WATCH: Brooks Forsyth, “Cast My Dreams to the Wind”

Artist: Brooks Forsyth
Hometown: Boone, North Carolina
Song: “Cast My Dreams to the Wind”
Album: So Much Beyond Us
Release Date: May 8, 2019
Label: ArenA Recordings

In Their Words: “There was a strange alchemy that brought the project together. And literally, it was a gold mining town! The director, Nigel Dick, told me how many of his videos began from an odd synchronicity of events. A few of us met my producer Buzz Cason in Denver, and we drove down to Victor, hearing two ’90s hits on the radio that Nigel shot the videos for. The first day was more or less a workout, outside shots and carrying guitar walking around. The second was more intimate, performing the song inside a historic building downtown. The majority of the song was recorded in one take, Eamon McLoughlin added strings and I played piano subsequently.” — Brooks Forsyth


Photo credit: EJ Carr

MerleFest 2019 in Photographs

MerleFest 2019 is officially in the books. The quintessential bluegrass, roots, and Americana festival — named for Doc Watson’s son, Merle — drew more than 75,000 attendees from around the world to the grounds of Wilkes Community College in Wilkesboro, North Carolina. The four-day event celebrated NC’s “Year of Music” with over 100 bands from all across the state, the country, and the world.

On Saturday night, BGS once again presented the ever-popular Late Night Jam, hosted by Chatham County Line, which featured performances from many of MerleFest’s stellar acts including Ellis Dyson, Jim Avett, Scythian, Molly Tuttle, Shane Hennessy, Donna the Buffalo, Jontavious Willis, Jim Lauderdale, Catfish Keith, Presley Barker, Ana Egge, the Brother Brothers, Steve Poltz, and many more friends and special guests.

Check out MerleFest 2019 in photographs and make plans to join us next year!


Lede photo: Michael Freas

LISTEN: Tyler Ramsey, “Evening Country”

Artist: Tyler Ramsey
Hometown: Asheville, North Carolina
Song: “Evening Country”
Album: For the Morning
Release Date: April 5, 2019
Label: Fantasy Records

In Their Words: “A couple of years ago my band and I started messing around with some of my older and more pared-down songs and trying to bring them into a band setting. ‘Evening Kitchen’ was a song that I had written for the Band of Horses record Infinite Arms and when we did that record it stood out because it was in contrast with the rest of the album and really bare bones. A lot of that album was lushly produced and I thought having the song recorded with a single acoustic guitar and vocals would help balance things. It worked well in the sequence of that album and led to a lot of the more intimate moments in our live shows and the direction we headed in for the live Ryman acoustic album.

“This version, called ‘Evening Country,’ was a way to reimagine the song and a chance to put it into a new frame with some truly amazing musicians. It was recorded in Louisville, Kentucky, with Seth Kauffman (Floating Action), Kevin Ratterman (Lalaland Studio, My Morning Jacket, Ray Lamontagne), and I doing the basic tracking. Seth had worked with pedal steel guitarist Russ Pahl before and we were able to get him to play on it (I still jump up and down when I hear his playing!). And the goosebump-inducing harmony vocals were sung by Molly Parden and Thad Cockrell and recorded at the Fleetwood Shack in Nashville by my old friend Bill Reynolds (former Band of Horses bassist). The opportunity to revisit this song in the way that we did has given it a new energy for me as well as new meaning.

“A wild memory of this song: years ago we were playing at Bonnaroo after Infinite Arms had been released. We finished our set and climbed down off the stage and our manager came up and told us to go back up and play a couple more songs because Bruce Springsteen had come onto our side stage to watch us play just as we were walking off. We ran back up and ended up playing ‘Evening Kitchen’ last, and all I could think about the whole time was that there was Bruce Springsteen standing fifteen feet away from me and watching us play this song I’d written — don’t f*ck it up! We made it through and headed back down off the stage and there he was with that Bruce Springsteen smile and handshakes all around. Our monitor man Jon Cronin told me afterwards that he heard Bruce say ‘That’s a good song!’ That’s enough for me!” — Tyler Ramsey


Photo credit: Jameykay and Arlie

Camp Tunefox Immerses New Musicians in Bluegrass and Creativity

Camp Tunefox strives to bring out the creativity in aspiring bluegrass musicians, even those who are just starting on guitar, banjo, or mandolin. This year’s camp takes place on May 15-19 in Montreat, North Carolina (right outside of Asheville), with teachers such as Danny Barnes, Wes Corbett, Grant Gordy, Clay Hess, Joe Walsh, and Mike Compton. Tunefox’s Bennett Sullivan answered a few questions by email about the upcoming event.

What sets Camp Tunefox apart from other instrument camps?

I’d say our focus on creativity and musicality over pure technique is what makes Camp Tunefox different. The schedule for the camp is organized using daily themes so each day all of the campers will have a focus that they can practice and discuss together. The teachers will teach their material with the theme in mind and the small group rehearsals will be aligned with it as well.

