LISTEN: Tammy Rogers & Thomm Jutz, “I Surely Will Be Singing”

Artist: Tammy Rogers & Thomm Jutz
Hometown: Nashville, Tennessee
Song: “I Surely Will Be Singing”
Album: Surely Will Be Singing
Release Date: September 21, 2021
Label: Mountain Fever Records

In their Words: “We wrote this song at the beginning of the pandemic. We both noticed how much more we paid attention to bird life when everything slowed down. We also talked about the fact that while music is a career choice, it is important to continuously find joy in making music, without the need for outside approval — like a bird that sings to himself, with no regard for applause. This is a hymn to nature, and to the spirit of human resilience in the face of adversity.” — Tammy Rogers & Thomm Jutz


Photo credit: Anthony Scarlatti

WATCH: Colin Linden, “Honey on My Tongue”

Artist: Colin Linden
Hometown: White Plains, New York; Toronto; Nashville since 1997 and as long as they let me.
Song: “Honey on My Tongue”
Album: bLOW
Release Date: September 17, 2021
Label: Highway 20/Thirty Tigers

In Their Words: “Roots music and blues do speak to a lot of people right now. Much of the healing and release you get from listening to this music, the power and form of expression, has shown itself to be so vital in these times. It feels timeless because it’s such a raw nerve. I hope the memories of every soul who has loved and been loved are like honey on our tongues.” — Colin Linden


Photo credit: Laura Godwin

LISTEN: Rod Gator, “Out Here in Echo Park”

Artist: Rod Gator (aka Rod Melancon)
Hometown: Wright, Louisiana
Song: “Out Here in Echo Park”
Album: For Louisiana
Release Date: September 17, 2021
Label: Blue Élan Records

In Their Words: “I wrote ‘Out Here in Echo Park’ during my last year living in Echo Park. Every evening I’d walk five miles down to the L.A. River and sit along the bank. It was one of the most peaceful times of my life. During the walk I’d hear Spanish music playing from windows and watch the sun slowly set. East L.A. means a lot to me. It’s where I go in my mind when I feel overwhelmed. I picture myself sitting along the L.A. River. I miss Echo Park everyday. It’s the place where I finally began to feel comfortable in my own skin.” — Rod Gator


Photo credit: David McClister

LISTEN: Tommy Castro, “I Caught a Break”

Artist: Tommy Castro
Hometown: San Jose, California
Song: “I Caught a Break”
Album: Tommy Castro Presents A Bluesman Came To Town
Release Date: September 17, 2021
Label: Alligator Records

In Their Words: “‘I Caught a Break’ is part of the story that is A Bluesman Came to Town. It came out of a writing session with Tom Hambridge and Richard Fleming. After much hard work and few setbacks the young man in the story finally has some success. It’s a classic rock ‘n’ roll tune. I can hear the influence of cats like Chuck Berry, Keith Richards, and maybe even a little Jimmy Vaughan on this. This was a fun track to play guitar and sing. It comes along in the story right when we needed a shift in tempo and groove.” — Tommy Castro


Photo credit: Victoria Smith

LISTEN: Alisa Amador, “Burnt and Broken”

Artist: Alisa Amador
Hometown: Boston, Massachusetts
Song: “Burnt and Broken”
Album: Narratives EP
Release Date: September 17, 2021

In Their Words: “This song is about rape culture and toxic masculinity: ‘What a world we live in with its endless charms / Blinded lies keep winning over open arms / Sticks and stones and systems built to cause you harm.’ However, this song can be used as a lens with which to examine myriad systems of oppression. Violence stems from fear, and fear grows from a lack of understanding. ‘The bruise of words unspoken’ illustrates the pain caused by an absence of conversation around these violences. Systematic violence is designed to trick you and distract you (‘a ruse, a plume of smoke’) from the reality: ‘the truth is burnt and broken.’

“The arrangement of this song is intentionally spare, like the exposed framework of a house after a fire. It is a fitting metaphor for this song: a hard look at the violence of misogyny, as Kaiti Jones, Hayley Sabella, and I stand among the wreckage, singing with broken hearts, and hot anger pulsing through us. We had to record our vocals apart from one another, but every time I hear this song, I feel stronger and broken open at the same time. Their voices are so poignant on this song.” — Alisa Amador


Photo credit: Jacquelyn Marie

LISTEN: The Barefoot Movement, “Back Behind the Wheel”

Artist: The Barefoot Movement
Hometown: Nashville, Tennessee
Song: “Back Behind the Wheel”
Album: Pressing Onward
Release Date: September 17, 2021
Label: Bonfire Music Group

