BGS 5+5: Elise Leavy

Artist: Elise Leavy
Hometown: from Monterey, California; currently living in Lafayette, Louisiana
Latest Album: A Little Longer
Personal nicknames (or rejected band names): Doodle

Which artist has influenced you the most … and how?

Of course it’s somewhere between incredibly difficult and impossible to choose one person who has influenced me the most. I grew up listening to the Beatles, the Rolling Stones, Fleetwood Mac, Bob Dylan, Norah Jones, Simon & Garfunkel, Lucinda Williams, Crosby, Stills, & Nash, Neil Young, some strange and hauntingly beautiful Indian classical music that my mother loved, and countless other things that, if I didn’t stop myself, would flow from me in the passion of remembering things you hold tenderly, because you loved them as a child.

As an adult, I discovered Joni Mitchell – who became an angel that watched over me in my songwriting hours – Townes Van Zandt, and Tom Waits as well as the whole of country music and jazz that I never heard from the stereos of my parents. It all seeps in a little at a time, and I find I can hear it in my songs; they grow up and learn things just as I do. But I think the most magical thing is to occasionally hear something in my songs of the things I listened to as a child and loved with all my heart – now, after all these years, it’s all still there under the blanket of time.

What other art forms — literature, film, dance, painting, etc. — inform your music?

All of the above! I have always been an avid reader of romance novels and watcher of romantic comedies. I am sure I can’t have escaped their influence in the way I pursue my dreams in my life and career, and surely my songs reflect the dreams I pursue as much as they do the feelings I process.

As to painting … my mother is a painter and I was very used to having beautiful oil paintings watching over me as child; small boys on giant birds, tigers and strange monsters, women lounging in the nude, a man playing the fiddle. I can’t imagine growing up without these friends that hung on the walls and were propped up in the corners, accompanying me through childhood.

And now, I live in Louisiana, where music is almost entirely for dance, and I can’t say how it will change me over the years, but I am sure it will.


What was the first moment that you knew you wanted to be a musician?

I wrote my first song when I was 7 years old with the help of my step-dad, who is a musician. I remember I was (ironically) trying to learn “Fur Elise” on the piano, and instead of playing it correctly, I came up with something new and ended up writing a song about a rainy day called, “Yesterday It Was So Rainy.” I played this song at the talent show in 3rd or 4th grade, and I was so scared to be on stage by myself, I hired two little girls to stand behind me with umbrellas so I would have company on stage. Hard to say if I knew I wanted to be a musician at this point, but I suppose it sparked something, because I continued to play my songs at talent shows until I quit going to public school after 8th grade to pursue music.

What has been the best advice you’ve received in your career so far?

“Listen to your gut.” I don’t trust anyone in the music business that tries to dissuade me from this advice! The complete confidence in my own feelings and needs being most important in the pursuit a career in music has been essential in order to effectively follow my dreams. It also doesn’t always mean I get the biggest record deals or most impressive streaming numbers, which is really hard to accept, especially with social media and the whole of the music industry barking at me all the time to appear more impressive. But it means I am continually pursuing my own happiness and continuing to have pride in and love for the music I am putting into the world – and retaining the rights to it, at least so far. The only hard thing about this particular piece of advice is knowing when it’s my gut talking and when it’s something else!

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Never, strangely! I wonder how other people answer this question? I am so honest about my feelings, I can’t imagine hiding anything in a character, or a story, or anything else. I’ve always been in awe of people who write songs from someone else’s point of view or story songs. The only thing you might say I hide behind is poetry. Metaphors are great magical beings and I am at the mercy of their magic. But really, I write songs because I have to. If I didn’t, I don’t know how I would get through all of the emotions of existence. It’s like going to therapy. I write my song, I cry (probably a lot), or sometimes I feel elated, and then I listen to it on repeat until the feeling ebbs enough to write a new one, or listen to someone else’s songs again. Maybe this is really weird. But I guess I always knew I was a weirdo.


