Tag: The Show On The Road Podcast

The Show On The Road – Dan Reeder

Posted on by Chris Jacobs

This week on The Show On The Road, a conversation with renegade roots songwriter, painter and NSFW self-taught poet Dan Reeder.

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Reeder is rarely interviewed, but has collected a legion of devoted fans after putting out a series of beloved albums on John Prine’s Oh Boy Records – including the much-anticipated new LP, Every Which Way.

For the uninitiated, diving into Reeder’s uniquely absurdist, harmony-drenched body of work can feel like reading a rich short story collection in one sitting. His normal routine is to layer lush close-mic’d vocals on top of one another using himself as a conspiratorial choir. He sketches tiny but poignant moments from his life and imagination, often repeating a simple phrase again and again like one of his most-listened to tunes, “Work Song,” which tells us bluntly through gospel claps: “I’ve got all the fucking work I need.” 

The new album may seem intimidating at first. It features a whopping 20 songs (or cinematic vignettes of a sort), but a closer look shows it clocking in at a succinct 39 minutes. Controversial-while-gentle acoustic offerings like “Porn Song” come in at just under minute long. New favorites like the wide-eyed (and foul-mouthed) piano ballad “Born a Worm” ask the deepest of questions of an indifferent, endlessly beautiful universe in only the way Reeder could — by plainly inquiring about a caterpillar’s mysterious transformation into a butterfly: “what the fuck is that about?”

Much more than a one man band, Reeder often builds every instrument he plays in his recordings, from steel string guitars, to banjos, drums, basses, cellos, violins, clarinets, and even the computer he records on. This episode was recorded in his garage studio in Nuremberg, Germany, where he’s lived with his wife for 30 years. 

Host Z. Lupetin spoke to Reeder right after John Prine passed away from complications of COVID-19, and they spoke about his tours together with Prine and how much his music inspired him through the years. 

The Show On The Road – Agnes Obel

Posted on by Chris Jacobs

This week, The Show On The Road features a conversation with renowned Danish pianist, experimental composer, and atmospheric-folk songstress Agnes Obel. 

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Recorded high above Hollywood in the famed Capitol records building (Obel was recently signed to Blue Note Records), host Z. Lupetin takes an intimate tour of Obel’s newest work Myopia, which shows the pianist and composer at her most personal and aurally fearless.

Born in Copenhagen and based in Berlin, Obel’s albums warrant repeat listening, as it’s often hard to know exactly what instruments are playing at any given time. At times the darting, looping piano and quicksilver string work seem like a chamber orchestra, or maybe the songs on Myopia are secretly the technicolor backdrop and emotive score to a film that only she sees.

It’s been nearly a decade since her transcendent DIY debut album, Philharmonics, put her into many people’s minds (she may not be very well known yet in the States, but she is a gold-record selling, underground star in many parts of Europe). This past spring, Obel was set to play the expansive Greek Theater in Los Angeles before COVID-19 forced her to stay in Berlin — which, for an artist that creates hushed, often lyricless songs you probably can’t dance to, is an impressive leap.

 

The Show on the Road – Listen to These Black Voices

Posted on by Chris Jacobs

Something powerful is in the air. While we may have said that after similar unrest in the past — after Rodney King in LA, Trayvon Martin in Miami, Freddie Gray in Baltimore, and countless others — something about what is happening now feels deeper, heavier. Maybe it’s actually sinking in.

I normally try to put out a new episode of The Show on the Road podcast every other Wednesday. This week, that simply wasn’t possible. It was time to stop giving my endless opinions, to stop waxing poetic about harmony, to shut up about finding the meaning in every lyric and just be quiet, listen and learn.

I’ve been lucky to talk with truly amazing Black artists, songwriters, and performers in the two years I’ve been creating The Show on the Road. I ask you to go back into our archives and listen to these voices. — Z. Lupetin, host

Sunny War


Discover a young, deep-voiced folk/blues artist like Sunny War, who overcame a troubled past with drugs and being unhoused in Venice Beach to create a series of critically acclaimed records that have brought her to festivals and venues around the country.

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Bobby Rush


A sonic elder statesman, Bobby Rush came north from Mississippi during the great migration to work in the heyday of the Chicago blues and soul scene with Muddy Waters and Howlin’ Wolf. Rush has been making brashly funky and fearlessly sexy songs for decades, finally snagging his much-deserved first Grammy at the age of 86.

