BGS 5+5: Della Mae

Artist: Della Mae
Hometown: The United States
Latest Album: Family Reunion
Nicknames: Celia = Squawkbox; Kimber= Fiddler, Kimby, Auntie, Nimmers (Grammy only); Vickie = VV, Double V, Wickie
Rejected Band Names: Big Spike Hammer

What’s your favorite memory from being on stage?

Thanks to my good friend and mentor Rickie Simpkins, I played a show on electric guitar with Emmylou Harris a few years ago. My favorite memory from the gig was actually the soundcheck and rehearsal. It was a really special thing to get to experience how an artist I deeply admire prepares for a performance and then get to be part of how it all came together. — Avril Smith

In 2012, we had the opportunity to go on a six-week tour of South and Central Asia with the State Department. The first show we played was in Islamabad, Pakistan at a women’s college. It was the most incredible energy we’ve ever felt in a room. They’d never heard bluegrass before and erupted in cheers and Beatles-worthy shrieks when we hit the first three-part harmony chorus. — Kimber Ludiker

What’s the toughest time you ever had writing a song?

“The Way It Was Before” took Mark Erelli and I six hours to write (three Zoom sessions). Half of that time was spent talking, looking up stories, getting really emotional about the state of the world. We wanted to make sure that every word counted, so we took our time and tried to honor each of the characters (who are actual people). The pandemic isn’t even behind us, and yet I keep hearing people say that they can’t wait to get back to “the old days.” There’s so much about “the old days” that needs changing. After everything we’ve been through in the last 18 months, I found that writing a song like this felt impossibly huge. I may not have finished it if it hadn’t been for Mark. — Celia Woodsmith

Which artist has influenced you the most…and how?

Missy Raines has influenced me the most. For obvious reasons, but let me explain: I was 14 years old watching Don Rigsby and Josh Williams play at my hometown venue, the Kentucky Opry. I saw her up on stage playing upright with them, so cool and beautiful and a master of her instrument. She was hanging with the boys and giving them all a run for their money. Then and there I decided that I wanted to do that for the rest of my days. When it comes to harmony singing, however? One hundred percent Diamond Rio. — Vickie Vaughn

If you had to write a mission statement for your career, what would it be?

We actually do have a mission statement as a band — to showcase top female musicians, and to improve opportunities for women and girls through advocacy, mentorship, programming, and performance. Our hope is that our music inspires more women and girls to pick up an instrument and use their voices to create art and work together to affect the kind of change they want to see in our world. — Avril Smith

What was the first moment that you knew you wanted to be a musician?

FROM BIRTH. 😉 I’m a fifth-generation fiddler. I could play my first tunes at age 3. My earliest memories are playing fiddle tunes with my grandpa and brother. However, it wasn’t until my last year of college that I decided to make it my life. I saw how people struggled as musicians, and honestly, my brother was a bit of a child prodigy and I didn’t think I was good enough for a long time. I began to realize that everyone has their individual skills and talents, and I had something to contribute. — Kimber Ludiker


Photo credit: Kimber Ludiker

Peter Rowan, Béla Fleck, Sharon Gilchrist, Josh Williams – Toy Heart: Remembering Tony Rice

Host Tom Power speaks with Peter Rowan, Béla Fleck, Sharon Gilchrist, and Josh Williams all former bandmates, collaborators, and peers of Tony Rice, in the second edition of our special tribute, Toy Heart: Remembering Tony Rice.

LISTEN: APPLE PODCASTSSPOTIFYMP3

On episode 2 of our limited series, Toy Heart: Remembering Tony Rice, host Tom Power begins with Béla Fleck, talking about the making of two legendary albums: Drive and The Bluegrass Sessions: Tales from the Acoustic Planet, Vol.2. Fleck relates what it was like to work with Tony in studio and some wild stories about their touring together.

Also in the episode, mandolinist and instructor Sharon Gilchrist displays a rare perspective on Tony’s life. Something of a recluse, Tony would often drive by himself after gigs, hours and hours overnight. Gilchrist had the rare opportunity to join him for some of these drives and tells some stories of what she learned on those trips to and from Quartet shows. Later in the episode, a conversation with Peter Rowan about his early memories of Tony – and how he compared with his mentor Clarence White. To conclude, Josh Williams talks about being Tony Rice’s “voice” in his band, the Unit, how Tony helped him get through one of the darkest periods in his life, and why Tony was and is his hero.

