To say good bye to the week and to August, we’ve got one more premiere round-up for the month – and, as always, You Gotta Hear This!
Among all the fine new music being released, we’re highlighting a handful of tracks newly minted or arriving very soon. First, there’s “Bring Out The Country (In Me),” the sole original number from Danielia Cotton’s new EP paying tribute to Country Music Hall of Famer Charley Pride. Then, check out singer-songwriter David Luning’s “Every Day I Am,” which explores the fear and anxiety of being a fugitive on the run.
As you continue, John Surge and the Haymakers bring us a properly Tex-Mex track, “Marisol,” from their upcoming album Maybe You Don’t Know Me. And, to bring us home, North Carolina-based bluegrass outfit Unspoken Tradition have a stellar cover of Alabama’s hit, “I’m In a Hurry (And Don’t Know Why).”
It’s all right here on BGS and You Gotta Hear This!
Danielia Cotton, “Bring Out The Country (In Me)”
Artist:Danielia Cotton Hometown: Hopewell, New Jersey Song: “Bring Out The Country (In Me)” Album:Charley’s Pride: A Tribute to Black Country Music Release Date: August 29, 2024 Label: Cottontown LLC with Symphonic Distribution
In Their Words: “Coming to New York City from a small town was a major transition for me. What surprised me was how much of my small town ways and sensibility I didn’t lose. The big city can engulf you, however that made me more myself and embrace more of my country roots. Big cities, especially New York, are full of what is seemingly countless numbers of confident people, when in fact so many are struggling with the same need to define themselves and stand out. I think I finally realized that what makes me most unique is when I am true to myself.” – Danielia Cotton
Track Credits: Danielia Cotton, Marc Copely – Songwriters Danielia Cotton – Lead vocals Marc Copely – Guitars, backing vocals, programming Andy Hess – Bass Aaron Comess – Drums, percussion Ben Stivers – Piano, organ Rocco DeLuca – Pedal Steel Produced, engineered, and mixed by Marc Copely at Casa Copely Recording, NYC. Mastered by Greg Calbi.
David Luning, “Every Day I Am”
Artist:David Luning Hometown: Los Angeles via Forestville, California (Near Petaluma) Song: “Every Day I Am” Album:Lessons Release Date: September 6, 2024
In Their Words:“Movies, songs, and stories, particularly set in the American west, have highly romanticized the life of running from the law, but in reality, in the long run, it’s gotta suck. So much fear and anxiety all the time. Always on the run. ‘Looking over your shoulder.’ Fleeing the consequences of your actions. Can’t trust anyone. At least I know in my life, running from my fears or consequences of things that I’ve done has never improved a thing. So on the surface, ‘Every Day I Am’ is about somebody running from the law, but underneath lies the story of somebody that is ‘…always hoping that one day it’ll be alright,’ without realizing that it could be, if they stop running.” – David Luning
Track Credits: Written by David Luning. David Luning – Vocals, Acoustic guitar, electric guitar, piano Linden Reed – Drums Ben Dubin – Electric bass Dave Sampson – Electric guitar Alex Leach – Electric guitar Damien Lewis – Percussion, sound design
John Surge and the Haymakers, “Marisol”
Artist:John Surge Hometown: Los Angeles, California Song: “Marisol” Album:Maybe You Don’t Know Me Release Date: September 6, 2024 (single); September 20, 2024 (album) Label: Blackbird Record Label
In Their Words: “‘Marisol’ is a historical lament about a woman who claims ‘my love is like a heart attack, the kind of love that’ll keep you coming back.’ It has a rollicking feel that comes straight from the Doug Sahm playbook. The song has a natural Tex-Mex feel. I kept asking Tommy [Detamore], ‘What would Doug do?’ Detamore shared stories of producing Sahm’s final album, The Return of Wayne Douglas. We followed that inspiration and traveled down Sahm Highway.” – John Surge
Track Credits: John Surge – Vocals, acoustic guitar Randy Volin – Electric guitar, baritone guitar, harmony vocals Brennen Leigh – Harmony vocals Michael Guerra – Accordion Brad Fordham – Bass Tom Lewis – Drums Floyd Domino – Organ Kevin Jarvis – Percussion
Unspoken Tradition, “I’m In a Hurry (And Don’t Know Why)”
Artist:Unspoken Tradition Hometown: Cherryville, North Carolina Song: “I’m In A Hurry (And Don’t Know Why)” Release Date: August 30, 2024 Label: Mountain Home Music Company
In Their Words: “I was born in ’85, so ’90s country was a part of life during that period. I still use ’90s country to get back there, nostalgically. Alabama was an awesome country band, and vocally, this song is just so fun to sing. The a capella intro always grabbed my attention back then and knowing our band has so many capable singers, I wanted to give this one a try as a fun cover. As a father with a family, a full time job, and also juggling music and other things, the message of the song is a reminder to slow down some and enjoy the little things.” – Audie McGinnis, guitar and lead vocals
Track Credits: Audie McGinnis – Guitar, lead vocals Sav Sankaran – Bass, vocals Tim Gardner – Fiddle Zane McGinnis – Banjo Ty Gilpin – Mandolin
Photo Credit: Danielia Cotton by Chía Messina; Unspoken Tradition by Sandlin Gaither.
We’ve got a fine collection of new tracks, videos, and performances for you this week in our premiere round-up, You Gotta Hear This!
Don’t miss some stellar bluegrass from genre staples – and labelmates – the Grascals, who are celebrating their 20-year anniversary, and Chris Jones & the Night Drivers. The former celebrate their heroes, the Osborne Brothers, with a cover of “Georgia Pineywoods” while the latter get topical while poking fun at doomsday rhetoric on “What If You’re Wrong.”
Jazzy roots duo Winterlark bring us a charming number with a somewhat unlikely subject– emojis. Well, and love gone not-so-right, too. Felled Oak, AKA Brian Carroll, also debuts “Taplines,” a track written while he worked the maple syrup season in Vermont. Singer-songwriter Amy Speace considers the construction of “The American Dream” with a brand new, summery music video and Spooky Mansion performs the title track from his upcoming album, What About You?, live outdoors on the ranch.
Don’t miss Julian Taylor’s debut of a brand new music video for “Pathways,” a song released earlier this week about family, connection, and inter-generational perspective that features the one and only Allison Russell.
To cap it all off, we’ve got an exclusive Yamaha Session from flatpicker Trey Hensley that posted to BGS earlier this week, too. It’s all right here and, we’ve said it before and we’ll say it again, but You Gotta Hear This!
Felled Oak, “Taplines”
Artist:Felled Oak Hometown: Corinth, Vermont Song: “Taplines” Album:Smoke on the Hillside Release Date: September 30, 2024
In Their Words: “All of the tunes on this project were birthed from time tapping trees in the sugarbush this past January here in Vermont. In the dead silence of winter, alone in a cluster of skeletal maples hiking uphill, I found myself humming and whistling melodies to keep myself (and the winter birds) company. Some of those melodies stuck and I’d pull out my phone, make a quick voice recording then when I got home transcribe them on the mandolin and octave mandolin.
“‘Taplines’ was a melody that fell beneath my own fingers effortlessly and when I brought it to good friend and musical partner, Mark Burds, a smile crept across his face as we played it together for the first time. All of these tunes were recorded in luthier workshops and small, personal spaces around central Vermont and featuring my closest musical friends. It’s music to be shared and played together, to connect. Intimate, organic, and honest.” – Brian Carroll, Felled Oak
“‘Taplines’ was really fun to put clawhammer on, because it’s one of those simple yet beautiful melodies that falls so nicely on banjo and it’s so satisfying to groove on.” – Mark Burds, banjo
Track Credits: Brian Carroll – Octave mandolin, mandolin, upright bass, acoustic guitar Mark Burds – Banjo
The Grascals, “Georgia Pineywoods”
Artist:The Grascals Hometown: Nashville, Tennessee Song: “Georgia Pineywoods” Album:20 Release Date: August 23, 2024 Label: Mountain Home Music Company
In Their Words: “I don’t believe The Grascals would be in existence without The Osborne Brothers. Their heavy impact and influence on us is one of the main reasons we all love bluegrass music so much. ‘Georgia Pineywoods’ is a classic Boudleaux and Felice Bryant song originally recorded by The Osborne Brothers and it just felt very fitting for us to include it on this album celebrating our 20th band anniversary. We will always salute The Osborne Brothers’ music and their continued inspiration to The Grascals!” – Jamie Johnson
Track Credits: Kristin Scott Benson – Banjo Danny Roberts – Mandolin Jamie Johnson – Guitar, lead vocals Terry Smith – Bass, baritone vocals John Bryan – Guitar, tenor vocals Jamie Harper – Fiddle, vocals
Chris Jones & the Night Drivers, “What If You’re Wrong”
Artist:Chris Jones & The Night Drivers Hometown: Nashville, Tennessee Song: “What If You’re Wrong” Release Date: August 23, 2024 Label: Mountain Home Music Company
In Their Words: “Jon Weisberger and I co-wrote the song as a conversation with a conspiracy theorist. It’s meant to be a light-hearted look at the subject – I’m pretty sure it’s the first bluegrass song to mention chem trails! – but it does ask a serious question: When something earth-shaking is predicted, whether it’s the end of the world, a change of government, or just the results of a major ballgame, what do you do when it doesn’t happen? Do you question your sources or double down? We have so much of this in the era of social media and different realities we live with, it seemed pretty timely, and we had fun with it.” – Chris Jones
Amy Speace, “The American Dream”
Artist:Amy Speace Hometown: Nashville, Tennessee Song: “The American Dream” Album:The American Dream Release Date: October 18, 2024 Label: Wind Bone Records
In Their Words: “I’ve worked with Neilson Hubbard and Joshua Britt (their production company is Neighborhoods Apart) on a bunch of videos, so I trusted them to get the vibe of the song. Also, Neilson produced the record and Josh played on it, so I knew they got it. We all wanted to capture that feeling of the freedom of the end of summer. I grew up mostly in a small town with rural countryside all around it and we’d take long drives through the cornfields as the sun set. We shot this on a country drive and an abandoned cabin (also used in the album art) near Franklin, Tennessee. The appearance of the tractor and the train are coincidences.” – Amy Speace
Video Credit: Neighborhoods Apart, Neilson Hubbard and Joshua Britt
Spooky Mansion, “What About You?”