Photo Credit: Kaitlyn Raitz

WATCH: Vinnie Paolizzi, “Ahead of Me”

Artist: Vinnie Paolizzi
Hometown: West Chester, Pennsylvania
Song: “Ahead of Me”
Album: The Vinnie Paolizzi LP
Release Date: November 17, 2023

In Their Words: “Ben Danaher and I have both been at this songwriting thing for a minute. Some days it feels like we’re hanging on by a thread, but we have to keep reminding ourselves that our best days are coming around the bend – and this is all going to pay off. I love old R&B music and this was my attempt to throw a few elements of that into the mix on your way out the door. ‘Ahead of Me’ was the first song we recorded and it’s the perfect way to say goodbye and thank you for listening to my debut album.” – Vinnie Paolizzi


Photo Credit: Brooke Stevens

Artist of the Month: Robert Finley

Dan Auerbach’s Easy Eye Sound has an impressive catalog and roster of albums and artists. While it’s easy to trace how each intersects or diverges from Auerbach’s own musical and artistic approaches, only a handful of artists who’ve had releases with the label truly supersede the star power of their Grammy Award-winning producer, co-writer, and collaborator. Yola utilized Auerbach and Easy Eye as her gravitational assist to slingshot herself up into roots music’s – and now, Hollywood’s – stratosphere; Nat Myers‘ brand of down-to-earth, hardscrabble blues feels equally right at home and as a superlative outlier among his labelmates; and, perhaps chief among the top of Easy Eye’s “class” of music-makers is another bluesman, Robert Finley. His brand new release, Black Bayou, is his third with the label – and it finds him continuing to stake out his musical territory, confident in the well-deserved notoriety he’s now gained at this late point in his career. (Finley, as of this writing, is 69 years young.)

Black Bayou is blues unencumbered by the perennial rhetoric and discourse that engulfs this genre and tradition. What role do the blues have to play in a post-modern society? Can acoustic, old-fashioned, and/or vernacular blues music be modern, forward-looking, and responsive? Is blues dying, or is our fear of its decline or demise yet another facet of this form? Can the blues be something more than “time capsule” music? Black Bayou, with Finley’s trademark joy and wizened smile, encourages its listeners to also laugh in the face of these often pseudo-academic, fedora-wearing musical intellectuals. This is music for the present; this is music that’s visceral, propulsive, and – well, fun.

You can tell that Finley and his cohort had fun making it, too. Auerbach appears on Black Bayou, as does drummer Patrick Carney, his partner from their preeminent rock duo, the Black Keys. Eric Deaton (bass), Kenny Brown (guitar), Jeffrey Clemens (also on drums), and vocalists Christy Johnson and LaQuindrelyn McMahon – Finley’s daughter and granddaughter, respectively – round out the project’s ensemble. It’s a cohesive group, serving Finley’s musical mission perfectly and, when appropriate, getting the hell out of his way. It’s part of why Finley does rise above the Easy Eye Sound prestige and pomp, cutting through crisply, with a direct and honest point of view.

This music isn’t just grounded in the present, it’s also rooted in Finley’s home turf of Northern Louisiana, perhaps explaining why he can both be totally unconcerned with “authenticity” while also being a fountain of raw, direct sincerity. Here is a musician and singer who makes music for all of the right reasons, continuing to do it because it’s what he does. His expertise is kind and open, inviting even the casual or uninitiated listeners to engage with his music on the same level as the bespectacled blues autodidact.

Roberty Finley and Black Bayou are disarming, prescient reminders that whatever forms roots and vernacular musics take, they will always have unmeasurable value when viewed as paragons of the present rather than relics of the past. We are all lucky to inhabit a present that includes Robert Finley.

Watch for an exclusive BGS Artist of the Month interview with Finley later in November and, for now, enjoy our Essential Robert Finley playlist below.


Photo Credit: Jim Herrington

STREAM: Delaney Ramsdell, ‘Rambler’

Artist: Delaney Ramsdell
Hometown: Roosevelt, Texas
Album: Rambler EP
Release Date: November 2, 2023
Label: North Llano Records

In Their Words: Rambler is a full spectrum look at my life as a writer. From the dark, smoky moments from ‘Withdrawal’ and ‘Carry the Load’ to the forlorn prayers of ‘Kitchen Window’ and ‘Any Good Wife,’ this project covers every corner of my heart. I wanted to make sure that every piece of this record spoke to the rambler in all of us – the travel, the heartbreak, the fun, and the authenticity life brings as we make our way through the world.