Editor’s note: Heart part three of our special tribute to Tony Rice here


Photo credit: Michael Sheehan

 

BGS 5+5: Special Consensus

Artist: Greg Cahill of Special Consensus
Hometown: Oak Lawn, Illinois
Latest album: Chicago Barn Dance
Personal nicknames (or rejected band names): Special C

What other art forms — literature, film, dance, painting, etc — inform your music?

I actually enjoy and appreciate all the forms listed here. I have always been a history buff and read a good bit of American history books as well as books about country and bluegrass music. I also enjoyed the Carlos Castenada books of the 1970s, which actually inspired our band name, Special Consensus. I very much enjoy live theater (Hamilton was unbelievably superb) as well as seeing movies in movie theaters and I am a fan of Cirque du Soleil dance troupe. Living in Chicago provides access to fantastic museums and of course the Art Institute, where I thoroughly enjoy spending an afternoon any time.

What was the first moment that you knew you wanted to be a musician?

My mother’s mother was a fabulous piano player who played for silent movies and gave piano lessons throughout my mother’s childhood so my mom also became a great piano player. My father’s father was a great harmonica player who would give me his old harmonicas whenever he got a new one (usually a Christmas present from my grandmother) and he began teaching me to play when I was 5 years old. My father was a great tenor singer in the church choir. By the time I was 7 or 8 I began taking accordion lessons, which I continued until I was about 15.

By senior year of high school I became interested in string instruments and went off to college with guitar and long-neck banjo (a la Pete Seeger and Dave Guard of the Kingston Trio) in hand and played in a folk group until graduation. I first actually heard bluegrass music around junior year of college and dabbled with playing 3-finger style on the banjo, went into the Army for two years after graduation and came back to Chicago after living in Georgia for a bit and seriously began to try and play the five-string (around 1970-71). I have always had music in my heart and in my bones and I still absolutely love to play the banjo!

If you had to write a mission statement for your career, what would it be?

I think the most important thing about playing music professionally is to decide what you really want to do and set some goals. A mission statement might be something like practice your music to hone your skills, decide what type of music you really want to play and set goals for creating musical situations for yourself (like finding other people to play with) and be willing to continually work on improving. One has to create opportunities for oneself in the world of music.

It is vital to attend concerts to hear the music you want to play, to practice a lot and to seek those opportunities to play with others. Audition for bands you would like to play with whenever there is an opening. Once you are in a band or are gigging as a solo or duo/trio artist or in any configuration, take it seriously — it is very enjoyable but it is also now your job. Most importantly, don’t give up if this is what you really want to do. There will always and forever be huge ups and downs — keep the faith, believe in yourself and keep on keepin’ on!

What’s your favorite memory from being on stage?

I would have to say it was the first time Special C ever played the Grand Ole Opry. It was in I think 2003 and the Opryland venue was under renovation so we played at the Ryman Auditorium. My bandmates at the time were Josh Williams, Jamie Clifton, and Tim Dishman. We had been together for a few years and gone through some wonderful times and some difficult times, including being in a bus wreck (fortunately, none of us were seriously injured).

Our individual and collective dream was always to play the Grand Ole Opry and that night we were truly living the dream. After being instructed backstage to play one and only one song, Jeannie Seely introduced us and we went out and played our hearts out. The audience went wild and the whole house was standing and cheering — Jeannie had no choice but to give us an encore. I will never forget that night.

Which artist has influenced you the most … and how?

There are many artists who have influenced me. My parents’ love of music was instilled in me as a young child and they appreciated the “old standards” of the day and Dixieland music — family gatherings always included everyone around the piano singing and then my sisters and I would be asked to play. I was of course influenced by the master Earl Scruggs but then I would say J.D. Crowe became my mentor, even before I ever met him, because I loved his way of creating new licks and ways of playing with the drive and clarity and beauty of Earl’s playing.

