Cindy Howes Archives - The Bluegrass Situation

Posts Tagged ‘Cindy Howes’

Basic Folk: Susan Werner

The dynamic songwriter and multi-instrumentalist Susan Werner spoke to Basic Folk onboard the Cayamo cruise, which she describes as a “paid vacation.” Reflecting on her upbringing on a working farm, Susan discusses the hard work that shaped her, but also how she’s learning to embrace rest and relaxation. With humor and insight, she navigates the balance between a hardworking mindset and the need for downtime, revealing her strategies for managing stress and expectations in both life and music.

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Susan’s latest album, Halfway to Houston, is a continuation of her exploration of a place through its music. Previous releases found her examining New Orleans and Florida. In this particular case, she is focusing on the state of Texas, including the interconnectedness of communities across borders; the song “Sisters” is about twin sister cities El Paso, Texas, and Juárez, Mexico. As a seasoned artist, Susan dives into the importance of consistency and authenticity in her craft, emphasizing that hard work alone doesn’t guarantee success – it’s about being consistently excellent. She also touches on the political landscape and how her songs aim to foster empathy and understanding, even in divided times.

Photo Credit: Lead image by Bryan Lasky, alternate image by Will Byington.

Basic Folk: Jon Muq

Originally from the village of Mutungo, Uganda (near the country’s capital of Kampala), Jon Muq‘s journey to his current life of touring with an Austin, Texas, home base has been unconventional. Onboard the Cayamo cruise earlier this year, we talked to Jon about his childhood experiences, including fetching water with friends and hearing “We Are the World,” which was the first Western music he ever experienced. He also recounts the emotional reunion with his twin sister at the Cambridge Folk Festival, revealing how distance from his family has shaped his identity as an artist. He had not seen her, his friends, or any family before that for many years due to leaving originally to work on a cruise ship (the same line we were cruising on!) and work visa realities.

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Jon discusses the moment he first held a guitar at age 19, which felt like a natural fit. He shares how traditional Ugandan music influences his sound and how he began learning English through song before mastering the language. Jon speaks about his experience with food; growing up, his family was food insecure. When he started performing on cruise ships, he was overwhelmed by the amount of food available. He explained the ever-present googly-eyes on his guitar, which tie into learning about distinct cultural differences between America and Uganda. Like many countries, it is normal in Uganda for male friends to hold hands. This and many cultural differences were learned the hard way for Jon, so the eyes on the guitar symbolize an always smiling friend that will be there for him. He wraps up this episode of Basic Folk with a great lightning round giving us the inside scoop on the best food aboard Cayamo, his dream collaboration and, in his opinion as an industrial design student, what’s the most beautiful product in the world.

Photo Credit: Will Byington

Basic Folk: Ani DiFranco & Carsie Blanton

Basic Folk is making trouble at sea with Ani DiFranco and Carsie Blanton! Hosts Lizzie and Cindy had the opportunity to speak with the two like-minded radical songwriters aboard the 2025 edition of Cayamo, a roots music cruise. Our conversation kicks off with Ani sharing her transformative experience performing as Persephone in the Broadway show Hadestown, delving into the challenges of acting and the lessons learned from stepping outside her musical comfort zone. We navigate through Ani’s journey of independence, discussing Unprecedented Sh!t, her first album with a producer besides herself in 23 years – BJ Burton – and what it means to relinquish control in the creative process.

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In Ani’s memoir, No Walls and the Recurring Dream, she writes about how her creativity is aligned with her menstrual cycle. She described the most creative part of her cycle as “THE WINDOW.” Cindy asked all three artists onstage to reflect on how their creativity relates to their periods. What resulted was a discussion on how creativity is impacted by not only menstrual cycles, but menopause and ovulation and how that has evolved over time. The conversation also touches on the significance of hair as a form of self-expression and how societal perceptions of women change with their appearances.

Ani and Carsie speak to the power of songwriting in addressing historical and political issues, emphasizing the importance of music as part of a larger movement for justice. They share insights on the necessity of community and collaboration among artists in a challenging industry, encouraging listeners to find strength in solidarity rather than competition. To wrap up, they reminisce about their parallel wild, youthful experiences and how those versions of themselves continue to influence their art today. As Ani had to leave the stage early, Carsie brought it home with an Ani DiFranco-themed lightning round.