Tunefox is an app company and we have online content that will help support the students’ learning at camp. We’ll be launching a new feature and the campers will be the first ones to experience it in May.

How do you decide upon the instructors?

We wanted teachers that reflected both the tradition of bluegrass and pushing the envelope. Most of all, the teachers at camp are creators at heart. They’re people that have studied with the great bluegrass artists, either with their records or in person, and they bring that knowledge and passion with them to every gig, teaching event, or recording session.

I also am looking forward to learning from each of the teachers. As a professional musician, I know more than anyone the value of hearing a different perspective, be it musical or academic.

Your 2019 theme is Cultivating Individual Creativity. What does that mean to you?

It’s what I strive for every day! These days I’m writing more music in an attempt to further discover who I am. The creative process is a vulnerable, yet revealing space. At Camp I want the students to be inspired to look in themselves to not only technically play music but play it with intention. Bluegrass can be intimidating and when you label yourself as a ‘bluegrass musician’ it seems you have to play a lot of notes really quickly. I want the students to leave camp knowing themselves a little bit better. And I’d like that for myself, too.

What can a someone who is new to the instrument expect to learn at Tunefox?

[New players] will be immersed in an experience where they will learn foundational concepts like rhythm and chords but also be encouraged to create, improvise, and explore what music means to them. I think beginners can do this from the start. We’ve all listened to music before and we have a taste of what we like and dislike. So when you approach learning an instrument, you bring that discernment with you. It’s important to learn the fundamentals but when it comes to choosing songs to learn, pick what you dig most. Eventually, this will translate into ‘your sound.’

What is it like, from your perspective, to see these beginners develop their ability?

It’s exciting. The smallest breakthrough by a student gives me so much joy. All of the teachers resonate with this as well. Camp Tunefox will be a hands-on experience, giving students even more of an opportunity to make these breakthroughs with the guidance of experts at hand.

 


Photo courtesy of Tunefox

 

Discover more about Camp Tunefox and the Tunefox app at tunefox.com

BGS 5+5: Songs From The Road Band

Artist: Songs From The Road Band
Hometown: Asheville, North Carolina
Latest Album: Road to Nowhere

Answers by Charles R. Humphreys III

What was the first moment that you knew you wanted to be a musician?

Oddly enough the first moment that I knew I wanted to be a musician was when I was watching Low Country Boil Bluegrass Band from South Carolina perform at The Cave, which was a dive bar in Chapel Hill, North Carolina, in 1995. The band was actually more of a jam band that covered Grateful Dead and New Riders of The Purple Sage songs from the best I could tell. At the time I was not a performing musician but was definitely a diehard music lover. When I felt how much joy this tiny band was bringing me in an empty bar I decided that was what I wanted to be able to do for other people. At that moment I decided to devote my life to learning to play music and write songs.

What’s the toughest time you ever had writing a song?

The toughest time I ever had writing a song that I actually like occurred while writing the title track to Songs From The Road Band’s third studio album Traveling Show. The goal was to write an anthem for a traveling acoustic musician. This co-write with Jonathan Byrd was a struggle until he suggested we look within and write about true life experiences. Then after several months of editing, the material was whittled into a song that made us proud.

What rituals do you have, either in the studio or before a show?

Songs From The Road Band’s pre-show rituals are not incredibly unique, but they do exist! We typically meet in private 5 or 10 minutes before the set to go over song order and transitions. A major goal for the group is to create a musical show that flows. Unlike most bands in our genre, we strive not to talk or emcee at all. We then all join our fists in the middle and yell out something inspiring usually related to Team America World Police. “Do it for your country, Gary!”

Which elements of nature do you spend the most time with and how do those impact your work?

Mountains and hiking trails are the elements of nature that I spend the most time with. Being an ultrarunner means I’m often running mountain trails in distances that extend beyond the marathon length of 26.2 miles. The Bartram Trail which stretches from North Carolina to Georgia is the longest trail I’ve ever traversed continuously without stopping for sleep. The trail traces naturalist William Bartram’s traverse through Appalachia and the Southeast. He encountered Native Americans and many species of animals and plants that had never before been documented prior to 1773. His journey took four years and led him to publish his journal, Bartram Travels. I was able to cover approximately 120 some miles of his trek in 42 hours. Images from these mountains and trails often appear in songwriting like in Song From The Road Band’s recording of “Silk and Lace” on the Traveling Show album.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

My dream pairing of a meal and a musician would be a good ole oyster roast with the The Grateful Dead. Ideally it would be the line up from 1977 or 1989 doing an acoustic set as I think that would pair well with the oyster roast vibe. Hopefully the shucking tables would have crackers, butter, horseradish, and hot sauce. I love the “sters” slightly steamed or raw, but the best part of the experience would be sharing the meal with friends new and old. I guess the current touring line up of The Dead including John Mayer would still be a decent experience.