Artist:Spooky Mansion Hometown: San Francisco, California / Bay Area Song: “What About You?” Album:What About You? Release Date: August 22, 2024 (song); October 31, 2024 (album)
In Their Words: “I wrote ‘What About You?’ with the intention of painting a picture of my life through different stories. The places I’ve been and the people I come from have all made me who I am. In those early days of a relationship, when you’re getting to know someone, there are certain memories that you retell to explain who you are.
“The verses are meant to be quiet, subdued, and more introspective as I try to describe myself. The chorus is bigger and joyful as I turn the attention to the person I’m talking to. In all my experiences, ‘I didn’t even know that I was looking for you.’ It culminates in a repeated anthem at the end as a reminder that despite what you’ve already lived through, there is more in life that will keep changing you and continuously creating you into the person you are. In this case, it was a beautiful woman I’d recently met who is now my wife and love of my life.” – Grayson Converse, Spooky Mansion
Artist:Julian Taylor Hometown: Toronto, Ontario, Canada Song: “Pathways” Album:Pathways Release Date: August 21, 2024 (song); September 27, 2024 (album) Label: Howling Turtle Inc.
In Their Words: “I remember sitting in my living room when the melody and chord patterns just came to me. Often, when I sit down to write music, it’s the first thing that I start playing that sticks, because it’s raw and honest. I worked the progression in several different ways. First on the acoustic guitar and then on the piano. I still have probably upwards of seven or eight takes of it somewhere on my voice notes. Some were quite punk sounding, while others were quite folk sounding. Ultimately, the sound of the melody and progression in 6/8 time seemed to have the most impact on me.
“This song became a lyrical collaboration between two friends of mine that are also neighbors. I was invited to hang out and write with my pals Robert Priest and Rosanne Baker Thornley, who has a studio down the road from me. When I arrived, I showed them what I had been working on and they loved it. We ultimately wanted to write a hopeful song that spoke to our next of kin, and since we all have children who are the most important people in the world to us, we followed that inspiration. I performed with my friend Allison Russell at the Juno Awards this year and asked her if should be interested in collaborating on the song seeing as she is a mother as well and I am so honored that she said yes and brought yet another magical spark to our creation.” – Julian Taylor
Track Credits: Julian Taylor – Vocal, guitar Allison Russell – Duet vocal Colin Linden – Electric Dobro, mandotar, bass, harmony vocal Gary Craig – Drums, percussion Jim Hoke – Saxophones Janice Powers – B3 organ
Winterlark, “Ending With Heart Heart Heart”
Artist:Winterlark Hometown: Santa Cruz, California Song: “Ending With Heart Heart Heart” Album:Sing To Me About Tomorrow (EP) Release Date: August 23, 2024 (song); September 20, 2024 (EP) Label: Squink Records
In Their Words: “It seemed that the world was ready for a song about the insidiousness of emojis, so I tried to write a modern-day song about a poorly communicated break-up, like the one in Elvis Presley’s rock-n-roll classic ‘Return to Sender.’ One of the keys to the song is the pairing of the sad lyrics with the happy, infectious beat driven by Kristin and drummer Chris Haskett. They make everything swing.” – Sweeney Schragg
“When Sweeney shared the core idea of this song, I do believe I laughed – uncomfortably. Aren’t we all guilty of throwing emojis at people instead of real words? Sweeney left six spots open for bass fills, a better gift than a box of black licorice (my favorite).” – Kristin Olson
Yamaha Sessions: Trey Hensley, “Hold What You Got”
On a sunny Sunday afternoon just outside of Nashville, Tennessee earlier this summer, BGS linked up with award-winning guitarist, songwriter, and jaw-dropping flatpicker Trey Hensley to kick off a new series of Yamaha Sessions. Hensley, a GRAMMY nominee and the reigning IBMA Guitar Player of the year, pulled his custom Yamaha FG9 R out of its road case to shred through a cover of a classic Jimmy Martin number, “Hold What You Got.”
Hensley is a picture perfect modern demonstration of how bluegrass trailblazers, like Martin, blurred the lines between country, old-time, bluegrass, and beyond. His voice reminds of honeyed country singers like Randy Travis, while his blisteringly quick picking and remarkable articulation are built on Tony Rice and Clarence White building blocks – but simultaneously, those techniques are as forward-looking and contemporary as his peers, Billy Strings, Jake Workman, and others. Hensley pulls limitless tone and warmness from his Yamaha FG9 R, even while approaching the song with near-aggression, ripping through acrobatic triplet licks and leaning into ugly delicious chromaticism in every solo.
To close out the week and celebrate New Music Friday, we’ve got an excellent assortment of track premieres from artists working in Americana, bluegrass, folk, and beyond.
Singer-songwriter Brendan Forrest has brought us “Lowdown Stray Dog Blues,” which features bluegrass and old-time favorites Dominick Leslie and George Jackson backing him up. Plus, the groundbreaking and buzz-worthy queer artist Flamy Grant shares her new track, “If You Ever Leave,” about faith and healing, growth and redemption.
Fiery bluegrass fiddler Andy Leftwich debuts a new, musically acrobatic instrumental single, “Aced,” which boasts an ace backing band of Matt Menefee, Byron House, and Cody Kilby. And, to finish us off strong, Nebraska-based Americana trio The Wildwoods have unveiled “There Goes the Neighborhood,” a contemplative track that explores ideas and feelings around gentrification and transformation.
It’s all right here on BGS and you know what we think… You Gotta Hear This!
Brendan Forrest, “Lowdown Stray Dog Blues”
Artist:Brendan Forrest Hometown: Chicago, Illinois Song: “Lowdown Stray Dog Blues” Album:Daydreaming Music Fiend Release Date: September 27, 2024
In Their Words: “I collaborated on this song with Dominick Leslie – IBMA winner and two-time GRAMMY Award Winner for Best Bluegrass Album with Molly Tuttle & Golden Highway – and George Jackson – Australian American fiddler and IBMA winner who plays in the Jacob Jolliff Band, with Jake Blount, and countless other prominent groups. The collaboration with Dominick was the crux of the record and the reason I went to Nashville to record it in the first place. I’m a huge fan of his band, Hawktail, which is why I hit him up, and he said yes after listening to my demos. I knew at the time it was the only chance I’d have to work with him, because the pandemic had still held touring back (later that year, things blew up). Now he’s touring non-stop with Molly after their 2 GRAMMYs, and it’d be impossible to get him in the studio the way we did it.
“The recording session was lock and step, even though I’d never met George in person until he rang the doorbell moments before we recorded (nor had he heard any of the songs prior). He was informally invited to the session to ‘see what happens,’ and we knocked it out in just 2 or 3 takes. I think the instant success in the take was 50% the Nashville magic musicians and 50% the song speaking so effortlessly to us cats who have spent much of our lives dedicated to bridging the past Americana music spirit into the present.” – Brendan Forrest
Flamy Grant, “If You Ever Leave”
Artist:Flamy Grant Hometown: Asheville, NC Song: “If You Ever Leave” Album:CHURCH Release Date: September 27, 2024 Label: Glam & Glory Records
In Their Words: “It’s hard to heal where you’re being harmed. Sometimes, maybe even most times, the best thing a person can do to save themselves from a toxic place is to leave it. For queer folks and many others, church can be a place of real damage, and until the broader American church — and its God — have figured out how to love queer people properly, I intend to stick around and show them how it’s done. But I’ll also be pointing the way to the exits.” – Flamy Grant
Track Credits: Written by Flamy Grant. Produced by Ben Grace. Engineered by Charlie Chamberlain at Forty-one Fifteen Studio, Nashville. Mixed by Latifah Alattas. Mastered by David Wilton.
