Tag: tom waits

BGS 5+5: The Steel Wheels

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Artist: The Steel Wheels
Hometown: Harrisonburg, Virginia
Latest album: Everyone a Song, Volume 1
Personal nicknames (or rejected band names): Trent Wagner and The Steel Wagler

Answers by Trent Wagler

What’s your favorite memory from being on stage?

I remember a festival finale performance of “The Weight” in northern Alberta where we were thrust (last minute) into leading the song. Isn’t “The Weight” some sort of Canadian anthem? I don’t know, we felt a little like impostors, but it became even more hilarious when a whole bunch of volunteers and other musicians hopped on stage and we were given conflicting accounts of who was singing what verses. In the end Michael Franti surprised us by appearing on the drum kit and singing a verse that included a little change of lyrics name-checking the festival. It was memorable.

What was the first moment that you knew you wanted to be a musician?

When I was about 9 years old, I played Duffy the Fluffy in a small church Christmas play called Baa, Baa, Bethlehem. I slicked my hair back and wore sunglasses and sang a song that went, “Duffy the Fluffy is who I’m gonna be, come to the city you’ll be waiting to see me.” And the rest of the sheep sang, “Get a job, baa baa baa, baa, baa baa baa baa baa.” But I had a guitar strapped around my neck and I sang with confidence. Wait, maybe THAT was my favorite memory from being on stage!

What rituals do you have, either in the studio or before a show?

In the studio, I always tape a sheet of paper on the wall with the title of each song we are recording. On that paper, we keep a running list of notes, ideas, or whatever that song still needs. It’s helpful to have a visual representation of notes, and when things are dragging along, there’s a sense of accomplishment to crossing off each note. When the song is finished, it’s ceremoniously taped on a different wall.

Which elements of nature do you spend the most time with and how do those impact your work?

I try to ride bike everyday. Recently, I’ve been most excited about gravel road rides, a bit easier than mountain biking, but with a similar feeling of distance from civilization. I love the way riding a bike gives you respect for a mountain. The bicycle also turns you into a different kind of an animal. Sometimes a mule, sometimes a bird, but I usually feel transformed after a good bike ride. And the whole process, of getting away, being in nature, and riding is a great reset for my creativity. I live in the Shenandoah Valley and the beauty of the landscape finds a way into my writing all the time. There is a reason that rivers and mountains are cliché metaphors, because there is an undeniable depth and power to them.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

It seems like I should say I’d eat a fistful of cigarettes and a barrel of red wine and listen to Tom Waits and Leonard Cohen, but I can’t think of a better pairing than Brandi Carlile and some wild-caught salmon. There are musicians that garner praise from critics and others that have an easy-listening popular songs for the masses, but very few thread the needle like Brandi Carlile. She might be the only music my wife, 16-year-old daughter, and I can all passionately agree on. You know how salmon looks like it’s just a layer of pure pink muscle? Brandi’s songs are all muscle.

Photo credit: Josh Saul

BGS 5+5: Blitzen Trapper

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Artist: Blitzen Trapper
Hometown: Portland, Oregon
Latest album: Holy Smokes Future Jokes
Release Date: September 25, 2020

Answers provided by Eric Earley

Which artist has influenced you the most … and how?

Michael Stipe was my favorite songwriter as a kid, his lyrics were so strange and uncanny. I’m thinking of Reckoning and Murmur, some of the most anachronistic lyrical content ever. There were no lyric sheets or online lookups back then so I was always trying to figure out what he was saying. His songs always had the feeling of a riddle or a magical text, the imagery was dreamlike and over the years I’ve tried to emulate that in certain ways. Tom Waits was a large influence later in my twenties, his bizarre comical lyrical storytelling and character voices were inspiring, I’m thinking of Rain Dogs in particular.

What’s your favorite memory from being on stage?

There isn’t any favorite, lots of weird amazing ones for sure, playing “Heard It Thru the Grapevine” with Stephen Malkmus trading weird, collapsing solos with Stephen as he made up the words because we were too lazy to learn the lyrics. I think we were in Cleveland, but I could be wrong. Playing Big Star’s “Feel” with Jody Stephens on drums and Mike Mills on backing vocals in Austin, Texas, that was surreal.

What other art forms — literature, film, dance, painting, etc — inform your music?

Most of my favorite songs have literary origins, whether it’s a particular Cormac McCarthy novel like Blood Meridian (“Black River Killer”) or a general religious text like the Bardo Thodol (the new record is based largely on this book). Biblical imagery has made its way into countless songs I’ve written as a result of childhood influences and pervasive cultural resonances. I’ve also started writing a lot of songs from reading specific poets, using their wordplay to inspire different turns of phrase. Seamus Heaney, Mary Oliver, to name a couple, I’ve also used Finnegan’s Wake and Gravity’s Rainbow to generate wordplay and imagery.

