Tag: BGS Podcast Network

Travis Book Happy Hour: Caitlin Krisko

Posted on by Justin Hiltner

I had heard of Caitlin Krisko, but I’d never really heard her until she took over the stage at the Floydfest Buffalo Jam a few years ago. I’d finished up my part of the show and had headed out into the crowd to unwind and watch the proceedings. Every time Caitlin stepped up to the mic the ensemble struggled to match her soul and intensity. It wasn’t even fair, really. She owned that show that night and she owned the interview and music during the Happy Hour, too. It was Caitlin’s show, Aaron and Tommy and I were just along for the ride!

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This episode was recorded live at 185 King St in Brevard, NC on August 13th, 2024.

This episode is brought to you by Thompson Guitars and is presented by Americana Vibes and BGS as part of the BGS Podcast Network.

Photo Credit: Aaron Austin

Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast includes highlights from Travis’s interviews and music from each live show recorded in Brevard, North Carolina.

The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Basic Folk: Kathleen Parks of Twisted Pine

Posted on by Justin Hiltner

Hot off the heels of Twisted Pine’s latest release, Love Your Mind, Kathleen Parks is here to dig into her uncelebrated polka origins. Daughter of renowned trumpetist Eric Parks, the younger Parks grew up in New York’s Hudson Valley in a very creative family (her mother was also a dancer and the one who made Kathleen practice all the time). She started young on the violin and was surrounded by her dad’s polka music, as he was a member of Jimmy Sturr & His Orchestra, which my dad (also a polka-head) calls “the top polka band revered by all polka bands.” Parks even sat in with the band as a teen, when she would occasionally fill in for their violinist. She fully embraced her strong Irish roots not only in music, but also dance, which she calls her second love. After accepting a full scholarship to Berklee College of Music in Boston, she started meeting and jamming with bluegrass musicians in the area, especially at the Cantab Lounge, famous for its weekly bluegrass night. This is where her new band Twisted Pine scored a residency and started building a following.

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On the group’s new record, Kathleen is the de facto lead singer, which she’s just fine with. She also explains the band in one phrase: “Let’s see what happens.” That philosophy is definitely present on the new record, which is filled with wild vocal performances and sees the band operating at its highest level.

In our Basic Folk conversation, we explore the mental health themes highlighted in “Funky People,” a song about how difficult it can be to take care of yourself on the road and the relief you find in people you meet. Plus, we cover “After Midnight (Nothing Good Happens)” and finally find out what time one should go to bed at a bluegrass festival. It’s always earlier than you think.

Photo Credit: Jo Chattman

Basic Folk: Edie Carey & Sarah Sample

Posted on by Justin Hiltner

Friends and collaborators Edie Carey & Sarah Sample teamed up in 2014 for their first album, ‘Til the Morning: Lullabies and Songs of Comfort. The pair both had babies and were wanting to do a project that centered around calming music for both children and adults. They were shocked at the album’s reception by adults (AKA non-babies) who listened after experiencing grief, trauma, and huge loss. This type of music certainly had an important place in the world. Now, they have done it again, but with more of a focus on calming music for adults with their follow-up. Lantern In The Dark: Songs of Comfort and Lullabies includes some originals, their first co-write, and new interpretations of songs by Wilco, The Beatles, Cyndi Lauper, and James Taylor.

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In our Basic Folk conversation, we tackle the concept of comfort and what they experienced in the surprise reaction from their first record. What is a good balance of comfort? It was also a great time to talk about their experiences as touring musicians with young babies. For instance, the types of questions they would get asked that they are sure their male counterparts with young children would not get. They talk about the songs on the album, one of which was written by Edie in the aftermath of her mom’s sudden and recent passing. We wrap it all up, of course, by hearing each of their James Taylor stories and a delightful bedtime-themed lightning round.

Photo Credit: Steve Willis

The Travis Book Happy Hour: Luke Bulla

Posted on by Shelby Williamson

Nashville in the mid-2000s was full of aspiring bluegrass musicians from my generation. People were starting bands, landing gigs as sidemen, and living in large, cheap houses on the east side of town. Almost nightly we’d gather at picking parties that sometimes more closely resembled what you’d see at a fraternity. One of the people I met and played with during these heady years was Luke Bulla. I was in awe of his professionalism and his palmarès and was struck by his calm demeanor. It had been almost 15 years since we’d last played together and I was delighted when he reached out about joining me for the Happy Hour.

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This episode was recorded live at 185 King Street in Brevard, North Carolina on May 5, 2024.

Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast includes highlights from Travis’s interviews and music from each live show recorded in Brevard, North Carolina.

