Billy Strings Brings “Love and Regret” to Life in an Entrancing New Video

Billy Strings’ video for “Love and Regret” is an entrancing narrative that mirrors the song’s story. Directed by Nick Ray McCann, the video opens with shots of a healthy, loving relationship, but as the story progresses, the relationship withers and the protagonist is left to watch his former lover be courted by another (a character played by Billy Strings himself). Jealousy and spite push the main character to lash out recklessly as the song’s chorus rings out over images of the protagonist realizing his foolishness and coping with his shame.

Songwriting and storytelling are just two of Billy Strings’ many talents, but with this new music video, his artistic scope has broadened. About the project, Strings told CMT.com, “I felt like we did a pretty good job at creating a visual representation of the song. Shout out to the director and actors and such. Everyone coming together to help bring this to life really meant a lot to me. I appreciate everything everyone does to help spread the word about our music.”

Billy Strings’ latest record, Renewal, has earned him a Grammy nomination in the category of Best Bluegrass Album, while “Love and Regret” will compete for Best American Roots Performance. The reigning IBMA Entertainer of the Year has also confirmed an extended slew of tour dates that will keep him busy into the summer.


Photo Credit: Jesse Faatz

BGS Top 50 Moments: BGS On Deck – Our First Music Cruise

It’s been over nine years since we first boarded the Norwegian Pearl to set sail with some musical friends. Back in 2013, BGS joined the team at Sixthman as well as host band, the Steep Canyon Rangers, on the first Mountain Song at Sea cruise, sailing from Miami to the Bahamas alongside the Punch Brothers, David Grisman, the Del McCoury Band, Tim O’Brien, Della Mae, Bryan Sutton, and Peter Rowan.

You can get a glimpse of the riotous fun that was had onboard that first cruise here.

This month, BGS returns to the high seas on board Sixthman’s Cayamo cruise. While onboard, we’ll be hosting the Party of the Deck-Ade, our kickoff birthday event celebrating ten years of BGS. The jam will be hosted by Sierra Hull and Madison Cunningham, and backed by our house musicians Hogslop String Band.

Get your sunscreen ready, and we hope to see some of you in Miami very soon!

Artist of the Month: The Infamous Stringdusters

The Infamous Stringdusters continue their career ascent with Toward the Fray, a new album that comes on the heels of a Grammy nomination for a Bill Monroe tribute EP and hosting duties at the IBMA Bluegrass Music Awards. Their first new album in three years, Toward the Fray captures the live energy of the band, though all five guys put an emphasis on the lyrics, too. Upon announcing the project, band member Andy Hall stated, “Sometimes the times call for some serious reflection, and these songs really hit home. Get ready to go deep with us!”

As the Bluegrass Situation’s Artist of the Month for March, the ‘Dusters paired off for upcoming interviews, with longtime sound engineer Drew Becker joining the fray. Look for the award-winning band in Colorado later this month before the ensemble travels the West Coast. Then it’s back to Colorado for a stop at Red Rocks Amphitheater just before Memorial Day — another reason to look forward to summer.

Although the world has seen its share of upheaval over the last few years, which is certainly reflected in Toward the Fray, the band lineup has remained consistent: Travis Book on bass, Andy Falco on guitar, Jeremy Garrett on fiddle, Andy Hall on Dobro, and Chris Pandolfi on banjo (and he’s also the only member who doesn’t take a lead vocal). The band released the album on their own label, Americana Vibes.

In our 2019 interview, Book stated, “Our band can be challenging to listen to because it’s not one-dimensional. You’ve got four guys that sing, and every song sounds a little different, and certainly the way I approach every song is as though it’s its own universe. The people who are into our band, they’re ready to go wherever. If you’re into one singer or one style, you’re not going to get very much of that when you come to our show.”

That’s still the case with Toward the Fray, as the band members shuffle the songwriting credits among them, including the exceptional instrumentals. It’s a project that should easily sustain the band throughout the festival season. Keep an eye out for our BGS Artist of the Month interviews in the coming weeks, and meanwhile, enjoy our Essentials playlist.


Photo Credit: Jay Strausser Visuals

LISTEN: Bob Minner, “Ginseng Sullivan” (Featuring Ron Block)

Artist: Bob Minner
Hometown: DeSoto, Missouri
Song: “Ginseng Sullivan” (Featuring Ron Block)
Album: From Sulphur Springs to Rising Fawn
Release Date: March 11, 2022
Label: Engelhardt Music Group

In Their Words: “As musicians, we’re instinctively drawn to songs and the people who write them. That’s been my musical life with Norman Blake. His classic ‘Ginseng Sullivan’ is a true gem in both Blake’s legacy and the bluegrass, Americana, and folk genres. Recording this fresh interpretation with my old friend Ron Block was such a great experience. And the friendship with Norman and Nancy that has stemmed from this project is truly one of the most cherished experiences in my life. I hope you all enjoy what we’ve done.” — Bob Minner