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Birds of Chicago


Based in Nashville by way of Chicago by way of Montreal, Birds of Chicago are centered around the powerful chemistry of husband-wife duo JT Nero and Haitian-Canadian banjoist and clarinetist dynamo Allison Russell, who gives every audience chills when she sings about her fallen ancestors. How she is not an international star astounds me. You may have seen her newest creation as part of the African American, female banjo supergroup, Our Native Daughters with Rhiannon Giddens, Amythyst Kiah, and Leyla McCalla.

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Dom Flemons


If you need to go back in time and educate yourself about Black cultural history (which you do), listen to our double episode with the great American songster Dom Flemons, who came up in the renowned Black string band Carolina Chocolate Drops. Of course, he has since struck out on his own to become a sought after, roving ethnomusicologist and music historian. His newest Grammy-nominated record brings us back into a forgotten world of Black cowboys, who don’t get the credit they deserved in helping settle the West.

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Liz Vice


If you’ve been having a crisis of faith and need a little musical medicine, Liz Vice’s episode is the ticket. Vice grew up in Oregon singing gospel music with her family and aiming to be a filmmaker. Her career as a songwriter and performer blossomed with homemade, deeply felt, deliciously soulful and social-justice-forward records (examining her faith and our ever-evolving relationship to a higher power). We recorded in an old church in LA, and her renewed version of Woody Guthrie’s “This Land Is Your Land” is haunting.

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The War and Treaty


Finally, if you need a shot of pure, joyous harmony and unabashed rock ‘n’ roll spirit, our episode featuring The War and Treaty is exactly what you need. They show us how music can be a healing tide to rise all broken ships. How it can be a force for good, bringing now power-couple Tanya and Michael Trotter together against all odds after Michael came back from a trauma-filled tour of duty in Iraq and needed a way to reenter society and share the songs that had been brimming in his heart for decades. Hearing them sing together, how they complete each other totally, is all the hope I need right now.

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The Show On The Road – Steve Poltz

Posted on by Chris Jacobs

This week on The Show On The Road, we feature a conversation with a Canadian-born paraparetic prince of pop-folk singers, who has jumped through more gauntlets of the modern music industry than almost anyone in his three plus decades of making records, Steve Poltz.

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Poltz first hit the scene with the San Diego-based underground punk-folk favorites The Rugburns, then as an accidental hitmaker and MTV video heartthrob with collaborator and friend Jewel, and then as a wild-haired, two hundred shows a year internationally revered solo act. He’s put out a baker’s dozen of whacked-out, deceptively sensitive, and fearlessly personal albums that have won him devoted audiences from his ancestral home in Nova Scotia to the dance party dives of California to massive festivals across Australia and beyond.

 As we are still quite separated during the pandemic, host Z. Lupetin called up Poltz in Nashville to discuss the long and twisty road Poltz has travelled — jumping from his inspired, most-recent album Shine On back to his childhood in swinging Palm Springs (where he met Elvis and Sinatra), to making $100,000 music videos for his ill-fated major label debut in ’98, to nearly dying on stage after substance abuse problems and never-say-no-to-a-gig exhaustion took its toll.
 
We now find him in a more peaceful, purposeful existence, where he is newly married and enjoying making music at home (government orders!) for the first time in decades.

BGS Podcast Roundup // April 24

Posted on by Shelby Williamson

Another week, another podcast roundup. From bluegrass, to dreamy jazz classics, to Montreal cuisine, we’ve got options.

Make sure to follow along on our social media [Facebook, Twitter, and Instagram] and right here, where we’ll consistently gather our new releases, as well as some past favorites:

Toy Heart – Béla Fleck

On the latest episode of Toy Heart, Béla Fleck talks to host Tom Power from his home studio and for the first time, he tells his story in bluegrass.

Fleck started out in New York hearing Earl Scruggs for the first time, learning from Tony Trischka, and then making the decision to go (new) south to learn from J.D. Crowe. He auditioned for Bill Monroe, but eventually found ‘his people’ and joined New Grass Revival. He tells of mistakes the band made along the way, the hard decision to leave that band and start the Flecktones, recording with his hero Earl Scruggs, and how he found his way back to bluegrass after all.

He also unveils the one change he thinks anyone can make to their practicing to become a better musician.

The Show On the Road – Kat Edmonson

Initially turning heads for her dreamy and futuristic interpretations of great songbook classics like Gershwin’s “Summertime,” which have been listened to over ten million times and counting, Kat Edmonson broke through with playful original works a decade ago, self-producing one of Show on the Road host Z. Lupetin’s all-time favorite records, Take to the Sky. She quickly found powerful fans in folks like Lyle Lovett, who she toured with wildly. Major label releases followed. Edmonson soon migrated from her home state of Texas to Brooklyn, with her elfin chanteuse look and sparkling vintage sound (think Blossom Dearie with some Texan muscle).