Then there are so many great banjo player influences (Munde, Keith, Trischka, Vestal, Bela, Pikelny, Shelor, Shelton, Luberecki, Brown, Kruger, Munford, Benson, etc.). Other musicians whom I admire and listen to include Jethro Burns, Benny Goodman, Louis Armstrong, Buddy Guy, Don Stiernberg and many more. I believe it is the brilliance of these players, this gestalt that has and always will continue to influence me and keep me growing.


Photo Credit: David K. Cupp

IBMA Reveals Award Nominees, Hall of Fame Inductees, Distinguished Achievement Winners

Five of the top bands in bluegrass earned IBMA Entertainer of the Year nominations from the International Bluegrass Music Association. The ballot was revealed on Wednesday morning in Nashville.

The Entertainer of the Year nominees are Balsam Range, Sam Bush Band, The Earls of Leicester, Del McCoury Band, and Joe Mullins & the Radio Ramblers.

Due to a tie, seven titles will compete for the Song of the Year category. The IBMA Awards will take place Thursday, September 26, at the Duke Energy Performing Arts Center in Raleigh, North Carolina, with hosts Jim Lauderdale and Del McCoury.

Mike Auldridge, Bill Emerson, and the Kentucky Colonels have also been named as inductees into the Bluegrass Hall of Fame.

Distinguished Achievement Award recipients include radio personality Katy Daley, Mountain Home label founder Mickey Gamble, former IBMA executive director Dan Hays, The Lost and Found founder Allen Mills, and Japanese language magazine Moonshiner, now in its 37th year covering bluegrass and acoustic music.

The full ballot is below.

ENTERTAINER OF THE YEAR

Balsam Range
Sam Bush Band
The Earls of Leicester
Del McCoury Band
Joe Mullins & the Radio Ramblers

VOCAL GROUP OF THE YEAR

Balsam Range
I’m With Her
Doyle Lawson & Quicksilver
Russell Moore & IIIrd Tyme Out
Sister Sadie

INSTRUMENTAL GROUP OF THE YEAR

Sam Bush Band
Michael Cleveland & Flamekeeper
The Earls of Leicester
Ricky Skaggs & Kentucky Thunder
The Travelin’ McCourys

NEW ARTIST OF THE YEAR

Appalachian Road Show
Carolina Blue
High Fidelity
Mile Twelve
Billy Strings

SONG OF THE YEAR (7 nominees, due to a tie)

“Dance, Dance, Dance”
Artist: Appalachian Road Show
Writers: Brenda Cooper/Joseph Cooper/Steve Miller
Producers: Barry Abernathy, Darrell Webb, Ben Isaacs
Executive Producer: Dottie Leonard Miller
Label: Billy Blue Records

“The Girl Who Invented the Wheel”
Artist: Balsam Range
Writers: Adam Wright/Shannon Wright
Producer: Balsam Range
Executive Producer: Mickey Gamble
Label: Mountain Home Music Company

“The Guitar Song”
Artist: Joe Mullins & the Radio Ramblers with Del McCoury
Writers: Bill Anderson/Jamey Johnson/Vicky McGehee
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

“The Light in Carter Stanley’s Eyes”
Artist: Peter Rowan
Writer: Peter Rowan
Producer: Peter Rowan
Associate Producer: Tim O’Brien
Label: Rebel Records

“Next Train South”
Artist: The Po’ Ramblin’ Boys
Writer: Mac Patterson
Producers: The Po’ Ramblin’ Boys, Dave Maggard, Ken Irwin
Label: Rounder Records

“Take the Journey”
Artist: Molly Tuttle
Writers: Molly Tuttle/Sarah Siskind
Producer: Ryan Hewitt
Label: Compass Records

“Thunder Dan”
Artist: Sideline
Writer: Josh Manning
Producer: Tim Surrett
Label: Mountain Home Music Company

ALBUM OF THE YEAR

City on a Hill
Artist: Mile Twelve
Producer: Bryan Sutton
Label: Independent

Del McCoury Still Sings Bluegrass
Artist: Del McCoury Band
Producers: Del and Ronnie McCoury
Label: McCoury Music

For the Record
Artist: Joe Mullins & the Radio Ramblers
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

I Hear Bluegrass Calling Me
Artist: Carolina Blue
Producers: Bobby Powell, Tim and Lakin Jones
Executive Producers: Lonnie Lassiter and Ethan Burkhardt
Label: Pinecastle Records

