MIXTAPE: Carley Arrowood’s Colorful, Vibrant Bluegrass

Music is so colorful, whether the lyrics have actual color words, carry a deeper meaning, are just stylistically vibrant, or paint a mental picture without using words at all. Music is meant to reach down and touch your soul in all kinds of ways, evoking special emotions and calling to mind familiar times.

As a songwriter, it’s always my goal to be able to create such colors for listeners and these songs are some of my absolute favorites when it comes to all of the above. Each one has made a huge mark on me through my music journey, adding to my palette of influence and helping me see more the beauty of this art. – Carley Arrowood

“Shadows” – Tony Rice

When my husband and I first started talking, I went to see his band The Trailblazers perform. It was a sweet evening of music, seeing some of my old friends, meeting his family, and of course getting to visit with him. I went home with a CD and played it endlessly in my Jeep Liberty. “Shadows” was in the mix, and I just remember loving hearing him sing it. Fast forward two and a half years, and he’s singing it to our little girl.

Gordon Lightfoot had such a way with words. This is one of those songs where you can just picture your surroundings, and the one you love.

“Fall Creek Falls” – Jim VanCleve

Jim has always been a huge fiddle influence of mine and when I first heard this song, my heart just leapt at the minor [chords] walking to the majors. “Fall Creek Falls” is a bucket list place to visit, but with the progression of the music I can just picture a beautiful waterfall, maybe turning into a big rushing river with all its twists and turns. The musicianship on this track is just incredible.

“Daylight” – Alison Krauss & Union Station

“Daylight falls … Safe in shadow, it’s never as dark as the daylight.” Honestly though, how true is that? This is such a sweet poem full of vibrant imagery. It offers contemplation of realizing and learning that you have to be yourself in life and not try to be someone you’re not, as scary as that can be. Sometimes the dark is way more comfortable, as no one can see your flaws or mistakes, but when you bring it all to the daylight you realize everyone is just the same. “I see it’s safer to connect to the daylight.” My sister and I grew up listening to Alison, and this one was always a favorite.

“Redbird” – Cadillac Sky

Dang, I love this song. These guys were so influential to my sister and I – and her husband, who plays bass in my band. My dad also really loves this song! We all used to sing it in the car together, each grabbing a different harmony part. There were only two in the original recording, but Autumn would add in the tenor for a cool extra layer.

“Redbird” tells the story of heartache turned to hope, as the singer declares, “You can burn me down to ashes, bury me beneath your clay / But I’ll rise again like Lazarus, and live to love another day.” I love how you can feel the hurt and frustration of the lyrics in the solos. I had the absolute privilege of playing with Matt Menefee for a couple years when I was touring with Darin and Brooke, and I asked him one time, “Do you remember any of your solos from Cadillac Sky?” hoping he’d just go off on the one in this song. He just kinda laughed and answered, “Nope!” So that tells me he was just crushing some improv in the studio. So, so good!

“God of All My Days” – Casting Crowns

I listen to this song whenever I feel burdened by the weight of the world, or even just by the weight of my to-do list for the day. It reminds me that everything I do has a purpose from the Lord and He is over it all, and that when “my seasons change, [He] stay[s] the same.” I’m reminded that there’s nowhere else for me to find comfort when all else fails. He’s the God of all my days.

“Colors” – Carley Arrowood

I’ll stick this one right here, because it goes with the theme of the last song. When my husband and I wrote “Colors,” we were sitting in our living room watching a gorgeous sunset glisten through our windows. It’s amazing just how much more this song has come to mean to me personally since I wrote it. I had a friend in mind who was dealing with a lot of anxiety while we were writing it, and while it wasn’t directly written to her, she stayed on my mind throughout the process. And when she came out of her anxious state victorious, she said the song really spoke deep. “Colors” is just a reassurance that whatever we are going through, the Lord means for our good and His glory, even though we may not understand it in the present thick of it.

“Harvest Sky” – Nick Dumas

My buddy Nick wrote a killer instrumental jam that paints a gorgeous Wisconsin sunset! I’m so glad he asked me to play fiddle on this. Let your mind run wild with this one!

“Two Boys from Kentucky” – Randy Kohrs

The Brother’s War, families split between blue and gray, the tragic shades of our American story. Randy’s writing in this kills me every time, especially with what happens – lyrically and musically – “while the cannon fire rang down.” It’ll move you to tears as the story progresses.

“Space and Time” – The Trailblazers

In 2020 the Trailblazers (my husband’s band) came out with a stellar album of progressive bluegrass originals and covers, and the title track, “Space and Time,” is one that sticks after you hear it. Flooded with colorful imagery, the song follows a contemplative traveler through weary lands who longs for a perfect home. It’s one of my favorite songs on this album, and no, not just because my husband wrote it! 😉 It’s been sweet to see his growth as a musician and writer since we’ve been together.

“Chasin’ Indigo” – Carley Arrowood

I added this one off my new album, Colors, just because of the fun color language! Daniel and I wrote this from our love of sunset watching, and we hope it encourages you to pick your head up from your work and enjoy time with your loved ones. We’re not promised tomorrow, so chase today’s colors to the very end.


