LISTEN: Lonesome River Band, “Every Minute Means a Mile”

Artist: Lonesome River Band
Hometown: Floyd, Virginia
Song: “Every Minute Means a Mile”
Album: Singing Up There: A Tribute to the Easter Brothers
Release Date: July 23, 2021
Label: Mountain Home Music Company

In Their Words: “‘Every Minute Means a Mile’ is an Easter Brothers classic that talks about the common man’s journey to the cross and Jesus Christ. If we follow The Cross on this journey, the Greatest Reward is on the other side. We cannot look back at what we have done, but we must keep our eyes on the Cross and with patience, we will gain our Heavenly Reward. There is nothing complicated in the way The Easter Brothers wrote the lyrics. Simplicity at its finest!” — Sammy Shelor, Lonesome River Band


Photo credit: Anthony Ladd

LISTEN: Cole Scheifele, “All The While”

Artist: Cole Scheifele
Hometown: Boulder, Colorado
Song: “All the While”
Album: The Hideaways
Single Release Date: July 22, 2021

In Their Words: “This song is about living in the present and chasing the things that invigorate you in life while you can. This record revolves around themes of feeling stuck by life and this song is about not letting life get in the way and just going and doing what your heart tells you to and watching it all fall into place as you go. This is one of the only songs I’ve ever written that really breaks open and gets big, and a little bit rock and roll and we made it that way on purpose. I wanted it to feel like that feeling of really cracking your heart open and letting go of all the things in life that weigh you down and just going for it.

“I had the first verse done for years and could never finish the song, but then one day I sat down during quarantine, and the last 2/3 of the song just sort of poured out of me. It’s interesting, it happened while I was furloughed and sitting in this seemingly stagnant state of being, where the world was entirely at a halt, this song about getting out and going for it just sort came out of me. It’s funny how it works out that way. I hope we captured some of that feeling.” — Cole Scheifele


Photo credit: Kate Petrik

LISTEN: Dallas Burrow, “My Father’s Son”

Artist: Dallas Burrow
Hometown: New Braunfels, Texas
Song: “My Father’s Son”
Album: Dallas Burrow
Release Date: July 23, 2021

In Their Words: “A real storyteller’s song, this is an autobiographical history of four generations of men in a family line and the influence that fathers have on their sons, sparing no detail. My grandfather was born on the 4th of July and he was a Master-Sergeant in the Army Air Corps, and survived D-Day. They called him Junebug. He’s always been a mythical character in my mind, as I never got to meet him. My dad never saw much of him either, as my grandfather was usually either off at war, or otherwise absent. Then my father was a hippie and a hitchhiker, a rebel and an outlaw, a poet and a songwriter, and later in life, a teacher, a triathlete, and more than anything else, unlike his father, always there for me. So I absorbed all those things; the legacy of having a war hero for a grandfather who was there when our country needed him, but who was absent from his own children’s lives because of it, and the stories my dad told me of his own travels and exploits when America was young and wild and free, in the ’60s and ’70s.

“Then of course there was my own journey, taking up the mantle of being a storytelling musician, the struggles, the trials, the beauty, the wonder, all of that, which would eventually lead me to meeting a woman, and having a son, which ultimately, radically changed my life from one of a wandering troubadour with an insatiable taste for the wild side of life, to a relatively responsible, grounded adult, still a troubadour, and still with a wanderlust, but with an entirely different set of priorities and lifestyle choices. This tune tackles the job of weaving all of those nuances of my family line into a neat little folk song that captures the idea that no matter who our fathers were, we are who we are in part because of those that came before us.” — Dallas Burrow


Photo credit: Ryan Vestil

LISTEN: Adeline Stringband, “Hickory”

Artist: Adeline Stringband (L to R: Chris Coole, Mark Kilianski, John Showman, Adrian Gross, Sam Allison)
Hometown: Toronto, Ontario
Song: “Hickory”
Album: Adeline
Release Date: July 23, 2021

In Their Words: “This session was definitely one of the loosest, most off-the-cuff, and most creative I’ve been a part of, and I’d hazard to say the same is true for the other guys. Smack dab in the middle of the pandemic — when none of us had really seen anyone besides immediate family for about a year — we holed up in a cabin in the woods and recorded old time tunes for three days and three nights. Seeing as it was -20º and there was a blizzard outside the whole time, there was nothing to do but pick tunes and roll the tape, and that’s exactly what we did. We learned “Hickory” from the great fiddler Earl White, and you can really hear the group interplay on this track.” — Adrian Gross


Photo credit: Chris Coole

LISTEN: Ava Earl, “New Light”

Artist: Ava Earl
Hometown: Girdwood, Alaska
Song: “New Light”
Album: The Roses
Release Date: July 23, 2021

In Their Words: “‘New Light’ was one of the first love songs I wrote. It’s about the early time in a relationship where you keep finding little things that change the way you see a person (hopefully good things)! This song is also a little existential — it deals with the wonder and mystery of the universe as well as that of love. When you meet someone that you feel so deeply connected to, it feels like there must be a reason you were brought together, and yet rationally, I don’t believe that there is. I’m not sure I’ll ever know exactly if there’s a greater meaning to life, but for me this song is about being okay with that, and always finding a new way to look at beautiful things.” — Ava Earl


Photo credit: Shannon Earl

LISTEN: Kashena Sampson, “Hello Darkness”

Artist: Kashena Sampson
Hometown: Nashville, TN
Song: “Hello Darkness”
Album: Time Machine
Release Date: September 10, 2021
Label: New Moon Records

