modern elements into that band-in-the-room approach I’ve taken with my records in the past.”

To achieve that concept, she worked with producer Jack Splash, who incorporated a spectrum of sonic textures into her familiar folk approach. They recorded in Los Angeles and Miami without losing sight of her West Tennessee roots. Indeed, Stax Records legend Carla Thomas makes a guest appearance on one of the album’s early singles, “Call Me a Fool.”

According to June, who’s now based in Brooklyn, The Moon and Stars: Prescriptions for Dreamers marks a moment of clarity: “With this record, it finally became clear why I have this dream of making music. It’s not for earthly reasons of wanting to be awarded or to win anybody’s love — it’s because dreaming keeps me inquisitive and keeps me on that path of learning what I have to share with the world. When we allow ourselves to dream like we did when we were kids, it ignites the light that we all have within us and helps us to have a sort of magic about the way we live.”

In the weeks ahead, we’ll have an exclusive interview with this remarkable singer-songwriter, who is also our BGS Artist of the Month for March. Until then, we’re prescribing this BGS Essentials playlist of Valerie June’s music just for you.


Photo credit: Renata Raksha