The Show On The Road – Che Apalache

This week we feature a border-breaking bluegrass band who came all the way from Buenos Aires to celebrate their Best Folk Album Grammy nomination. Before Che Apalache hit the red carpet, they stopped by host Z. Lupetin’s LA living room studio to talk about their unlikely founding and how they’ve created their intoxicating brew of traditional North American and often overlooked South American string band sounds.

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Lead by a trilingual world traveler, fleet-bowed fiddler, spitfire vocalist, and sonic scholar Joe Troop, Che Apalache formed almost accidentally when Joe began teaching curious local Buenos Aires pickers his own North Carolina folk traditions. Amongst his talented students he found three kindred spirits in Argentinians Franco Martino on guitar and Martin Bobrik on mandolin, and Pau Barjau on banjo, who is originally from Mexico. The result has been one of the most unexpected and have-to-hear-this-to-believe-it stories in modern roots music, culminating in their brilliant second record, Rearrange My Heart, which was produced by fan of the band (and a guy pretty good on the banjo), Béla Fleck. Lucky for all us, Che Apalache play several songs during the episode!

The Show On The Road – The Steel Wheels

This week on the very first episode of The Show On The Road in 2020, we welcome The Steel Wheels, a Virginia-based band of harmony masters and savvy string band experimenters who have quietly put together an impressive body of work over the last decade, corkscrewing their way across the country supporting seven diverse, acoustic-based albums. Along the way they’ve gained gangs of devoted fans of their big-hearted, peace-promoting songs.

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Taped live at historic Mccabe’s Guitar Shop in Los Angeles, Z. Lupetin gathered the boys around the mic to dive into their boundary-pushing 2019 release, Over The Trees, how they once toured on bicycles to spread climate change awareness, and how they survive 15-hour drives to strange shows in Iowa. They end the episode with their gorgeous acapella song, “This Year”.

The Show On The Road – JD McPherson

JD McPherson joins host Z. Lupetin for the final episode of The Show On The Road’s 2019 season.


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Oklahoma-born JD McPherson makes his own brand of high intellect, dance party-ready, Sun Studios-style rock ‘n’ roll. Last year he may have recorded one of the greatest original Christmas albums of the modern era with Socks.

While McPherson probably never dreamed he would become a new rock ‘n’ roll king of Christmas, Socks may be his most impressive feat yet. If you’re deeply suspicious of the capitalistic caterwauling of most modern holiday music on the airwaves (except you, Mariah!) you’ll still fall in love with JD’s sarcastic and sweet collection of holiday originals. The album deftly dives into lesser discussed Christmas subjects like broken expectations, inter-family angst, holiday horniness, and hilariously, the myth of why Santa must be grossly overweight to satisfy us fairy tale-loving kids. Give Socks a spin as you rock around the Christmas tree or the Hanukkah bush, or even better — keep it playing all year long.

 

The Show On The Road – Jason Lytle (Grandaddy)

This week on The Show On The Road, a special conversation with Jason Lytle, the founder and sonic visionary behind one of the America’s most beloved and underrated roots-and-noise-rock groups, Grandaddy.

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Starting from humble beginnings in the early 1990s as a trio of skateboarding friends in Modesto, CA, Grandaddy put out a series of daring, deeply weird records produced and written by Lytle that first caught fire in Europe. By the turn of the millennium, the band found themselves headlining rock festivals like Glastonbury in the UK and crashing late night TV in the US.

But Lytle wasn’t cut out for traditional cookie cutter stardom. Grandaddy broke up for six years, and after disappearing into the Montana wilderness, the soft spoken, mountain-crazy, multi-instrumentalist songwriter kept his devoted fanbase coming back for more.  His oddly-titled solo records, cinematically rich soundscapes that encircled whacked anti-heroes, and poetic, campfire-ready short story songs still make us worried kid listeners feel heard and seen — but also constantly keep us guessing.

His latest album, NYLONANDJUNO, which dropped in August on Dangerbird Records, is an experimental instrumental album made entirely with a nylon string guitar and a vintage Roland Juno synthesizer.

Host Z. Lupetin was able to catch up with Lytle before a recent rare solo show in LA.

The Show On The Road – Liz Vice

On this week’s episode of The Show On The Road, Liz Vice – a Portland born, Brooklyn-based gospel/folk firebrand who is bringing her own vision of social justice and the powerful, playful bounce of soul back to modern religious music.

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Liz Vice is following a rich tradition that goes back generations to powerful advocates like Sister Rosetta Tharpe, Sam Cooke, the Staples Singers, the Ward Sisters, Aretha Franklin, and especially Mahalia Jackson, who was the soundtrack to the civil rights movement. It was Mahalia who pushed Martin Luther King Jr. to tell the assembled masses in Washington, D.C. about his dream.

