WATCH: Cinder Well, “Queen of the Earth, Child of the Skies”

Artist: Cinder Well
Hometown: Santa Cruz, California, but now Ennis, Ireland
Song: “Queen of the Earth, Child of the Skies”
Album: No Summer
Release Date: July 24, 2020
Label: Free Dirt Records

In Their Words: “This tune is an American version of an Irish set dance called ‘The Blackbird.’ I derived my own interpretation from a 1947 field recording of West Virginian fiddler Eden Hammons. Hammons used an interesting fiddle tuning, DDAD, which I also used here. Erynn Marshall draws the connection between the American and Irish versions of this tune in her book Music in the Air Somewhere: The Shifting Borders of West Virginia’s Fiddle and Song Traditions.

“Being from America and living in Ireland, I have been really interested in fiddle tunes that are found in both traditions. When I found this tune, I set out to reimagine it, led by this idea that if this tune has been making its way around the world for hundreds of years, why not keep interpreting it? I aimed to do this with all the songs, both original and traditional on No Summer, to get to the core of them and express them in the most relevant and honest way possible.

“This video was shot in the back room of Lucas’s bar in Ennis, Ireland, amongst empty tables, but where, in a different time, you have a nice quiet pint next to a fire.” — Cinder Well


Photo credit: Jim Ghedi

WATCH: Lisa Lambe, “Dust and Sand”

Artist: Lisa Lambe
Hometown: Dublin, Ireland
Song: “Dust and Sand”
Album: Juniper
Release Date: April 3, 2020
Label: Blue Élan Records

In Their Words: “The inspiration for this song came from a treasured place: Omey Island, a tidal island on the western edge of Connemara County Galway in my homeplace Ireland. From the mainland you can barely see this place. The island is now abandoned but remains a place of devotion with its holy well. It is quiet and beautiful. ‘Dust and Sand’ is an ode to nature. It’s a song that reflects the space in between, and the lyrics are about being in that in-between place. A bit like the now…. Hope it brings you peace and a sense of place.” — Lisa Lambe


Photo credit: Dora Kazmierak

WATCH: Laurie Lewis, “Troubled Times” (Feat. Leah Wollenberg)

Artist: Laurie Lewis
Hometown: Berkeley, California
Song: “Troubled Times”
Album: and Laurie Lewis
Release Date: March 27, 2020

In Their Words: “I wrote ‘Troubled Times’ about twenty years ago, I think, in other troubled times than we are experiencing now. But I never sang the song out in public more than about three times. I honestly feel like I was waiting for the right ‘voice to sing in harmony,’ and when Leah and I started singing together, I think I found my match. I have been friends with her parents (jazz guitarist Mike Wollenberg and artist Jenny Bloomfield) since before she was born, and have known her since then, watching her grow into a fearless jazz violinist and terrific Irish fiddler. It shouldn’t have come as a surprise, but when I heard her sing a piece of a song sitting around the dinner table one night, my ears really perked up. Maybe it’s because Leah has heard my voice her whole life that she is able to get a positively familial blend. Whatever it is, I’ll take it.” — Laurie Lewis


Photo credit: Jeff Fasano

LISTEN: Seamus Egan, “Two Little Ducks”

Artist: Seamus Egan
Hometown: Philadelphia, Pennsylvania
Song: “Two Little Ducks”
Album: Early Bright
Release Date: January 17, 2020
Label: THL Records

In Their Words: “This mandolin-driven track is inspired by my love of Baroque music. I spent many hours as a teenager sitting in the front room of the great Irish musician and folklorist Mick Moloney’s house in Philadelphia, listening to mandolin concertos and trying to learn them by ear. I was never very successful in that endeavor, but my love of Baroque, and in particular, mandolin music endured.

“This track is also a nod, in its own way, to an old De Dannan track called ‘Arrival of the Queen of Sheba to Galway,’ from their 1983 album, Song For Ireland. This was their interpretation of the Handel piece, The Arrival of the Queen of Sheba. Hearing that track was a watershed moment for me. It opened my ears to what could be possible with Irish music. It was like getting permission to look outside the tradition and see what you could find and bring back with you. It was incredibly liberating. Joining on this track is Kyle Sanna on guitar and Owen Marshall on bouzouki.” — Seamus Egan

Best of: Live at Ear Trumpet Labs

Since 2011 Portland, Oregon-based Ear Trumpet Labs has been blessing the music world with their finely crafted microphones, with their clean, natural sound and designs reminiscent of the styles of the 1930s and 40s. And for the past three years, they’ve been gifting us listeners with beautiful examples of their high quality equipment through their Workshop Sessions, pairing exquisite videography with master musicianship. We’re looking back at some of our favorites from 2019 as we move into the new year, when BGS + ETL will be partnering to bring you more content live at Ear Trumpet Labs!

