WATCH: Reid Jenkins, “Strange Lover”

Artist: Reid Jenkins
Hometown: New York City
Song: “Strange Lover”
Album: A Beautiful Start
Release Date: April 23, 2021
Label: Nettwerk

In Their Words: “While most of my songs start while I have an instrument in my hand, ‘Strange Lover’ started as a title that I later put to music. I was struck by the ambiguity in the word ‘strange’ — how it means both unfamiliar and bizarre, and how those two senses of the word have different meanings, but often feel the same when you’re faced with new experiences, such as falling in love. I wanted to write a song that suspended itself in that ambiguity and explore the tension between avoiding the unknown while being drawn in by the thrill of beauty and discovery.

“The lyrics and melody of the verses evolved slowly over the course of a year or so. Sometimes the lines came to me during sessions of very intentional writing; I remember penning ‘Try as I might, I just can’t quite make you make sense’ while sitting in a very idyllic songwriter-y setting — on a bench overlooking the sea on the coast of Maine. Other lines kind of wafted their way out of my subconscious, such as ‘You’re a giant, yet you fit right on the palm of my hand,’ which came to me while walking with my friend at night in Riverside Park in New York. The chorus burst out of me in five minutes about a week before I got into the studio. The process of recording it was similarly organic. Unlike the other three songs on my upcoming EP, I showed up to the studio without much of an arrangement or an agenda for how I wanted it to sound. I let it evolve over the course of the recording process, and I think the final product reflects that process in its hazy and relaxed feeling.” — Reid Jenkins


Photo credit: Shervin Lainez

WATCH: Abigail Dowd, “Beautiful Day”

Artist: Abigail Dowd
Hometown: Carthage & Southern Pines, North Carolina
Song: Beautiful Day
Album: Beautiful Day
Album Release Date: April 23, 2021

In Their Words: “I started writing ‘Beautiful Day’ sitting on our neighbor’s front porch one morning. I was living with them at the time, after our house flooded and my husband and I were waiting for the city to buy and demolish it. He was still living in our house with no heat, taking care of our cat and dog, and it got a little lonely month after month of waking up alone in other people’s houses. It was such a wild experience of not knowing what each day would bring or when the sky would clear, so to speak. As the verses started shaping up, I remembered all of the times in my life that felt dark and uncertain, but were actually necessary parts of growing into better versions of myself. This song became a reminder to enjoy the moment and have faith that it was leading to a brighter day. And now, I look back on those days as gifts of time with friends, with my guitar, and without the distractions that used to keep me from having long stretches to write.” — Abigail Dowd


Photo credit: Todd Turner

LISTEN: The Golden Roses, “When I’m Gone”

Artist: The Golden Roses
Hometown: Austin, Texas
Song: “When I’m Gone”
Album: Devil’s in the Details
Release Date: March 19, 2021

In Their Words: “Before I moved to Texas, I went to visit the grave of my grandfather. It was apparent no one had been there in years (myself included). I got to thinking about being forgotten after we die. My grandfather was a well-respected bluegrass man (a banjo picker). Unfortunately, he did his drinking Saturday mornings and not Saturday nights. I think he sent that song to me as a parting gift before my move.” — John Mutchler, The Golden Roses


Photo credit: Trista Alley

LISTEN: Jackson Scribner, “County Rd 497”

Artist: Jackson Scribner
Hometown: Melissa, Texas
Song: “County Rd 497”
Album: Jackson Scribner
Release Date: March 26, 2021
Label: State Fair Records / We Know Better Records

In Their Words: “I wrote the first verse of this song in the front yard of my grandparents’ house on County Rd 497. That’s the place ya go when ya feel unstable. The song is about the things you have when you’re younger that you don’t expect will ever go away, the ‘it’ll be like this forever’ mentality. Then you grow up and life changes, people and places come and go, and you can really only guess what might stay in your life, you’re never really sure.” — Jackson Scribner


Photo credit: Elaine Dela Pena

LISTEN: Greg Loiacono & Jamie Drake, “Bound to Fall”

Artists: Greg Loiacono & Jamie Drake
Hometown: Novato, California / Los Angeles, California
Song: “Bound to Fall”
Release Date: March 12, 2021
Label: Blue Rose

In Their Words: “A few years back I had become obsessed with a recording called ‘Please Stay’ by The Cryin’ Shames. It inspired me to dive back into old records of singers singing heartbreak songs from way back like Patti Page, The Everly Brothers, and so on. I hoped to convey that lonely, faraway sound on this record. Once Jamie and I started working on the song together we focused in on this unrequited love that drives the singer almost into a sense of delusion. It was really enjoyable finding ways to convey this through words and melody. This is the second duet that Jamie and I have done together. Her powerful, versatile voice can pretty much do anything. It’s a joy to sing and write with her.” — Greg Loiacono

“In October 2018, Blue Rose introduced me to Greg Loiacono to sing on a duet he’d written called ‘San Felipe.’ Recording that day flowed naturally and led to us wanting to collaborate again in the future. Greg invited me to open for him — along with Scott Hirsch (Hiss Golden Messenger) — at the Sweetwater in Mill Valley, California, and I had a day off, so I took a drive to Greg’s hometown of Novato to work on some co-writes. The photo we used for the art was caught on film during the writing session. ‘Bound to Fall’ became a world for us to step into that was different from ‘San Felipe,’ but similar in that we captured a specific, vintage, musical vibe in an authentic way. It’s quite enjoyable to have musical friends you can accomplish different worlds with; I’m grateful to have found this kind of collaborator in Greg Loiacono.” — Jamie Drake


