Carolina Calling, Greensboro: the Crossroads of Carolina

Known as the Gate City, Greensboro, North Carolina is a transitional town: hub of the Piedmont between the mountain high country to the west and coastal Sandhill Plains to the east, and a city defined by the people who have come, gone, and passed through over the years. As a crossroads location, it has long been a way station for many endeavors, including touring musicians – from the likes of the Rolling Stones and Jimi Hendrix at the Greensboro Coliseum, the state’s largest indoor arena, to James Brown and Otis Redding at clubs like the El Rocco on the Chitlin’ Circuit. Throw in the country and string band influences from the textile mill towns in the area, and the regional style of the Piedmont blues, and you’ve got yourself quite the musical melting pot.

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This historical mixture was not lost on one of Greensboro’s own, Rhiannon Giddens – one of modern day Americana’s ultimate crossover artists. A child of black and white parents, she grew up in the area hearing folk and country music, participating in music programs in local public schools, and eventually going on to study opera at Oberlin Conservatory in Ohio. Once she returned to North Carolina and came under the study of fiddler Joe Thompson and the Black string band tradition, she began playing folk music and forged an artistic identity steeped in classical as well as vernacular music. In this episode of Carolina Calling, we spoke with Giddens about her background in Greensboro and how growing up mixed and immersed in various cultures, in a city so informed by its history of segregation and status as a key civil rights battleground, informed her artistic interests and endeavors, musical styles, and her mission in the music industry.

Subscribe to Carolina Calling on any and all podcast platforms to follow along as we journey across the Old North State, visiting towns like Durham, Wilmington, Shelby, and more.


Music featured in this episode:

Rhiannon Giddens – “Black is the Color”
Andrew Marlin – “Erie Fiddler”
Carolina Chocolate Drops – “Cornbread and Butterbeans”
The Rolling Stones – “Rocks Off”
Count Basie and His Orchestra – “Honeysuckle Rose”
Roy Harvey – “Blue Eyes”
Blind Boy Fuller – “Step It Up and Go”
Rhiannon Giddens, Francesco Turrisi – “Avalon”
Carolina Chocolate Drops – “Snowden’s Jig (Genuine Negro Jig)”
Barbara Lewis -“Hello Stranger”
The O’Kaysions – “Girl Watcher”
Joe and Odell Thompson – “Donna Got a Rambling Mind”
Carolina Chocolate Drops – “Country Girl”
Carolina Chocolate Drops – “Hit ‘Em Up Style”
Our Native Daughters – “Moon Meets the Sun”
Rhiannon Giddens, Francesco Turrisi – “Si Dolce é’l Tormento”


BGS is proud to produce Carolina Calling in partnership with Come Hear NC, a campaign from the North Carolina Department of Natural & Cultural Resources designed to celebrate North Carolinians’ contribution to the canon of American music.

Photo Credit: Ebru Yildiz

Enter to win a prize bundle featuring a signed copy of author and Carolina Calling host David Menconi’s ‘Step It Up and Go: The Story of North Carolina Music,’ BGS Merch, and surprises from our friends at Come Hear North Carolina.

Carolina Calling, Asheville: A Retreat for the Creative Spirit

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Asheville, North Carolina’s history as a music center goes back to the 1920s and string-band troubadours like Lesley Riddle and Bascom Lamar Lunsford, and country-music pioneer Jimmie Rodgers. But there’s always been a lot more to this town than acoustic music and scenic mountain views. From the experimental Black Mountain College that drew a range of minds as diverse as German artist Josef Albers, composer John Cage, and Albert Einstein, Asheville was also the spiritual home for electronic-music pioneer Bob Moog, who invented the Moog synthesizer first popularized by experimental bands like Kraftwerk to giant disco hits like Donna Summer’s “I Feel Love.”

It’s also a town where busking culture ensures that music flows from every street corner, and it’s the adopted hometown of many modern musicians in a multitude of genres, including Pokey LaFarge, who spent his early career busking in Asheville, and Moses Sumney, a musician who’s sonic palette is so broad, it’s all but unclassifiable.

In this premiere episode of Carolina Calling, we wonder and explore what elements of this place of creative retreat have drawn individualist artists for over a century? Perhaps it’s the fact that whatever your style, Asheville is a place that allows creativity to grow and thrive.

Subscribe to Carolina Calling on any and all podcast platforms to follow along as we journey across the Old North State, visiting towns like Shelby, Greensboro, Durham, Wilmington, and more.


Music featured in this episode:

Bascom Lamar Lunsford – “Dry Bones”

Jimmie Rodgers – “My Carolina Sunshine Girl”

Kraftwerk – “Autobahn”

Donna Summer – “I Feel Love”

Pokey LaFarge – “End Of My Rope”

Moses Sumney – “Virile”

Andrew Marlin – “Erie Fiddler (Carolina Calling Theme)”

Moses Sumney – “Me In 20 Years”

Steep Canyon Rangers – “Honey on My Tongue”

Béla Bartók – “Romanian Folk Dances”

New Order – “Blue Monday”

Quindar – “Twin-Pole Sunshade for Rusty Schweickart”

Pokey LaFarge – “Fine To Me”

Bobby Hicks Feat. Del McCoury – “We’re Steppin’ Out”

Squirrel Nut Zippers – “Put A Lid On It”

Jimmie Rodgers – “Daddy and Home”

Lesley Riddle – “John Henry”

Steep Canyon Rangers – “Graveyard Fields”


BGS is proud to produce Carolina Calling in partnership with Come Hear NC, a campaign from the North Carolina Department of Natural & Cultural Resources designed to celebrate North Carolinians’ contribution to the canon of American music.

BGS & Come Hear NC Explore the Musical History of North Carolina in New Podcast ‘Carolina Calling’

The Bluegrass Situation is excited to announce a partnership with Come Hear North Carolina, and the latest addition to the BGS Podcast Network, in Carolina Calling: a podcast exploring the history of North Carolina through its music and the musicians who made it. The state’s rich musical history has influenced the musical styles of the U.S. and beyond, and Carolina Calling aims to connect the roots of these progressions and uncover the spark in these artistic communities. From Asheville to Wilmington, we’ll be diving into the cities and regions that have cultivated decades of talent as diverse as Blind Boy Fuller to the Steep Canyon Rangers, from Robert Moog to James Taylor and Rhiannon Giddens.

The series’ first episode, focusing on the creative spirit of retreat in Asheville, premieres Monday, January 31 and features the likes of Pokey LaFarge, Woody Platt of the Steep Canyon Rangers, Gar Ragland of Citizen Vinyl, and more. Subscribe to the show wherever you listen to podcasts, and be on the lookout for brand new episodes coming soon.

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