Tag: Nashville

LISTEN: Nate Lee, “Love Medicine”

Posted on by Editor

Artist: Nate Lee
Hometown: Nashville, Tennessee
Song: “Love Medicine”
Album: Wings of a Jetliner
Release Date: June 12, 2020
Label: Adverb Records

In Their Words: “’Love Medicine’ embodies all the things I wanted for Wings of a Jetliner — toneful players, exciting rhythm, meaningful lyrics, and songs that are brand new, or presented in a new way. From the beginning stages of planning the album, I wanted the instrumentalists to be the main event, with their solos heavily featured and not just an afterthought. Professor Dan Boner, who produced Wings of a Jetliner, is an accomplished instrumentalist himself and he really helped my vision come alive by creating an environment where everyone was comfortable trying new things and letting their ideas flow. Wyatt Rice, Bronwyn Keith-Hynes, Ned Luberecki, and Todd Phillips are world-class players, and trading solos with them was thrilling!

“My dear friend Chris Sanders, who wrote ‘Love Medicine,’ has a masterful grasp of chordal harmony and dissonance that perfectly supports the song’s message about addiction. Her harmonic choices, influenced by the Red Hot Chili Peppers, offer a perfect tonal palette for improvisation. Although ‘Love Medicine’ was written about addiction, the lyrics resonate with people who are in all kinds of tough situations. The first line is especially resonant during this time of social distancing: ‘Draw the line, close the door, ain’t gonna cross that threshold no more.'” — Nate Lee

Photo credit: Scott Simontacchi

Bright Sunshine and Intense Badassery: Lilly Hiatt’s Rock ‘n’ Roll Style

Posted on by Justin Hiltner

This shoot happened just a few days after venues began closing and tours were being cancelled due to the coronavirus. Lilly Hiatt and I decided to continue, holing up in an empty venue called Drkmttr Collective here in Nashville by ourselves for a few hours. (You can support Drkmttr’s GoFundMe to help keep them afloat, if you feel inclined.)

Lilly is a mixture of bright sunshine and intense badassery; her good nature and spirit was a welcomed respite from the scary unknown so many of us artists were heading into then, and of course are still navigating. I thought Drkmttr Collective would be a great spot for her — a little quirky, a lotta rock ‘n’ roll. The three outfits she sported fit easily into the feel of the place.

As it stands, this was my last shoot before so much was canceled and shut down, but we no doubt ended on a high note. Until next time! Stay safe and well out there, y’all. — Laura Partain

Pictured above, Lilly wears a Low Cut Connie tee and Blank NYC leather jacket.

Lilly wears a glitter mock turtleneck top from H&M, Top Shop jeans, and Frye boots.

Strap and buckle detail of Lilly’s Frye boots.

Lilly wearing a red Petites by Willi top from Anaconda Vintage in Nashville, necklace by Madewell, and Top Shop jeans.

Necklace by Madewell, Frito Pie ring by Snash Jewelry, black stone ring by Pale Silver, and red Petites by Willi top.

The top by Petites by Willi, necklace by Madewell, Frye boots, and Top Shop jeans look is completed with a Rickenbacker and an earplug dispenser at Drkmttr Collective in Nashville.

All photos by Laura Partain

LISTEN: Glenn Thomas, “Give a Damn”

Posted on by Editor

Artist: Glenn Thomas
Hometown: Nashville, Tennessee by way of New England
Song: “Give a Damn”
Album: Reassure Me There’s a Window
Release Date: May 15, 2020 (album); May 1, 2020 (single)
Label: Palace Flophouse Records

In Their Words: “I wrote this song in the beginning stages of a new relationship I was in. I really cared about the person and wanted it to work, but still carried the ghosts of past relationships and dating woes. I felt like I didn’t really have anything new to bring to the table, but ultimately what mattered was I cared and was going to do what it took to make it work. Ultimately, the past is exactly that — the past. I remember sitting on a friend’s speedboat a couple of summers ago getting bounced around by the waves, and the fast up and down movement put this melody into my head. I had the lyrics in my phone notes and sang it into a voice memo right there on the boat. Stranger things have happened!” — Glenn Thomas

Photo credit: Chelsea Mandes

LISTEN: Pam Tillis, “Dark Turn of Mind”

Posted on by Editor

Artist: Pam Tillis
Hometown: Plant City, Florida (born) + Nashville, Tennessee (lives)
Song: “Dark Turn of Mind”
Album: Looking for a Feeling
Release Date: April 24, 2020
Label: Stellar Cat via OneRPM

In Their Words: “While the album is called Looking for a Feeling, I was drawn to ‘Dark Turn of Mind’ because it’s about owning your feelings. Letting yourself slow down long enough to acknowledge the shadows in your soul helps you experience the light in a deeper way. In this era of everybody trying to keep up some facade on social media, I loved that this song unapologetically says, ‘Yes I reserve the right to have my good old meltdown, pity party, wallow-in-my-misery moments and that will probably keep me way saner than having to fake-smile my way thru these crazy-ass times.'” — Pam Tillis

Photo credit: Matt Spicher

LISTEN: Brian Wright & The SneakUps, “What You Don’t Know”

Posted on by Editor

Artist: Brian Wright & The SneakUps
Hometown: Nashville, Tennessee
Song: “What You Don’t Know”
Album: Lapse of Luxury
Release Date: May 8, 2020
Label: Cafe Rooster Records