The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: Nicola Gell

Basic Folk: Kasey Anderson

Posted on by Justin Hiltner

We’re starting with the end in our conversation with Kasey Anderson. On Basic Folk we’ve covered a lot of firsts: debut albums, origin stories, and the beginnings. Ever since I have known Kasey, his social media bio has been, “Gradually retiring songwriter.” I’m always teasing him about “What does that mean? When are you going to retire?” Officially, this latest album, To the Places We Lived, is his “last album.” I want to put that in very heavy quotes, because I hate to imagine a world where a great songwriter friend of mine is not making records. I think his insistence on this album as the last one has more to do with saying goodbye to parts of the music industry that he wants to release and ways of being in the world that he doesn’t want to engage with anymore. What do we need to let go of? What do we need to release? That’s the place where this album begins.

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In our conversation, we talk about Kasey’s whole songwriting career and the moment where he went surprise viral for one of his political songs, “The Dangerous Ones.” We talk about his time being incarcerated and what that taught him about himself, what it taught him about the world, what it taught him about white supremacy. We talk about his family. We talk about his sobriety and his work in helping others get clean and stay clean, and what staying clean means in a holistic and gentle sense.

The songs on this album are mournful, literate, and very, very fun. My favorite is “Back to Nashville;” it’s a rock and blues song. Kasey is the type of artist who can write a really contemplative song about self reflection or grief or loss, and then a blues rocker that makes you want to shake your ass the next second.

Photo Credit: Matthew Leonetti

Chuck Prophet Talks Music, Surfing, and Storytelling with Mark Erelli

Posted on by Shelby Williamson

Editor’s note: For this episode, we invited our friend Mark Erelli to interview Chuck Prophet. The two are familiar with each other’s work through songwriting together for Mark’s latest album Lay Your Darkness Down (2023). We’re thrilled to welcome Mark back as guest host!

Chuck Prophet has been a mainstay on the indie and Americana music scenes since the 1980s, before either designation was a common part of the rock ‘n’ roll lexicon. Through his guitar work in the seminal psychedelic desert rock band Green On Red, musical collaborations with Kelly Willis, Kim Richey, and Warren Zevon, and a string of over a dozen solo records, Prophet has carved out a respected niche in rock music history with his “California Noir” sound. It’s a streak he probably could have kept riding for the rest of his career, if not for his sudden diagnosis with lymphoma a couple years ago. During his treatment and eventual recovery from cancer, Prophet found solace in his record collection — in particular the vibrant rhythms and danceable energy of Cumbia. He eventually sought out a favorite local band in the genre to jam, and then formally collaborate on Wake The Dead, Prophet’s first new solo album in four years. The project blends his longtime band The Mission Express with members of the Cumbia outfit Quiensave, and the result is equal parts familiar and fresh.

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I have firsthand knowledge of Prophet’s freewheeling collaborative process, having worked with him and his longtime songwriting partner Klipschutz on a song for my 2020 album Blindsided. I once taught with Chuck at a folk festival songwriting school, and was relieved to be able to play before him at the instructor open mic, because no one wants to follow Chuck Prophet. His musical catalog is so deep and broad that it’s both inspiring… and a bit overwhelming. It was a joy to reconnect with him for a wide-ranging conversation about his new album that also touched upon his sense of humor, guitar-playing techniques, surfing culture, and even his favorite Bob Seger song.

Photo Credit: Chuck Prophet by Kory Thibeault; Mark Erelli by Joe Navas

Sunny Sauceda on Only Vans with Bri Bagwell

Posted on by Shelby Williamson

My “Redneck, Squeezebox, Mexican” amigo Sunny Sauceda joins us on Only Vans this week to talk about content creation. He’s a three-time GRAMMY Award winner who’s making the switch from Tejano to Texas Country. He has some great insight on content creation, mentality, and blurring genre lines to share!

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Find Sunny Sauceda’s music, tour dates, and merchandise here.

Thanks to our sponsors for this episode, The MusicFest at Steamboat, Lakeside Tax & CH Lonestar Promo!

Find our Only Vans episode archive here.

The Travis Book Happy Hour: Dan Lotti (Dangermuffin)

Posted on by Shelby Williamson

Dangermuffin’s Dan Lotti writes songs and sings them in a way that makes me feel like everything is going to be just fine. Originally from Folly Beach, South Carolina, much of the band now makes their home in Asheville – but their music retains the laid-back beach vibe of its roots on the Carolina coast.