“I hope the listener is able to journey down the roads I walked with these songs when I wrote them, and I hope they are able to pave their own way with them as well. The songs are cut and dry and they speak for themselves, but Rambler is my first real venture out into the world as an artist and I’m grateful for the space and chance to have worked with a great team of writers, producers, and players who helped me realize this dream.” – Delaney Ramsdell

Album Credits: 

Writers: Delaney Ramsdell, Autumn Buysse, SJ McDonald, Mia Mantia
Produced by: Grady Saxman, Jeff Armstreet at Saxman Studios


Photo Credit: Seth Hays

LISTEN: Jon Dee Graham, “there’s a ghost on the train”

Artist: Jon Dee Graham
Hometown: Austin, Texas
Song: “there’s a ghost on the train”
Album: only dead for a little while
Release Date: November 10, 2023
Label: Strolling Bones Records (a subsidiary of New West)

In Their Words: “So, my old friend Charlie Hunter, who started Roots on The Rails – Train adventures with live music. We’ve been to see polar bears in Churchill, [Manitoba] on the Hudson! – had made friends with the guy who found and restored The City of New Orleans train of Steve Goodman fame. Charlie asked if I’d play the [train’s] first run from Chicago to NOLA. I was in.

“It’s such an old and iconic train, I got to talking with one of the porters and I said, ‘I bet this train’s got a few ghosts.’ He got all serious and said, ‘Oh, this train is haunted as hell!’ No matter how I wheedled him he wouldn’t say anymore than that.

“So I’m playing on and off late into the night. At one point during a break I’m heading back to the baggage car to have a smoke and as I’m approaching one of the doors between cars, I see a hazy figure on the other side, I get all gooseflesh, and it keeps coming and I think, ‘Sweet Jesus! I’m seeing a ghost on the City of New Orleans!’ When I reached the door, I realized that I was seeing my own reflection in the door’s window. Relieved, but disappointed, I pushed on through to the baggage car. When I entered the dark baggage car, I caught a brief glimpse of 3 or 4 guys sitting in the back and then it was gone… another trick of the light.” – Jon Dee Graham

Track Credits:

Produced by Jon Dee Graham, Michael Hardwick, and Stuart Sullivan.
Recorded by Stuart Sullivan at Wire Studio in Austin, Texas.
Engineered by Stuart Sullivan.
Mastered by Carter Greeves.


Photo Credit: Darrin Back

BGS 5+5: New Valley String Band

Artist: New Valley String Band
Hometown: Malmö, Sweden
Latest Album: New Valley
Personal nicknames (or rejected band names): A Justification for Playing the Banjo

Which artists have influenced you the most?

Our greatest source of fiddle tunes would be the American fiddler Rayna Gellert. We fell in love with her groovy playing and her taste in source material. Many of the tunes we play are from her record, Ways of the World, including the title track which we also recorded for our debut album, New Valley.

Sam Amidon is another source of inspiration. His exploration and retelling of the traditional material with a quite minimalist style of arranging is something that guides parts of our process and something we strive to achieve ourselves.

Anna & Elizabeth would be our go-to when it comes to vocals. What they do is just absolutely astounding and continues to give the shivers to this day, even after hearing their music many times over.

Lastly we have many inspirations from the Nordic, especially from the Swedish trad scene. The duo Hazelius/Hedin and the band Bäsk are both big inspirations. Just like us, they both play traditional fiddle/dance tunes in a modern style and arrange old songs and ballads with a lot of after thought.

If you had to write a mission statement for your career, what would it be?

Musically, the three of us all come from the Nordic folk scene and the modern style of playing and arranging traditional Swedish dance tunes. When the band was formed we made a conscious choice that instead of fondly playing old-time music as historically or culturally accurate, we’d rather discover it and express ourselves in the way that we felt most natural. The result of that process became our own unique style of playing the old Appalachian fiddle tunes and songs. With interest and respect for the individual instrumental traditions, we arrange our music in a similar way that we would with the Swedish polskas or schottises. We call this style “Nordic Old Time” and we see it as our mission to explore this concept, and with it we can spread the traditional North American music to our peers and colleagues in the Nordic folk scene.

What has been the best advice you’ve received in your career so far?

Lukas, our banjo player, once met with the great Swedish folk musician Ale Möller, one of the founders of the Swedish world music scene. His advice to young musicians was to choose between being a specialist or a generalist. Either you can fit in any band or project or you establish your speciality so that when someone wants that, you’re the only one to ask. This spurred Lukas to both get more into the old time tradition that is otherwise a bit unknown in the Swedish folk scene, and to learn all stringed instruments there are. With all that being said, which path do you think he chose?

What’s your favorite memory from being on stage?

In April this year we performed at a small festival called Växjö Country Roots Festival. It’s a one day festival where six different bands that play American folk and roots music are doing one concert each during the evening. The event was sold out and there was a nice energy in the room. The performance went well and the audience seemed to like our way of interpreting the old time style, but the best thing about the festival was that it was a great way of gathering a lot of musicians doing bluegrass/Cajun/old-time/Americana music in Sweden.