Z. and Edmonson sat down to discuss her newest record, Dreamers Do, which may just be the shot of pure cinematic nostalgia we all need right now. Does she cover Mary Poppins, Alice In Wonderland, and Pinocchio and somehow make them deeply cool, sonically subversive, and somehow brand new again? She sure does.

The String – Jessi Alexander and Jill Andrews

This Spring, many of the outstanding women of roots music have released new albums, and this past week on The String, Craig Havighurst caught up with two of them.

Jessi Alexander, native of Jackson TN, moved to Nashville at 18 and landed songwriting and record deals. She’s a hitmaker behind the scenes who rarely surfaces with her own heartfelt country music, but she sure does so on Decatur County Red, anchored in stories of her Tennessee coming-of-age.

Jill Andrews is more urbane and silky in her sound, but the personal journey she shares on her album and book Thirties is full of challenges and the clarity that comes with time and triumph.

The Shift List – Chef John Winter Russell (Restaurant Candide) – Montreal

On the latest from The Shift List, a two-part conversation with John Winter Russell, chef and founder of Restaurant Candide in Montreal. While host Chris Jacobs caught up with Russell via phone post-COVID-19 restrictions in Part 1, Part 2 was recorded a few months back, before the world was thrown into chaos, and it serves as a reminder of how integral chefs and independent business owners are in shaping the culture of our cities.

Restaurant Candide is named after 18th century writer/philosopher Voltaire’s book of the same name, inspired particularly by the last line of the book: “Let us cultivate our garden.”

This line is the guiding force to Russell’s food, as he works closely with producers local to Montreal and creates four-course meals inspired by those ingredients, crafting dishes that are produce forward, but not exclusively vegetarian.

The experience of eating at Restaurant Candide is unique and only something that can be experienced in Montreal. From the restaurant’s location, set in an old gothic church basement, to the warm interior that utilizes refurbished pews, and exposed brick along the walls that look into the kitchen. The restaurant is a defining part of the fabric of Montreal’s restaurant scene, not only in 2020, but overall.

Thankfully, Russell feels that he and his staff will weather COVID-19 and should be able to resume business at the restaurant once restrictions are lifted, and in the meantime he’s given back to restaurant workers affected by job losses in Canada by offering beer deliveries every Friday. If you live in Montreal and are craving some craft beer delivered to your house, send an email at [email protected]. All proceeds will go to the Montreal Restaurant Workers Crisis Relief Fund.

 

The Show On The Road – Kat Edmonson

Posted on by Chris Jacobs

This week on The Show On The Road, we bring you a two-part conversation between host Z. Lupetin and folk-jazz visionary Kat Edmonson. The first part was captured backstage before a show at Largo in LA, right before the beginning of the COVID-19 shutdown. In the second part, Z. caught up with Edmonson during her anxious but creative quarantine in New York City. 


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Initially turning heads for her dreamy and futuristic interpretations of great songbook classics like Gershwin’s “Summertime,” which have been listened to over ten million times and counting, Edmonson broke through with playful original works a decade ago, self-producing one of Z.’s all-time favorite records, Take to the Sky. She quickly found powerful fans in folks like Lyle Lovett, who she toured with wildly. Major label releases followed. Edmonson soon migrated from her home state of Texas to Brooklyn, with her elfin chanteuse look and sparkling vintage sound (think Blossom Dearie with some Texan muscle).

Z. and Edmonson sat down to discuss her newest record, Dreamers Do, which may just be the shot of pure cinematic nostalgia we all need right now. Does she cover Mary Poppins, Alice In Wonderland, and Pinocchio and somehow make them deeply cool, sonically subversive, and somehow brand new again? She sure does.  

BGS Podcast Network: Weekly Roundup // April 10

Posted on by Shelby Williamson

Anyone else’s sanity being held together by a thread spun from music and podcasts? Here’s our roundup of the latest episodes released via the BGS Podcast Network – to help keep everything safe, sane, and running smoothly.

Make sure to follow along on our social media [Facebook, Twitter, and Instagram] and right here, where we’ll consistently gather our new releases, as well as some past favorites:

Toy Heart – Alice Gerrard

Old-time legend and Bluegrass Hall of Fame member Alice Gerrard sits down with Tom Power at her kitchen table in North Carolina. She tells stories of how she and other college students from the northern U.S. found bluegrass and old-time, meeting her Hall of Fame partner Hazel Dickens and making some of the greatest records in the genre.

She goes on to describe her split from Hazel, her work since, and in tender moments, she shares the last time she ever spoke with Hazel and what she sang to “sing her back home.”