Jerry Douglas & Tommy Emmanuel – “Choctaw Hayride”

We’re not alone in our love for this session: it was one of our BGS readers’ favorite stories of the year. But really how could it not be? It doesn’t get much better than two masters of their crafts getting together in a workshop and just letting it rip.

Both are using Edwina microphones, and there’s also a stereo pair of Delphinas as room mics.


The Local Honeys – “The Redhead Yodel no. 1 [Mainliner]”

In their unfortunately rare ode to the female traveller amidst a plethora of hobo songs in American folk music, the Local Honeys bring us what they call “a lovey-dovey, yodelly-wodelly one.” Is there anything better than a yodelly-wodelly love song from the perspective of a female hobo? No. Is there anything better than the Local Honeys? No.


Anthony D’Amato – “Party’s Over”

Anyone else still recovering from all those holiday parties?


Anna Tivel – “Minneapolis”

Once the holiday cheer has passed, this time of year can be heavy. Tivel tells BGS this song is about “that stagnant winter sadness that can take over everything until you have to physically move yourself to shake it loose.” This stirring string arrangement may envelop you in those depths of winter, but it just might give you the hope to get yourself un-stuck.


Rachel Sermanni – “Farewell, Farewell”

Scottish folk musician Sermanni’s gentle delivery and sparse accompaniment of this Richard Thompson tune draws out the influence of the British folk ballad even more than the original Fairport Convention release in the late ‘60s. We dare you to not be completely drawn in by this breathtaking rendition.


Jefferson Hamer – “Alameda”

Hamer’s 2018 release Alameda is a collection of “road stories,” its stunning title track a tale of a traveling worker and a lost love.


The Brother Brothers – “Angel Island”

Adam and David Moss’s arrangement of this devastating Peter Rowan-penned story of a Chinese immigrant couple separated and detained at San Francisco’s Angel Island, a regrettably common occurrence during the years of the immigration station’s operation from 1910-1940, is almost unbearably haunting, and for good reason. This is a story that we as a culture shouldn’t soon forget.


Claire Hitchins – Emma

Aside from the beautiful lyrics painting the picture of our leading lady, and the easy, light vocal delivery, the look of pure peace on Hitchins’ face might just be the cherry on top of this session. “We’ll rise with love, my love, I believe we are worthy.”


Greg Blake – “Say Won’t You Be Mine”

Greg Blake brings some bluegrass from Colorado to the Ear Trumpet Labs with this Stanley Brothers classic.


The Lasses & Kathryn Claire – “Here Now”

Amsterdam folk duo The Lasses team up with Portland singer-songwriter Kathryn Claire to create this captivating session featuring violin, guitar, bodhrán, and trio vocals that could warm any lonely heart this cold winter.


 

The Show On The Road – Sam Lee

This week on the show, Z. Lupetin speaks with renowned British song collector, sonic interpreter, roots music promoter, and deeply intuitive folk singer Sam Lee.

LISTEN: APPLE PODCASTS • MP3

Lee came to music almost by accident after a former life as a wilderness survivalist and nature advocate. Since, he has become one of the leading voices in Great Britain, saving the treasured endemic music cultures that rapidly disappear each year. His gorgeously delicate and meticulously researched debut, Ground Of Its Own, shot him from hopeful academic to nationally recognized folk star — partly by being nominated for the prestigious Mercury Prize. Lee has relentlessly worked to save and rejuvenate the ancient melodies and songcraft of Irish and Scottish traveller tradition, Romany rhythms and stories, and connect those traditional melodies to a youthful pop culture that is yearning to know where it came from and where it is going next.

His Nest Collective, an “acoustic folk club,” gathers artists, authors, dancers and theatrical renegades and puts on shows and events across London – making Sam a rare double threat – as both an artist and a promoter of other artists.

His newest release, Old Wow, drops January 31, 2020.

LISTEN: Martin Hayes and Brooklyn Rider, “Jenny’s Welcome Home to Charlie”

Artist name: Martin Hayes and Brooklyn Rider
Hometown: Madrid, Spain (Martin Hayes); New York City and Boston (Brooklyn Rider)
Song: “Jenny’s Welcome Home to Charlie”
Album: The Butterfly
Release Date: August 9, 2019
Label: In a Circle Records

In Their Words: “I was about 14 when I first became familiar with the tune ‘Jenny’s Welcome to Charlie’ from a recording of a fiddler by the name Kathleen Collins. The tune is commonly known in the tradition and is a standard tune that is popular with fiddle players and is not associated with any one regional style. It is alleged that the tune title references Bonny Prince Charlie and his mistress Jenny. I’ve been playing this tune all my life and am very excited to be able to finally release a version that I believe is the first version of this tune to be arranged for fiddle and string quartet.” — Martin Hayes


Photo credit: Erin Baiano

Six of the Best: Dervish’s Cathy Jordan Chooses Her Favorite Irish Tunes

What would the world be without Irish tunes? A lot quieter, that’s for sure. Ireland’s musical tradition has enlightened, infiltrated, and inspired all corners of the planet – and American roots music owes it a huge debt.