Sister Sadie II
Artist: Sister Sadie
Producer: Sister Sadie
Label: Pinecastle Records

GOSPEL RECORDING OF THE YEAR

“Acres of Diamonds”
Artist: Joe Mullins & the Radio Ramblers
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

“Gonna Sing, Gonna Shout”
Artist: Claire Lynch
Producer: Jerry Salley
Label: Billy Blue Records

“I Am a Pilgrim”
Artist: Roland White and Friends
Producers: Ty Gilpin, Jon Weisberger
Label: Mountain Home Music Company

“I See God”
Artist: Marty Raybon
Producer: Jerry Salley
Label: Billy Blue Records

“Let My Life Be a Light”
Artist: Balsam Range
Producer: Balsam Range
Executive Producer: Mickey Gamble
Label: Mountain Home Music Company

INSTRUMENTAL RECORDING OF THE YEAR

“Cotton Eyed Joe”
Artist: Sideline
Producer: Tim Surrett
Label: Mountain Home Music Company

“Darlin’ Pal(s) of Mine”
Artist: Missy Raines with Alison Brown, Mike Bub, and Todd Phillips
Producer: Alison Brown
Label: Compass Records

“Earl’s Breakdown”
Artist: The Earls of Leicester
Producer: Jerry Douglas
Label: Rounder Records

“Fried Taters and Onions”
Artist: Carolina Blue
Producers: Bobby Powell, Tim and Lakin Jones
Executive Producers: Lonnie Lassiter and Ethan Burkhardt
Label: Pinecastle Records

“Sunrise”
Artist: Sam Bush & Bela Fleck
Producers: Akira Otsuka, Ronnie Freeland
Label: Smithsonian Folkways Records

COLLABORATIVE RECORDING OF THE YEAR

“Burning Georgia Down”
Artist: Balsam Range with Atlanta Pops Orchestra Ensemble
Producer: Balsam Range
Label: Mountain Home Music Company

“Darlin’ Pal(s) of Mine”
Artist: Missy Raines with Alison Brown, Mike Bub, and Todd Phillips
Producer: Alison Brown
Label: Compass Records

“The Guitar Song”
Artist: Joe Mullins & the Radio Ramblers with Del McCoury
Producer: Joe Mullins
Associate Producer: Jerry Salley
Label: Billy Blue Records

“Please”
Artist: Rhonda Vincent and Dolly Parton
Producers: Dave Cobb, John Leventhal, Frank Liddell
Label: MCA Nashville

“Soldier’s Joy/Ragtime Annie”
Artist: Roland White with Justin Hiltner, Jon Weisberger, Patrick McAvinue, and Molly Tuttle
Producers: Ty Gilpin, Jon Weisberger
Label: Mountain Home Music Company

MALE VOCALIST OF THE YEAR

Shawn Camp
Del McCoury
Russell Moore
Tim O’Brien
Danny Paisley

FEMALE VOCALIST

Brooke Aldridge
Dale Ann Bradley
Sierra Hull
Molly Tuttle
Rhonda Vincent

BANJO PLAYER OF THE YEAR

Gina Furtado
Mike Munford
Noam Pikelny
Kristin Scott Benson
Scott Vestal

BASS PLAYER OF THE YEAR

Barry Bales
Mike Bub
Beth Lawrence
Missy Raines
Mark Schatz

FIDDLE PLAYER OF THE YEAR

Hunter Berry
Becky Buller
Jason Carter
Michael Cleveland
Stuart Duncan

RESOPHONIC GUITAR PLAYER OF THE YEAR

Jerry Douglas
Andy Hall
Rob Ickes
Phil Leadbetter
Justin Moses

GUITAR PLAYER OF THE YEAR

Kenny Smith
Billy Strings
Bryan Sutton
Molly Tuttle
Josh Williams

MANDOLIN PLAYER OF THE YEAR

Alan Bibey
Sam Bush
Sierra Hull
Ronnie McCoury
Frank Solivan

WATCH: Special Consensus, “She Took The Tennessee River”

Artist: Special Consensus with Bobby Osborne, Becky Buller, and Josh Williams
Song: “She Took The Tennessee River”
Album: Rivers And Roads
Label: Compass Records Group