In Their Words: “‘What You Don’t Know’ was one of three songs written in an afternoon/evening a few days after I got back from a particularly long tour. The other was ‘Heavy Metal Shed Kids’ and the third got chopped up and used for parts. I was nearly finished with LOL (Lapse of Luxury). It needed a simple song to bring it back down to earth. I was burned out. I had taken on too much and couldn’t keep up. You can hear it. Moving too fast and missing out. The song was a way to let the people I loved know I that I knew something had to change. While I was writing it there were people over; I could hear them outside the shed. They’re in the recording if you listen really close. I walked outside and our guests were naked, dancing around a fire pit to something perfect. It was light and free. It was cool. I felt better. I was home and I was lucky again.” — Brian Wright

Photo credit: Stacie Huckeba

LISTEN: Ruthie Collins, “Wish You Were Here”

Posted on by Editor

Artist: Ruthie Collins
Hometown: Originally from Fredonia, New York; now based in Nashville
Song: “Wish You Were Here”
Album: Cold Comfort
Release Date: April 3, 2020
Label: Sidewalk/Curb Records

In Their Words: “I decided to take myself on a solo vacation to my favorite beach, a place just outside New Orleans called Pass Christian. I was trying to get over this guy, so the idea was to do whatever I wanted, eat whatever I wanted, just have some quality alone time. But instead, it felt like the guy was haunting me and I was thinking about him all the time. I thought I get over him by leaving town, but instead I was sitting by the beach drinking wine and writing songs about him.” — Ruthie Collins

Photo credit: Cal + Aly

WATCH: Lee Henke, “Captain of the Ship”

Posted on by Editor

Artist: Lee Henke
Hometown: Nashville, Tennessee
Song: “Captain of the Ship”
Album: Captain of the Ship
Release Date: June 26, 2020

From the Artist: “‘Captain of the Ship’ is the title track of the upcoming album. I wrote this tune after a somewhat depressing gig at a casino. I decided to drink as much free beer as I could and spent the entire $50 I made from the show on one hand of poker. I don’t remember going to sleep but I woke up in the morning to some chicken-scratch lyrics on a bar napkin. The theme seems to dance around the romanticized idea of being the only person affected by the decisions you make, or the unrealistic freedom of being all on your own.” — Lee Henke

Photo credit: Ira Wolf

WATCH: The Golden Age, “Weirdo”

Posted on by Editor

Artist: The Golden Age
Hometown: Nashville, Tennessee
Song: “Weirdo”
Album: I’m Sure It’ll Be Fine
Release Date: February 21, 2020
Label: Poke the Bear Records

In Their Words: “This video was made by those wild guys from Neighborhoods Apart, Joshua Britt and Neilson Hubbard. Josh had this concept he’d always wanted to do that ‘Weirdo’ seemed to fit nicely. Ultimately the video/song is a quick prick to the balloon that suggests that in order to connect with other people we need to present these shiny-flawless images socially and hide our odd nuances under a bushel… But what all that green-screen, horse-hockey magic really does is make us feel isolated. And like little worms that don’t measure up. The video is a trumpet’s call to embrace the fact that, at our nitty gritty, we’re all just a couple of strange brained-lumpy bodies in skin-tight suits plucking on banjos and mandolins in front of someone’s garage in the middle of the afternoon. More or less.” — Bryan Simpson and Matt Menefee, The Golden Age

LISTEN: Webb Wilder, “Night Without Love”

Posted on by Editor

Artist: Webb Wilder
Hometown: Born and raised in Hattiesburg, Mississippi, based in Nashville since 1982
Song: “Night Without Love”
Album: Night Without Love
Release Date: April 10, 2020
Label: Landslide Records

From the Artist: “‘Night Without Love’ is an old song by RS Field whom I have known for about 50 years! The song itself is easily 40 years old, although it has never been recorded and released until now. I’ve always known about it and I’ve always liked it. I guess I’m just a sucker for a good line and ‘face like an Idol from the Yucatán’ pretty much cinched it for me when I first heard it all those years ago. I used to be in a band called the Drapes. We played this song live, although Bruce Tinnin sang it instead of me.” — Webb Wilder

Photo credit: David McClister

WATCH: High Fidelity, “The South Bound Train”

Posted on by Editor

Artist: High Fidelity
Hometown: Nashville, Tennessee
Song: “The South Bound Train”
Album: Banjo Player’s Blues
Release Date: June 12, 2020
Label: Rebel Records

In Their Words: “Everything about ‘The South Bound Train’ just screamed High Fidelity to me, including the fact that it had been all but forgotten in the bluegrass collective consciousness. Jim & Jesse wrote and recorded it during their classic early ’60s era, but it was never released until the 1990s. It was such a strong song, especially with their arrangement, I thought, ‘We can’t not record this!’ Their version is led predominately by the banjo, and given High Fidelity’s love for the banjo, we wanted to put our spin on the song utilizing twin banjos. We have a history for pushing our own limits in this band, and I love the intensity of Jeremy and Kurt [Stephenson] singing and playing banjo at the same time on such an up-tempo number!” — Corrina Rose Logston, High Fidelity

“We had a blast making the video for this one, too. Corrina and I scouted the locations for the shoot with the help of a CSX employee that we met track-side in Northern Davidson County, Tennessee. He pointed us in the direction of an area with high volume and high speed rail-traffic, and that is where we went, finding the two locations that are seen in the video. It was very interesting being poised to shoot not knowing when a train was coming, but it all worked out great. We hope everyone else enjoys the video and the song as much as we did making it!” — Jeremy Stephens, High Fidelity

Photo credit: Amy Richmond