Flamy Grant – Acoustic guitar Megan McCormick – Electric guitars Juan Solorzano – Pedal steel Will Honaker – Bass Megan Jane – Drums Andy Sydow – String arrangement Sav Madigan – Violin and viola Katie Larson – Cello
Andy Leftwich, “Aced”
Artist:Andy Leftwich Hometown: Carthage, Tennessee Song: “Aced” Release Date: August 16, 2024 Label: Mountain Home Music Company
In Their Words: “As musicians, we know that the journey never ends. You’re always trying to be better at your craft, always exploring new ways to approach certain things in music, and forever growing and learning. Every once in a while, you begin to see results of your hard work and it begins to pay off. When you get pickers like Cody Kilby, Byron House, and Matt Menefee together, good things happen. These guys are ‘Aces’ at their craft, and I’m honored they would pick with me on this song!” – Andy Leftwich
Track Credits: Andy Leftwich – Fiddle, mandolin Byron House – Upright bass Cody Kilby – Acoustic guitar Matt Menefee – Banjo
The Wildwoods, “There Goes the Neighborhood”
Artist:The Wildwoods Hometown: Lincoln, Nebraska Song: “There Goes the Neighborhood” Release Date: August 16, 2024
In Their Words: “The song ‘There Goes the Neighborhood’ was written as a tribute to our hometown of Lincoln, NE and the gradual transformation of the familiar places we think of as ‘home,’ evolving from charming old buildings to modern structures that feel unfamiliar.
“Noah sparked the idea for the song and had been singing the chorus hook, ‘…there goes the neighborhood…’ for months just around the house. One rainy Tuesday afternoon back at home, while reminiscing about our old favorite local sandwich shop that had been transformed into a bank, we finished the rest of the song together in one sitting.
“This transformation from recognizable to unknown mirrors our own growth as a band and as individuals, reflecting the changes we’ve experienced over time. The lyrics and melody perfectly capture the bittersweet essence of these changes. The ending line of the chorus, ‘There goes the neighborhood, gone with the echoes of time,’ blends a sense of melancholy with acceptance and hope, enhanced by the lighthearted melody of the chorus. It’s a heartfelt tribute to the past while embracing the possibilities of the future, resonating deeply with anyone who has felt the inevitable passage of time and the shifts it brings to our surroundings and ourselves.” – The Wildwoods
Track Credits: Written by The Wildwoods. Chloe Gose – Vocals, violin Noah Gose – Vocals, acoustic guitar, percussion Andrew Vaggalis – Vocals, upright bass Engineered and mixed by Noah Gose at The Goosenest Studio in Lincoln, NE.
Photo Credit: Flamy Grant by Ash Perlberg; the Wildwoods by Sarah and Jeanne Vaggalis (S+J Photography).
Are you enjoying brat summer? We sure are, too, but as Teddy and the Rough Riders declare with their new video dropping today in You Gotta Hear This, “Catfish Summer” is what it’s really all about!
That’s not all our premiere round-up holds this week, either. We’ve got new videos from folks like guitarist-songwriter Joy Clark and Texan-Los Angeleno Silas Nello, and a new track has been unveiled by Americana duo Ocie Elliott, too.
Don’t miss bluegrass offerings from up-and-comers and legends, both. Jaelee Roberts brings a new single, “Between The Two Of Us,” East Nashville mainstays Greenwood Rye premiere “Down to the River,” and the Queen of Bluegrass herself, Rhonda Vincent, pays tribute to her homeland of Missouri with a song co-written by Opry star Jeannie Seely and Music Row stalwart writer Erin Enderlin. Vincent’s new album, Destinations And Fun Places, hits store shelves and digital platforms today.
To round out this edition of our weekly collection of premieres, don’t miss Moira Smiley’s rendition of the classic Jean Ritchie song, “Now Is The Cool Of The Day,” which debuted on the site earlier this week in honor of Farmworker Appreciation Day. It’s all right here on BGS and You Gotta Hear This!
Joy Clark, “Lesson”
Artist: Joy Clark Hometown: New Orleans, Louisiana Song: “Lesson” Album:Tell it to the Wind Release Date: October 4, 2024 Label: Righteous Babe Records
In Their Words: “My grandma is and was my root and when she passed, I thought about the gems she imparted to me in her 86 years of life. She’d say to me ‘Get your lesson!’ I’d sit at her table and talk to her. I came out to her at that very table. She accepted me. After she died, I sat down with my producer Margaret Becker to write, and the lyrics just rolled out; capturing the way my grandma lived her life. She taught me to treat everyone with kindness and to strive for peace while never backing down from a good fight. It’s a timely ‘Lesson’ for this country as we fight to take our rightful place in the struggle for freedom.” – Joy Clark
Video Credits: Directed and shot by Jared LaReau, Something Human. AJ Haynes – Creative Assistant
Ocie Elliott, “Adelina”
Artist:Ocie Elliott Hometown: Victoria, British Columbia, Canada Song: Adelina Release Date: August 9, 2024 Label: Nettwerk Music Group
In Their Words: “‘Adelina’ is about a fictional heroine inspired by a combination of legendary musicians and personal idols –people who hone that extra something inside of them to carve their way through the barriers of the tangible world, prying doors open for others in their wake. In comparison to some of our previous recordings, the final result of ‘Adelina’ reflects the way in which it was put together – with a lot of play, compromise, reinventing, and scrubbing at the built-up grime and loose ideas to make a smooth surface for finer grit to be poured back in. To us, it feels louder, more immediate, and present. It’s a song you play when leaving somewhere – a ‘windows down, future open and ready’ kind of song.” – Sierra Lundy and Jon Middleton, Ocie Elliott
Greenwood Rye, “Down to the River”
Artist:Greenwood Rye Hometown: Nashville, Tennessee Song: “Down to the River” Album:Hideaway Release Date: August 9, 2024 (single); August 23, 2024 (album)
In Their Words: “‘Down to the River’ was one of the first songs I wrote when I moved to Nashville in 2020 and the first original song we started playing live as we started Greenwood Rye during the pandemic as the house band for Jane’s Hideaway in Nashville. I wanted to write the quintessential song for what we were trying to do as a band. It is a fun, funky groove with a singable chorus, has a jamgrass style instrumental bridge, and plays around lyrically with some bluegrass themes. I was thinking a lot of ‘Old Home Place’ and how the narrator is blaming others for his problems. So, I came up with the idea to have a character who takes responsibility for his actions. He ‘runs off to the vineyards’ rather than the ‘taverns took all his pay.’ But there is also a level of hubris in the narrator, as he feels like he can just go ‘down to the river’ every time he does someone wrong ‘again.’
“The track features Sasha Ostrovsky (Darius Rucker, Bering Strait) on dobro.” – Shawn Spencer, guitar, vocals, songwriter
Track Credits: Written by Shawn Spencer. Shawn Spencer – Guitar, vocals Cat McDonald – Fiddle, vocals David Freeman – Mandolin, vocals Taylor Shuck – Banjo Sasha Ostrovsky – Dobro Larry Cook – Bass
Produced & mixed by Billy Hume. Mastered by Pete Lyman. Matt Coles – Additional engineering Recorded at Compass Records.
Silas Nello, “Holy Ghost Blues”
Artist:Silas Nello Hometown: Los Angeles, California via Dallas, Texas Song: “Holy Ghost Blues” Album:From West Hollywood Release Date: August 9, 2024 (single); September 13, 2024 (EP) Label: Blackbird Record Label
In Their Words: “It came to me in a dream – a sort of fantasized crossroads moment of how mankind trades this for that and we don’t realize until the deal is already done. I wrote this song at the wet bar of my then 1980s home just north of Dallas sometime in 2016.” – Silas Nello
“The video was meant as a portrait of Silas Nello. We went around Los Feliz, West Hollywood, and Wild Horizon Sound, documenting his travels like a ‘day in the life.’ We broke the fourth wall with Silas acknowledging the camera and the audience throughout the piece. What this created was an intimate moment where we’re spending time with him but he was also spending time with us.” – Taylor Hungerford, filmmaker, Silverspark Printworks
Track Credits: Written by Silas Nello. Silas Nello – Lead vocal, background vocal, acoustic guitar, harmonica, tambourine Produced by Claire Morison & Silas Nello. Recorded at Wild Horizon Sound. Recording engineer, mixing engineer, and mastering engineer – Claire Morison
Video Credit: Taylor Hungerford, Silverspark Printworks
Jaelee Roberts, “Between The Two Of Us”
Artist:Jaelee Roberts Hometown: Nashville, Tennessee Song: “Between The Two Of Us” Release Date: August 8, 2024 Label: Mountain Home Music Company
In Their Words: “‘Between The Two Of Us’ was written with my friends Donna Ulisse and Kristen Bearfield. When we got together, we agreed that we’d like to write something up-tempo and happy, and ‘Between The Two Of Us’ is the result of that session. It truly is a happy song about love lasting between two people and what you have to do to achieve that. Getting to hear this song come together in the studio was really amazing, and I am so thrilled with the end result. The musical arrangement provided by Ron Block, Andy Leftwich, Cody Kilby, Byron House, Justin Moses, Stuart Duncan, and John Gardner absolutely made this song even more special than I could have imagined! To top it off, Stephen Mougin and Kelsi Harrigill joined me on harmonies and their voices were the perfect touch to convey the message of the song. I hope y’all enjoy this love song that is filled with words of hope, joy, and encouragement.” – Jaelee Roberts
Teddy and the Rough Riders, “Catfish Summer”
Artist:Teddy and the Rough Riders Hometown: Nashville, Tennessee Song: “Catfish Summer” Album:Down Home Release Date: October 11, 2024 (album) Label: Appalachia Record Co.