The Show On the Road – Joey Dosik (Vulfpeck)

Host Z. Lupetin talks with Joey Dosik, a silky-voiced songwriter and freaky-talented multi-instrumentalist who writes lush, romantic jams that transport listeners to R&B-tinted, old school FM radio gold. Some may have learned of Dosik’s talents with DIY, future-funk ensemble Vulfpeck, who went from recording an album of complete silence to a sold-out show at Madison Square Garden – with no record label in sight.

As we honor and celebrate two lost musical greats this week, it’s comforting to remember that we have constant new waves of amazing artists like Dosik coming up who can honor and further their message, whose songs in many ways combine the honest earnestness of John Prine’s best early work with Bill Withers’ deep, church-flavored, down-home groove.

The String – Caleb Caudle

Caleb Caudle’s childhood musical fascinations (English punk, folk, and Bob Dylan, to name a few) went far beyond anything his school peers in rural North Carolina cared about. Since entering the music industry fray as a singer/songwriter in the mid-200s, Caudle has released seven studio albums, with his latest, Better Hurry Up, cut in 2019 at the Cash Cabin in Hendersonville, TN – surrounded by the spirit of Johnny and June – just days after he and his wife made their move to Nashville.

Craig Havighurst sits down with Caudle – as well as bass playing sideman turned impressive singer/songwriter, Adam Chaffins – in the most recent installment of The String.

The Show on the Road – Theo Katzman (Vulfpeck)

Adhering to strict stay-at-home pandemic orders, host Z. Lupetin records an intimate phone conversation with Theo Katzman, the Cheshire Cat of soulful pop-rock and one of the most visible members of the mysterious funk supergroup, Vulfpeck.

In January, he celebrated the release of his cheeky, super catchy, unabashedly romantic, and pop-driven new solo album Modern Johnny Sings: Songs in the Age of Vibe, and his expertly-crafted songs and lifting falsetto vocals have that rare spark that can brighten anybody’s dull quarantine in no time.

 

The Show On The Road – The Wood Brothers

Posted on by Chris Jacobs

Right before the whole world as we know it shut down and they shortened their West Coast tour due to COVID-19, host Z. Lupetin spoke to Oliver and Chris Wood — Americana pioneers The Wood Brothers — about their renewed musical bond, how they grew up in Colorado jamming with their biology professor dad, and how they just barely missed the great East Nashville tornado earlier this month. When it rains it does pour, it seems.


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The Wood Brothers’ brand new record, Kingdom in My Mind, is a sweetly funky, ballsy, bluesy, booty-shaking, and romantic improvisational masterwork. Do yourself a favor and turn it up loud and proud — it will help you groove through the lockdown. If there is anything that’s clear in this deeply strange and unsettling time, it’s that we need music more than ever.

The Show On The Road – Che Apalache

Posted on by Chris Jacobs

This week we feature a border-breaking bluegrass band who came all the way from Buenos Aires to celebrate their Best Folk Album Grammy nomination. Before Che Apalache hit the red carpet, they stopped by host Z. Lupetin’s LA living room studio to talk about their unlikely founding and how they’ve created their intoxicating brew of traditional North American and often overlooked South American string band sounds.

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Lead by a trilingual world traveler, fleet-bowed fiddler, spitfire vocalist, and sonic scholar Joe Troop, Che Apalache formed almost accidentally when Joe began teaching curious local Buenos Aires pickers his own North Carolina folk traditions. Amongst his talented students he found three kindred spirits in Argentinians Franco Martino on guitar and Martin Bobrik on mandolin, and Pau Barjau on banjo, who is originally from Mexico. The result has been one of the most unexpected and have-to-hear-this-to-believe-it stories in modern roots music, culminating in their brilliant second record, Rearrange My Heart, which was produced by fan of the band (and a guy pretty good on the banjo), Béla Fleck. Lucky for all us, Che Apalache play several songs during the episode!

The Show On The Road – Jamie Drake

Posted on by Chris Jacobs

This week, Jamie Drake: a Southern California-based singer/songwriter who transports listeners into a vibrant, technicolor world with her deeply vulnerable fingerpicked ballads and thorny, theatrical story songs.

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Have you ever wondered what would have happened if Carole King wrote epic musicals on the moon? Listening to LA’s magical songstress Jamie Drake will provide a clue as to what that would sound like. She writes songs with a certain old Hollywood glamour to them, and after a decade of helping other people write and sing, she got signed — and has an insanely lush record, Everything’s Fine, coming out in September.

Her new single, “Redwood Tree,” is out on Friday.