Basic Folk: Steve Poltz

If you’re looking for recommendations for desserts, might I suggest asking folk music and comedy savant Steve Poltz? This man loves gluten and carb-heavy sweets. He also loves collaborations, camaraderie, creativity and using humor in music. It all began for Poltz – or Poltzy as his friends call him – in his birthplace of Halifax, Nova Scotia, making him an official Canadian. He spent his formative years in Palm Springs and Los Angeles where due to his stutter, allergies, and asthma, he learned to talk fast to get himself out of trouble. His sense of humor was cultivated in part by his funny parents as well as radio and television. He was particularly taken with The Smothers Brothers, Laugh-In, and the novelty songs he heard on Dr. Demento’s radio program, which solidified his own aspirations for being silly as hell in his own writing. Along the way, he picked up the guitar at six years old and it’s been by his side ever since.

LISTEN: APPLE • SPOTIFY • AMAZON • MP3

After he moved to San Diego to attend college in the ’80s, he formed the cow-punk band The Rugburns with Robert Driscoll. The group, which Steve has described as “really slow speed metal,” developed a cult following across the U.S. in the early ’90s. It was at that time when Poltz met Jewel, who was a struggling musician in the San Diego scene. The two dated (they remain friends to this day) and ended up co-writing one of the biggest songs of the ’90s with “You Were Meant For Me.” After a brush with a major label (thanks to all the Jewel stuff), he remained an independent artist who developed a reputation for a singular live performance experience.

In 2014, he actually had a stroke onstage, which temporarily caused him to lose his vision, his ability to read, and also gave him a new outlook on life. Also: post-stroke, he found a late-in-life obsession with the Grateful Dead. In 2016 he and his wife, Sharon, moved to Nashville, where he discovered that he actually does like the Nashville co-writing thing. He’s written songs with people like Molly Tuttle and Billy Strings. His friend Oliver Wood (The Wood Brothers) produced his most recent record, Stardust and Satellites. Here’s to Steve Poltz!


Photo Credit: Jeff Faisano

LISTEN: Travis Oliver, “Laptop for a Flattop”

Artist: Travis Oliver
Hometown: Fernandina Beach, FL (originally); San Diego, CA (current home)
Song: “Laptop for a Flattop”
Album: Ol’ Dad
Release Date: February 3, 2023

In Their Words: “I wrote this song at my day job in a meeting that could have been an email surrounded by some of the most sophisticated people I have ever worked with. I wondered about what else I could be doing with this valuable time and was immediately drawn to the joy of playing fiddle tunes on my guitar. I would much rather put down my laptop, grab my flattop, and bang out some ‘Sally Goodin’ licks for a while. The rather long meeting continued which allowed the song to become an engineer reflecting on the grind of work and the technological solutions the engineering community has helped deliver to the world. These days many of these solutions run through all of our lives lingering just beneath the surface while enabling so much. And while being part of ongoing technological advancements is great, so is maintaining a healthy work/life balance and doing what you love. And for me, well I love picking and grinning bluegrass and playing ‘Sally Goodin.'” — Travis Oliver


Photo Credit: In The Barrel Photo

WATCH: Clinton Davis, “Curly Headed Woman”

Artist: Clinton Davis
Hometown: Carrollton, Kentucky
Song: “Curly Headed Woman”
Album: If I Live and I Don’t Get Killed
Release Date: September 10, 2021
Label: Tiki Parlour Recordings

In Their Words: “‘Curly Headed Woman’ is a rare version of one of the most common American folk songs: ‘The Hesitation Blues’ or ‘If the River Was Whisky’ as most people call it. My version is most directly inspired by a 1928 recording of Kentucky banjoist Dick Burnett and fiddler Leonard Rutherford. Their version contained some common folk lyrics — anyone with any exposure to folk and blues music has probably heard the line ‘If the river was whisky and I was a duck, I’d dive to the bottom and I’d never come up’ sung with a hedonistic, ‘let the good times roll’ kind of sentiment. But this version also held more unique lines about a curly-headed woman that had brought great pain and misfortune on the singer. And in that context, it occurred to me that the famous lyric about a river of whisky could also be a cry of pain. This thought became the center of my interpretation and my arrangement became a kind of dreamy balm. The video, shot on a beautiful spring day in an urban canyon of San Diego, features Erin Bower, who sang on the recording, and Aaron Brownwood.” — Clinton Davis


Photo credit: David Bragger

BGS 5+5: Brigitte DeMeyer

Artist name: Brigitte DeMeyer
Hometown: San Francisco, California
Latest album: Seeker
Personal nicknames (or rejected band names): Well, my husband calls me Bubba. My friends sometimes call me B, or Brig. My nieces and nephews call me “Tante Brigie.”

What was the first moment that you knew you wanted to be a musician?

I always knew I loved to sing, as far back as age 12 when I won the talent show at summer camp. I sang whenever I could, in church, in school musicals, in various bands, just for the fun of it. But, in my late 20s I was asked to jump in and sing at an informal party with a very talented friend who was playing acoustic guitar for folks. He played in such a way that a feeling came through me when I began singing, it was like I left the building and got lost in the song. I felt like notes were coming through me from somewhere else.

When I opened my eyes at the end of the song the room of people had gone quiet and all had gathered around me and erupted into a joyous cheer at the end of the song. It was the first time I remember getting naturally high from singing. I have spent my whole career chasing that feeling of connection to whatever came through me that day. It can come from anywhere. Collaborating with someone with the right chemistry, connecting with the audience, or just being by myself writing. They may not be the best performances of my life when that happens. But, it’s about the feeling I get, from connecting to something higher. It’s also really fun to play with friends. Energy exchanging and collaborating. Hope all that makes sense.