In Their Words: “This one is about visiting my mom’s side of the family who live in Rockmart, Georgia. I was 12 or so and didn’t really wanna visit my grandma Lou-Lou that summer. But instead, my mom dropped me and my cousin off at my uncle Bubba’s house for a few weeks, and he lived in an amazing hillbilly shack on the side of a catfish pond with about ten dogs, deep in the woods. Greatest summer ever! From childhood bummer to high time.” – Ryan Jennings, Teddy and the Rough Riders
Rhonda Vincent, “I Miss Missouri”
Artist:Rhonda Vincent Hometown: Greentop, Missouri Song: “I Miss Missouri” Album:Destinations And Fun Places Release Date: August 9, 2024
In Their Words: “My Grand Ole Opry sister Jeannie Seely started writing ‘I Miss Missouri’ for me several years ago. She lost everything, including the lyrics she had written, in the Nashville flood of 2010. Fast forward to February 29, 2020, the night she made my greatest dream come true and invited me to be a member of the Grand Ole Opry. We have since become close friends, and after the Opry invitation she said the lyrics started coming back to her.
“She invited Erin Enderlin and I to join her in writing the song. ‘I Miss Missouri’ was the inspiration for creating a ‘destinations’ project, with all the songs representing a destination.” – Rhonda Vincent
Track Credits: Written by Jeannie Seely, Erin Enderlin, and Rhonda Vincent. Adam Haynes – Fiddle Rhonda Vincent – Lead vocal, mandolin Mickey Harris – Bass Zack Arnold – Guitar, harmony vocal Aaron McDaris – Banjo Jacob Metz – Resophonic guitar
Moira Smiley, “Now Is The Cool Of The Day”
Artist:Moira Smiley Hometown: New Haven, Vermont Song: “Now Is The Cool Of The Day” Album:The Rhizome Project Release Date: September 6, 2024
In Their Words: “August 6th is Farmworker Appreciation Day, and I didn’t know that until this year. I am writing this as I sit on a hill above the rolling Vermont farmland where I grew up being a young farmworker and musician. In honor of this day, I’m releasing one of my favorite songs of all time – and the best one I know for reminding us to slow down and remember our roles as carers and tenders of this beautiful planet and the people around us. This week, I’m showering appreciation on the people that grow and tend food in my area; buying from small farmers, donating to the Open Door clinic that serves the medical needs of immigrant agricultural laborers. This gentle video hopes to slow your pace, and bring you along with me in acknowledging that farmworkers make our nourishment possible. Let us thank them.” – Moira Smiley
Artist:Moira Smiley Hometown: New Haven, Vermont Song: “Now Is The Cool Of The Day” Album:The Rhizome Project Release Date: September 6, 2024
In Their Words: “August 6th is Farmworker Appreciation Day, and I didn’t know that until this year. I am writing this as I sit on a hill above the rolling Vermont farmland where I grew up being a young farmworker and musician. In honor of this day, I’m releasing one of my favorite songs of all time – and the best one I know for reminding us to slow down and remember our roles as carers and tenders of this beautiful planet and the people around us. This week, I’m showering appreciation on the people that grow and tend food in my area; buying from small farmers, donating to the Open Door clinic that serves the medical needs of immigrant agricultural laborers. This gentle video hopes to slow your pace, and bring you along with me in acknowledging that farmworkers make our nourishment possible. Let us thank them.
“Ever since I learned Jean Ritchie’s song, ‘Now Is The Cool Of The Day,’ as an 11 year-old, it has played in my head while traveling through fields and pastures, working in my own garden, or worrying about the climate crisis. The words throughout her beautifully crafted song form and melody call on us to steward the earth (and take care of each other). Although she had that call coming from ‘my lord,’ I always felt that call coming straight from the earth itself. I love that these words urgently and gently remind us that we are tenders, not just extractors, consumers, and producers.
“American icons Cesar Chavez and Dolores Huerta founded the National Farm Workers Association in the early 1960s and it became the powerful United Farm Workers union, UFW. Huerta coined the phrase, ‘Si, se puede’ (‘Yes, we can’) and has been a lifelong advocate for labor rights, women’s rights, and civil rights with her efforts resulting in legislative victories for farm workers. Chavez’s leadership brought national attention to the plight of farm workers and helped secure better wages and working conditions through strikes, boycotts and other measures.
“The official Farmworker Appreciation Day got moved to August 6th by Bill Clinton’s administration, and I’m glad that we get to percolate and act on our appreciation while in this most fruitful of seasons, August. I hope you’ll join me by giving extra love to the farmers and farmworkers whose work nourishes you!” – Moira Smiley
Photo Credit: Fiona Small Video Credit: Fiona Small
It’s our first New Music Friday of August! This week, we’ve got an excellent handful of tracks you simply gotta hear. First, there’s Paula Fong with a “zippy little tune” that’s delightfully old school country. Plus, Danny Roberts brings us a ramblin’ bluegrass track, “The Drifter,” which pays homage both to David “Dawg” Grisman and Roberts’ late brother-in-law, Mike Mullins.
Our penultimate premiere is the title track for Americana duo – and 2024 AmericanaFest Official Showcase artist – A Tale of Two’s upcoming album, Renegade. To finish us off, the impeccable and mystifying guitarist Yasmin Williams calls on indie folk favs Darlingside for “Virga,” a swirling song from her just-announced upcoming album, Acadia.
Listen below, ’cause You Gotta Hear This!
Paula Fong, “A House Is Not A Home”
Artist:Paula Fong Hometown: Los Angeles, California Song: “A House Is Not A Home” Album:Chestnut Mare Release Date: September 6, 2024
In Their Words: “This is hands down the fastest I’ve ever written a song. It took me around 15 minutes to write it top to bottom – chords and lyrics – and felt like it just flew out of my head onto the page. I often write about fairly heavy subjects, but in this case I thought I’d just try out a zippy little tune that puts a smile in your heart and makes you want to tap your feet. I often get compliments that it sounds like an effortlessly classic old country tune.
“When I was in my early 20’s I moved from Los Angeles to North Carolina for a time to work at an outdoor Montessori/Quaker farm school that was located in the foothills of the Appalachian Mountains. Life there was full and busy, but in a different way from LA. Many things were clearer, more simple, more joyful in a way. I feel like this song captures one facet of the simplicity of that time (and some specific NC references – traveling across the mountains, chickens in the garden). Generally speaking, I think love is hardly simple, but there are certainly moments that can feel as easy and carefree as this song.” – Paula Fong
Danny Roberts, “The Drifter”
Artist:Danny Roberts Hometown: Nashville, Tennessee Song: “The Drifter” Release Date: August 2, 2024 Label: Mountain Home Music Company
In Their Words: “When I started writing ‘The Drifter,’ I was inspired to compose something to pay tribute to one of my all-time favorite mandolin players, David Grisman. I feel like this song has that vibe, though nobody can play that style like Dawg. The song title is in honor of my late brother-in-law, Mike Mullins, who wrote a book called The Drifter before he passed away; that title just seemed to fit this song. ‘The Drifter’ was so much fun to record, and it’s always great to have my wife Andrea playing bass with me and the solos that Tony Wray (banjo and guitar) and Jimmy Mattingly (fiddle) played on it are magical. I’m blessed to have such great musicians helping me bring my music to life!” – Danny Roberts
Track Credits: Danny Roberts – Mandolin Andrea Roberts – Bass Tony Wray – Acoustic guitar, banjo Jimmy Mattingly – Fiddle
A Tale of Two, “Renegade”
Artist name:A Tale Of Two Hometown: Nashville, Tennessee Song: “Renegade” Album:Renegade Release Date: October 4, 2024
In Their Words: “‘Renegade’ is a fitting title for both the record and this song. It represents a shift, a changing of the tide. Our aim is to embody an identity that defies the norms of Nashville. Drawing inspiration from fragments of a previously unreleased track, “Renegade” continues the next chapter of our story, infused with the spirit of the Appalachian terrain we know so well.” – A Tale of Two
Track Credits: Aaron Lessard – Guitar and vocals Stephanie Adlington – Vocals Ross McReynolds – Percussion Elizabeth Estes – Fiddle Jon Estes – Bass
Yasmin Williams, “Virga”
Artist:Yasmin Williams Hometown: Woodbridge, Virginia Song: “Virga” Album:Acadia Release Date: October 4, 2024 Label: Nonesuch Records
In Their Words: “A virga occurs when trails of rainfall from a cloud evaporate before they reach the ground. While virga can be beautiful to look at, it can also cause extreme turbulence for aircrafts. I related this phenomenon to how I feel about participating in the music industry. While it’s so fulfilling to create music that I’m proud of and to be able to travel around the world, the industry itself is dangerous to be a part of and doesn’t always value art or artists.