It was really nice seeing the other concerts, but also jamming backstage, talking to other people doing a Nordic version of American folk music, and realizing how different it can sound. The arrangers did a great job with finding bands doing quite different sounds and even if it was a long night, the audience had a high energy the whole evening and it all ended with the musicians having a long jam session at the hotel until late night.

What rituals do you have, either in the studio or before a show?

As a band, the only ritual we have so far is to warm up our voices together. We’re including more and more songs in our repertoire, and to be able to push our voices on stage it’s important for us to do some warming up and check-ins with our intonation. Apart from that we all have some individual things we like to do before going up on stage.

If Adam has the time he likes to massage his feet. He picked that up from one of his teachers at a camp some years ago. According to this teacher, if you’re comfortable and grounded with your feet, you will be comfortable and grounded on stage.

Michael likes to take some time backstage to do some breathwork and settle his mind. If it’s possible, he also likes to take the time to get familiar with the room/venue from the perspective of the stage before the show, to be more comfortable and prepared for what to expect with that specific stage.

We’ve also learned from experience that Lukas needs to eat something before a show.


Photo Credit: Aija Svensson

WATCH: Rosanne Cash, “The Truth About You”

Artist: Rosanne Cash
Hometown: Born in Memphis, Tennessee; Now lives in New York City, New York
Song: “The Truth About You”
Album: The Wheel 30th Anniversary Deluxe Reissue
Release Date: October 26, 2023 (video); November 17, 2023 (reissue)
Label: RumbleStrip Records

In Their Words: “I was turned inside out when I wrote these lyrics. I was full of so much longing that I thought I would drown in it. I was also trying to come to terms with the idea that I might not get what I wanted. It was a deeply melancholy moment, but it had the light of possibility. I gave the lyrics to John, like a supplication in code, and he wrote the music. That was a good sign.” – Rosanne Cash


Photo Credit: Pamela Springsteen

STREAM: Claire Hawkins, ‘The Name’

Artist: Claire Hawkins
Hometown: New York City, New York
Album: The Name (EP)
Release Date: October 27, 2023

In Their Words: “The songs on this EP have been on the road with me for the past two years. I wrote in Ireland and Germany, tracked demos in Thailand, and recorded in my hometown of New York City. I’ve gotten to play them for audiences in Lisbon, Los Angeles, and London, and alongside different musicians from around the world. These songs are my souvenirs from the last two years. This EP is a scrapbook of the people, places, and sounds that have left a mark on me during this period. They’ve been around the world with me, and now they’re out in the world for everyone else to hear.” – Claire Hawkins

Credits: Written by Claire Hawkins

Produced, Mixed, and Mastered by Katie Buchanan


Photo Credit: Geraldine Smyth

WATCH: The Wandering Hearts, “Still Waters”

Artist: The Wandering Hearts
Hometown: England
Song: “Still Waters”
Release Date: October 26, 2023
Label: Chrysalis Records

In Their Words: “‘Still Waters’ is a conversation between the head and the heart and the separate choices we make on behalf of them. We try to see clearly enough to make a firm decision either way, only to discover that there is a rippling series of consequences whatever the outcome. Writing and recording this song, we gave the rhythm a feel of lapping waves to capture the sense of the push and pull of the tides, to mirror the push and pull of the inner conflict.” – The Wandering Hearts


Photo Credit: Stewart Baxter

LISTEN: Nora Jane Struthers, “Life Of A Dream”

Artist: Nora Jane Struthers
Hometown: Nashville, Tennessee
Song: “Life Of A Dream”
Album: Back To Cast Iron
Release Date: October 27, 2023

In Their Words: “Co-written with my husband Joe Overton, this song is an inquiry into our own dreams and how our season of life shapes and reshapes those dreams. I think the pandemic gave most people a new perspective on their dreams… in many cases redefining them. My dream of building a family has taken a front seat for the past few years and as I think about what this song means to me right now, I realize that I am standing on a precipice: We are planning our final embryo transfer and if it takes, that means 3.5 more years of living in baby-world. If it doesn’t, we’re only a few years away from having two kids in school and all of the ‘free’ time that comes along with that. What will I do if I am in fact leveling-up and out of the baby-mom season of my life? Pour all my day-light hour energy into writing? Can I refocus on touring on weekends and summers? What is the dream now?” – Nora Jane Struthers


Photo Credit: Bree Marie Fish