Photo Credit: Brian Lasky

Basic Folk: Sam Moss

Although the ever-enigmatic Sam Moss is not a great swimmer, he named his latest album Swimming. The folk singer with a gentle demeanor is back with thoughtful songs and captivating melodies. Hailing from New England, Sam has carved out a unique niche in the folk world, blending naturalistic themes with an introspective approach to songwriting. We explore how his New England roots continue to influence his music – despite his current residence being Virginia – and how his upbringing in a family of visual artists has shaped his artistic sensibilities.

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Sam also talks about how movement and the natural world inspire his songwriting, if not with more oblique lyrics. We dig into his latest album Swimming, where he boldly embraces more direct lyrical expressions; we discuss the balance between mood and narrative in his work, too. Our Basic Folk conversation touches on his journey from a shy young musician to a confident performer, as well, thanks in part to the encouragement of close friends like Jackson Emmer. He counts Emmer, who he played with in old-time duo The Howling Kettles, as one of his greatest inspirations for following his own creative arrow in music.

Elsewhere in the episode, we explore Sam’s passion for woodworking, a skill he honed as a respite from musical burnout. He describes the satisfaction of crafting tangible objects and how this practice complements his musical endeavors. We also really dive into his feelings around the word “gentle,” which is often used to describe his music and persona. He doesn’t actually mind being known as a gentle person– in fact, he hopes people do find his music soft and tender and, in that gentleness, that they still leave feeling his songs’ striking impact.

Photo Credit: Lead image by Jake Xerxes Fussell; alternate image by Alaina Shefelton.

Basic Folk: Anna B Savage

Anna B Savage is down-to-earth and witchy as hell at the same time. Over her three albums, she’s cultivated a mesmerizing sound and epic image – like David Bowie, Björk, Kate Bush, etc. – that’s gained her a godlike reputation. A reputation which preceded the actual human being behind the art, leaving some to wonder what it would be like to speak to her. Turns out, she’s a grounded, kind of goofy, and perfectly normal person. In our Basic Folk conversation, we explore the duality of her persona – Anna Savage versus her stage name of Anna B Savage – and how her new album, You & i are Earth, reflects a blending of these identities with a focus on nature and love.

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In this episode, Anna reflects on the realization of her parents’ unusual musical paths (they are both opera singers) and how it influenced her own creative pursuits. We delve into her songwriting journey, her love for birds, and the evolution of her unique singing voice, which blends classical influences with a jazz singer’s sensibility. Anna also opens up about her stage fright and the progression of her confidence as a performer. She touches on the complexities of being an English person living in Ireland and the importance of understanding the historical context of her new home.

As we navigate the themes of You & i are Earth, Anna reveals the inspiration behind the track “Agnes” and the mysterious allure of the 17th-century plate that inspired the album’s title. With a lighthearted lightning round, we learn about her favorite birthday tea, her ideal stage outfit, and her witchiest recent activity, too.

Photo Credit: Katie Silvester

Basic Folk: Carolyn Kendrick

Carolyn Kendrick’s latest project explores complex themes of moral panic, tradition, and the figure of the devil (AKA Satan, AKA Lucifer). The LA-based songwriter opens up about the inspiration behind her album, Each Machine, which is accompanied by a thought-provoking zine. In our Basic Folk conversation, she discusses the significance of the color red in her work, symbolizing themes of anger, danger, and familial ties, and how it contrasts with the black and white imagery used throughout the project.

Carolyn also shares her unexpected journey into researching the devil, sparked by a podcast project that ended up overtaking her life, leading her to interview the leader of the Satanic Temple, among many others. This deep dive into the topic became a way for her to process the overwhelming political and cultural landscape. She candidly discusses the challenges of maintaining balance while being consumed by such a heavy subject matter (spoiler alert: she did not maintain balance at all).

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We also touch on Carolyn’s work in podcasting (You’re Wrong About, You Are Good) and how it has influenced her approach to music. She reflects on the importance of integrating culture and music, creating a world-building experience that connects various aspects of her life. Carolyn’s creation of the Gender Equity Audio Workshop, along with co-producer and Each Machine collaborator Isa Burke, highlights the power of women supporting each other in the music industry, fostering an environment where questions can be asked without fear of judgment.

