The BGS Radio Hour – Episode 203

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been our weekly recap of all the great music, new and old, featured on the pages of BGS. This week, we’ve got music from CeeLo Green to Loretta Lynn! Remember to check back every week for a new episode.

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Loretta Lynn feat. Margo Price – “One’s On The Way”

Loretta Lynn’s original cut of this song made it to No. 1 on the charts in 1971. When Margo Price teamed up with Lynn to celebrate the latter’s 50th anniversary of “Coal Miner’s Daughter,” Price chose this song specifically, suggesting how legendary it was for Lynn to have sung about women’s rights and birth control in the country music of the ’70s. It’s still legendary today.

Todd Snider – “Turn Me Loose (I’ll Never Be the Same)”

“Turn me loose, I’ll never be the same!” is a phrase that rodeo cowboys used to yell when they were ready – something Snider first heard from Jerry Jeff Walker, but fitting himself perfectly. He asked the cosmos to provide a rock to put is foot on, and so the story goes, the new album from Todd Snider: First Agnostic Church of Hope and Wonder. 

DL Rossi – “Tumbling”

From Grand Rapids, Michigan, DL Rossi brings us a song from his upcoming album, Lonesome Kind. It’s a kind of youthful innocence, warming up to the harsher realities of life. And while we can’t opt out of our hurtful experiences, as Rossi suggests, we can share them to encourage one another.

Aaron Burdett – “Arlo”

North Carolina-based singer and songwriter Aaron Burdett compiled this song by noting quotes that his friend Arlo would say, collecting them for over 10 years. Arlo isn’t necessarily the character in the song, Burdett says, but character, someone who always has a bold thing to say.

CeeLo Green – “Slow Down”

CeeLo Green brings us a video for “Slow Down” from his latest album, CeeLo Green is… Thomas Calloway. From the writing of the song, to the recording and then making of the video, it was a completely expressive process for Green, who called it an “out of body experience.” Ironically titled, the song pulls the listener even closer into the climactic height of the record.

Natalie D-Napoleon – “Gasoline & Liquor”

Driving through the rural Mojave, D-Napoleon passed a sign that read “Gasoline and Liquor.” While she knew it would be a song, she thought it sounded like a man’s song, one written via passing lines back and forth with her husband. The video reflects the landscape of the “Wild Wests” of both the American desert and Western Australia, the places between which this artist splits her time.

Danny Paisley and the Southern Grass – “Date With an Angel”

Danny Paisley is the current reigning prince of Baltimore-D.C.-area bluegrass, a scene with rich history dating back to the 1950s. This week, Paisley and his band the Southern Grass bring us a song from their upcoming release, Bluegrass Troubadour. 

Aoife O’Donovan feat. Kris Drever – “Transatlantic”

Aoife O’Donovan is no stranger here at BGS, or anywhere in the roots community for that matter! Her work with artists like Crooked Still, I’m With Her, and the Goat Rodeo Sessions proves why that is. This week on BGS, she teams up with Scottish artist Kris Drever to bring us a message that we’ll all be together again.

Brigitte DeMeyer – “Salt of the Earth”

BGS caught up with Brigitte DeMeyer from San Francisco this week on a 5+5 – that is, 5 questions, 5 songs. We talked musical inspirations, songwriting techniques, and her mission statement: being herself.

Will Orchard – “Rita”

For Boston-based Will Orchard, this song is about trusting impulses, and the constant questioning of whether or not those feelings are valid. Written on tour in two parts separated by almost year, Orchard was able to combine them with the perspective of time, earning a place on his newly released album, I Reached My Hand Out. 

Helena Rose – “What’s Killing You is Killing Me”

Helena Rose wrote this song while struggling to tell a loved one how she felt about their addiction. Rose offers this song to others who have loved ones battling addiction, giving hope to the struggle, and showing that there is a light at the end of the tunnel.

Valerie June – “Smile”

As March has slipped away and we welcome April, we bid farewell to our March Artist of the Month, Valerie June. This song comes from her latest album, The Moon and the Stars: Prescriptions for Dreamers.

The Bones of J.R. Jones – “Bad Moves”

In celebration of his latest album, A Celebration, we caught up with the Bones of J.R. Jones for a 5+5, talking about performance memories, art forms, and songwriting techniques. Jones’ curated playlist brings us everything from Nina Simone to Bruce Springsteen to the White Stripes.