Photo credit: Aaron Rodriguez

LISTEN: Emily Moment, “Master of One”

Artist: Emily Moment
Hometown: London, England
Song: “Master of One”
Album: The Party’s Over
Release Date: March 26, 2021

In Their Words: “I was really interested in talking about the idea of people being compulsively drawn to behaviours that harm them. I was in Thailand at the time, reading Murakami’s What I Talk About When I Talk About Running, and he referred to the Fugu fish — a delicacy in Japan — which is poisonous and can kill a person if prepared incorrectly. Allegedly, the ‘tastiest’ portion of this fish is the part nearest to the poison. That was a light bulb for me. I waded out into the South China Sea, zoning out on the passing boats, and wrote most of the song by singing it out loud to myself, finishing it later on my guitar back in London. Recorded live with the band, the combination of the djembe, the dreamy electric riff, and the woody warmth of the room at Urchin Studios just magically clicked the song in place.” — Emily Moment


Photo Courtesy of the Artist

LISTEN: Melody Duncan, “Over the Hill”

Artist: Melody Duncan
Hometown: Mobile, Alabama
Song: “Over the Hill”
Album: Wolf Song
Release Date: March 12, 2021

In Their Words: “This was the last song I recorded for the album. I wasn’t sure if I was going to put this one on the record until the last moment, but I’m really glad I did. The track is made with only vocals and guitar, and it felt really complete to me. I think the lyrics are pretty straightforward; they’re a kind of journal entry mixed with sentiment I think many of us feel as we age. The longer we live, the more challenges, difficulties, and growth opportunities we face. We learn all these amazing life lessons and have to rise above the accompanying challenges. Sometimes through our experience or culture, we’re taught to fear aging and what it might mean for our bodies and minds. But the song is an expression of being resilient because of what we’ve been through, and despite whatever is ahead. It’s about making it through tough times at every age and stage we are in. It’s a dedication for all of those willing to invest in a good today, even if our bones ache in the morning.” — Melody Duncan


Photo credit: Katy Herndon

LISTEN: Jesse Brewster, “Amber Kinney”

Artist: Jesse Brewster
Hometown: San Francisco, California
Song: “Amber Kinney”
Album: The Lonely Pines
Release Date: March 5, 2021
Label: Crooked Prairie Records

In Their Words: “This is the second song I ever wrote on mandolin as I’m relatively new to the instrument, but I love the different colors it gives me to work with. ‘Amber Kinney’ is set in a fictional town in 19th century Ireland, and is about a mistreated wife who finally gathers the courage to leave, under cover of darkness. Side note, this was largely written late night in the chill of the garage — the only place I could make noise at that hour as I hadn’t finished the studio yet.” — Jesse Brewster


Photo credit: Nino Fernandez

LISTEN: Ryanhood, “Appy Returns”

Artist: Ryanhood (Ryan David Green & Cameron Hood)
Hometown: Tucson, Arizona
Song: “Appy Returns”
Album: Under The Leaves
Release Date: April 16, 2021

In Their Words: “I love instrumental music, having grown up on electric gunslingers like Joe Satriani and Eric Johnson, and later becoming infatuated with acoustic masters like Béla Fleck and Chris Thile. While most of our repertoire features vocals, we’ve been peppering our live concerts with instrumentals for years. I came up with the main theme for this one in a green room, just before a show back in 2016. I continued to tinker with it for years until I realized the main motif had some similarities to another instrumental of ours, ‘Appy Jam,’ which is a staple of our live set. I decided to lean into this resemblance and make it a full-blown sequel, referencing some of the rhythmic motifs and phrasings from the original, but taking the listener on a whole new journey. What made the song especially challenging to write was the fact that getting together to play-test it wasn’t always possible due to COVID-19. So I used music notation software to make ‘digital versions’ of each of our parts. This allowed us to practice playing the song (with our digital counterpart) for a couple of weeks before going into the studio and cutting our guitars together.” — Ryan David Green


Photo credit: Taylor Noel Mercado

LISTEN: Lauren Spring, “I Remember You”

Artist: Lauren Spring
Hometown: Port St. Joe, Florida
Song: “I Remember You”
Album: I Remember You EP
Release Date: February 26, 2021

In Their Words: “‘I Remember You’ is about choosing to remember someone in a kinder light than what the relationship may have been in reality. If you chose pain, you feel pain when you remember it. If you choose love, then you’re flooded with love and nostalgia. I’ve had plenty of opportunities to learn that lesson and chose the more immature road for longer than I’d like to admit but I’m choosing love more and more and feel it coming back to me all the time now. I love the message of this song and am so glad to put it out in to the universe. It felt weird to celebrate the nostalgia of a past relationship and not honor the glorious human I love who puts up with my shit today. This line was for him: ‘Cracks in the story we learned to fill with something real.’ He’s my real. Here’s to ‘real’!

“My co-writer Scott (Feldman, Darkbloom Productions) wrote a lyric so ridiculously dope that it took me two months and 8.5 billion rewrites to feel like I had written the rest of the song anywhere close to the bar he set. (Jackass) ‘Ain’t nostalgia a funny thing, it paints a picture so carelessly. Prettier than it’s ‘sposed to be, that’s how I remember you.’ It became the chorus and I love it. That TikTok video of the guy skateboarding to ‘Dreams’ was everywhere when we were writing ‘I Remember You’ and when I listen back I definitely hear a Fleetwood Mac influence in there. Probably more Christine than Stevie, but still there. Crazy what you don’t even know what you’re absorbing sometimes!” — Lauren Spring


Photo credit: Shelli McMillan