Jeffrey Foucault Remembers Billy Conway with The Universal Fire

In our episode with Wisconsin-born, New England-based Jeffrey Foucault, we had a handful of questions for the singer-songwriter about his background: coffee, the Midwest, and Mark Twain wisdom. Then, we talked about Billy Conway for more than an hour. Conway was Foucault’s long-time partner in music, his drummer, and best friend who died from cancer in 2021. He was a roots rock and roll legend in Boston with his tenure in Morphine and Treat Her Right. Conway was like a holy man, known for his creative, curious, and infectious spirit where even people who met him only one time (myself included) were quite taken and inspired by his presence. His loss hit the music community hard. In 2023, a tribute album showcasing the songwriting of Conway recorded by some of his closest friends (including Chris Smither, Foucault, Kris Delmhorst, and Billy’s wife Laurie Sargent) was released. And now, with his latest album release, Jeff’s given us a working wake for his friend Billy, The Universal Fire.

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Elsewhere in the episode, we talked about what was going on with Jeff when he met and started working with Billy in 2013. What state of mind made this spectacular friendship and collaboration completely click? Jeff has also been conscious about his reaction to Conway’s death and processing grief, when it comes to being an example for his teenage daughter (who is also getting into folk music and live performance, too – hi, Hazel!)

We also dig into the new album. Jeffrey paralleled the loss of Billy Conway with a different type of loss, the 2008 fire at the Universal Studios lot in California that destroyed master tapes of hugely influential American recordings. And finally, we check in on how Jeffrey’s human-ness is faring in the high-tech world in the year 2024.


Photo Credit: Joe Navas

Amos Lee on Friends, Femininity and Folk Roots

Throughout his music career, singer-songwriter Amos Lee has cultivated a large female fanbase and also owes a lot of his early start to Norah Jones (a female!). He’s about to hit the road co-headlining with folk music and queer icons the Indigo Girls. In our conversation, he talks about the atmosphere he’s going for in concert, and it’s not a very bro-centered vibe. His latest album Transmissions further proves his case with a gorgeous sonic palette that includes country music, indie folk, folk rock and acoustic music sounds. Recorded with his longtime band in a studio in rural Marlboro, New York, the songs came out as warm as the reclaimed church wood it was built out of.

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Amos dives into topics like how he feels about kids, to his work with cancer patients, to the benefits of caring for your mental health and music. He touches on anxiety and overstimulation (a topic mostly prompted by my anxiety!) and overcoming adversity. He also talks about being a mentor for the Black Opry residency at WXPN in his town of Philadelphia, and explains what a Hoagiemouth is. Amaze and delight at the wonderful Amos Lee.


Photo Credit: Anthony Mulcahy

Basic Folk: Maya, Nina, and Lyle de Vitry

Maya, Nina, and Lyle de Vitry’s life, beginning in Lancaster, Pennsylvania, has been music and family, festivals, old-time, songwriting, and folk. The de Vitry siblings (including sister Monica, currently teaching art in Western Mass) grew up amongst music and nature in their rural home and even had a family band called Old-Time Liberation Front. Many jams around the campfire, music lessons, and encouragement from their parents lead all three siblings to careers surrounding indie folk music – and jazz! (Thank you, Nina.)

All three have released albums in the past year: Maya’s new album The Only Moment is her fourth record in only six years of performing solo in her post-Stray Birds career. Lyle just released his debut album, Door Within a Dream, while simultaneously working alongside other banjo makers at the Pisgah Banjo Company, his current day job. Nina’s excellent debut, What You Feel is Real, came out last year, but she’s been busy lately playing on the Noah Kahan tour as “the utility player.” Nina’s singing harmonies and playing fiddle, mandolin, banjo, guitar, and 12-string guitar while finding creative inspiration from the energy of the crowds and her new found musician siblings in Kahan’s band.

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In our special Basic Folk conversation with the de Vitry sibs, we talk about how they feel about each other’s creative processes, songwriter practices, and musical inspirations. They get into how being at all these music festivals and jams as kids bonded them together and we learn about made-up words that their family uses to this day – stay tuned to find out what a “butchabee” and a “taffy bub” is.

Elsewhere in the episode, they each talk about how disconnected they feel from the mainstream – Nina had never heard of Noah Kahan’s music until she was asked to audition for his band. Also, Lyle gets into how being around three sisters, female musicians, and female songwriters has impacted him and his musicality.

Don’t miss a very special de Vitry “Which One” lightning round wrapping up one of the most special singer-songwriter interviews we’ve done on Basic Folk.