Irish folk group Dervish have just released their first studio album in a decade, a loving tribute to the songs from their home country that have travelled the world. The Great Irish Songbook is studded with guest stars – from David Gray to Steve Earle, Kate Rusby to Andrea Corr, not to mention an appearance from Hollywood actor Brendan Gleeson.

But what are the band’s favourite Irish songs? We asked singer Cathy Jordan to choose six of the best.

“Whiskey in the Jar”

“This is an incredible example of a song that has journeyed around the world and been adapted to the particular environment it found itself in. It was originally written about a Co. Kerry-based military official who was betrayed by his wife, but adaptations also turn up in the American South, the Ozarks, and the Appalachians. On our album we did a version with The Steeldrivers, but we’re also big fans of this one by iconic Irish rock band Thin Lizzy.”


“Ye Rambling Boys of Pleasure”

“This is such a beautiful song of unrequited love: a young man regretting love lost because of immaturity. The song forms the basis of a poem written by the famous W.B. Yeats (he was trying to recall a ballad he’d once heard a peasant woman sing to herself in Sligo). The poem is commonly known as ‘Down by the Sally Gardens’ and was itself later put to music — I sing a version with Kate Rusby on The Great Irish Songbook.”


“Nothing But The Same Old Story”

“Written by Paul Brady, this song captures what life was like for Irish immigrants heading to England to find work during The Troubles in Northern Ireland. Their lives involved a mixture of exhausting work, discrimination, and distrust, while longing for a normal life and to go home. The song first appears on Paul’s album Hard Station in 1981.”


“The May Morning Dew”

“The heartbreaking story of a woman who recalls her old friends, family and loved ones as she walks by their deserted dwellings in post-famine times. It’s sung here by one of my favourite Irish singers, Dolores Keane.”


“Rainy Night in Soho”

“To me, Shane McGowan of The Pogues wrote one of the most amazing love songs of all time with this one. [It’s a] love that survives through years of friendship as well as hardship. Oh, to have the last line written about you: ‘You’re the measure of my dreams, the measure of my dreams.’ This version is sung by another great Irish singer and songwriter, Damien Dempsey.


“Mná na hÉireann” (Women of Ireland)

It’s fitting that Kate Bush, one of the most poetic of all pop artists, recorded this song. It was written by 18th century Ulster poet Peadar Ó Doirnín; the music was added by composer Seán Ó Riada in the mid-20th century. Ó Riada was really important in the revival of traditional Irish folk and the words to this song are as powerfully Irish as you can get.


Photo credit: Colin Gillen

Glen Hansard: A Career in 12 Songs

Glen Hansard is a world traveler, a trait that is reflected in his tour calendar as well as his catalog of music. With his new album, This Wild Willing, he incorporates the textures of Iranian musicians he met while in Paris, where he decided to hunker down for a few weeks and record. Admittedly tired and under the weather, his singing voice is quieter and lower than usual on the album, although there are moments when he roars. And when he does, it’s as thrilling as his live show – like an electrifying moment in a listening room.

With his European tour dates now behind him, Hansard will embark on an American tour on May 29. His career stretches from rock bands to movie soundtracks to confessional songwriting, so it’s hard to predict a set list from an artist as prolific as Hansard. If you asked BGS to create one for this iconic Irish musician, though, we’d respectfully submit this one.

“Don’t Settle”

A highlight from This Wild Willing, “Don’t Settle” stands as an anthem to persistence, especially when you’ve been criticized from every angle. Rather than dwelling on the negative, though, “Don’t Settle” is uplifting and a reminder that, as he puts it, “You’ve worked hard for your luck.” Listen for Marketa Irglóva, his co-star of Once, whose earthy harmony underscores Hansard’s delivery here.

“Why Woman”

This song from 2018’s Between Two Shores would have fit right into The Commitments, with its moody lyric and “Dark End of the Street” vibe. It’s about that moment where the woman wants to leave and the man wonders why she’s giving up so easily. Lyrics like “You’re talking about a change now / but those changes aren’t with me” are particularly stinging, soothed only by a horn section that comes afterwards.

