Tag: Nashville

LISTEN: Dianne Davidson, “Sounds of the City”

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Artist: Dianne Davidson
Hometown: Nashville, Tennessee
Song: “Sounds Of The City”
Album: Perigon: Full Circle
Release Date: August 28, 2020
Label: Perigon Music

In Their Words: “I was 19 or 20. I was already being a bit beaten up by the business. I spent two weeks on the road with The Moody Blues as opening act while I was touring my third album, Mountain Mama. Sometimes on those quick one-nighter tours, you can lose your bearings and realize you don’t quite know where you are. I was in a high-rise hotel, down below was traffic and noise and people milling about. I felt like a lost soul and wrote the song to center myself again. As fate would have it, I never recorded it until now. I was fortunate enough to have it recorded by Tracy Nelson on her Homemade Songs album in 1978. I was so grateful for her version of it. I knew I needed to do it on this record. It just belonged. The feeling just poured out and I was blessed with the beauty of my friends who played and sang on it. The B3 player, Austin Wireman, wasn’t even born when I wrote it. Full Circle.” — Dianne Davidson

Photo provided by the artist.

BGS 5+5: Arlo McKinley

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Artist: Arlo McKinley
Hometown: Norwood, Ohio
Latest Album: Die Midwestern (Oh Boy Records)
Rejected Band Names: Hatchet Wounds, Black Locust Inn, Thousand Dollar Car

Which artist has influenced you the most … and how?

With so many influences I could name, I always go back to Blaze Foley. His ability to put so much feeling and emotion into a simple song without ever taking himself so seriously. He always influenced me in my writing, and has been a reminder to always be myself.

What’s your favorite memory from being on stage?

I would have to say that performing and knowing that one of my heroes, John Prine, had taken the time out of his day in the middle of the week to come see me play would probably top the list. He came to watch the band play at the High Watt in Nashville. That was a night I’ll never forget.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I read a lot when not listening to or writing music. Charles Bukowski, Hunter S. Thompson, Greil Marcus, Ted Chiang and many others. Ted Chiang writes very smart, socially-conscious science fiction that really stands out to me. I highly recommend checking him out if you haven’t already.

What was the first moment that you knew you wanted to be a musician?

That would have to be growing up in the Baptist church. Seeing that music could be so much more to people than just a sound and evoke real emotions in people appealed to me in a way that is hard to put into words. Along with that I grew up constantly surrounded by so many kinds of music that my family would be listening to. Country, punk, bluegrass, folk, metal, hip-hop, etc. It’s the only thing that I ever thought that I should be doing so I’d say the simple answer is, from the moment I discovered music I knew that’s what I wanted to do with my life.

If you had to write a mission statement for your career, what would it be?

It would be to keep pushing myself to grow as a musician, always pushing myself to never create the same album twice. It would be to also keep creating music that people can correlate to their own lives in one way or another.

Photo credit: David McClister

LISTEN: Juni Ata, “Philadelphia”

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Artist: Juni Ata
Hometown: Nashville now; born in Cuyamaca, California
Song: “Philadelphia”
Album: Saudade
Release Date: August 21, 2020
Label: Flying On Fire Records

In Their Words: “’Philadelphia’ is a personal story that tells of when I lost the love of my life as a younger man. We grew up in a tiny town of about 60 people, living across a meadow from one another. When we left school, she moved to Philadelphia for a job and I was supposed to follow immediately. I never got that Subaru Forester into Drive, for a multitude of reasons — some legitimate, some not. Ultimately, ‘Philadelphia’ is a song that uses the City of Brotherly Love as a symbol for all the places to which we have not yet traveled, but would still like to get to. If only in the reckoning and redemption of our past missteps. Whether or not we ever get there is intentionally left open-ended. Simply arriving upon a moment of truth whereby we are even able to identify the place where our heart — and destiny — lies, well… sometimes we never even get that far in our journey. Ultimately we are in command of our own victory, and regret.” — Juni Ata

Photo credit: Joshua Black Wilkins

WATCH: Katie Pruitt, “Normal”

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Artist: Katie Pruitt
Hometown: Nashville, Tennessee
Song: “Normal”
Album: Expectations
Release Date: February 21, 2020
Label: Rounder Records

In Their Words: “‘Normal’ was always a concept I fought against… I hated dresses, played with action figures instead of Barbies, I even cut my hair short. Kids aren’t afraid to be themselves, which is something we lose sight of as adults. We all feel this pressure to conform when the truth is… there is no mold we need to fit, no script we have to read from, and no such thing as ‘normal.'” — Katie Pruitt

Photo credit: Alysse Gafkjen

WATCH: Adam Chaffins, “Who I Am” (Live)

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Artist: Adam Chaffins
Hometown: 10 years+ Nashvillian (Eastern Kentucky native, from Louisa, Kentucky)
Song: “Who I Am” (Live)
Album: Some Things Won’t Last
Label: Chaffins Music

In Their Words: “A lot of my influence as a songwriter comes from torch songs. Keith Whitley sang a lot of them, like ‘I’ll Be Your Stepping Stone’ with J.D. Crowe & the New South. Songs of eternal pining for a love. ‘Who I Am’ is a torch song with a lot more brutal honesty to the torcheé. I started playing this version supporting John Hiatt on the road in 2019. It’s as bare-bones as a song can get.” — Adam Chaffins

Photo credit: Melissa Stillwell

BGS 5+5: Daniel Donato

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Artist: Daniel Donato
Hometown: Spring Hill, Tennessee, an hour south of Nashville.
Latest Album: A Young Man’s Country (August 7, 2020)
Personal Nicknames: DD, sometimes.

What was the first moment that you knew you wanted to be a musician?