Photo Credit: Chase Denton

Basic Folk: Denitia

Sometimes it strikes me just how much power can emanate from a creative mind. Speaking with Denitia was one of those times. When the indie music artist comes across an unfamiliar musical concept, she goes “sponge mode” until she understands it. Then she seamlessly integrates it into her artistic vocabulary. This relentless curiosity and sense of play can be heard across Denitia’s catalog, from her early work as half of the New York indie R&B duo denitia and sene to her breakthrough 2022 country album, Highways. Her fluency across multiple genres gives her a refreshing approach to record-making, sound, and fashion alike (from her New York streetwear days to thrifting vintage clothes in Nashville).

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Since moving to Nashville and pivoting from R&B to indie country, Denitia has been grabbing audiences’ attention with her gorgeous voice and catchy-as-hell, cool girl indie songwriting. Denitia was selected for the CMT Next Women of Country Class of 2024, and her forthcoming album, Sunset Drive (out September 6), delivers on the hype. Denitia and her longtime songwriting partner, Brad Allen Williams, have painted classic country landscapes against which tales of escape from the ordinary are told with longing and warmth. The new record is something of a full-circle moment for the Texas-born artist and a showcase for her prodigious talents as a vocalist.

Basic Folk co-host Lizzie No leads the conversation in our interview with Denitia, where she offers music industry insights, vocal warm-up techniques, and music marketing strategies.


Photo Credit: Chase Denton

Basic Folk: Anna Tivel & Jeffrey Martin

Anna Tivel and Jeffrey Martin have both released new albums in the past year that have knocked us right over. Living Thing is the most recent Anna Tivel record and Thank God We Left the Garden is the latest from Jeffrey Martin. Of all the singer-songwriter interviews and musician conversations we’ve done over the course of the pod, these two kooks have been a popular pair on this Basic Folk podcast. Their inspiration, musician life stories, and music career development have been fascinating journeys, Jeffrey being a former high school teacher and Anna spending her formative years intensely playing the fiddle before moving to Portland, Oregon at the age of 18.

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In our conversation, the pair speak to several hot topics like, “Do you write about your neighbors,” “How’s your physical body at processing stress,” and “What is the point of your newsletter?” We dig right into it in true folk music podcast fashion, and these two are not holding back. If you are looking for some top notch advice, music collaboration ideas, and the latest in folk music trends – it remains to be seen whether you will find that here. What you will find are two very deep and thoughtful musicians sharing what goes on in their lives and hearts and in their designated work spaces. Spoiler alert: Anna’s office has five massive papier mâché eyeballs.


Photo Credit: Anna Tively by Cody Onthank; Jeffrey Martin by Jeffrey Martin

Basic Folk: Matt the Electrician

The world of Austin’s Matt the Electrician, AKA Matt Sever, is quirky and sincere. Sever is known for his work ethic and vibrant presence in the Austin, Texas music scene. Before music was full-time for him, Matt worked as an actual electrician in between folk music gigs and open mics. He found people were drawn to his skills in the trade, so he decided to make it part of his musical moniker. After self-releasing eleven studio albums and a couple of live sets, the name remains – even though he has not been a professional electrician for a long time.

In this episode of Basic Folk, Matt discusses his new album release, The Ocean Knocked Me Down, and shares insights into his songwriting process and the unique creative writing techniques that keep his music fresh. We learn about his experiences with the independent music community, performing live, and the joys of music discovery in the ’90s through alternative music magazines like Puncture Magazine.

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Matt also opens up about the evolving landscape of music marketing strategies, reflecting on his journey from traditional methods to the more creative approach he employs today. For instance, Matt’s been conducting fake interviews on his social media between himself and Spotify, Facebook, and Rolling Stone that are hilarious. Also he reminisces about the excitement of finding new music back in the day and talks about his favorite snacks – like carnitas tacos and the benefits of black coffee – that clearly fuel his creativity.


Photo Credit: Erica Nix

Basic Folk: John Smith

Originally from Devon, English singer-songwriter John Smith got his start playing bars and clubs in Liverpool, both with his own songs and as a side player for artists like Lianne La Havas, Lisa Hannigan, and David Gray. Growing up with folk music and guitar music influences from Eric Clapton to Maria Callas to Nick Drake, John’s sensitivity as a player is one of the cornerstones of his music, especially when it comes to his live music. It’s earned him a passionate fanbase ever since his first EP release in 2009.

Host Lizzie No got to witness the connection he shares with audiences on a recent month-long tour around the UK. Everywhere they went together, audience members had stories of how important John’s songs were to them and guitar nerds flocked to have a look at his pedal board.

