Dale Watson’s Ameripolitan Today Playlist

Ameripolitan music can be best defined as original music with prominent roots influence, and it has four categories: honky tonk, Western swing, rockabilly, and outlaw. My Mixtape features a song by an artist that represents the roots and then I’ll play a new artist that directly was influenced by them. You can hear the natural growth of country music when you listen to Lefty Frizzell and Merle Haggard or Kitty Wells and Loretta Lynn back to back. (Many of the roots artists had nicknames, I miss that.)

While some may hear an artist’s influence and say they are copying them, I’m of the opinion that John Lennon shared when asked about The Beatles’ influences. He said, and I paraphrase here, “One’s originality comes out in their inability to imitate their influences.” Very well said. – Dale Watson

“Who’s Gonna Take The Garbage Out” – Loretta Lynn, Ernest Tubb

Ernest Tubb had a distinctive voice as you hear on this song he sings with Loretta Lynn. Here’s the Texas Troubadour with the Coal Miner’s Daughter.

“My Wife Thinks You’re Dead” – Junior Brown

And no one is more evidently influenced by him than Junior Brown.

“Undo the Right” – Johnny Bush

Johnny Bush, otherwise known as the “Country Caruso,” was a drummer for Ray Price, the Cherokee Cowboy, before going out on his own. You would definitely hear that influence if you back-to-back Ray Price to Johnny Bush. Both are huge influences to every singer that grew up in Texas.

“Texas Honky Tonk” – Justin Trevino

This young man from Texas is carrying the Bush torch.

“D-I-V-O-R-C-E” – Tammy Wynette

The First Lady of Country Music, Tammy Wynette was married to the Possum, George Jones. She is easily at the top of women that influenced the newer singers.

“Houston Belongs To Me” – Sunny Sweeney

Singing her own divorce song, here’s Sunny Sweeney!

“Big Balls in Cowtown” – Bob Wills & His Texas Playboys

In the Western swing category this is the master, Bob Wills & His Texas Playboys.

“Riding High in Texas” – Asleep at the Wheel, Billy Strings

Though they’ve been around a while, they still burn up the road and proudly wear Bob Wills as their biggest influence. Ian Stewart sings as guest picker Billy Strings shines.

“Here in Frisco” – Merle Haggard

The Hag has influenced generations and even in death he still does. He once told me he forgot he wrote this song and was glad I brought it up so he can add it to his playlist again.

“This Highway” – Zephaniah OHora

Zephaniah OHora is now based in Nashville and he’s got a lot of great original songs. On this song you can hear the Hag in him.

“Bob Wills Is Still the King” – Waylon Jennings

In the outlaw world there is none more influential than Waylon, and in Texas we were all influenced by Bob Wills.

“Long White Line” – Sturgill Simpson

This particular song draws heavily on Waylon’s influence. And I like it.

“Ramblin’ Man” – Hank Williams

Hank Williams’ voice is one of the most recognizable in music. His songs are timeless and still inspire singers and songwriters alike.

“Thunderstorms and Neon Signs” – Wayne Hancock

You can definitely hear Hank in Wayne Hancock, but his own voice is definitely original, too – as well as his great songwriting.

“Guitars, Cadillacs” – Dwight Yoakam

Dwight Yoakam has influenced many a newcomer. Just as he was obviously influenced by Buck Owens. He came along when Nashville needed reminded of its roots.

“Lost in the City Lights” – Johnny Falstaff

Though not well known as of yet, Johnny Falstaff is picking up Dwight’s hat.

“Blue Kentucky Girl” – Loretta Lynn

The Coal Miner’s Daughter definitely left big shoes to fill, but her sassy songs inspired many women artists.

“Don’t You Ever Give Up On Love” – Brennen Leigh

That inspiration can be traced right to Brennen Leigh.

“Good Hearted Woman” – Waylon Jennings, Willie Nelson

Here’s the quintessential outlaw song by the most famously influential artists, the Red Headed Stranger, Willie Nelson, and Waymore, sometimes called Wautawsha, Waylon Jennings.

“Willie Waylon and Whiskey” – Dale Watson

The last song I’ll put in here’s is mine, because with pride I will state, yes, I am heavily influenced by Willie and Waylon. And sometimes whiskey.


Photo Credit: Jacob Blinkenstaff

BGS 5+5: Zephaniah OHora

Artist: Zephaniah OHora
Hometown: Brooklyn, New York
Latest album: Listening to the Music
Personal nicknames (or rejected band names): Zeph

What was the first moment that you knew you wanted to be a musician?

I must have been 5 or 6 years old the first time I saw a Zildjian cymbal. A drummer named Ed Nicholas who played in the house band on Sundays at the church I grew up in preferred that brand. I was drawn to it because it had a big Z on it. I thought he was just the coolest. He always wore a pressed shirt tucked in and a nice pair of slacks. He had that hip easygoing, cool jazz drummer presence about him, and that’s when I decided that music was it.

What’s your favorite memory from being on stage?

One of the more recent memories on stage is when I performed at Neal Casal’s ‘There’s a Reward’ Memorial show at The Capitol Theatre in Port Chester, N.Y. It’s a stage that so many incredible bands and artists have performed on. Legendary shows that have gone down in history. And it’s a beautiful old theatre. So thinking about all those people who’d been on that stage and singing a tune to honor my friend Neal in front of a packed house was really something else.

What’s the toughest time you ever had writing a song? I’ve had a few tough times.

Some songs just can’t be written down fast enough. And other songs you labor over for weeks or months. In most recent memory is the song “All American Singer” off my new record. It was to me one of the most important songs I’ve written. There’s a couple ways to interpret that tune and it was important to me that it said what I felt needed to be said. Unlike a righteous Twitter post that you often see these days, it’s a recorded song. There’s no way to delete it or alter your ideas. It’s permanent. So it was important to make sure my thoughts were coherent within the song.

Which elements of nature do you spend the most time with and how do those impact your work?

I haven’t been spending a lot of time in nature. Sadly. I live in New York City so nature is scarce. However I am around an incredible amount of architectural history and beauty. There’s so much to see here, and so much you could walk right past and never pay any mind to. And then one day you finally stop to admire something you’ve passed by many times and realize there are so many stories within that building or space. I think that’s also simultaneously an analogy for life. I’m always trying to tap into some collective shared experience in my writing. I think architecture is a reflection or expression of human experiences and history so it directly shapes my work.

If you had to write a mission statement for your career, what would it be?

The mission I’m on is to create those moments in music live or recorded when you get chills or feel as though the narrator in the song is singing about your own life experience. It’s a lofty goal and one that’s pursued by many. That’s part of my greater goal of connecting with people and understanding my own unique experience in this life. And music is a great vehicle for that.


Photo credit: Jammi York

LISTEN: Zephaniah OHora, ‘I Do Believe I’ve Had Enough’

Artist: Zephaniah OHora
Hometown: Manchester, NH
Song: “I Do Believe I’ve Had Enough”
Album: This Highway
Release Date: June 9, 2017
Label: Roundup Records

In Their Words: “I’ve lived in New York City for nearly a decade, and it’s a hell of a town to survive in. At the same time, it’s an amazing place filled with amazing people. But like any place or job, you get to the point where you want to get out of town and go some place easy and quiet with more trees. To quote the late great Merle Haggard, ‘If you don’t love it, leave it.’ Sometimes you get the itch to split town. But New York has community, and that’s why I haven’t left.” — Zephaniah OHora


Photo credit: Meredith Jenks