What was the first moment that you knew you wanted to be a musician?

I’ve been playing music since I was a child, so being a musician was never really a choice. I didn’t think of it as a career for a long time. I went to college for physics and math, studied painting, learned classical fingerstyle, became a sous chef. Finally in my late twenties I decided to drop everything and play music, mostly because all the songs I was writing were keeping me up at night, but I didn’t have any vision for the business part of it. Spent seven years playing unattended shows in Portland. Got a record deal off a random song on Myspace and suddenly was touring and making money.

If you had to write a mission statement for your career, what would it be?

Experimentation is the only way to realize the vision of reality you want to hear, so never grow static in style or voice, always move forward, never sit still sonically. Don’t write angry, only from a place of emptiness without sentimentality, nostalgia without regret. Don’t try to please anyone, only follow your instincts.

Photo credit: Jason Quigley

BGS 5+5: Grant-Lee Phillips

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Artist: Grant-Lee Phillips
Hometown: Nashville, Tennessee
Latest album: Lightning, Show Us Your Stuff
Personal nicknames (or rejected band names): Pistol, Ranchero

Which artist has influenced you the most … and how?

Neil Young I suppose. His music hit me at just the right time. I had been playing guitar for two years when I first heard “Down by the River” and “Cortez the Killer.” I was 16. My ears were wide open. Young’s songs spoke to me like no other. He was also the first singer I saw in concert. All alone, with a rack of acoustic guitars, an upright piano on one side of the stage, a grand on the other, a pump organ. I was mesmerized.

What was the first moment that you knew you wanted to be a musician?

My family loved music. Hee Haw was a big one. We never missed a show. My grandma loved Elvis and Johnny Cash. The excitement I felt when Roy Clark played “Orange Blossom Special” or “Foggy Mountain Breakdown” on the electric guitar, I wanted to feel that all the time. The TV show Austin City Limits introduced me to Lightning Hopkins, John Prine and Tom Waits. I recall those moments like yesterday.

What’s the toughest time you ever had writing a song?

The hardest prolonged period of song wrestling was back in the ‘90s after Grant Lee Buffalo had put out a few albums. The pressure was on to deliver. The question was, deliver what to whom? I did my best to put all that noise out of my head. You can go from dancing on a ledge like Buster Keaton one minute to vertigo the next. Thankfully I had come across the film director Andrei Tarkovsky’s defiant book Sculpting in Light and that became a temporary manifesto.

What other art forms — literature, film, dance, painting, etc. — inform your music?

I paint a great deal these days. Landscapes and still life. It slows me down and demands another degree of focus. Composition involves strategic thinking but there’s a wild side to painting. I like that balance. It gives me insight to making music.

Which elements of nature do you spend the most time with and how do those impact your work?

Tennessee is one of the greenest states in the country. I’m never so in tune with my own spirit as when I surrounded by elms and oaks. During this pandemic our family has made a point to take a drive every day. We drive through the country, roll down the windows and breathe some fresh air. One of my other rituals involves drawing. Every day I set aside 20-30 minutes to sketch. I have notebooks full of trees, landscapes in the works. Trees, clouds — that’s my sanctuary. Some of these images find their way into my lyrics, which is just another way of painting a picture.

Photo credit: Denise Siegel-Phillips

BGS 5+5: Eliot Bronson

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Artist: Eliot Bronson
Hometown: Baltimore, Maryland
Latest album: Empty Spaces (July 24, 2020)

Which artist has influenced you the most … and how?

It’s impossible to name just one. I’ve had so many teachers. Dylan influenced everyone who picked up an acoustic guitar. Jackson Browne showed me how powerful honesty can be, and how to talk about complicated emotions while staying direct. I learned to play with language by listening to Tom Waits. Lucinda Williams reminds me that the simple songs are best. There are so many more.

What’s the toughest time you ever had writing a song?

Probably the last one. When I’m not in the trance of creativity, songwriting seems like the most difficult thing in the world. Every time I finish a song, it feels like it’s the last one I’ll ever write.

Which elements of nature do you spend the most time with and how do those impact your work?

It’s hard to say what impacts my work directly. Being in nature certainly speaks to a deep part of me. I’m obviously not alone in that. Mountains particularly captivate my imagination and sense of wonder. I was lucky enough to trek in the Himalayas for a few days, several years ago. It was a mind altering experience.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Carl Jung’s dream theory says that everyone (and everything) in the dream is an aspect of ourselves. I think that’s true of songs too — at least the good ones. You can’t write about a character without knowing them intimately. You either become the character or the character becomes you.

