BGS 5+5: Ariel Posen

Artist: Ariel Posen
Hometown: Winnipeg, Manitoba, Canada
Latest Album: Reasons Why
Personal Nicknames (or rejected band names): AP or Guitariel

Which artist has influenced you the most – and how?

I think I’d have to say the Beatles. It was what I was brought up on and, even though I don’t like to compare things in music, they have always acted as a musical measuring stick for songs. I know they were and still are a huge influence on a lot of people, and it’s for good reason. They’re just kind of the greatest.

What was the first moment you knew you wanted to be a musician?

I think from a very early age. My parents were both musicians and I was also immersed in their shows, their travel and the lifestyle. Once I started playing guitar, started actually getting somewhere with it, and had my first gig, it was clear to me that this was my path and that I might actually be able to make a living doing it, too.

What’s the toughest time you ever had writing a song?

I’ve had a couple songs that I thought I had figured out right from the get-go, and as time went on, I started demoing them, and ultimately recording them, I realized they weren’t where they needed to be, yet. I basically started from scratch and built the blocks once again, around what I felt was holding up, and it took a couple of tries to get it right. I think chasing those type of things always end up being worth it!

What has been the best advice you’ve received in your career so far?

That no one is going to give you anything or “make anything happen” for you. It’s all gotta come from you. You will start to get what you put into it. No one’s out there that’s going to give you opportunities, because they are too worried about themselves and who they think is looking out for them! Get out there and make opportunities happen for yourself, put the work in and just be nice.

How often do you hide behind a character in a song or use “you” when it’s actually “me”?

Probably 70/30. Writing about myself and my own experiences is the most authentic form of songwriting and feels the most genuine. However, sometimes I love to write about other peoples’ experiences, often people I know, as I’ve seen these experiences occur from outside the looking glass, so to speak. Both perspectives have a lot to offer. Nothing is more honest than you being you, though!


Photo Credit: Calli Cohen

The BGS Radio Hour – Episode 201

Welcome to the BGS Radio Hour! Since 2017, the Radio Hour has been a weekly recap of all the great music, new and old, featured on BGS. This week, we’ve got music from Ani DiFranco, Andrew Marlin, and a Whiskey Sour Happy Hour appearance from Chris Eldridge! Remember to check back every Monday for a new episode of the BGS Radio Hour.

APPLE PODCASTS, SPOTIFY

Ani DiFranco – “Simultaneously”

Longtime voice of social change and activism through her music, Ani DiFranco brings us a new album, Revolutionary Love, at a time where we so much need it — a time marked by social and political unrest, racial equity, and the COVID-19 pandemic. While DiFranco usually has a busy tour schedule, the past year has been an opportunity to spend time at home with family, write a children’s book, start a free radio station, and write a musical about restorative justice. All of that in ONE year.

Melissa Carper – “Makin’ Memories”

Coming March 19, this Texas-based artist brings us Daddy’s Country Gold. BGS caught up with Carper on a recent 5+5 to talk about influences, memories, nature, songwriting, and the first moment she knew she was going to be a musician.

Elise Davis – “Empty Rooms”

Although the pandemic has been hard on everyone, musicians have a unique experience – most were accustomed to singing in bars and halls every night, for different crowds, in different cities. Even the empty rooms are missed, suggests Elise Davis in this new single from her upcoming project, Anxious. Happy. Chill. 

Mando Saenz – “Shadow Boxing”

From Corpus Christi, TX, singer and songwriter Mando Saenz – AKA ‘Mando Calrissian’ – graces the show this week with with a song from his newest album, All My Shame. His mission statement? To create music true to his heart and inspirations. It doesn’t get much truer than that.

Andrew Marlin – “Oxcart Man”

In 2018, Andrew Marlin (of Mandolin Orange) released his first solo album – a collection of mandolin-based old-time instrumentals entitled Buried in a Cape. Now after nearly 3 years, Marlin returns to the medium with twin albums of a similar aesthetic – Fable & Fire, Witching Hour. 

Six-String Soldiers & The SteelDrivers – “Long Way Down”

The United States Army Field Band teams up with bluegrass favorite The SteelDrivers for a new collaborative video of “Long Way Down.” From Alabama to their home in D.C., the Six-String Soldiers have been able to collaborate with the SteelDrivers a few times now.

Vivian Leva & Riley Calcagno – “Will You”

A couple of grown-up old-time festival kids, Vivian Leva and Riley Calcagno bring us a mixtape of their “old-time deep cuts” this week. From Roscoe Holcomb to Foghorn Stringband to Hazel & Alice, the duet offers their playlist in celebration of a newly released self-titled album.

Valerie June – “Why the Bright Stars Glow”

Tennessee-born and Brooklyn-based Valerie June is our March Artist of the Month here at BGS! Stay tuned all month long for exclusive interviews and content regarding her new album, The Moon and the Stars: Prescriptions for Dreamers.

Melody Duncan – “Over the Hill”

Aging is something that none of us escape. Melody Duncan relishes in the life lessons that we’re given from unavoidable challenges and growth opportunities, in exchange for more time here on Earth. Like a journal entry, “It’s a dedication for all of those willing to invest in a good today,” says Duncan, “even if our bones ache in the morning.”

Nathan Vincent – “Blue Ridge State”

It’s hard to end something, even when we know we have to. For Texas-based Nathan Vincent, the title is a physical place and an emotional one – and like the mountains, the relationship in the song rises and falls. Vincent and his crew journeyed to Asheville, NC to shoot the video, a “visual motif” that accompanies the sentiment and progression of the song.

Emily Moment – “Master of One”

From her upcoming The Party’s Over, London-based Emily moment brings us a song this week about our hurtful behaviors. We’re drawn to the things that hurt us so much, suggests Moment – like the Fugu fish in Japan, whose tastiest part is closest to its poison.

Chris Eldridge – “Angeles”

It’s hard to believe that it’s been a year since COVID changed all of our lives. We’re looking back at some of our virtual series from last year, highlighting the many performances which deserve to be seen more than once. This week, we’ve got Chris Eldridge (of the Punch Brothers) with a cover of Elliot Smith’s “Angeles” – a tribute to the city where BGS was born.

Ariel Posen – “Now I See”

Sometimes the smallest realizations can lead to the biggest breakthroughs, suggests Ariel Posen. From his new album Headway, this song is about self acceptance, and finding belonging among our imperfections.

Adam Douglas – “Joyous We’ll Be”

By taking a stand against the political and social challenges that we face, Adam Douglas offers this song for a brighter future. From watching his home country since 2016, seeing everything that was hidden rise to the top, Douglas was troubled by the viewpoints of so many. “It’s not an anti-45 song though,” he says. “It is an ‘anti-idiot’ song.”


Photos: (L to R) Andrew Marlin by Lindsey Rome; Chris Eldridge; Valerie June by Renata Raksha

WATCH: Ariel Posen, “Now I See”

Artist: Ariel Posen
Hometown: Winnipeg, Manitoba
Song: “Now I See”
Album: Headway
Release Date: March 5, 2021

In Their Words: “This song was inspired by my own personal growth over time but more specifically by a friend that had once told me that ‘now they could see’ that everything was left behind them. They were struggling with some relationships and some severe personal issues and it took time, but they finally found acceptance in themselves and were able to move past it. Just because they weren’t the type of person that they thought they would be, and just because someone isn’t perfect, doesn’t mean that they don’t belong. Sometimes the smallest realizations and changes lead to gigantic breakthroughs and in the theme of the album, make significant ‘Headway.'” — Ariel Posen


Photo credit: Lynette Giesbrecht