Photo Credit: Laci Mack

WATCH: The Golden Age, “Weirdo”

Artist: The Golden Age
Hometown: Nashville, Tennessee
Song: “Weirdo”
Album: I’m Sure It’ll Be Fine
Release Date: February 21, 2020
Label: Poke the Bear Records

In Their Words: “This video was made by those wild guys from Neighborhoods Apart, Joshua Britt and Neilson Hubbard. Josh had this concept he’d always wanted to do that ‘Weirdo’ seemed to fit nicely. Ultimately the video/song is a quick prick to the balloon that suggests that in order to connect with other people we need to present these shiny-flawless images socially and hide our odd nuances under a bushel… But what all that green-screen, horse-hockey magic really does is make us feel isolated. And like little worms that don’t measure up. The video is a trumpet’s call to embrace the fact that, at our nitty gritty, we’re all just a couple of strange brained-lumpy bodies in skin-tight suits plucking on banjos and mandolins in front of someone’s garage in the middle of the afternoon. More or less.” — Bryan Simpson and Matt Menefee, The Golden Age


BGS 5+5: Ross Holmes

Artist: Ross Holmes
Hometown: Fort Worth, Texas
Latest album: Not Very Good at Winning
Nickname: ‘Rooster’ is a nickname that has lingered since the glory days of Cadillac Sky.

What’s your favorite memory from being on stage?

I can’t say I have one favorite memory from being onstage, but I do have a great story about a particular gig in late 2014. As a native Texan, there isn’t a more sacred shrine than the Alamo. I’d been invited to perform at an annual ceremony in March of ’14 inside the Alamo chapel. I wound up composing an original piece an hour before the event honoring those who perished in the fight.

An iPhone recording I made of the piece, “We Fall a Sacrifice,” made its way to Phil Collins (who is an avid collector of artifacts from the battle of the Alamo and war for Texas independence), and I was invited to perform this tune again at a ceremony honoring Phil for the donation of his extensive collection to the state.

We took it a step further and, with permission from the Witte Museum in San Antonio, borrowed Davy Crockett’s supposed fiddle for the gala. Here I was, onstage with Crockett’s fiddle at the Alamo, playing this piece I’d written, in the presence of presidents, politicians, astronauts, sports legends, and recognized Texans. My sister, Katie Shore (Asleep at the Wheel), joined me for the set and, to this day, we still laugh at the absurd “WTF just happened” of that evening.

What other art forms — literature, film, dance, painting, etc — inform your music?

Imagery and color stimulate my musical thinking the most. I often turn on films or pull out prints of my favorite artists to glean inspiration from their creativity while I practice. The imagination of others is revelatory and channeling the intent of these minds has helped me grow as a composer and player.

Try this sometime: turn on Planet Earth, mute your TV, and play a soundtrack for the episode as you’re watching. Let the dynamic environment of each scene take you to a place of quiet calm or intense fear. You’ll be amazed at what comes out, maybe a familiar idea you filed away will emerge again, or maybe a new melody or groove will come to you. If anything, it’s really fun to provide fiddle accompaniment to snakes chasing lizards and sloths chilling on a branch.

What rituals do you have, either in the studio or before a show?

I don’t have a set routine when I record or when I take the stage, as those environments are always changing. I do, though, have a special relationship with my case and the process of opening it and taking out my violin and bow. My case is my home-away-from-home and inside I keep a small, personal collection of memories. I find it’s a spiritual experience to unlatch and lift the lid, remove the blanket over my violin, and prepare my heart and mind to play. Those first moments are filled with thoughts and energy, like a prayer, and the respect I show my instrument feels like an abiding friendship when the first notes come so easily.

If you had to write a mission statement for your career, what would it be?

Early in my career I focused, obsessively, on being the “best” player I could be — the most technical, cleanest, impressive, etc., because I felt those skills would prove to listeners I was “elite.” Time has gone by, life has happened, victories and losses, the ups and downs that come with this profession, then something clicked a couple of years ago. I arrived at a point where I didn’t care about being the “best” anymore (thank god), and a new word replaced that selfish adjective — HONEST. I will always push the limits and challenge boundaries, but now my heart’s desire is to simply be the most honest musician I can be. That’s my mission statement, “In all things, be honest.” That’s it.

Which elements of nature do you spend the most time with and how do those impact your work?

There’s no hiding that I’m a bona fide space junkie, completely taken with the cosmos and the notion of leaving earth on the greatest adventures to explore the deep expanse of our universe (I have a tattoo of the Apollo SM, CM, and LM on my right arm). We can’t see beyond blue skies during the day, but we know endless creation is still above us. When night falls and the sky is peeled back, the heavens are once again revealed and we sit and gaze at the mysteries between the stars.

The relationship between mankind and space and music is intrinsically linked because of curiosity and our need to explore. The greatest composers and players continue to seek new heights with their melodies, chords, and expression because that is our nature, journey to the new place. What will beings find on that golden record affixed to Voyager? Bach. Chuck Berry. Blind Willie Johnson. The human voice.


Photo credit: Allen Clark