“Instead, the music industry values metrics and other things that are related to business, not art, forcing most artists to think about hitting their next business target instead of putting their energy into their music. I often feel overwhelmed with all of the expectations that the music business puts on artists and the constant need to move on to the next goal post instead of being able to reflect on, and be grateful for, the things I’ve already achieved.
“While writing ‘Virga,’ I realized that it’s totally fine to feel suspended in time, with my career goals, hopes, and dreams suspended in the atmosphere of an environment I have no control over… and I eventually learned how to thrive “in Virga,” through both the beautiful times and the turbulent ones.” – Yasmin Williams
Track Credits: Darlingside – Vocals Rich Ruth – Synth, Yasmin Williams – Harp guitar Jeff Gruber – Recording engineer Mixed by Ken Lewis at thATMOS Studios.
Photo Credit: Yasmin Williams by Ebru Yildiz; Danny Roberts by Sandlin Gaither.
The last Friday of July came up fast, didn’t it? To close out the month, we’ve got another excellent round up of bluegrass, country, and Americana premieres that you won’t want to miss.
In the bluegrass department, we’ve got a brand new track from bluegrass hitmaker Ashby Frank featuring his labelmate Jaelee Roberts, Dallas Moore gives an intimate solo performance of “Up On That Mountain,” and we close our DelFest Sessions series with IBMA Award nominees Sister Sadie.
Coming from Americana and country camps, don’t miss a hilarious video from Jordie Lane paying homage to an East Nashville favorite, Nashville Biscuit House, Cole Gallagher shares a track that dropped earlier this week entitled “Traveling Man’s Blues,” and Mike Montrey Band serve up a quintessentially country love song, “Holdin’ on to Nothin’.”
Plus, Amythyst Kiah has just announced her upcoming Butch Walker-produced album, Still + Bright, with a lead single that features S.G. Goodman entitled, “Play God and Destroy the World.”
It’s all right here on BGS and you know what we think – You Gotta Hear This!
Ashby Frank, “God Gave Me Horses”
Artist:Ashby Frank Hometown: Nashville, Tennessee Song: “God Gave Me Horses” Release Date: July 26, 2024 Label: Mountain Home Music Company
In Their Words: “‘God Gave Me Horses’ was co-written by one of my favorite Nashville songwriters, the great Connie Harrington, along with Leigh Nash, who is well-known for her solo recording career as well as being the lead singer for the band Sixpence None The Richer. A mutual friend of mine and Leigh’s played me her original cut of this song when she released it and I was blown away by the lyrics and instantly knew I wanted to record it with a rootsy bluegrass treatment. There are a lot of classic ‘prison songs’ that are considered bluegrass standards that talk about despair, hopelessness, and regret, but this composition has a more contemporary and positive message that I think will resonate with listeners of every generation. I’m so pleased with how this track turned out, and especially grateful for my great friend and Mountain Home Music labelmate Jaelee Roberts for lending her voice to this track. I can’t wait for everyone to hear it.” – Ashby Frank
Track Credits: Ashby Frank – Mandolin, vocals Seth Taylor – Acoustic guitar Travis Anderson – Bass Matt Menefee – Banjo Jaelee Roberts – Harmony vocals
In Their Words: “In order to really understand what ‘Traveling Man’s Blues’ is about, you’ve got to understand that I spent almost two years on the road with my father a few years back. Earlier this year, I moved from LA to Nashville, so when I got back out on the road to shoot a video for this song, I had nothing but nostalgia shooting through every frame of this video. I wasn’t much older at the time than I was driving across with my dad. But it was enough time to have forgotten how beautiful the sun looks setting in Arizona or an amazing bright blue sky over the Cadillac Ranch in Amarillo, Texas. I felt like I was both discovering and re-discovering myself at the same time.” – Cole Gallagher
Track Credits: Barry Billings – Guitar Chad Gamble – Drums Cole Gallagher – Guitar, vocals Jimbo Hart – Bass Jon Eldridge – Keys Sadler Vaden – Guitar
Video Credits: Shot by Cole Gallagher. Produced by Cole Gallagher. Edited by Abe Barrington.
Amythyst Kiah, “Play God and Destroy the World” (Featuring S.G. Goodman)
Artist:Amythyst Kiah Hometown: East Brainerd, Tennessee Song: “Play God and Destroy the World” (Featuring S.G. Goodman) Album:Still + Bright Release Date: July 26, 2024 (single); October 25, 2024 (album) Label: Rounder Records
In Their Words: “This song is about coming of age as a misfit in suburbia. At home, I was encouraged to be curious to and express myself, and pursue whatever interests I wanted to regardless of gender, race, sexuality, or beliefs. However, I was not always met with this same attitude out in the community I lived in and it was frustrating to feel like I couldn’t really be myself. Being a naive kid, I would sometimes fantasize about being all-powerful and changing things the way I saw fit, but it is not up to me, or anyone, to tell everyone else how to live their life. We are all from this green and blue dot in space and will return to it all the same. There’s enough suffering in life as it is, why make it worse by policing each other’s way of life?” – Amythyst Kiah
Track Credits: Written by Amythyst Kiah, Sadler Vaden. Produced by Butch Walker. Amythyst Kiah – Vocals, background vocals, acoustic guitar, electric guitar S.G. Goodman – Vocals, background vocals Butch Walker – Bass guitar Ellen Angelico – Electric guitar, baritone guitar, mandolin Matty Alger – Drums, percussion
Jordie Lane, “Biscuit House”
Artist:Jordie Lane Hometown: Thornbury, Australia (Based in Nashville, Tennessee) Song: “Biscuit House” Album:Tropical Depression Release Date: July 25, 2024 (single); August 16, 2024 (album) Label: Blood Thinner Records, under exclusive license to ABC Music/The Orchard
In Their Words: “As with so many of my songs, I started out writing ‘Biscuit House’ with co-writer Clare ‘Lollies’ Reynolds about something external… somebody else. It’s a way to trick yourself into feeling less vulnerable. And it’s a way to observe the character in a more realistic and less biased way. But long story short, ‘Biscuit House’ is about imposter syndrome. Something so many people feel at some point in their lives, but especially creatives in the arts. And so the idea to dress up as this weatherman character, Tom Willing, to play in the video felt very fitting to explore being an imposter in a literal sense and get completely ridiculous and over the top.” – Jordie Lane
Track Credits: Jon Radford –Drums, percussion Jon Estes – Bass, pedal steel, keys Jeremy Fetzer – Electric guitar Clare ‘Lollies’ Reynolds – Backing vocals Jordie Lane – Acoustic, tenor, piano, vocals
Video Credits: Directed by Mackenzie Brassfield & Jordie Lane. Camera, editing & color by Mackenzie Brassfield. Assistant Director of Photography, Mikey Haydon.
Mike Montrey Band, “Holdin’ on to Nothin'”
Artist:Mike Montrey Band Hometown: Spotswood, New Jersey Song: “Holdin’ on to Nothin'” Album: Love, Time & Mortality Release Date: August 2, 2024
In Their Words:“‘Holdin’ on to Nothin’ is about the process of love. It seems, more often than not, the story of love in songs is about the beautiful beginning, the tragic end, or the celebration of sustained love. However, it is often what we choose to hold on to or let go of in the most critical moments of a relationship that allows us to move forward or move on. Sometimes we just hold on to hope and sometimes we’re holdin’ on to nothin’.” – Mike Montrey
Dallas Moore, “Up On That Mountain”
Artist:Dallas Moore Hometown: San Antonio, Texas Song: “Up On That Mountain” Album:Gems & Jams Release Date: August 9, 2024 Label: Sol Records
In Their Words: “I’ve always loved bluegrass and really cut my teeth and learned guitar sitting in on countless bluegrass jam sessions back in Kentucky and southern Ohio when I was kid first starting out. My mama Madgelee played mountain dulcimer and she turned me on to a lot of bluegrass, Appalachian, and gospel music. Jimmy Martin, The Carter Family, John Hartford, The Osborne Brothers, and Flatt & Scruggs were some of my favorites to jam on and definitely influenced my style of playing and songwriting.