Photo Credit: Ginger Minner

WATCH: Big Richard, “Try Me One More Time” (John Hartford Cover)

Artist: Big Richard
Hometown: the Front Range in Colorado
Song: “Try Me One More Time”

In Their Words: “‘Try Me One More Time’ is a song by the legendary John Hartford, one that I learned at a young age from my mother. One of the only existing recordings of him playing it is an old YouTube video posted in 2014 but recorded much earlier because the man died in 2001. The video consists of him playing fiddle, singing, and clogging along with not one, but TWO upright bass players, which in many situations would be sinful, but when it’s Gene Libbea, Roy Huskey Jr., and John Hartford trying to make a silly point, it’s anything but. I grew up playing upright bass and met Gene back when I was a youngster — he and my mom were pals. He told me to be mindful of the length of my quarter notes and I never forgot it. I tend to lean into the swingy side of bluegrass when I’m picking songs to lead, and this one is the perfect mix of that and a whole boatload of fun to have with my friends in Big Richard.” — Emma Rose, Big Richard


Photo Credit: Natalie Jo Gray

WATCH: Yonder Mountain String Band, “Into the Fire”

Artist: Yonder Mountain String Band
Hometown: Nederland, Colorado
Song: “The Fire”
Album: Get Yourself Outside
Release Date: February 25, 2022
Label: Frog Pad Records

In Their Words: “It started as do most of my ideas; a melody with only one specific lyric in mind. This song actually marked my very first collaborative effort as Adam, Ben, and Dave all weighed in on the lyrics as they took shape. I think if I have a favorite line it would be, ‘I’m a boy with a song, it’s barely a sound.’ I love this song’s energy on stage. The audience’s response makes me think that it comes across the way I had hoped!” –Nick Piccininni, Yonder Mountain String Band


Photo Credit: Jake Cudek

LISTEN: Breaking Grass, “Money Can’t Buy You”

Artist: Breaking Grass
Hometown: Boonville, Mississippi
Song: “Money Can’t Buy You”
Album: Somewhere Beyond
Release Date: February 22, 2022
Label: Mountain Fever Records

In Their Words: “Your first kiss… those special times spent at Grandma’s… seeing your father coming up from the baptism waters… ‘Money Can’t Buy You’ is all about the things in life you can’t put a price tag on. It’s one you’ll want to sing along to and reminds you that the best things in life can’t be ordered online. We recorded this with our friends at Mountain Fever Records in Willis, Virginia. We’re proud of it and hope you’ll add it to your collection.” — Cody Farrar, Breaking Grass


Photo Credit: Amanda Holt Photography

LISTEN: Mike Compton, “Orange Blossom Breakdown” (Bill Monroe Tribute)

Artist: Mike Compton
Hometown: Meridian, Mississippi (same as Jimmie Rodgers)
Song: “Orange Blossom Breakdown”
Album: Rare & Fine: Uncommon Tunes of Bill Monroe
Release Date: March 5, 2022
Label: Taterbug Records

In Their Words: “In the late ’70s I was living in Nashville and really began to build up a collection of obscure Bill Monroe music. I had a bunch of cassette tapes full of tunes shared from like-minded enthusiasts I met on the music scene. By the time the internet came around in the 1990s, it was staggering the amount of Monroe music that was out there: rehearsal tapes, festival performances, jam sessions. My Monroe source material had accelerated into an incredible collection. After he passed in 1996, I knew I needed to put out this project at some point. ‘Orange Blossom Breakdown’ came from a tape an old friend from New England sent me. It sounded like a home recording off the radio. It was Bill Monroe on the Opry in the 1940s. The quality is poor. The signal is cutting in and out. I was drawn to it because I had never heard it before. I don’t think hardly anyone has. It’s a very unusual arrangement for Monroe, and I’ve never heard him do anything quite like it. I had to listen to it a few times to piece together the song because the recording was just fits and starts, but it was enough where I could get it. Never heard it again anywhere since.” — Mike Compton


Photo Credit: John Partipilo

BGS 5+5: The Pine Hearts

Artist: The Pine Hearts
Hometown: Olympia, Washington
Latest Album: Lost Love Songs
Personal nicknames (or rejected band names): Bruce Springsteen of Bluegrass

Answers from Joey Capoccia

Which artist has influenced you the most, and how?

This is a tough one because about every six months I find someone new that I dive headfirst into. I love that feeling of discovering someone new and having their music brighten your day. Seeing them immediately influence your songwriting… it’s the best! Sometimes you are so inspired by a new song you hear, you start to learn it, and it winds up sending you down a path to write your own song. Possibly one of the best parts of music is how one song leads to another.