I was walking by Legend’s Corner, a bar in Nashville with my father. This was the first day I ever busked on the street, and I made $0. The lead singer was taking a break to pass the tip jug. The bass player called me on stage, over the microphone. “You look like you play guitar,” he said. “I try,” I said! I got on stage, plugged in, and played for two songs that were completely improvised. That was it for me. I knew the stage was my soon to be dojo.

What other art forms inform your music?

Podcasts are big for me. Hence, why I started my own “The Lost Highway.” I think podcasts and jam bands aren’t all that different. What you have is complete improvisation with the instrument of language. Improvisation forces honesty but also unique expression out of your skill with said instrument. A moment in time is created by humans that truly could never happen again. It also is OK if this moment lasts a few hours! That sounds a whole lot like the Grateful Dead. Or a Cosmic Country show!

If you had to write a mission statement for your career, what would it be?

DD’s 3 P’s! Patience. Persistence. Positivity. These fuels are essential to keeping things Cosmic.

What’s the toughest time you ever had writing a song?

Songwriting is day one, each time. A perpetual white belt. Because each song is different. Quite literally, each song is the toughest one to write. Performance, content creation, and guitar playing are not like this at all.

What rituals do you have, either in studio or before a show?

I get as calm as possible. I get stoic. Essentially, view yourself outside of being yourself. This gives you a humbling perspective that allows you to see that everyone is quite on the same level. On stage, it is important for me to keep that in mind, so I can steer the wheel in the way that the audience will get the most out of the experience. It is all about the people. The more calm I am, the better the moment will be for the listeners on the other side of the guitar.

Photo credit: Jason Stoltzfus

LISTEN: Adam Wright, “Darlene”

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Artist: Adam Wright
Hometown: Newnan, Georgia
Song: “Darlene”
Album: I Win
Release Date: October 9, 2020
Label: De Casa

In Their Words: I don’t really remember how this song started. Most of my character songs come from something I see or hear and then develop in the notebook later. My grandfather was a mechanic and I guess I have a bit of an affinity for them. I have several songs where the character works on cars. I just like this guy’s attitude. He badly needs this girl to make him feel better. He’s just had it with everything. I can relate. ” — Adam Wright

Photo credit: Shannon Wright

LISTEN: Bella White, “All I Gave to You”

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Artist: Bella White
Hometown: Calgary, Alberta, Canada; now living in Nashville
Song: “All I Gave to You”
Album: Just Like Leaving
Release Date: September 25, 2020

In Their Words: “‘All I Gave To You’ feels explicitly gentle to me. However, underneath all that sweetness, there is definitely a tinge of heat. A little fire burning in 18-year-old Bella. I wrote it about being far away from something that I wanted so badly and for all I know, irrationally. A puppy love interest. It talks about wanting to be wanted, or better yet wondering if you’re wanted… a common theme in songwriting. Something I believe to be extremely human. Wanting to feel revered and liked. Especially by those that you’re fond of. In retrospect, I wrote ‘All I Gave To You’ when I was 18 and liked a boy, wasn’t sure if he liked me back, and then tried to be a poet about it.” — Bella White

Photo credit: Sheena Zillinski

LISTEN: Golden Shoals, “Old Buffalo”

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Artist: Golden Shoals
Hometown: Nashville, Tennessee
Song: “Old Buffalo”
Album: Golden Shoals
Release Date: August 7, 2020
Label: Self-released, distributed by Free Dirt

In Their Words: “This one fits in a genre I like to call Cowboy Existentialism. You’ve got imagery like buffalo, coyotes, hobos, and trains. The cheerful mood of the song belies themes of economic inequality, and the burden of worldly possessions, summed up in lines like ‘it’s mighty hard to catch your meal when you ain’t had enough to eat.’ The melodies and cadences of this song are derived, intentionally or not, from old American fiddle tunes like ‘Roll Boys Roll’ and ‘Booth Shot Lincoln.’

“I originally wrote it with clawhammer banjo as the accompaniment, but I had really been searching for a song to do with two guitars as a faster breakdown to showcase the style of flatpicking I love to do. We’re really emulating the two-guitar style of Norman and Nancy Blake here. They have always been a major influence on us. Norman is one of my favorite guitar players, along with Doc Watson and Michael Daves. I’m not a big fan of the more modern bluegrass guitar players; I gravitate toward those whose playing is more rooted in the old-time square dance fiddle style — very rhythmic, very driving, a little dirty.

“Playing a ’33 Gibson L-00 helps me get the sound I want too. Nothing like the growl a well-loved Gibson has to it. This guitar also fits my body better. I’m not a large person, and although I love dreadnaughts, a 00 body size is way more comfortable for me.” — Mark Kilianski, Golden Shoals

Photo credit: Kyle Wolff

LISTEN: Jordan Lehning, “The Quarry Song”

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Artist: Jordan Lehning
Hometown: Nashville, Tennessee
Song: “The Quarry Song”
Album: Little Idols
Release Date: August 7, 2020

In Their Words: “Once I realized ‘The Quarry Song’ would [not] act [as just] a standalone song about a breakup, but as a chapter to a bigger story, I was able to zoom out and understand more about the potential for the rest of the record. Treating the record as a film with scenes and arcs was incredibly informative to the pacing and sequence of the final product. In particular, there are interludes between the songs. ‘The Quarry Song’ is preceded by ‘Hey Boy,’ where the two main characters are lying in their own beds at their respective homes pining over one another telepathically. But after that song, during the interlude, we can hear her emotions shift. A longer interlude than exists in the rest of the record occurs. She pushes and pulls her emotions apart, and after some time has passed she reluctantly agrees to meet our hero one last time in ‘The Quarry Song.’” — Jordan Lehning

Photo credit: Laura E. Partain