I wouldn’t say I hide, though. My songs are always about seeking. They’re about finding the places I hide and inviting what’s hidden to come out into the light.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I really want to go to Sukiyabashi Jiro in Tokyo one day. If Bob Dylan wanted to come along, I guess that’d be OK.

Photo credit: Jenna Shea Mobley

BGS 5+5: Pokey LaFarge

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Artist: Pokey LaFarge
Hometown: Normal, Illinois
Latest album: Rock Bottom Rhapsody

What was the first moment that you knew you wanted to be a musician?

When I heard Bill Monroe’s voice and mandolin. No one around me was doing it and I knew that was a way of being different and getting noticed. It was the most ballsy and exotic thing I’d heard up in [my] first fourteen years on earth.

What other art forms — literature, film, dance, painting, etc — inform your music?

I love to dance with my buddies and with ladies, I am an avid reader of fiction, such as novels, and non-fiction, too — usually, WWI, WWII, Mafia, and artist biographies.

Which elements of nature do you spend the most time with and how do those impact your work?

Well, any and all… but my preferences are water or forests over mountains and desert. I like to go to local parks and run or hike. I like long walks anywhere I can. But I actually spend a lot of time in the gym, specifically the boxing gym. I have tons of energy and need to exert that physically or my mind gets overworked. An easy mind and a fit body makes Pokey a peaceful boy.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Steak and potatoes and wine with Tom Waits, a piano, a guitar, and an orchestra.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

I almost always write in first person, or so I think.

Photo credit: Larry Niehues

LISTEN: Rosanne Cash, “Time” (Tom Waits Tribute)

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Artist: Rosanne Cash
Hometown: New York City
Song: “Time” (Tom Waits tribute)
Album: Come On Up To The House: Women Sing Waits
Release Date: November 22, 2019
Label: Dualtone Records

In Their Words: “What an honor to sing a song like ‘Time.’ Many years ago, I recorded it just for myself, just for the pleasure of singing those words. Maybe I seeded the notion in the deepest part of the creative ether, the place from where these songs travel through Tom. For whatever reason and from whatever source, I’m just thrilled to be a part of this album. There is no other songwriter in the world, past or future, like Tom Waits.” — Rosanne Cash

Photo credit: Michael Lavine

BGS 5+5: Eleni Mandell

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Artist name: Eleni Mandell
Hometown: Los Angeles, California
Latest album: Wake Up Again

What’s your favorite memory from being on stage?

One of my favorite memories from being on stage is from Munster, Germany. For a few years a man named Volker would show up to my shows in different countries and come to say hello to us, the band and me, after we performed. He had an interesting look and demeanor, so we used to try and guess what he did for a living. I think we decided he must be a race car driver or some other exotic career. It turned out that he was the lighting guy for a special theater in Munster called Pumpenhaus. It was an incredible cultural center that focused on producing plays with adults with special needs. I believe that some were residents at the local mental hospital.

Volker, the fan that showed up in different countries, talked the theater into having me play a show there. I believe I was the first musical artist ever to perform there. I developed a special relationship with Pumpenhaus and the people who worked there. One year, one of the actors who also helped around the theater, an adult with special needs, jumped up on stage right after I finished and kissed me on the cheek. Everybody laughed and cheered. His name was Guido. It could have been weird but it wasn’t because the feeling in the room was so positive.

At least an entire year later, possibly longer, we were back in Munster for a show. They treated us like kings there. It always felt like a wonderful reunion and party. Guido came backstage before the show and shyly handed me a present. It was a framed photo of him kissing me on the cheek. I keep that photo on my mantel at home to remind me of the connections you can make with people through music.

What was the first moment that you knew you wanted to be a musician?

I knew I wanted to be a musician the first time I saw the band X perform when I was 13 years old. I had already played violin and piano since I was 5 years old and I distinctly remember wondering how I could write songs and sing with the violin. I always loved singing. My mother finally allowed me to quit classical music at 13 years old. I discovered X through one of the “bad” girls at school. Their sound and lyrics hit me on a gut level that I can’t articulate. I remember looking at them on stage and thinking, “That’s what I want to do.” The wonderful thing about this is that so many years later, John Doe (singer, bass) and D.J. Bonebrake (drums) are both acquaintances of mine. I’d like to say they’re friends but I don’t want to brag.

What’s the toughest time you ever had writing a song?