“‘Up On That Mountain’ is a song that I had written several years ago and that I have always called ‘a little bit of heathen preachin’.’ I even had a version of it that was recorded live in the Bullitt county jail but it’s been out of print for a while now. This song has been a staple of my live shows for many years and I’m always excited and proud that my 7 year-old daughter Victory Lee Moore joins us on stage for this one. I had a lot of fun with this solo acoustic arrangement and it felt like a perfect fit for the closing of this Gems & Jams album. Wherever I am this song always takes me back home.” – Dallas Moore
Track Credits: Dallas Moore – Vocals, guitar Brian DeBruler – Producer, engineer
DelFest Sessions: Sister Sadie
We are so excited to unveil the final installment of our DelFest Sessions, featuring Grammy-nominated bluegrass supergroup Sister Sadie. Over the course of the Memorial Day festival in Cumberland, Maryland, BGS contributors and videographers I Know We Should shot a half dozen superlative live performances on the gorgeous banks of the Potomac River. From festival hosts the Travelin’ McCourys, Big Richard, and Wood Belly to East Nash Grass, Mountain Grass Unit, and now the Sadies, each edition of our DelFest Sessions has been an audio swatch of the incredible national string band scene we all adore.
With a raucous “WOO!” shouted to the festival-goers floating by in their inner tubes and kayaks on the river, Sister Sadie stepped up to the mics to deliver two gentle, burning, emotive tracks pulled from their critically-acclaimed album, No Fear, which was released earlier this year. The first, “Blue As My Broken Heart,” was written by Dani Flowers – who sings lead on the number – with co-writers Victoria Banks and Rachel Proctor. Evocative imagery and detailed text painting here feel more than appropriate for the setting, in the verdant foothills of Appalachia on the cusp of spring and summer. You can almost feel the blue sky above and you can certainly grasp, immediately, why this group is up for eight IBMA Awards this year – including Entertainer of the Year and Vocal Group of the Year…
Americana, alt-folk, bluegrass – whatever form these tracks may take, You Gotta Hear This! Our premiere round up this week includes plenty of Texas, a dash of Missouri, and a heaping helping of the Southeast, too. From new bluegrass numbers by the legendary Dan Tyminski and up-and-comers Liam Purcell & Cane Mill Road to thoughtful and intentional Americana by John Calvin and Goodnight, Texas. Plus, there’s a musical tribute to Godfrey, Missouri, a small town on the mighty Mississippi River, by Lost on the Metro and the Steel Wheels reunite with Malena Cadiz on a Paul Simon cover.
Our second-to-last installment of our DelFest Sessions – featuring Mountain Grass Unit – is included here as well, as it premiered on the site earlier this week. It’s a mighty fine collection of music and you know what we think… You Gotta Hear This!
John Calvin, “Austin Chalk”
Artist:John Calvin Hometown: Recently Boca Raton, Florida, but this record was written living in Dallas, Texas (and this song is very Dallas-centric). Song: “Austin Chalk” Album:Greener Fields & Fairer Seas Release Date: July 25, 2024 (single); January 24, 2025 (album)
In Their Words: “North Texas rests on an ancient deposit of chalk and marl that sits about five feet below the topsoil and runs for hundreds of feet below that. Living in North Texas, you realize how much of our present is determined by an ancient past. The Austin chalk formation leaves torrential rain with nowhere to go. Rivers, like the Trinity River, flood easily and entire neighborhoods and can be underwater in a matter of hours. There are beautiful communities on the banks of the Trinity like Joppa and Bonton that were only able to stabilize and grow with the extension of the levee system by the Army Corps of Engineers in the early 1990s. Our foothold is always more tenuous than we think, and that’s truest for those that can least afford to move.” – John Calvin
Track Credits: Written by John Calvin. Produced by Nate Campisi. John Calvin – Vocals, acoustic guitar Greg DeCarolis – Piano, bass, electric guitar, OB-8 synth Pat Coyle – Drums, percussion James Hart – Pedal steel Eric DeFade – Alto, tenor, baritone sax Robert Matchett – Trombone Joe Herndon – Trumpet David Bernabo – Brass arrangement
Goodnight, Texas, “A Bank Robber’s Nightmare”
Artist:Goodnight, Texas Hometown: San Francisco, California (Avi Vinocur) and Chapel Hill, North Carolina (Patrick Dyer Wolf); the real town of Goodnight, Texas is the exact mile-for-mile midpoint between the two locales. Song: “A Bank Robber’s Nightmare” Album:Signals Release Date: July 19, 2024 Label: 2 Cent Bank Check
In Their Words: “We’re enjoying some light world building. Our most recent single, ‘The Lightning and The Old Man Todd,’ fleshes out the tragic story of a character from a previous song of ours, ‘The End of the Road.’ Meanwhile, ‘A Bank Robber’s Nightmare’ checks in a decade later on the once carefree, now world-weary and estranged heroes of our 2014 song, ‘A Bank Robber’s Nursery Rhyme,’ which has been a fan favorite and staple of our live shows. The scene is kind of a bittersweet reunion, emphasis on the bitter. What do you say to your former partner in crime?” – Patrick Dyer Wolf
Lost on the Metro, “Godfrey”
Artist:Lost on the Metro Hometown: St. Louis, Missouri Song: “Godfrey” Album:Resonance and Regrets EP Release Date: July 25, 2024 (single); September 20, 2024 (EP)
In Their Words: “We have this giant river confluence here in St. Louis, and it’s common to take a drive along the river road from St. Louis to get away from the city for a while. Godfrey is a real town along the Mississippi River. Imagine bluffs, eagles flying overhead, touristy shops and restaurants, and the river road cutting through it all carrying cars, trucks, boats, bikes, to some unknown destination. The lyrics focus on getting older in a relationship, and the doubts that creep in, and that need to find a way to clear your head. There’s a dark element to Godfrey as well. It’s definitely a driving song on the surface, but the undercurrent holds all the worries and doubts and fears and hopes that float around as we find our way alone. It’s those thoughts in your head that you’re not sure you want other people to know you’re thinking. Driving down the river road with an open window and the wide Mississippi next to me lets me think those thoughts and then let them go.” – Lost on the Metro
Track Credits: Jilly Morey – Songwriter, lyricist, lead vocals, percussion David Morey – Songwriter, composer, arranger, rhythm guitar, vocals Chris Dunn – Composer, arranger, lead guitar, vocals Lucan Stone – Composer, arranger, bass, vocals Josh Bayless – Composer, arranger, drums, vocals
Liam Purcell & Cane Mill Road, “Old Man’s Dream”
Artist:Liam Purcell & Cane Mill Road Hometown: Deep Gap, North Carolina Song: “Old Man’s Dream” Album:Yellow Line Release Date: April 5, 2024 Label: Pinecastle Records
In Their Words: “This song is one of the most personal stories I’ve ever released. I wrote it one day while my father and I were working at my folks’ place in Deep Gap. The land next door had been sold off for housing development and we had to prepare for them to widen the road. Over the next few months, I watched the trucks come and go, watched the bulldozers change the shape of the mountains, and watched the destructive path of progress as it made its way through our little mountain community.” – Liam Purcell
The Steel Wheels, “Gone at Last” featuring Malena Cadiz
Artist:The Steel Wheels featuring Malena Cadiz Hometown: Harrisonburg, Virginia (The Steel Wheels) and Kalamazoo, Michigan (Malena) Song: “Gone At Last” Release Date: July 19, 2024 Label: Big Ring Records
In Their Words: “This Paul Simon song has been a favorite of ours for awhile. The plain spoken, down to earth writing with a gospel-sounding flare. We have been known to sing a cappella from time to time, but this was an opportunity for strong vocals with a bed of active bass and drum parts.
“Last February we were asked to play as the house band for the International Folk Alliance Music Awards in Kansas City. The house band job comes with the joy of meeting and playing with a variety of musicians. When we got a chance to play and sing with Malena Cadiz, we immediately fell in love with her voice. We were inspired to look for a chance to record together and ‘Gone At Last’ was that chance.” – Trent Wagler
Dan Tyminski, “Whiskey Drinking Man”
Artist:Dan Tyminski Hometown: Originally from West Rutland, Vermont. Lives in Nashville, Tennessee Song: “Whiskey Drinking Man” Album:Whiskey Drinking Man Release Date: July 19, 2024 (single); August 16, 2024 (album) Label: 8 Track Entertainment
In Their Words: “My first single off of the new project is one I’m very excited to release. It’s written to be a toe tapping burner in the party spirit. This one should get your juices flowing.” – Dan Tyminski
DelFest Sessions: Mountain Grass Unit
Our second-to-last installment of our DelFest Sessions features Birmingham, Alabama-based jamgrass group, Mountain Grass Unit. Videographers I Know We Should were on hand at this year’s DelFest in Cumberland, Maryland over Memorial Day Weekend to capture a collection of beautiful, fun, and engaging live sessions on the banks of the Potomac River. (See all of our DelFest Sessions here.) For their shoot, Mountain Grass Unit played a pair of exciting cover songs.