We often forget how much religious music was infused in the counterculture back in the 1960s, and as the BBC mentions in a great article about the era, “The music of the black church was infusing and inspiring the political consciousness of folk music; gospel was no longer just for the religious but the foundation for much ‘60s protest.” And so we bring you Liz Vice — and a little clear-eyed Christmas spirit to usher you into the twinkling darkness of December.

The Show On The Road – Madison Cunningham

This week Z. Lupetin welcomes Madison Cunningham — a gifted songwriter, singer, and guitar slinger who has quickly risen from shy Southern California prodigy to a nationally admired, Grammy-nominated, major label recording artist redefining what could be a new genre between the fertile plains of pop, jazz, and new wave folk music.

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As the eldest daughter of a big family, maybe Madison Cunningham was always meant to be an old soul. And as a young star on the rise, she thankfully hasn’t had to toil long in dive bars and retirement community gymnasiums, as many new artists do. She has already dazzled on large stages, opening for her heroes like the Punch Brothers, Iron & Wine, and Andrew Bird, all while teaming up with luminaries like Joe Henry to bring her songcraft to a new level.

If you have an hour, lock yourself in a dark room and listen to her newest release, Who Are You Now, and forget the failed love affairs and credit card debt and smoky bars of your youth and put your faith in the new generation. We are in good hands, no doubt about it.

The Show On The Road – Sam Lee

This week on the show, Z. Lupetin speaks with renowned British song collector, sonic interpreter, roots music promoter, and deeply intuitive folk singer Sam Lee.

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Lee came to music almost by accident after a former life as a wilderness survivalist and nature advocate. Since, he has become one of the leading voices in Great Britain, saving the treasured endemic music cultures that rapidly disappear each year. His gorgeously delicate and meticulously researched debut, Ground Of Its Own, shot him from hopeful academic to nationally recognized folk star — partly by being nominated for the prestigious Mercury Prize. Lee has relentlessly worked to save and rejuvenate the ancient melodies and songcraft of Irish and Scottish traveller tradition, Romany rhythms and stories, and connect those traditional melodies to a youthful pop culture that is yearning to know where it came from and where it is going next.

His Nest Collective, an “acoustic folk club,” gathers artists, authors, dancers and theatrical renegades and puts on shows and events across London – making Sam a rare double threat – as both an artist and a promoter of other artists.

His newest release, Old Wow, drops January 31, 2020.

The Show On The Road – Robert Ellis

This week, Z. Lupetin speaks with Robert Ellis, the restless, tuxedoed, Texas piano-man who has paired his fleet-fingered, high-humored, “jazz in an Austin roadhouse” keys playing with machete-sharp lyrical turns of phrase — all backed up with his smile-through-the-apocalypse country-rock band.

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Ellis has gained a beloved international following all the while creating a persona that is half the tender brilliance of early Billy Joel, and half high-hatted, Southern huckster who might tell you a story that will make you cry one minute, and then steal your watch when you’re not looking the next.

Z. met up with Robert Ellis on the road together in the Netherlands.

The Show On The Road – Bonnie Bishop

This week, Z. Lupetin speaks with Bonnie Bishop — the fierce singer/songwriter raised in Texas and Mississippi with a powerhouse voice shaped by decades of singing in smoky bars. She cuts confessional Americana gems that have won her a Grammy for her songwriting and have gained her a growing legion of fans nationwide.


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Like her hero Bonnie Raitt, sometimes it takes an artist releasing six records and reaching her late thirties for anyone to take notice. And sometimes it takes a painful divorce to create a song that would be recorded by Bonnie Raitt and help Bonnie Bishop win a Grammy. No, Bishop’s life didn’t change overnight — reality is usually much more sobering than the fantasy of winning big in music. But, Bishop knows she is winning now. Things are really happening, people respect her, and the road is moving — fast. And sometimes that’s the scariest thing of all.

The Show On The Road – Charlie Parr

This week on The Show On The Road, Charlie Parr — a Minnesota-based folk blues lifer who writes novelistic, multi-layered stories that shine a kaleidoscopic light on defiant, unseen characters thriving in the shadows all around us.

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Parr has a new record with only his name on it, and it isn’t shiny and perfect and commercial and catchy. It’s him. It’s pure Charlie Parr and maybe that’s enough. He hasn’t moved to LA or Nashville; he’s stayed in the cold grey north of Minnesota, because that’s his home. Take a second wherever you call home right now and listen to his episode — and his new record. You might hear something different every time.