I’m not sure about the toughest time I had writing a song. Sometimes I have an idea, or am inspired by a word, and then write something that is just terrible and throw it away. Sometimes I don’t throw it away but wish I had. I do remember, though, that I had an old boyfriend that was into vintage motorcycles and trucks. He was always talking about nickel plating the tank of his bike and what kind of truck he’d get, a fleetside or stake bed. Those words made me so curious. I was also in love with him and heartbroken by him all the time. I wrote the title, “Nickel Plated Man,” on top of one page and then another and another and another. I tried a million ways to write that song. I’d write it, turn the page and try again. It just never seemed to work.

Finally, the song fell on the page in 5 minutes, but it was probably a year after I first tried to write it. It came when I started plucking out those notes that repeat throughout the whole song. That is probably my most enduring song and one of the first I wrote. I’m still very proud of it. It’s also a song that Tom Waits said he thought was cool (message delivered by a mutual friend). It takes me back to a time in my life and a person that I knew (and still do). I love that about music, that it can create a whole world full of memories and feelings. I guess the lesson is that sometimes the songs that are the hardest to come to life are the ones that stick with us the longest.

What rituals do you have, either in the studio or before a show?

My rituals before a show are not cool or romantic. I like to get one drink that I sip on throughout the night, usually bourbon. I’m not a big drinker at all but sipping a bourbon on ice puts me in the mood to perform. I need it less and less as I get older but I still like the taste and the warmth. My number one ritual, and the nerdiest of all, is that I have to brush my teeth before I walk out on stage. My father was a dentist and I worked for him after I first graduated college. I am serious about proper oral hygiene! The last thing I want to do is taste food while I’m on stage or breathe on a fan after a show. Now everyone knows. Maybe people will start bringing me toothbrushes. I also always go and hang out at the merch table after shows. I love meeting people and seeing the same people around the world over the years.

What other art forms — literature, film, dance, painting, etc — inform your music?

I feel like any artist learns and grows by experiencing art. I am a word person. I love words, the way they sound or feel in your mouth and the variety of meanings they have, in English or other languages. I love translations bouncing back from one language to another and how that can change or enhance a word for me. So, that said, I think literature always influences my work because when I read a word or combination of words or phrases in literature, I am undoubtedly influenced and inspired.

I also love photography and old movies. I am always inspired by great art that sucks me in, like an Ansel Adams photograph I saw recently at a museum. The intensity of the light and shadows made me fall in love. That euphoric feeling makes me want to pick up a guitar and sing.

Photo credit: Max Gerber

BGS 5+5: The Dead South

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Artist: The Dead South
Hometown: Regina, Saskatchewan, Canada
Latest album: Illusion and Doubt
Personal nicknames (or rejected band names): answers by Colton “Crawdaddy” Crawford

Editor’s Note: Look for The Dead South at the Blue Ox Festival, held June 13-15 in Eau Claire, Wisconsin.

What other art forms — literature, film, dance, painting, etc — inform your music?

We’re all big movie fans. We love Quentin Tarantino, Sergio Leone, Wes Craven, etc. Those guys make awesome movies with killer soundtracks. Scores from films such as these have been a big influence on our music from the start. Having a cello can add an orchestral feel to the band, and we try to arrange our songs to include a lot of instrumental parts. It’s been a dream of the band to write a score for a film someday.

What rituals do you have, either in the studio or before a show?

Before the show, we get dressed, listen to System of a Down, and maybe enjoy a whiskey or two. Right after we get off stage, we head straight to the green room and listen to Afroman. Then the lineup for the shower begins.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

I would love to eat a Donair with Tom Waits.

What’s your favorite memory from being on stage?

The scene that always jumps to mind is the first time we ever saw people we didn’t know singing along to our songs. It was a show at the Owl, the university bar in Regina, and there were some people right up front who knew the words to all of the songs. After the show we all asked each other whose friends they were, thinking strangers couldn’t possibly know our music, but they were unknown to everyone in the band.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Most of our songs are stories about fictional characters, or sometimes exaggerations of ourselves. We don’t have too many songs, if any, that are meant to be taken literally. As I mentioned earlier, we all love horror and western films, and we draw a lot of inspiration from those films and those characters when writing our songs. We try not to take any of it too seriously and always try to keep an element of comedy (sometimes very dark comedy) in our songs and performances.

Photo credit: Brandon White

BGS 5+5: The Delines

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Artist: The Delines
Hometown: Portland, Oregon
Latest album: The Imperial
Band members: Amy Boone, Cory Gray, Sean Oldham, Freddy Trujillo, Willy Vlautin

Answers by Willy Vlautin

Which artist has influenced you the most … and how?

Man oh man that’s a tough question. I go in phases so I can’t name just one. I grew up worshipping Willie Nelson, he’s always been my personal sorta saint, next was X and then The Pogues and Los Lobos then probably Tom Waits and Louis Armstrong and a dozen others as well.