John Smith – “Friends”

The pandemic was hard on us all, no doubt, but for Wales-based John Smith, it just kept bringing the punches. Trying to make sense of it all, Smith brings us The Fray, his latest album in a 15-year career, teaming up with artists and friends like Sarah Jarosz and Bill Frisell.


Photos: (L to R) Margo Price by Bobbi Rich; Aoife O’Donovan by Rich Gilligan; Todd Snider by Stacie Huckeba

BGS 5+5: The Bones of J.R. Jones

Artist name: The Bones of J.R. Jones
Hometown: Manlius, New York
Latest Album: A Celebration
Personal nicknames (or rejected band names): J.R./ Jonny, Jon Jon.

What’s your favorite memory from being on stage?

My favorite memories are the unexpected ones and I mean that in the most literal sense. Most nights on tour I take the stage exhausted and it takes a song or two for me to fall in rhythm. I remember one night in while on tour in England I took the stage after a 8-hour drive, traveling across three different countries, going through customs and after getting a speeding ticket… my mood was sour, to say the least. The first song I played knocked me over. The crowd knew every word and sang as loud as my guitar was ringing. It turned out to be one of the best shows on that tour. That’s the magic of the stage, for that hour or so… reality disappears.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I think I am most moved and inspired by dancing. I am always in awe of the control and discipline dancers have… something I like to strive for in my music, but feel I never truly achieve because I let my emotions take the song away from me, which isn’t necessarily a bad thing, but not always where I want to go with my music. The beautiful thing about art is that one discipline often informs and adds to others. I often think about this while watching a dancer and how the music chosen or written for the piece is just as important as the choreography. The same goes for film and the visual arts.

What was the first moment that you knew you wanted to be a musician?

I don’t think I knew it at the time, but I remember listening to Springsteen’s Born in the USA when I was young and feeling so completely invested and overwhelmed by the songs. It struck me deep and resonates with me till this day. The heartbreak, the hurt, the feeling like you are being left behind and the drive for recognition… all the while you are just doing the best you can with the hand you are dealt. Every time I step into a studio that album subconsciously shows up in the strangest ways in my production.

What’s the toughest time you ever had writing a song?

Every song is tough. I mean it, every damn song. I have never been fortunate enough to have a song just flow through me. And truthfully the only reason a song is ever done is because I have to record it, ha ha. I try to tell myself that a recording is a song at that one moment. That a song is a living thing and tomorrow it will change on me again and we will have to find a new balance between each other.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Every time. I mean you have to. How else can you make anything feel relatable? You need to live it to a degree. It doesn’t need to be autobiographical, but it does need to be true.


Photo credit: Christian Harder

The Bones of J.R. Jones, ‘Hammers and Nails’

Lightnin' Hopkins and Sylvan Esso … now those are two artists you rarely hear mentioned in the same breath. But, for Jonathon Linaberry — who performs under the moniker the Bones of J.R. Jones — each artist is just as important an influence as the other. The New York songwriter and multi-instrumentalist — catch one of his live shows and you're bound to see Linaberry, by himself, playing everything from the guitar to the bass drum, often simultaneously — doesn't shy away from incorporating seemingly disparate genres into his music, with the end result falling somewhere between early, bluesy Black Keys and the punk-infused folk of Possessed by Paul James. 

This track, "Hammers and Nails," comes from Spirit's Furnace, the follow-up to his 2014 debut Dark Was the Yearling

”'Hammers and Nails' was heavily inspired by those old Southern spirituals. I am always fascinated by how those ancient songs can be so repetitive in structure, yet despite that, the emotion in the performance never wanes and, in fact, actually grows in power as the song progresses," Linaberry says. "That idea was a huge inspiration for this song. I wanted the lyrics to reflect the feeling those spirituals make me feel … something dark, primal, and foreboding. Warnings of slipping even when you have the best intentions and [you're] not living up to them or yourself. 'Dirt will always tell' is in reference to the idea that no matter what you hide from yourself in life that, in death, the truth will always be heard."

Listen to "Hammers and Nails" and pre-order Spirit's Furnace here.