In Their Words: “‘Back Behind the Wheel’ is basically a dialogue with myself where I’m expressing my fears and then bolstering myself up. This is a theme in a lot of my songs, and especially on this album. I am by nature a pretty hopeful person; even when I allow myself to feel the full weight of whatever I’m despairing over, somehow I just can’t let that part of me be the ultimate winner. So it’s that idea of letting yourself feel what you need to feel, but not allowing that to be the end of the journey. Because unless you just give up, the only way to move is forward. I wrote the song about my experiences in the music industry, but I think it’s a universal concept. The chorus says, ‘When it comes to this, I don’t know what it means to quit.’ The listener can allow the ‘this’ in the line to represent whatever matters to them!” — Noah Wall, The Barefoot Movement


Photo credit: Workshop Media

WATCH: Abby Posner, “Low Low Low” (Featuring Constellation Quartet)

Artist: Abby Posner featuring Constellation Quartet
Hometown: Los Angeles, California
Song: “Low Low Low”
Album: Kisbee Ring
Release Date: November 12, 2021

In Their Words: “Whenever I have an opportunity to collaborate with a string quartet, the experience is transformative. Strings take you to a zen-like space where everything feels just right, perfect for the song, and what I wanted to convey. ‘Low Low Low’ is about depression, anxiety, and learning how to be kinder to the darkness within, so working with Constellation Quartet was the sonic hug this song so desperately needed to feel complete. Constellation Quartet are currently making a name for themselves as both performers and collaborators, working with the best of the Los Angeles musician scene through their residency at the Garden Concert Series in Redondo Beach. The video was shot live during sunset deep in the Malibu hills with a battery-powered setup, hikers passing by, and a reverence for the creative process.” — Abby Posner


String arrangements: Max Mueller (cello). Cinematography: Ian McIntire.
Photo credit: Rollence Patugan

LISTEN: Chris Robley, “Love Is a Four-Letter Word”

Artist: Chris Robley
Hometown: Lewiston, Maine
Song: “Love Is a Four-Letter Word”
Album: A Filament in the Wilderness of What Comes Next
Release Date: September 14, 2021
Label: Cutthroat Pop Records

In Their Words: “Bob Dylan wrote a song called ‘Love Is a Four-Letter Word.’ I didn’t know that until I was on stage announcing my new song and someone shouted, ‘I LOVE Dylan!’ Anyway, you can’t copyright titles and I didn’t borrow any other lyrics — so we’re not in Darius Rucker or Old Crow Medicine Show territory here. It’s all mine, Bob! I don’t know if there’s much to explain except the obvious: love can be a double-edged sword. We can build beautiful things inspired by love. Or we can build walls, reactionary political movements, or just act like selfish shitheads, all because of the same basic force. One word, different outcomes.” — Chris Robley


Photo credit: Lauren Breau

WATCH: Jordan Tice, “River Run” (Feat. Paul Kowert)

Artist: Jordan Tice
Hometown: Nashville, Tennessee
Song: “River Run” (Featuring Paul Kowert)
Album: Yesteryears
Release Date: October 1, 2021
Label: Padiddle Records

In Their Words: “‘River Run’ started with a little lick I had been carrying around in the key of D — a speedy little cascading thing that felt good to let roll off the fingers that I’d find myself playing in idle moments. I slowly built upon it while sitting around during lockdown and my dear friend, Paul Kowert, tied it all together with his wonderful bass part. To me, the song evokes the lightness and constancy of a swiftly moving river as it passes over rocks, rounds curves, and speeds and slows as its channel widens and narrows. Hope you experience the same sense of motion while listening and are able to glean a little bit of levity from it.” — Jordan Tice


Photo credit: Jacqueline Justice

WATCH: Katie Callahan, “Lullaby”

Artist: Katie Callahan
Hometown: I grew up in Honolulu, Hawaii, but currently live in Baltimore, Maryland.
Song: “Lullaby”
Album: The Water Comes Back
Release Date: October 22, 2021.

In Their Words: “‘Lullaby’ was written on the edge of the pandemic, before any of us could’ve imagined the way parenting and work and school and home could be enmeshed so completely. I’m the default parent in our home, and as our time in quarantine wore on, the need for me to have projects and goals and work became more and more evident, and this song became a bit of a meditation for me. It reminded me to be kind to myself and name the courage in those trying to pursue their creativity in the margins of these days that feel both ordinary and overwhelming.

“A friend from my Catholic middle school days, Erin Bagwell, is a filmmaker, and we’d reconnected a few years back. Her latest film (Year One) chronicles her first year of motherhood and her journey with postpartum depression, and I felt like ‘Lullaby’ fit right into her narrative. I shared the song with her and we began constructing the idea for this video: a clearly timestamped snapshot of people doing their best to care for those around them — in work, in the home, wherever — and finding moments of peace, clarity, and purpose in the margins. It’s the arc of a day, at once complicated and simple, an affirmation for those — like me — who need to be reminded that pursuing purpose is courageous, and no matter how anxious the moment, peace is in those quiet, still times of mothering ourselves to bits.” — Katie Callahan


Photo credit: Quinn Struke