What’s your favorite memory from being on stage?

The Delines were playing a gig in Madrid and in the audience, right in front of the stage, were two couples making out. A man and a woman and then two men, and I went to myself, goddamn maybe what we’re doing is working! With Richmond Fontaine no women ever came to our shows. It was all middle-aged drunk dudes and none of them had probably made out with anyone in years.

What other art forms — literature, film, dance, painting, etc — inform your music?

I always write songs thinking they are part of a movie and I write novels for a living so those two have always been a big part of my life. I love novels more than anything and I could spend my life in a movie theater. Since I started, I’ve written in characters and stories. For a shy kid it was always easier for me to do it that way. I could say what I needed to say without anyone looking at me. I was way too insecure otherwise. Writing in stories gave me complete freedom from everything, including myself.

What’s the toughest time you ever had writing a song?

Probably from age 12-26. I wrote obsessively, hundreds of tunes and not one good one. Not a single one. You would have thought I’d have stumbled upon one or two but I didn’t. But I loved writing them even though I knew I was no good at it. And then finally a good song came to me. I was 27 and worked at a trucking company loading trucks and all the drivers were talking about seeing shit on the road late at night, white line fever. I was like hot damn, I’ll write that tune. So I write the tune about a long haul trucker who never calls his wife and all the while his wife is on a bender and ends up in a psych ward. I was so proud of the tune, my first good one after 14 years of writing bad ones. Then I played it in a bar one night and a guy comes up to me and says, “That sure don’t sound like Merle’s ‘White Line Fever’ to me.” That’s when I found out Merle Haggard had already written the tune. Even when I was certain I’d gotten a good one someone had already done it.

What was the first moment that you knew you wanted to be a musician?

It started for me around ten but I never thought I would be much of a musician. I just always wanted to plant my flag with musicians because I grew up believing in records more than anything else. Records were always my favorite friends in life. So after a while, just to get closer to them, I joined up.

Photo credit: Jason Quigley

5+5: Old Sea Brigade

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Artist: Old Sea Brigade
Hometown: Nashville, Tennessee
Latest album: Ode To A Friend
Personal nicknames (or rejected band names): Here’s an ongoing list of fictional band names. I’m sure at some point some of these were rejected band names: Dog Park, Denim Ego’s, Definite Lefty, Almost Pasadena, Almost Passed Adena, Chad The Gardener, Spiders in Australia

Which artist has influenced you the most and how?

I’d say Tom Waits. A friend of mine first introduced me to his music when I was 16, and having been a big Springsteen fan, I found a similarity between his and Waits’ music. I came to find a lot of influence from Tom Waits, particularly by how he lets his songs speak for themselves. He’s not afraid to change sounds and consequently allows his voice to present itself bare-naked to listeners. There’s such an intense degree of depth and emotion in his music that always draws me in.

What’s your favorite memory on stage?

Back in February 2016 I was on tour in the UK and Europe with Joseph. For the London date I had the privilege of opening up their sold-out show at Union Chapel. The venue is an old church that has such deep history as well as amazing acoustics. The date was particularly significant because exactly a year before I was traveling around the Midwest playing to basically no one. One night I had slept in my van and woke up thinking I was going to freeze to death in a Walmart parking lot. Going from that to playing a sold out London show in front of 900 people, exactly one year later, was definitely a memorable moment I’ll never forget.

What other art forms inform your music?

I think in a lot of ways, dance has greatly informed my music. With that said, I’m a horrible dancer, but my mom was a professional ballet dancer so I spent a lot of my youth hanging out in dance studios. I’ve always been drawn to the connections between dance and music, especially for ballet. I love the unity between free flowing motions and musical rhythms, and how they seamlessly morph together to form an even greater artistic expression.

How often do you hide behind a character in a song?

I’d say I generally try and avoid writing completely fictitious songs. If it’s a character-based song, I still draw on personal experiences. Sometimes it’s easier for me to come up with one central character that embodies multiple people in real scenarios.

What’s the toughest time you’ve had writing a song?

“Love Brought Weight” was a tough one to finish. I wrote the main chorus hook years before I wrote the verses. When I initially wrote it I wasn’t releasing or performing my own music and couldn’t seem to figure out where the chorus should go. It was probably three years later that I wrote the verse to the song. I initially intended for the verses and chorus to be totally different songs until I couldn’t finish either. One afternoon I realized they were in the same key and they seemed to fit perfectly together. It was one of those moments where I realized, in just five minutes, I had solved a three-year puzzle.

Photo credit: Steven Mullan