Beth Behrs: What Dolly Parton Means to Me

Everyone has a “Dolly Story.” Whether it’s a personal interaction (like when Brandi Carlile confessed on my podcast, Harmonics, that when she met her backstage at Newport Folk Fest, Dolly prayed with Brandi to calm her nerves) or the first time you heard your own story in one of her songs (like when BGS editor Justin Hiltner explained to host Jad Abumrad how “Why’d You Come In Here Lookin’ Like That” is a gay anthem on his podcast, Dolly Parton’s America), these stories are the universal connectors for Dolly Parton fans.

My own love of Dolly Parton’s music goes back a very long time, but my “Dolly Story” finally happened a few years ago, when my husband and I got to meet her after her show at the Hollywood Bowl. It was surreal and wonderful and the moment was over far too soon, but from that day on I knew I wanted to live my life more like Dolly Parton.

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One of these days, I hope to be able to have a longer chat with Dolly (DOLLY IF YOU’RE READING THIS YOU CAN BE ON MY SHOW ANYTIME). But until then, I’ve distilled four pillars of What Dolly Parton Means to Me:

1) Dolly is Always Unapologetically Herself.

“I’ve often made the statement that I’d never stoop so low as to be fashionable. That’s the easiest thing in the world to do…. Once they got past the shock of the ridiculous way I looked and all, they would see there are parts of me to be appreciated. I’m very real where it counts — and that’s inside.”

In today’s fractured society, there are few figures as unifying as Dolly Parton. Say her name to almost anyone, anywhere, and almost certainly they will know who she is. Maybe part of the reason for this is her indelible commitment to never being anything but herself. And it’s because of that raw honesty that she can mean so many things to so many people. Over the years when I’ve been pressured to conform to certain looks, trends, people, or situations for the “sake of my career,” Dolly has been a glorious, glittering reminder to never apologize for sticking to who you truly are.

2) Dolly is Always Decent.

“I think everybody should be treated with respect. I don’t judge and I try not to get too caught up in the controversy of things. I hope everybody gets a chance to be who they are.”

Decency and goodness are not just about building a massive resort and theme park to revive the economy of your hometown in East Tennessee (Dollywood). They’re not just about founding a charity that has given away over 150 million books to underprivileged children around the world (Dolly Parton’s Imagination Library). They’re not even just about donating over a million dollars to help fund a COVID-19 vaccine. (Seriously. The hero we needed in 2020.)

Real goodness and decency are about how you act when no one is looking. Dolly is not just a good person, but she is a decent one. She has a universal acceptance for everyone just as they are, and uses her wealth and visibility to stand up for those who cannot. If that’s not decent I don’t know what is.

3) Dolly is Always Resilient.

“I’m not going to limit myself just because people won’t accept the fact that I can do something else.”

Dolly may seem like a divine being sent from heaven above, but she’s as human as the rest of us. In so many interviews she’s talked about her rough patches, her health problems, her doubts, her frustrations and failures. But one thing she has never lost is a resounding resiliency to keep going. It’s important to realize that our heroes are just flesh and blood, but it’s also important to remember that what makes someone a true hero is how they remind us to get back up and keep going.

4) Dolly is Always in on the Joke.

“All these years, the people have thought the joke was on me, but it’s actually been on the public. I know exactly what I’m doing and I can change it at any time. I make more jokes about myself than anybody.”

As a comic actor, I love and admire Dolly’s ability to not only be in on the joke, but often two steps ahead of it. It’s easy enough to assume that she’s some dumb blonde with big boobs, but as she shows us time and time again, looking good and being the smartest person in the room are not mutually exclusive. You can see her adeptness in clips from her late night appearances from the ’80s and ’90s, where the host usually takes a cheap jab at Dolly’s ample attributes and makes the interview about her physicality rather than her talent. But without missing a beat, Dolly always throws it right back at him (it’s always a him), usually with a punchline that’s even funnier than the host’s bit.

It’s like she says in her classic song “Dumb Blonde:” “Just because I’m blonde / Don’t think I’m dumb / Cause this dumb blonde ain’t nobody’s fool.” I’ve sat on those same couches, fielded countless embarrassing questions, and in my retort I always try to ask myself: What Would Dolly Do?


Beth Behrs is an actress (The Neighborhood, Two Broke Girls) and host of the BGS podcast, Harmonics. Check out season 1 of Harmonics and follow Beth on Instagram at @bethbehrs for updates on season 2.