Their first selection, “Big River,” is a funky and charming re-imagination of a Johnny Cash classic with a mash-tastic, blues-inflected groove. Drury Anderson, the group’s mandolin picker and lead vocalist on the track, sings with a drawl seemingly from right down the proverbial road from Cash’s homeland (near Memphis, Tennessee). It fits the bluesy undertones of their rendition perfectly, equal parts Muscle Shoals and Bean Blossom. Cash is a common cover subject in bluegrass, and MGU’s version of “Big River” demonstrates exactly why that’s the case.
After a quiet holiday week last week for new music releases, we’re back with quite a few excellent song and video premieres on this fine Friday. Fiddler-songwriter Chris Murphy brings us the title track for his new EP, The Red Road, and folk legends Cathy Fink & Marcy Marxer team up with Chinese hammered dulcimer player Chao Tian for another single from their From China to Appalachiaproject.
Don’t miss a new video and radio single from Wilson Banjo Co. called “Memphis Anymore,” plus, indie-folk singer-songwriter Talia Rose brings us a video for a surprisingly holiday-inspired track, “In August.” To round us out, multi-instrumentalist and hit bluegrass songwriter Josh Shilling performs “Main Street” by Bob Seger for a new Bob Seger bluegrass tribute album, Silver Bullet Bluegrass, that you’re sure to love. And, you’ll want to catch our latest DelFest Session with East Nash Grass, which we premiered on the site earlier this week.
It’s another collection of incredible premieres on BGS – and You Gotta Hear This!
Chris Murphy, “The Red Road”
Artist:Chris Murphy Hometown: Los Angeles, California Song: “The Red Road” Album:The Red Road Release Date: July 5, 2024 Label: Teahouse Records
In Their Words: “I went to Hawaii for the month of January 2024, ostensibly on vacation. I discovered there was a recording studio next door to where I was staying, so I spent twelve of my vacation days in a 14′ x 16′ room with no windows making a new EP. ‘The Red Road’ is a song about the joy and magic of life, a red-headed girl, and the great riddle of what it means to be yourself, in the best of times & the worst of times. I send this out to all of us still brave enough to keep searching for the light on ‘The Red Road.'” – Chris Murphy
From China to Appalachia, “Three Rules of Discipline and Eight Points for Attention”
Artist:Cathy Fink & Marcy Marxer with Chao Tian Hometown: Silver Spring, Maryland Song: “Three Rules of Discipline and Eight Points for Attention” Album:From China to Appalcahia Release Date: July 9, 2024 (single) Label: Community Music
In Their Words: “‘Three Rules of Discipline and Eight Points of Attention’ comes from both Chinese traditions and Pete Seeger. Chao grew up with this melody, but brought it to the trio when she heard a Pete Seeger and Arlo Guthrie recording from 1975 performing this song and getting the whole audience whistling along. We did many concerts with Pete and needless to say, he was an early practitioner of Cultural Diplomacy, plus a banjo hero, friend, and mentor. Our live audiences were recorded in Piedmont, Virginia during three concerts with schools and community members. We hope you’ll sing along, too.” – Cathy Fink
Artist:Talia Rose Hometown: Boston, Massachusetts Song: “In August” Album:Carry it Closely Release Date: July 16, 2024 (single); August 20, 2024 (album)
In Their Words: “This song was written on request – I was doing a string of holiday shows with Naomi Westwater, who asked if I had any winter-y songs to add to the setlist. I didn’t, but I got to work, and came up with a song called ‘In August’ – oops. I ate up the challenge of trying to find rhymes for all those months; I love syntax challenges like that. As I started performing the song, I added that breakdown section in the middle, originally to play by myself during solo gigs to give my voice a break. Arranging that part with a rhythm section was fantastic, Chris and Gen picked it up right away. The version on the record’s got some really funky organ sounds from Jack Broza, who co-produced the album, and luxurious stacks of harmonies from Heather Scott. Bringing other people into the development of a song is such a gift.” – Talia Rose
Track Credits: Talia Rose – Lyrics, composition, arrangement, guitar, voice Heather Scott – Guitar, voice Chris Sartori – Bass Gen Yoshimura – Drums
Video Credits: Micah Nicol – video Dan Cardinal – audio, mixing
Josh Shilling, “Main Street”
Artist:Josh Shilling Hometown: Martinsville, Virginia Song: “Main Street” Album:Silver Bullet Bluegrass Release Date: July 12, 2024 Label: Lonesome Day Records
In Their Words: “I’ve toured with bluegrass bands like Mountain Heart for years and recorded with Del McCoury, Rhonda Vincent, Tony Rice, and everyone between, but I cut my teeth on Bob Seger and similar artists. I’ve always covered classic rock songs live and I’m sure that’s why Randall [Deaton] thought of me.
“I mainly remember listening to my vocal repeatedly and worrying that it wasn’t good enough. Seger’s original performance is ridiculously good with so much character, tone, soul, and cool phrasing. I was terrified of not doing the song justice somehow. I hope he’d be proud of how this one ended up!
“Bob Seger is one of the artists that my parents love. I grew up with his albums. Silver Bullet Band,Live Bullet, Beautiful Loser, Greatest Hits, and so on… I had all his records and I knew all of the songs vocally and on piano and guitar. I could have sung every song on this project without a lyric sheet! I sang Bob’s songs in every honky-tonk between Martinsville, VA and Nashville growing up. His voice doesn’t even sound human to me at times. There’s a magical soulful growl that he pulls from that only he can. You would have definitely heard the music of Paul Rogers, Ray Charles, Gregg Allman, Bob Seger, as well as Tony Rice, Blue Highway, and many others blasting from my bedroom growing up. Bob is definitely a major influence of mine.
“This song is such a classic. Everyone recognizes the song within the first two seconds of it coming on. That beautiful guitar melody right out of the gate, the storyline, and that magical scene change when the chord progression goes to the bridge. It’s a masterpiece that’s as good today as the day it came out. I could sing any song by Bob Seger. I love them all including the deep cuts. That said, I must have performed ‘Main Street’ a thousand times in clubs growing up, so that song was an obvious choice. I’m pretty sure I was the first person to record a vocal for this project, and this song was where we quickly landed.” – Josh Shilling
Track Credits: Shawn Brock and Gary Nichols – Guitar Shawn Brock – Mandolin Mike Bub – Bass Megan Lynch Chowning – Fiddle Wayne Bridge – Dobro
Producer: Randall Deaton Engineers: Randall Deaton and Jimmy Nutt Tracking Studios: Lonesome Day Recording Studio, Booneville, KY and The NuttHouse Recording Studio, Muscle Shoals, AL Mixing Studio: The NuttHouse Recording Studio, Muscle Shoals, AL
Wilson Banjo Co., “Memphis Anymore”
Artist:Wilson Banjo Co. Hometown: Westminster, South Carolina Song: “Memphis Anymore” Album:Memory Lane Release Date: July 12, 2024 (radio single); March 22, 2024 (album) Label: Pinecastle Records
In Their Words: “We are very excited to release ‘Memphis Anymore’ as a single to radio and had so much fun making this video. This is easily one of our favorites on the record and the writers, Jessica Lynne Witty and Karli Chayne have our deepest gratitude for such a great song. There’s a lightness and joy in this otherwise ‘breakup’ song, it’s just a fun listen and just as enjoyable to play with the band.” – Steve Wilson
Video Credit: Bonfire Recording Studio
DelFest Sessions: East Nash Grass
Our DelFest Sessions continue this week with East Nash Grass, as we relive the iconic Memorial Day weekend festival and return to the banks of the Potomac River for another stellar live performance. In the shade on the river’s banks, BGS contributors and videographers I Know We Should captured a high-quality handful of sessions with artists and bands from the DelFest lineup.
This time, we’re featuring an multiple IBMA Award-nominated band known for their long-running East Nashville residencies and their critically-acclaimed 2023 album, Last Chance to Win – from which they pulled their first selection, “Papa’s on the Housetop.” It’s a slinky and bluesy track that demonstrates just a few of the many styles synthesized and metamorphosed into bluegrass by these cracking players.
It’s a serendipitously Canada-filled day on You Gotta Hear This, where singer-songwriter Rose Cousins brings us a brand new track, “Forget Me Not,” with a beautiful accompanying visualizer, plus Alex Mason impressively performs “Broken Bottles” live from a canoe, and Bob Sumner and posse line-dance it up in a new video for “Motel Room.”
That’s not all, though, as we’ve got alt-country, bluegrass, and more from the southern side of that border, too. Don’t miss Reckless Kelly performing “Keep Lookin’ Down The Road” in a brand new, self-shot video that features gorgeous landscapes and stunning drone footage. Derek Vanderhorst brings us the title track to his upcoming album, Be Kind, as well, with a ringer cast of collaborators including Steve Poltz.
To round out our collection this week, we’re re-sharing two premieres from earlier in the week on the site. The Doohickeys brought us zombie-fied Good Country with “Rein It In Cowboy” and virtuosic pickers Steven Moore and Jed Clark paid tribute to what would have been Frank Wakefield’s 90th birthday with their rendition of “New Camptown Races.”