What’s the toughest time you ever had writing a song?

I guess I would say the toughest time trying to write a song is when I am super happy. You have to really dig in deep and create something out of nothing. “Cat Man Do” came out that way. It took me a year to write that song. You have to make up a character or situation from scratch. I have enough life experiences to draw from. And, inspiration can come from anywhere so I force myself to be open and pay attention. You mix a little fiction with imagination and add a bit of grease and salt, or sugar if that’s what the song calls for. Approaching a song like a poem or a story is something I enjoy as well, or using old language that isn’t vernacular is fun. It makes the song feel deeper and have more character I think. Though it has to make sense to the listener as well, so finding balance lyrically there is tricky at times.

What’s your favorite memory from being on stage?

I have so many. But one of them, was at Humphreys in San Diego in 2014, when I opened for Gregg Allman. He was in the wings watching and listening to me during my whole set. When I came off the stage, he approached and told me I had a beautiful voice. I told him he did. That was a great day. Another great memory was in Ullapool, Scotland, sitting in at the pub with those raucous Scots listening in. They are so appreciative and warm in the U.K. I love performing there.

Which elements of nature do you spend the most time with and how do those impact your work?

This is an easy one for me. I am an avid horse enthusiast. I am often out at the barn where I board my horse, which is surrounded with rolling hills and wildlife, like hawks, coyotes, goats, etc., and a neighboring cattle farm. Horses for me remind me nature is king, and give me that feeling of connection to something higher as well. I come home way happier every time I go and spend time with my horse. It is also a confidence builder.

If you had to write a mission statement for your career, what would it be?

I would say trust your gut, and just be yourself. Don’t try to sound like anyone else, or write like anyone else. And don’t let anyone tell you what is right for you. If you need to get your mix right, do it. Don’t settle. Also, I was told I was too old in my late 20s to begin my career. I did not listen. I forged my own path kind of organically. Oh yeah, and ALWAYS surround yourself with people who make you happy in your work. If the vibe is there, the music will follow. It shows in the music.


 

LISTEN: Sara Petite, “Missing You Tonight”

Artist: Sara Petite
Hometown: San Diego, California
Song: “Missing You Tonight”
Album: Rare Bird
Release Date: February 26, 2021
Label: JTM Music

In Their Words: “‘Missing You’ is a cool California country song about a broken heart. It takes place at sunset in Ocean Beach with a cotton candy pink sunset and the palm trees swaying… just like the hippies dancing on Newport Avenue to Michael Franti. Trying to enjoy yourself in the beauty while nursing a broken heart. Here’s the lyric: ‘We can’t be together, it’s hell being apart, it’s ripping through my soul and tearing up my heart. I try to move through the pain and wonder how you are? Do you think of me when I think of you or am I just scar? I’m missing you, missing you baby tonight.'” — Sara Petite


Photo credit: Sara Petite

WATCH: Justin Wade Tam, “Paradise”

Artist: Justin Wade Tam
Hometown: Nashville, Tennessee, via San Diego, California
Song: “Paradise”
Release Date: July 24, 2020
Label: Soundly Music

In Their Words: “I wrote this song with my friend Daniel Ellsworth about the subjectivity of paradise. We often get caught up in staring at idealized photographs on social media and forget that there can be beauty in the everyday, no matter where we are. Maybe paradise is more a state of mind than an actual physical location. So when Luke Harvey (Moss Flower Pictures) and I set out to make the music video, we wanted to convey that people all over the world have their own versions of paradise, and that is lovely: so many people and so many paradises. To help with the concept, friends from Chile, France, Iran, and Russia translated the lyrics into their respective languages. I’ve met each of these friends through music and touring over the years, and it’s wonderful to have their friendship reflected in this project. Luke set the translated subtitles and music to old film vignettes, capturing and challenging our perceptions of paradise.” — Justin Wade Tam


Photo credit: Annelise Loughead

LISTEN: Kim Lenz, “Pine Me”

Artist: Kim Lenz
Hometown: San Diego, California
Song: “Pine Me”
Album: Slowly Speeding
Release Date: February 22, 2019
Label: Blue Star Record Co.

In Their Words: “This song is an answer song to a murder ballad. Murder ballads and answer songs have a long history in American music, both blues and country. I’ve wanted to write a murder ballad for a long time but the storyline is usually quite simple – -the girl gets murdered down by the river. In this song, the girl has indeed been murdered down by the river, and now she is ‘answering’ him. She’s haunting him to come find her, mind her, and do the right thing and take her body to her mother’s house. And in the end, the act he committed will haunt him ’til he dies.” — Kim Lenz


Photo credit: Joseph Cultice

WATCH: John Mailander, “Cedar House”

Artist: John Mailander
Hometown: San Diego, California
Song: “Cedar House”
Album: Forecast
Release Date: January 5, 2019

In Their Words: “I wrote this song with my friend Jake Stargel about a year ago. It is a turning point on the new record, representing a tonal shift from melancholic to hopeful. This shift reflects feelings I have about the current state of America, our planet, and the necessity of carrying positivity, truth and light into the future. Jeff Adamczyk (of the Nicki Bluhm band) did a beautiful job of visualizing this song through stop-motion animation. I’m looking forward to sharing the whole album with you on January 5th.” –John Mailander


Photo credit: Chelsea Ewing