“When Your Mind’s Made Up”

The acoustic guitar intro still gives me all the feels. It’s a catharsis and a therapy session, wrapped up in a vocal workout. The dynamics are incredible, particularly the emotions that crest near the end of the song. When you can’t live with somebody, and yet can’t live without them, this is pretty much an anthem. I’ve included a breathtaking version from The Swell Season’s 2006 self-titled album, also worth seeking out.

“Mary”

This Wild Willing takes its name from a lyric in “Mary,” a love song that captures that moment of finding yourself open to a new relationship – in other words, turning your wildness of independence into a willingness to share your life. The string section gives it a sweeping, dramatic feel, and the delivery is subdued. This Wild Willing is an album that reveals itself over time, and this is one of its gems.

“High Hope”

You know, it’s next to impossible to sing with Glen Hansard, as his range soars and falls away at a whim. This track from the 2012 album Rhythm and Repose is the exception, thanks to the lay, lay, lay… that weaves through the lyrics. Rhythm and Repose may be the most approachable album in Hansard’s solo catalog, with moody gems like “Love Don’t Keep Me Waiting,” “This Gift,” and “You Will Become.”

“Cry Me a River”

Hansard isn’t shy about a cover song. Dig around and you’ll find him singing Dylan’s “Pressing On” as well as a particularly rousing “You Ain’t Goin’ Nowhere” with Irglóva. He’s also sung “Coyote” for Joni Mitchell and “People Get Ready” for Mavis Staples. And let’s not forget The Commitments. But… a sarcastic Justin Timberlake pop smash with Hansard’s explosive delivery? Yes please.

“Falling Slowly”

This Oscar-winning song inevitably winds up in Hansard’s set list, but the last time I saw him play, it was close to the middle of the set. It’s the crowd-pleaser that will help him attract audiences in the decades to come and it’s sure had plenty of exposure in the Once musical and on prime-time singing competitions. Still there’s no denying the chemistry between Hansard and Irglóva on this modern masterpiece.

“Good Life of Song”

A celebration of the joy that music can bring you, “Good Life of Song” brings a beautiful sentiment to This Wild Willing. His near-whispered vocals give it an intimacy and warmth. In some ways it’s a message of thanksgiving, and approaching eight minutes long, it’s also entrancing. When it comes to touring, performing, and writing about the human experience, one gets the feeling that Hansard is a lifer.

“Star Star”/ “Pure Imagination”

I first Hansard sing live at ACL Fest in 2005, during a set by The Frames that I happened to encounter. Enthralled by their stage presence and straightforward rock ‘n’ roll sound, I became an instant fan, tracking down all the albums I could. “Star Star” has been a favorite since then, but it’s especially sweet in a live setting, with a few lines of “Pure Imagination” from Willy Wonka and the Chocolate Factory.

“Winning Streak”

This track from 2015’s Didn’t He Ramble reminds me of an Irish blessing, with messages of positive reinforcement and hope. Hansard is a master of dynamics, bringing listeners to devastating lows, only to uplift them with an exhilarating melody and full-throttle voice. While these lyrics work as kind words to a friend, in a live setting, they could also serve as a stirring benediction to a night of splendid music.

“Step Out of the Shadows”

Hearing Glen singing unaccompanied is a powerful experience. This selection from the 2013 EP Drive All Night proves his expressive abilities as a singer, and carries the right imagery for an encore. He’s not singing only to “my little one” who needs encouragement; he’s also beckoning those folks who can join “a new wave rising strong.” Think of it as a universal statement sung by just one magnetic voice.

“Into the Mystic”

We all have our heroes, and for Hansard it’s Van Morrison. Hansard has performed “Into the Mystic” innumerable times — and it’s not an easy song to sing. However, it’s essentially part of Hansard’s canon now. Long may he rock our gypsy souls.

The String – The Managers Episode

In this special hour, a roundtable talk with two outstanding artist managers from the world of roots and Americana music.

LISTEN: APPLE MUSIC

Denise Stiff went from college event booking to working for agencies and through that world took on management – first of Irish singer Maura O’Connell and then Alison Krauss, Gillian Welch, and Sarah Jarosz – among others. It’s a kind of defining list of magnificent talent to emerge from bluegrass and roots. Michelle Concesion came from advertising, but eventually her love of music drew her to helping artists and it seemed destiny that she’d take them on as clients and start her own firm, Nashville-based Market Monkeys. She has worked with the multi-dimensional songwriter Susan Werner and Canadian folk star Rose Cousins. Her current roster includes prog-bluegrass band Della Mae, NC songwriter Sarah Siskind, and English folk singer John Smith.