She expands on her exploration of traditional songs through a devilish lens, which allowed her to examine how their meanings shift when viewed in this context. She also discusses her dual versions of the hymn “Are You Washed in the Blood,” inspired by Naomi Klein’s book ‘Doppelganger,’ and how they represent different facets of her musical identity.

Throughout this episode of Basic Folk, Carolyn Kendrick offers insights into forgiveness and harm, emphasizing the need for solution-focused actions in today’s society. Our chat concludes with a fun and quirky Satan-themed lightning round, where Carolyn shares her favorite pop culture depictions of Satan and imagines a music festival in hell. The devil is fun again!

Want more Carolyn Kendrick? Read our recent exclusive feature interview here.

Photo Credit: Alex Steed

Basic Folk Joins BGS Podcast Network as Official BGS Production

BGS is pleased to announce a new partnership with its signature podcast, Basic Folk, which is now an official BGS production! Hosted by Cindy Howes & lizzie no, Basic Folk had been previously distributed on the BGS Podcast Network since 2021, but now officially becomes part of our brand’s stable of first-rate, original shows. We’re excited to continue to invest in this superlative folk podcast with creative visuals, more live appearances, and our commitment to fresh and envelope-pushing editorial content front-and-center. This announcement follows the recent debut of Basic Folk’s brand new logo (designed by Belhum) and theme song (composed and performed by Dietrich Strause), which both festively mark this new era of collaboration.

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“BGS is one of the coolest media platforms in any musical space,” the hosts share via press release. “As the landscape of podcasting, social media, and roots music evolves at hyperspeed, we are stoked to be docked on ‘The International Space Station’ known as BGS. Our evolution is tied in with theirs. Cheers to another year of telling folk stories and making queer mischief on Basic Folk.”

2025 is already destined to be big for Basic Folk. The show and its hosts will be back onboard Cayamo’s signature roots music cruise, Journey Through Song – and with even more live events to come throughout the year. Already we have brand new interviews with the legendary Dobro player Jerry Douglas and visceral folk-artist Lutalo on the docket for January. Later this winter, Basic Folk will reach the momentous mile marker of their 300th episode.

“The spirit and mission of BGS are completely in line with Basic Folk,” Howes says. “It’s an honor to create this platform alongside BGS to dig deep into artists’ perspectives of the human condition. It only makes sense for Basic Folk to do the work of dignifying folk musicians in collaboration with one of the most rad music orgs operating today.”

Since 2018, Basic Folk has uplifted under-the-radar roots musicians by providing a platform that they might not otherwise have, alongside interviews from GRAMMY-winning guitar gods like Molly Tuttle, or Haitian American folk legends like Leyla McCalla, or deep feelers like legendary songwriter John Hiatt. The show is dedicated to showcasing the best in folk, bluegrass, acoustic, and Americana while including Black, Brown, and queer folx who have been excluded from the folk world or felt like they did not belong.

Cindy & lizzie each bring unique perspectives to their honest conversations with folk professionals. Basic Folk is equally dedicated to repainting the broad landscape of folk music as we are to tearing down the ivory towers of the music industry. BGS is proud to welcome the show into our family of programs.

Find out more and subscribe to Basic Folk here.

Basic Folk: A Wild 2024 Ride

It’s 2024 recap time on Basic Folk! Cindy & Lizzie dive into a most special year-end reflection, featuring highlights from our honest conversations with folk musicians. We revisit the top episode of the year, Anna Tivel & Jeffrey Martin’s insightful discussion on navigating artistic challenges and living a simple life. Cindy shares her favorite episode featuring her co-host Lizzie No talking about her career-defining album, Halfsies (our 250th episode!). In turn, Lizzie’s favorite honest convo came from Leyla McCalla onboard the Cayamo cruise. We sat in the ship lounge and dug in with Leyla about the “folk process” and her thoughts on cruising, as a Haitian-American, as we ported in Hispaniola aboard a luxury cruise line. (Spoiler: it is complex!)