Positive, inquisitive, conscious and grateful, Dan Lotti is the kinda guy you wish would call you up to have a pint or take a walk in the woods. He’d probably make an amazing neighbor, too. He’s been at the top of my list since I launched this whole Happy Hour thing and it was great to finally get to spend the afternoon with this incredible human.

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This episode was recorded live at 185 King Street in Brevard, North Carolina on September 10th, 2024.

Timestamps:

0:06 – Soundbyte
0:54 – Intro
2:08 – Intro by Bill K.
3:07 – “Waves”
9:10 – “We Push Mountains”
14:23 – “Thanks for bringing most of the band”
15:43 – “Western Skies”
18:48 – “Cicada”
25:13 – Interview
42:27 – “Sarsaparilla”
46:28 – on “I Will Never Forget”
47:17 – “I Will Never Forget”
52:25 – “Big Suit”
57:32 – Outro

Editor’s Note: The Travis Book Happy Hour is hosted by Travis Book of the GRAMMY Award-winning band, The Infamous Stringdusters. The show’s focus is musical collaboration and conversation around matters of being. The podcast includes highlights from Travis’s interviews and music from each live show recorded in Brevard, North Carolina.

The Travis Book Happy Hour is brought to you by Thompson Guitars and is presented by Americana Vibes and The Bluegrass Situation as part of the BGS Podcast Network. You can find the Travis Book Happy Hour on Instagram and Facebook and online at thetravisbookhappyhour.com.

Photo Credit: Ken Voltz

Basic Folk: Liv Greene

Posted on by Shelby Williamson

Oh, how I’ve longed to talk to Liv Greene. Every once in a while you come across a young artist that seems older and wiser than her 26 years. Liv’s been giving me that impression since I met her in 2019, when she was at Club Passim waiting tables and breaking hearts on the stage at just 21 years. Ok, enough about being young.

Liv’s been writing, studying music, and going to music camps since she was 12. Arguably she’s been studying music all her life with her Americana loving parents, who were filling the house with the sounds of Patty Griffin, Emmylou Harris, and Shawn Colvin, to name a few women in heavy rotation at the Greene house. Being the only of her friends that liked that kind of music, Liv attended many D.C.-area concerts with her mom, taking in the magic of live music at a very tender age. Speaking of tenderness, that’s what Liv Greene is all about and she digs into it in our conversation.

Liv started writing and playing shortly after she was inspired by a Taylor Swift concert. From there, she took off on the instrument and even sought out music education in camps like Miles of Music in New Hampshire. It was at that camp, as well as the arts academy Interlochen High School, where she started meeting peers with similar interests. She found herself living for summers with her music camp friends. Prior to her senior year at Interlochen, Liv was a closeted queer at her all-girls Catholic school mostly writing fictionalized stories into her songs because she could not deal with who she was.

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Liv attended and graduated from The New England Conservatory of Music and released her debut album (produced by Isa Burke) right in time for the pandemic in May of 2020. Shortly after that, she moved to Nashville and has spent the last several years on an intense path of self-discovery. Liv found her community, came out, wrote, and self-produced her new album, Deep Feeler (out October 18). On the album, you can hear the growth she’s experienced and you can hear her thriving in her corner of the Nashville music scene, including indie folk. We talk about all of this, including what it means to have a neurodivergent brain, music production, the roller skating community, and Liv’s favorite Taurus personality traits.

Photo Credit: Joseph Ross Smith

Basic Folk: Blind Pilot

Posted on by Shelby Williamson

Oregon-bred indie folk music outfit Blind Pilot go on a deep spiritual journey on their new album, In the Shadow of the Holy Mountain, produced by Josh Kaufman. The music inspiration for frontman Israel Nebeker lay in his songwriting process. This is the first Blind Pilot album in eight years, because after struggling with writing for years, Nebeker set aside the songs he had been working on. (Which will be included on a new solo record in 2025.) He gave himself a month to write an album’s worth of songs to present to the band. He demo-ed the songs and headed out for a trip centered around spiritual growth in Norway.

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Searching for ancestral connections and tracing his own roots, Nebeker sought out the Sámi – a semi-nomadic Scandinavian people – their culture and community. He participated in a Sámi shamanic journey exploring indigenous spirituality. A shaman took him on a drum journey and invited him to listen for ancestors and visions. His vision included his ancestors beckoning him to a path that led straight to a mountain, which was clearly his family legacy and origin. Back in the studio with the band, he re-listened to his songs and was very surprised to realize that the album was about his ancestors. The connection that the rest of the band felt in delivering the music is palpable. The special emotional dynamic that always exists with Blind Pilot is supercharged on In the Shadow of the Holy Mountain.

Photo Credit: Shervin Lainez