It’s all right here on BGS and, to be perfectly honest, You Gotta Hear This!
Rose Cousins, “Forget Me Not”
Artist:Rose Cousins Hometown: Halifax, Nova Scotia, Canada Song: “Forget Me Not” Release Date: June 28, 2024 (single) Label: Nettwerk Music Group
In Their Words: “‘Forget Me Not’ is the romance of spring unfolding into summer as it pulls us into its presence. Nature asking us to pay attention and come along. Spring is my favourite season and I’ve now gotten to see it four times in a row in the same place which touring kept me from doing for years. It’s been like falling in love in a new way with an old flame.” – Rose Cousins
Reckless Kelly, “Keep Lookin’ Down The Road”
Artist:Reckless Kelly Hometown: Austin, Texas Song: “Keep Lookin’ Down The Road” Album:The Last Frontier Release Date: September 13, 2024 (album) Label: No Big Deal Records
In Their Words: “‘Keep Lookin’ Down The Road’ is a reflection of the past and an appreciation for the present, but most importantly, it’s an optimistic look ahead. I wrote it with my brother Gary and our buddy Jeff Crosby during our annual songwriting retreat that we jokingly refer to as the ‘hitscation.’ I came up with the line on the way there. sang a few lines into my voice recorder, and we worked out the rest over the next couple of days. Once we were in the studio, I chopped up a couple of verses and used the best lines to shorten it up a bit to match the theme of the record, which is, in a nutshell, ‘Don’t bore us, get to the chorus.’
“As technology advances by the second, I’ve wondered for a while how close to a pro-shot music video I could film using just an iPhone and a drone. Since the expense of filming a music video can sometimes outweigh its visibility, I decided to find out. Using the limited videography and editing skills I’d picked up filming the pandemic-inspired ‘Music from the Mountains’ and ‘Quarantine Kitchen’ shows, I set up time lapses of sunsets, sent the drone up to capture areal views of the mountains in my high desert backyard, and tried to time sunrises and sunsets for the cringiest part – standing in a field of sagebrush all alone, Uncle Rico style, filming myself singing and playing the song in front of a tripod. Luckily, my locations were so remote that nobody drove by and saw this old man making selfie videos like some 14-year-old influencer.
“I shot a lot of B roll road scenes, filmed at an old junkyard in the woods, waterfalls, national monuments, and in huge valleys surrounded by mountains on all sides. I tried to use the scenery as the main focus and also borrowed my brother Gary’s old Dodge truck to match the timeless vibe I was going for. It was a lot of work and took a lot more time than I thought it would, but it was fun and it turned out pretty cool, and I have a newfound appreciation for why these things cost so much. I’m not sure if I matched the quality of a high-end production, but for the cost of a tank of gas or two it’s close enough for RK!” – Willy Braun
Track Credits: Written by Willy Braun, Gary Braun (Micky & The Motorcars) and Jeff Crosby.
Wily Braun – Lead vocals, rhythm guitar, harmonica, percussion Cody Braun – Fiddle, harmony vocals, mandolin, tenor guitar, synth, percussion Jay Nazz – Drums, percussion Joe Miller – Bass guitar Geoff Queen – Lead electric guitar, pedal steel guitar Bukka Allen – Hammond B3 organ, piano, harmonium Kelley Mickwee – Harmony vocals
Produced by Jonathan Tyler, Cody Braun, Willy Braun. Engineered by Joseph Holguin. Mixed by Jacob Sciba, Cody Braun, Jonathan Tyler. Mastered by Jacob Sciba. Recorded at Arlyn Studios, Austin, Texas. Additional recording at Clyde’s VIP Room, Austin, Texas.
Video Credit: Produced, directed, filmed, and edited by Willy Braun. Filmed on location in Idaho.
In Their Words: “‘Broken Bottles’ is a song about how when memories form, especially when we’re younger, they can take on an almost mythical quality in our imaginations and dreams. Then as we grow older and that spell of innocence is broken, we leave them behind, only to return to them again later when they likely don’t resemble anything like what they originally looked like. After losing my mom, writing songs became a way to preserve memories, even painful ones from when I was a kid. Sometimes even difficult memories can sweeten and soften with time. I was exploring a lot of open tunings with this new album, and felt a bit like Dylan on Blood On The Tracks – something about playing in open D on this Martin opened up a new space and new ideas for me and reminded me of being a teenager exploring the same tunings. It’s funny how things make their way back around.” – Alex Mason
Video Credit: Bradley Pearson, Don River Music
Bob Sumner, “Motel Room”
Artist:Bob Sumner Hometown: Vancouver, British Columbia, Canada Song: “Motel Room” Album:Some Place to Rest Easy Release Date: September 6, 2024 Label: Fluff and Gravy Records
In Their Words: “There is a rapper/DJ named Channel Tres. Everything Channel does is cool. He drips cool. I’m a big fan of his music, his aesthetic, and his videos. He has a video for a tune called ‘Weedman.’ It’s Channel and his homies hanging out in a home ordering weed from their dealer. Throughout the video they break into dance routines. It’s chill af. It’s funny. It’s joyous. It doesn’t take itself too seriously. I wanted that for ‘Motel Room.’
“I wrangled two of my close friends, Logan Wolff & Matty Beans. I knew they’d be down. My partner Mica Kayde choreographed a dance routine for us. With my director Dana Bontempo and his partner Zara, we loaded into my pickup truck, brought Endo my tripod dog (and best friend), and spent three days on a road trip messing around. We danced in front of a motel called El Rancho in the interior of B.C. We went to the Armstrong Fair & Rodeo. We laughed a lot, mostly at ourselves, and we had the time of our lives doing it. It’s no Channel Tres, but I think we did what we set out to do. The video turned out to be a joy. It’s fun. It’s funny. It encapsulates those magical carefree years I spent with my friend. At the end of the video the character ends up alone in a motel room wantonly gazing out the window. We felt that was a part of the story we couldn’t leave out.” – Bob Sumner
Derek Vanderhorst, “Be Kind” (featuring Steve Poltz)
Artist:Derek Vanderhorst Hometown: Golden, Colorado but moving to Nice, France in September Song: “Be Kind” Album:Be Kind Release Date: July 12, 2024
In Their Words: “I wrote ‘Be Kind’ in a fun, humorous way to address serious issues that are dividing friends and family and loved ones. Racism and intolerance are making their way into our everyday experience and becoming somewhat normalized. The divisiveness is becoming so overwhelming that it’s now hard to have these serious conversations and I wanted to send the simple message of acceptance, love, and kindness – as well as [pointing out] differences are what makes life so great and worth living.
“As Gen Xers, we need to be open, aware, and embrace all the progress and change, not forgetting our generation’s great changes. We sometimes need to remember that we need change to have stagnant waters.” – Derek Vanderhorst
Track Credits: Derek Vanderhorst – Music, lyrics, guitar, vocals Steve Poltz – Vocals, guitar John Mailander – Fiddle, mandolin Frank Evans – Banjo Brook Sutton – Bass Jamie Dick – Percussion
The Doohickeys, “Rein It In Cowboy”
Artist:The Doohickeys Hometown: Los Angeles, California Song: “Rein It In Cowboy” Album:All Hat No Cattle Release Date: January 24, 2025 Label: Forty Below Records
In Their Words: “We wrote ‘Rein It In Cowboy’ after Haley got her butt grabbed in a bar… He copped a feel and we copped a song. The unsettling vibe you get from a creepy guy groping you is eerily similar to the feeling zombies evoke, which is why our video draws inspiration from our love of classic zombie films like Night of the Living Dead and Dawn of the Dead. We had a blast coming up with t-shirt pick-up lines and other visual jokes throughout the video. With the help of our friends, we crafted a visual narrative we’re truly proud of and can stand behind (and grab).” – Jack Hackett, The Doohickeys
Artist:Steven Moore & Jed Clark Hometown: Jed Clark lives in Nashville, Tennessee, originally from Searcy, Arkansas; Steven Moore lives in Saint Clairsville, Ohio, originally from Bethesda, Ohio. Song: “New Camptown Races” (by Frank Wakefield) Release Date: June 26, 2024
In Their Words: “We are very excited to share our music video of ‘New Camptown Races,’ a tune by the late Frank Wakefield (June 26, 1934 – April 26, 2024) that has become a bluegrass standard. The idea for this video began at SPBGMA 2023, when we jammed to ‘New Camptown Races’ with both of us playing it in B-flat without using capos. We laughed and agreed that we needed to record it and maybe do a video shoot of it someday. It wasn’t until a year later at SPBGMA 2024, when we met up again, that we really solidified plans to make the video happen. Our hopes were to record the video and put it out on June 26, 2024 in honor of Frank’s 90th birthday. Unfortunately, the world lost Frank two months before he turned 90, but we decided to still aim to put out the video on what would have been Frank’s 90th birthday, in his memory…” – Steven Moore
Photo Credit: Rose Cousins by Lindsay Duncan; Reckless Kelly by Cassy Weyandt.
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