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Beyond his musicianship, John’s music is imbued with an earnestness that invites listeners to look around and feel gratitude: for nature (especially the vistas of rural England), for the wisdom that memory can provide, and for the people close to us. His latest album, The Living Kind, is a meditation on how delicate love and life can be, but also how enduring. It also showcases the creative partnership between Smith and his longtime friend and roots music industry icon, Joe Henry. One of the album’s highlights is “Milestones,” in which John reflects on how parenthood has changed his perspective on the artist’s life.


Photo Credit: Phil Fisk

Basic Folk: Peggy Seeger in Conversation with Dawn Landes

(Editor’s note: For this episode, we invited our friend Dawn Landes to interview Peggy Seeger, the perfect choice to interview this feminist folk icon. Landes also recently joined us on a special episode with Aoife O’Donovan to discuss their new feminist-themed albums. We’re thrilled to welcome Dawn back as guest host!)

I can’t believe it took me 40 years to come across Peggy Seeger’s music. I’m a little mad about this honestly, and have been trying to make up for lost time by diving deep into her songs and her story. I’ve been a fan of her older brother, Pete Seeger, since I was a kid, but didn’t realize the depth of talent and reach in the Seeger family. They are truly folk royalty! Peggy Seeger is the daughter of a celebrated modernist composer and a musicologist who grew up with people like Alan Lomax and Elizabeth Cotten hanging out in her family home. At 89 years old, she’s released 24 solo recordings and been a part of over 100 more. She’s built her career on wit, incredible musicianship, and unflappable activism.

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On this episode of Basic Folk, I am honored to talk with Seeger about her beginnings in feminism, her decades-long partnership with Scottish singer Ewan MacColl, the creation of the BBC Radio Ballads, the importance of hope, and her dream tattoos! She even sang us a song from memory that I doubt she had sung in many years. Peggy is a repository of traditional songs and continues to tour and play music with her family, as she’s done throughout her whole life. Although she claims that she doesn’t write anthems, Seeger’s songs have become synonymous with women’s rights and environmental activism. Coming from a woman who once sang her defense in a courtroom, we should all take Peggy’s advice: “Something wrong? Make a song!” – Dawn Landes


Photo Credit: Laura Page

Basic Folk: Ana Egge

Folk singer Ana Egge’s 13th album, Sharing in the Spirit, came out of the musician one song at a time. She didn’t even think about moving onto a new song before the writing and production of each song was complete. Working with her friend and collaborator Lorenzo Wolff, the songwriting process and music arrangement plan was to just work on a handful of songs. Their creative partnership manifested an entire record’s worth of indie folk, acoustic, and new folk music. The record includes eight originals and two covers: one by Biloxi songwriter Ted Hawkins and one by Irish musician Sinead O’Connor.

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Ana gives a huge songwriting credit to her dreams, which started getting more and more intense when she began her sobriety journey four years ago. Since then, she’s recorded her dreams, especially those with music segments and full songs, on her voice memos app. We go through the new album track by track, addressing themes in the songs like not sleeping through the revolution, the importance of telling the truth, feelings on mortality and how we’re gonna feel when Bob Dylan dies. Also: Ana was the VERY first guest on Basic Folk! I can’t go back and listen to myself four years ago, but I encourage you to check it out and then dive into her great new album.


Photo Credit: Lorenzo Wolff

Basic Folk: Chris Smither & Peter Mulvey

Chris Smither has been Peter Mulvey’s mentor since back in 1993, when a young Mulvey opened for the already seasoned Smither. The blues and folk legend liked what he heard and enjoyed their similarities in creativity and quirks; he took that young man on the road with him. Their musical partnership has survived the digital age, the pandemic, parenthood, and the indictment of a former president. Along the way each has worked to influence their best habits and life lessons on the other. As far as mentor-mentee relationships go, this one is for the history books.

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In this rare joint interview on Basic Folk, we address the important questions: Why do they delight in calling each other by their last names? Smither shares that he was first called by his last name in Paris when he was in school. The two debate who has the better hometown, Milwaukee or New Orleans. Actually, it’s not so much a debate as a reflection on New Orleans music, since that is clearly the better spot to grow up as a musician.

Mulvey reflects on their musical differences, citing some of his main inspirations to be Kendrick Lamar and Ani DiFranco, versus Smither’s affinity for Joni Mitchell and Bob Dylan. There are nods to David “Goody” Goodrich, Jeffrey Foucault, Kris Delmhorst and the woman behind it all, Carol Young (AKA Smither’s long-time manager, AKA his wife). We break down how each feels about fatherhood and try to get Smither to spill his secret to longevity. Spoiler alert: It’s not from remaining still.

Smither’s 20th album, All About the Bones, is out now. Peter Mulvey’s latest is the acoustic retrospective, More Notes From Elsewhere.


Photo Credit: Chris Smither by Jo Chattman; Peter Mulvey by Paul Reitano.