22 Top Country Duos

Country music was made for duets. Not only because those tight, tasty harmonies are a foundational aspect of the music, but also because country accomplishes heartbreak — and every other make and model of love song — better than almost any other genre. (Thought quite possibly better than all other genres.) It just makes sense to have two singers, one to play each role in a lost, soon-to-be-lost, or (rarely) divine, never-perishing romance. But the format isn’t restricted to lovers or their placeholders, it can just as seamlessly fit heroes and acolytes, parents and children, siblings, peers, fellow pot smokers, and on and on.

Take a scroll through these twenty-two country twosomes:

Kenny Rogers & Dolly Parton

We couldn’t have this list without these two. They should be the start, middle, and end of any definitive list of country duos. So we’ll just make the easy choice and kick it all off with Kenny and Dolly — that extra intro about their friendship and the years they’ve known each other? Swoon.

Loretta Lynn & Conway Twitty

After saying what we did about Kenny & Dolly we knew this pair needed to come next — so as to not rile anyone. Out of countless duets we could have chosen, how could any top “You’re The Reason Our Kids Are Ugly?”

Willie Nelson & Ray Charles

For inexplicable reasons people tend to forget Ray Charles’ incredible forays into country. His collaborations with Willie are stunning for the extreme juxtaposition of their voices and styles — they feel and swing so distinctly and differently, but all while perfectly complementary. “Seven Spanish Angels” ranked a very close second to this number in our selection process.

Glen Campbell & John Hartford

The most-recorded song in the history of recording? It’s said “Gentle On My Mind” holds that honor. And goodness gracious of course it does. Here’s its writer and its popularizer and hitmaker together.

Lee Ann Womack & George Strait

Together, Lee Ann and George were beacons of the trad country duet form, especially in the ’90s and early 2000s. This one from the jewel in the crown of Lee Ann’s discography, Call Me Crazy, is crisply modern, but with decidedly timeless vocals.

George Jones & Tammy Wynette

A broken, country fairy tale of a love story, George and Tammy’s relationship was infamously fraught, but damn if that didn’t just make their duets ever more… ethereal. Which doesn’t justify that Tammy Wynette kinda pain, to be sure, but it does remind us that if country can do anything better than all other genres, it can be sad.

Reba McEntire & Linda Davis

One of the best country songs, duets, and music videos EVER MADE. Theatrical and epic and a little silly and downright catchy and Rob Reiner and… we could go on forever.

Tanya Tucker & Delbert McClinton

Tanya is back with a brand new album and its well-deserved level of attention has been helping to re-shine the spotlight on her expansive career. Forty top ten hits across three decades. Who does that? Here she duets with Delbert McClinton on their 1993 hit, “Tell Me About It.”

Alan Jackson & Jimmy Buffett

Hey, if this has to be stuck in our heads for the rest of the month, it should be stuck in yours, too. Fair’s fair. It’s only half past [whatever time it is], but we don’t care.

Johnny Cash & June Carter Cash

One of the most recognizable duos in the history of the genre, immortalized not only in their discography but in a film adaptation of their love as well, Walk the Line. We all know “Jackson” as familiarly as the ABC’s, so here’s a slightly lesser-known beaut. (Keep watching til the last verse for an adorable bit from June.)

Eric Church & Rhiannon Giddens

Country is at its best when it surprises us. This collaboration is certainly, on the surface, unexpected, but the message of the song isn’t the only way these two artists can relate to each other. Over the course of their careers they’ve both fought their way from the fringes to the centers of their respective scenes. More of this, please.

Dolly Parton & Porter Wagoner

Dolly got her start with Porter Wagoner on his television show in the 1960s. They can certainly be credited with pioneering, popularizing, and epitomizing the country duet format. One of her most famous hits, “I Will Always Love You,” was written for Porter as she lamented leaving their act to go totally solo. (We’re a little glad she did.) You can tell they sang this song just a few gajillion times together, give or take.

Pam Tillis & Mel Tillis

Father/daughter duos in country aren’t as common, but they certainly aren’t unheard of. Pam and Mel are a perfect example. (The Kendalls are another.)