Photo credit: Ken Voltz

WATCH: Chris Jones & The Night Drivers, “Looking for the Bridge”

Artist: Chris Jones & The Night Drivers
Hometown: Nashville, Tennessee
Song: “Looking for the Bridge”
Album: The Choosing Road
Release Date: March 29, 2019
Label: Mountain Home Music Company

In Their Words: “This is one of five songs from our upcoming CD that Jon Weisberger and I have co-written. This one is all about trying to find a way back to how things were in a relationship that has turned cold, and feeling lost in the effort. The song contains one of the Night Drivers’ characteristic ‘signature licks’ which had just randomly come into my brain one day, and I recorded it on my phone. This was the most enjoyable video recording experience we’ve ever had. It had lots of the elements we love: railroad tracks, a beautiful North Carolina river, and a dog barking at a drone (the dog does not appear in the video because he refused to sign a release). There was also a bridge, which apparently we couldn’t see.” — Chris Jones


Photo credit: Sandlin Gaither

LISTEN: Abigail Dowd, “To Have a Friend”

Artist: Abigail Dowd
Hometown: Greensboro, North Carolina
Song: “To Have a Friend”
Album: Not What I Seem
Release Date: April 5, 2019

In Their Words: “‘To Have a Friend’ was written for an animated film about a dog that’s being created by Out of Our Minds Animation Studios. After they sent me the script, I knew I wanted to write the song from the dog’s perspective, a song that gives a voice to all the dogs out there who need a home. But, however you hear the song, I think a lot of folks can relate, especially to the importance of companionship.

“Writing this song, I would read through the script and then take my dog, who is a rescue, for a long walk. I call them ‘song walks’ and most of this one was written that way, stopping to jot down lyrics as they came. When we were recording the song, my friend Sam Frazier came to the studio and laid down a beautiful second guitar track. There are a handful of musicians who really strike a chord and raise the bar high for me; Sam is one of those. I love any chance we get to play together and so it was a real honor to have him on this song.” — Abigail Dowd


Photo credit: Todd Turner

LISTEN: Clint Alphin, “Straight to Marrow”

Artist: Clint Alphin
Hometown: Dunn, North Carolina
Song: “Straight to Marrow”
Album: Straight to Marrow
Release Date: March 29, 2019

In Their Words: “Some songs, lyrics, and experiences emerge from the deepest and indescribable parts of one person and transfer right into those of another. That’s the idea for the theme of this album, and it was a title I had wanted to write a song to for quite some time. I finally found the inspiration for it from a short-film script entitled Lemons that was written and directed by my friend Simon Werdmuller Von Elgg. The song wound up not being right for the movie, but it captures the spirit and theme of the album perfectly.” –Clint Alphin


Photo credit: Simon Werdmuller Von Elgg

LISTEN: Seth Walker, “Hard Road”

Artist: Seth Walker
Hometown: Nashville, Tennessee
Song: “Hard Road”
Album: Are You Open?
Release Date: February 15, 2019
Label: RPF Records

In Their Words: “I grew up in rural North Carolina on a little dirt road called Busick Quarry Rd. We had 15 acres of land surrounding our log house and I traversed, trampled and pedaled my bike all over that Carolina clay. Out beyond that dirt road was a paved one: Osceola-Ossipee Rd, and we all called it the ‘Hard Road.’ My momma gave strict orders not to go riding my bike up there by myself, as the big farm trucks would howl and unwind up there. I will never forget the day I broke that rule and rolled up on that road for the first time. The long white line, the smell of freedom and subsequent danger. Now I am up here on this hard road chasing the muse, and there is no end in sight. It is all so intoxicating, daunting and strangely comforting.

“Musically I wanted this track to roll like a wheel with little chord change. A rhythmic trance of sorts. The groove has a strong African blues influence. All to set the tone of rolling up on the ‘Hard Road.'” — Seth Walker


Photo credit: Joshua Black Wilkins

LISTEN: Jane Kramer, “Hymn”

Artist: Jane Kramer
Hometown: Asheville, North Carolina
Song: “Hymn”
Album: Valley of the Bones
Release Date: March 1, 2019

In Their Words: “This song was a kind of ‘homework’ assignment from my songwriting mentor, Mary Gauthier. She looked me in the eye and told me that all of my self-deprecation wasn’t cute or charming and asked me, ‘When are you going to drop the bullsh*t and really own your power and talent?’ She told me that only then would I write the kind of songs that were up to my full potential. She challenged me to write a song from a perspective of self-love. Like, full, real, spiritual and true self-love, and to call it my ‘Hymn,’ whatever that meant to me. I spent a few weeks after that alone, backpacking around Italy with a little travel guitar. I wrote this song in a little mountain village called Vetulonia, where I slept in a little cottage with a hammock for a bed, looking out over mountains that reminded me of home, and it sunk in then that I couldn’t really come home till I came home to myself. So I did.” — Jane Kramer


Photo Credit: Rose Kaz