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Basic Folk also checks in with friend Jontavious Willis about his biggest lesson of 2024 and what defining success as an independent artist looks like as he has just released his latest, West Georgia Blues. We also welcome Rose Cousins’ heartfelt words on embracing change as she prepares to release her next record, Conditions of Love – Vol. 1 (out March 14, 2025). As the episode ends, Lizzie leaves us with some words of wisdom:

“We are at a time of year where your body wants to be doing less. We’ve just survived a chaos clown show of violence in the election. Our culture is shifting rapidly. It’s okay if the things that used to work for you don’t work anymore. You’re allowed to start over. You’re allowed to try new things. You’re allowed to tell people in your life, ‘I’ve changed.’ You’re allowed to listen to new artists. You’re allowed to change how you dress. You can do it all. 2025 is a new year and you have freedom. And that’s my blessing to you.” – Lizzie No

Photo Credit: Lizzie No by Cole Nielsen; Rose Cousins by Lindsay Duncan; Leyla McCalla by Chris Scheurich; Jontavious Willis courtesy of the artist; Anna Tivel by Cody Onthank; Jeffrey Martin courtesy of the artist.

Basic Folk: Dave Simonett of Trampled By Turtles

Lead singer and songwriter of the bluegrass adjacent Trampled by Turtles, Dave Simonett is a talented musician and a great outdoorsman. From the small town of Mankato, Minnesota, to the vibrant music scenes of Duluth and Minneapolis, Dave shares his upbringing in a musically inclined, nature-loving family shaped by the sounds of church hymns and classic rock. He opens up about his dual passions for music and the great outdoors, recounting his experiences with pheasant hunting and conservation efforts in Minnesota. He also reflects on the parallels between the camaraderie found in hunting and playing music, emphasizing the importance of trying new things and embracing the unknown. Follow as we delve into the evolution of Trampled by Turtles’ unique sound, described as a “butterfly’s heartbeat,” and trace the band’s journey from traditional bluegrass to their own distinct style.

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In our Basic Folk conversation, Dave also talks about the challenges and rewards of maintaining artistic integrity in the music industry while balancing creative growth with commercial pressures. He shares insights on his band’s latest project Always Here, Always Now, a dual EP featuring recordings by both Trampled by Turtles (Always Here) and his solo project, Dead Man Winter (Always Now). He wrote five songs and instead of picking a band to record the tracks, he handed them over to both bands to do what they will to the music. The results are very cool to listen to side by side. The episode wraps up with a fun lightning round, where Dave reveals his dream supergroup and favorite hunter orange accessory (gotta be safe out there!).

Photo Credit: Olivia Bastone

Basic Folk: Kathleen Parks of Twisted Pine

Hot off the heels of Twisted Pine’s latest release, Love Your Mind, Kathleen Parks is here to dig into her uncelebrated polka origins. Daughter of renowned trumpetist Eric Parks, the younger Parks grew up in New York’s Hudson Valley in a very creative family (her mother was also a dancer and the one who made Kathleen practice all the time). She started young on the violin and was surrounded by her dad’s polka music, as he was a member of Jimmy Sturr & His Orchestra, which my dad (also a polka-head) calls “the top polka band revered by all polka bands.” Parks even sat in with the band as a teen, when she would occasionally fill in for their violinist. She fully embraced her strong Irish roots not only in music, but also dance, which she calls her second love. After accepting a full scholarship to Berklee College of Music in Boston, she started meeting and jamming with bluegrass musicians in the area, especially at the Cantab Lounge, famous for its weekly bluegrass night. This is where her new band Twisted Pine scored a residency and started building a following.

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On the group’s new record, Kathleen is the de facto lead singer, which she’s just fine with. She also explains the band in one phrase: “Let’s see what happens.” That philosophy is definitely present on the new record, which is filled with wild vocal performances and sees the band operating at its highest level.

In our Basic Folk conversation, we explore the mental health themes highlighted in “Funky People,” a song about how difficult it can be to take care of yourself on the road and the relief you find in people you meet. Plus, we cover “After Midnight (Nothing Good Happens)” and finally find out what time one should go to bed at a bluegrass festival. It’s always earlier than you think.

Photo Credit: Jo Chattman