Patty Loveless & Ralph Stanley

Patty Loveless received the first ever Ralph Stanley Mountain Music Memorial Legacy Award in 2017 at Ralph’s home festival, Hills of Home, in Wise County, Virginia. Patty and Ralph were longtime friends and collaborators during his lifetime and even through her mainstream country success she referenced bluegrass and Ralph as influences — and she cut a few bluegrass records as well.

Alison Krauss & James Taylor

It’s. Just. Too. Good. Like butter. Like a warm bubble bath. Like floating on a cloud. Two voices that were meant to intertwine.

Charley Pride & Glen Campbell

These two were made to sing Latin-inflected harmonies together, weren’t they? Charley Pride gets overlooked by these sorts of lists all too often. But dang if he didn’t crank out some stellar collaborations, too!

Gram Parsons & Emmylou Harris

“Love Hurts” and boy, if Gram and Emmylou don’t make you believe it heart and soul and body and being. The definitive version of this Boudleaux Bryant song? Perhaps.

Willie Nelson & Merle Haggard

Icons being icons. And friends. And amazingly talented, ceaselessly musical comrades. You love to see it. (We could’ve/should’ve chosen “Pancho & Lefty.” We did not.)

Vince Gill & Amy Grant

There are quite a few reasons why the Ryman Auditorium basically hands this husband and wife duo the keys to the place each December. Basically all of those reasons are evident in this one. It’s fitting that this video came from one of those Christmas shows, too.

Dolly Parton & Sia

Dolly literally outdoes herself, re-recording “Here I Am” for the original soundtrack for her Netflix film, Dumplin’, after she first cut the Top 40 country single in 1971. Clearly she and Sia have much more in common than an affinity for wigs; their soaring, acrobatic voices seem so disparate in style and form until you hear them together. Listen on repeat for the best therapeutic results.

Robert Plant & Alison Krauss

[Insert entire Raising Sand album here, because how could we ever choose?] Lol jk, here’s “Killing the Blues.”

Carrie Underwood & Randy Travis

Cross-generational, meet-your-hero magic right here. Little did we know what was in store for Carrie Underwood then. But the way Randy looks at her up there, you can tell he knows she’s goin’ places.

3×3: Brooke Annibale on Leon Bridges, Emily Van Camp, and the Hero’s Journey

Artist: Brooke Annibale
Hometown: Pittsburgh, PA
Latest Album: The Simple Fear
Nicknames: I don’t really have any, besides the occasional “Brookster,” and I’ll answer to that.

 

This record really comes alive on vinyl. #kttunstall …Beautiful. #vinyl

A photo posted by Brooke Annibale (@brookeannibale) on

Who is the most surprising artist in current rotation on your iTunes/Spotify?
Most surprising is probably my playlist of “feel good” music or “indie pop” music. I’m pretty obsessed with Sia’s “Elastic Heart” and Alessia Cara’s “Here.” Leon Bridges would probably not be surprising, but he’s been my favorite new artist lately. Also Amy Grant’s Home for Christmas album, when in season.

Who would play you in the Lifetime movie of your life?
Emily Van Camp. People have told me I kinda look like her, and I was a big fan of her show Everwood in high school.

If the After-Life exists, what song will be playing when you arrive?
Maybe Alexi Murdoch's “Orange Sky,” if we’re being dramatic and beautiful. If we’re having fun, then "Higher Ground" by Stevie Wonder.

 

No big deal just accidentally walking up the steps at the same time as @penguins Iceburgh last night at the game!

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What brand of toothpaste do you use?
Crest. This is getting pretty personal.

What's your beverage of choice?
In the everyday genre … water or coffee (probably with that Trader Joe’s vanilla creamer). In the alcohol genre, wine … unless it’s the Fall, then it's cider.

What's your favorite TV show?
For a good cry, Parenthood. For a laugh, The Office.

 

Hidden treasures in my Grandparents house.

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Star Wars or Star Trek?
Star Wars. I took a class in college that examined Joseph Campbell’s hero’s journey/“monomyth" concept and we were required to watch all of the Star Wars movies. I enjoyed getting college credit for doing this.

Taylor Swift or Ryan Adams?
Ahh, why make me choose? I’ve got lots of respect for what Ryan did with 1989 (and more so with his original stuff), but Taylor’s 1989 is close to pop songwriting perfection.

Coffee or tea?
Coffee … or, to complicate things, a chai latte with espresso in it. To be fair, I love tea, as well.


Photo credit: Alysse Gafkjen