In Their Words: “This is a cover song by the Dutch rock band, Shocking Blue. I asked my best friend if she could choose one song for me to cover which one would she choose, it was this. I love Shocking Blue and I think it’s a great song and I connect to the lyrics, especially with what I was going through at that time in my life. To me, this song carries the message of yearning for someone who you cannot be with. It goes along with what a lot of the songs on this record are about. My struggles with codependency, fantasizing in relationships and thinking someone outside of me was the answer to my problems. It is a very heavy feeling when you think that someone else can fix you and you find out that they are not the answer. A good portion of the songs on this record are about a relationship I had with someone I cared for very much, who had gotten into some trouble and was incarcerated. I went into rescue mode and believed I had to save them in order to be ok.” — Kashena Sampson


Photo credit: Laura Partain

LISTEN: Chris J Norwood, “Good Guy With a Gun”

Artist: Chris J Norwood
Hometown: Dallas, Texas
Song: “Good Guy With a Gun”
Album: I Am Not Cool
Release Date: August 20, 2021
Label: State Fair Records

In Their Words: “I struggled with whether or not to include this song on the album. I’d already written several songs about my father’s suicide that appeared on my last album, so I worried that I was rehashing something lyrically that I’d already covered. But I realized that losing a parent at a young age is always going to be a part of me. It’s part of my story. It’s tangled all in my roots. And it’s good for me on a personal/spiritual/emotional level to keep talking about it, writing songs about it, and singing about it. Truth be told, we as a country need to talk more openly about suicide. Especially as it relates to the gun debate and gun culture. This song also happens to be one of my kids’ favorite songs off the new album. They love the music, and they’re too young to understand all the nuance in the lyrics. The only part they really like singing is, ‘Daddy was a good guy, and always did the best he could. He’d do anything to protect the ones he loved.’ And honestly, that’s how I chose to remember my father.” — Chris J Norwood


Photo credit: Alyssa Leigh Cates

LISTEN: Jackson Melnick, “John the Revelator”

Artist: Jackson Melnick
Hometown: Crested Butte, Colorado
Song: “John the Revelator”
Album: Abilene
Release Date: September 24, 2021

In Their Words: “Apocalypse isn’t to be confused with tragedy. Apocalypse is seeing something in truth, and the pain that might come from having the blinders pulled off. The Book of Revelation, where the characters in this song first emerged, is worth looking at. Or, if you are like me, you can listen to Blind Willie Johnson play slide guitar and sing ‘John the Revelator’ and read the Bible as a chaser. I was struck that the traditional blues song was never adapted to bluegrass music; the theme of the song fit so well, along with the haunting chorus. Perhaps it never was brought into the pantheon due to a kind of musical red-lining in the past, but for those who really know, bluegrass is rooted in Black music and the blues — Arnold Shultz, Bill Monroe’s musical mentor, is only one well-known example. The traditional song’s lyrics didn’t translate melodically well to bluegrass, so I invented some new ones that fit with an apocalyptic narrative — my apocalyptic narrative — which I think is a little more optimistic. I hope Mr. Monroe’s ghost enjoys this song.

“When I worked the song out over a traditional bluegrass progression, it really became one of the most electric bluegrass songs I had ever heard. Alex Leach, a well-regarded banjoist and songwriter himself, and Christopher Henry, the premier Monroe style mandolinist and producer of the new album (notably in Peter Rowan’s Band for a long while now), both helped to bring to the song the tones that make it feel like a classic. Christopher is somebody who knows Mr. Monroe’s language with perfect fluency, the improvisational spirit of it rather than a note for note reflection of Mr. Monroe’s picking. Alex Leach played in what became of the Clinch Mountain Boys. Christopher and I asked him to be on it as a nod to Dr. Stanley, and he lets it rip. I felt something strange and new writing this song, with the narrative of it being an apocalyptic story, but somehow on the rejoicing side of that story. True believers, or I think anyone with real spiritual faith, will relate to the uplifting quality of the song. Singing through the apocalypse — whatever apocalypse you might encounter — it is quite the spiritual test of real faith and true eternal life, and one I hope to emanate.” — Jackson Melnick


Photo credit: Bellamy Brewster

LISTEN: Laney Lou and the Bird Dogs, “Up For Air”

Artist: Laney Lou and the Bird Dogs
Hometown: Bozeman, Montana
Song: “Up For Air”
Album: Through the Smoke
Release Date: July 30, 2021

In Their Words: “‘Up For Air’ is a song about going through tough times, but also knowing that you’re in the exact place you’re meant to be. Sometimes it can be hard to accept that things are the way they are and your only job is to surrender. The lyrics for this song came quickly, but composing it as a full band took a while. We tried many different tempos and vibes for the song over the course of a year and finally landed on an upbeat and happy vibe in the studio. Ultimately the song is saying that whatever you’re going through, things will work out if you take a deep breath and come up for air every once in a while.” — Lena Schiffer, Laney Lou and the Bird Dogs


Photo credit: Loni Carr

LISTEN: Cameron Knowler, “Done Gone”

Artist: Cameron Knowler
Hometown: Yuma, Arizona & Houston, Texas
Song: “Done Gone”
Album: Places of Consequence
Release Date: July 16, 2021
Label: American Dreams

In Their Words: “‘Done Gone’ exists as a mission statement for the album: examining early fiddle music etymologically, rendering it meditatively, with a slow tempo and low tuning. In some ways, this is meant to problematize the history of flatpicked guitar, wherein guitarists learn fiddle tunes from other guitarists as opposed to fiddlers. This version borrows from a number of early fiddle sources while paying homage to my hero, Norman Blake, whose guitar playing is a broad synthesis of early country music, while pushing far beyond the scope of the genre’s canon. Recorded on a late ’30s plywood guitar, I hope the listener is directed toward the inconsistent and unwieldy qualities of the instrument, a factor that shapes the performance just as much as my sources. This track is in conversation with an Easter egg found on the record.” — Cameron Knowler


Photo credit: Laura Lee Blackburn