But, if I had to choose… I’d say Stuart Murdoch from Belle and Sebastian. That’s the biggest shift I’ve ever felt musically/songwriting. I can remember going through my friends’ music collections, absolutely devouring every bit of them I could find. It’s basically a marker in my life… pre- and post-Belle and Sebastian. At the height of my love for them, they came to The Capital Theater in Olympia. It was one of those magical moments where the band you’re in love with is suddenly playing in your town… I’ll never forget it!

What’s your favorite memory from being on stage?

This was fairly recently actually. September 2021 at Treefort Music Festival in Boise. The whole summer was pretty good, we had a bunch of really fun shows, with great audiences and hosts, but at Treefort, we had a full house of folks who really seemed into the whole vibe, and the entire environment of the festival was great! It was our last show in a string of gigs, which means we were warmed up, playing tight, and grooving off each other. That, mixed with the crowd, was a perfect combo! Plus we got to watch a bunch of our friends play, make new connections, and also just enjoy the city. My brother who is an architect out of Portland has a building project going on around the corner from where we played, so I got to check that out as well. Really great stuff!

What other art forms inform your music?

When I’m not playing music, I’m usually doing carpentry. I absolutely love working with wood. It’s not a perfect product. It has imperfections and abnormalities, and you have to learn to accept those. If the board is gonna crack, or splinter when you pound a nail through it, the best you can do is be prepared for that, and mitigate it the best you can. Maybe that prepares you for the flat tire you get on the way to the gig that you’re already late for?

Carpentry also helps when you don’t have the money for a setup job on your upright bass. I’ve definitely sanded down the fingerboard in my kitchen with decent results. Or glued the top of my guitar back together after it cracked from high altitude in a dry Montana winter. Another element of carpentry, when it comes to songwriting, are the people you meet on a job site… plumbers, electricians, equipment operators. Great working folks. People that I really identify with. To say it’s important to have connections like that in my life is an understatement. It’s the reason music/art exists…labor by day, art in the evening.

What rituals do you have, either in the studio, or before a show?

Rituals are very important to me, maybe most important. For instance, especially in songwriting, I can dabble here and there, and slowly turn out songs. But if I really want to get things done and finish up a batch of tunes, then I need to set times and days, and keep it consistent. 2 p.m. That’s what works for me. If I spend a few hours starting at 2 p.m. every day, by the fifth day the songs will be flowing.

Before a show, I usually go on a walk. There’s a lot of down time between arriving and playing. I find a casual stroll through the neighborhood is incredibly relaxing and keeps me from having too many beers before downbeat. For this last recording, I made running in the morning my ritual. I do often run, but not in the morning. We were in the tiny town of Enterprise, Oregon, so every morning, I’d wake up and run past farming equipment… down dirt roads… it wasn’t bad once I got going. But usually the last thing I want to do upon getting out of bed is start running down the road.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Well, my favorite food is pizza, so maybe Bruce and I will get a slice someday? It’s a great question though, because I find that one of the hardest parts about touring is finding the food you need that works for you. It’s basically disappointing gas station food most of the time. So when you play a venue that cares about food, and is excited about the music, amazing things happen! The Pine Hearts are all about good food. If we have a place for a night on tour, you know we’ll be cooking up a storm. Each of us has our own specialty, but we tend to combine it for some amazing dinners!


Photo credit: Jemual Gardner

LISTEN: Benson, “Conway”

Artist: Benson (Kristin Scott Benson and Wayne Benson)
Hometown: Boiling Springs, South Carolina
Song: “Conway”
Release Date: February 18, 2022
Label: Mountain Home Music Company

In Their Words: Kristin: After 20 plus years of marriage, we’re finally getting around to recording some music together.

Wayne: Yep. I’ve played on Kristin’s solo projects and we’ve both played as session players on a lot of the same projects for other artists, but this is the first collaboration between us.

Kristin: One thing I love about doing this is that we get to record some of Wayne’s instrumentals. On my banjo records, I only recorded tunes I wrote that featured banjo, but I always hear what he’s writing and wish they were mine. (laughs)

Wayne: This is exciting for me because none of my original instrumental music has been recorded in a long while. I had the Instrumental Anthology album that was all-original and was largely compiled from the Bluegrass ’90s series. We added a few to make an entire record. I’ve recorded a few originals with Russell (of Russell Moore & IIIrd Tyme Out), but I’ve had a lot of songs just sitting there.

Kristin: And “Conway” is one of those! I like the groove on this one and I think that’s why the folks at Mountain Home liked it. It’s got a simple melody that anybody can hum, but then on the B part, it really grooves with electric bass.

Wayne: That’s mainly why I demoed it. I’m a closet electric bass player and it was a chance for me to have fun doing that. Paul Watson really did a great job and Tony Creasman added some nice, tasteful percussion.


Photo Credit: Sandlin Gaither