Basic Folk: Steve Poltz

If you’re looking for recommendations for desserts, might I suggest asking folk music and comedy savant Steve Poltz? This man loves gluten and carb-heavy sweets. He also loves collaborations, camaraderie, creativity and using humor in music. It all began for Poltz – or Poltzy as his friends call him – in his birthplace of Halifax, Nova Scotia, making him an official Canadian. He spent his formative years in Palm Springs and Los Angeles where due to his stutter, allergies, and asthma, he learned to talk fast to get himself out of trouble. His sense of humor was cultivated in part by his funny parents as well as radio and television. He was particularly taken with The Smothers Brothers, Laugh-In, and the novelty songs he heard on Dr. Demento’s radio program, which solidified his own aspirations for being silly as hell in his own writing. Along the way, he picked up the guitar at six years old and it’s been by his side ever since.

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After he moved to San Diego to attend college in the ’80s, he formed the cow-punk band The Rugburns with Robert Driscoll. The group, which Steve has described as “really slow speed metal,” developed a cult following across the U.S. in the early ’90s. It was at that time when Poltz met Jewel, who was a struggling musician in the San Diego scene. The two dated (they remain friends to this day) and ended up co-writing one of the biggest songs of the ’90s with “You Were Meant For Me.” After a brush with a major label (thanks to all the Jewel stuff), he remained an independent artist who developed a reputation for a singular live performance experience.

In 2014, he actually had a stroke onstage, which temporarily caused him to lose his vision, his ability to read, and also gave him a new outlook on life. Also: post-stroke, he found a late-in-life obsession with the Grateful Dead. In 2016 he and his wife, Sharon, moved to Nashville, where he discovered that he actually does like the Nashville co-writing thing. He’s written songs with people like Molly Tuttle and Billy Strings. His friend Oliver Wood (The Wood Brothers) produced his most recent record, Stardust and Satellites. Here’s to Steve Poltz!


Photo Credit: Jeff Faisano

Archiving the Heart: Greg Brown on Music, Family, and Throwing Out Old Notebooks

Iowa folk music icon Greg Brown is living that retired life. After playing his farewell retirement concert in 2023, he’s returned with a new book: Ring Around The Moon: A Songbook, which highlights a song selection personally picked by the songwriter himself, as well as family photos, personal anecdotes and self-penned drawings. The book features a foreword by Seth Avett (The Avett Brothers) who calls Brown’s songs “plain ​spoken ​expression ​of ​the ​nearly ​inexpressible.” In our conversation, we touch on topics like inner peace, happiness, personal growth and self-acceptance.

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He speaks of how art has impacted him in ways the artist will never understand. He talks about what it’s like to be on both the receiving and sending end of this exchange. It especially impacted him when he learned the poet Allen Ginsberg listened to an album of his while he was dying. I asked him about his music archives, which he calls “a ​bunch ​of ​old ​notebooks ​on ​a ​shelf” and “a ​couple ​boxes ​of ​old ​photos,” which assisted him in recalling family connections for the songbook. Going through the photos and old songs instilled a sense of music nostalgia, including collaboration with Iowa musicians at the Wednesday Night Jam at The Mill. Music nostalgia surfaces several times through the pages like his incredible story of founding the successful and beloved Red House Records.

There’s also discussion on a few choice Greg Brown songs like “If You Don’t Get it at Home,” addressing replacing love for materialism and drug use. We talk about “Brand New ’64 Dodge,” chronicling Brown’s personal experience with JFK’s assassination in 1963 and “Two Little Feet,” written in Alaska where he was inspired by Native American myths he heard and felt in the area. Greg Brown’s songbook was an awesome trip down memory lane for some of the best folk songs ever written from one very serious, yet very silly songwriter. It was an honor to dig in with one of the best to do it!


Photo Credit: Mei-Ling Shaw

Dale Martin on Only Vans with Bri Bagwell

(Editor’s Note: BGS is proud to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Read more about our newest podcast coming on board here. Find our episode archive here.)

Dale Martin is an accomplished music columnist and theater production manager in New Braunfels, Texas. He joins Only Vans host Bri Bagwell to talk about his hilarious journey full of Garth encounters, insane rider requests, and bridging genres with his writing over the past four decades.

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Only Vans would like to thank CH Lonestar Promo for being the best merch company in all the land!


 

The Reckoning of Montreal Banjo-Witch Kaïa Kater

After banjo player Kaïa Kater attended AmericanaFest in 2016, the music industry started telling her she was a part of the genre, which encompasses all kinds of roots, acoustic, folk, singer-songwriter and alternative country music. She was singing about heavy themes like historical trauma, her cultural heritage (her father is from the Caribbean country of Grenada) and her music history. She confesses in our interview that she never felt comfortable in Americana, that she was always just on the outside, never fully feeling accepted by this mostly white world. Kater has declared that her new album, Strange Medicine, comes from a place that lies beyond the white gaze of Americana. This music is filled with emotional healing, with production that sonically ​reflects the vulnerability she is expressing so deeply for the first time in her career. It’s also the first time she’s avoiding metaphors and really letting her most raw feelings about colonialism, sexism, racism, and misogyny rip. These songs see her using violent language and releasing emotions she’d previously kept frozen, like anger and revenge.

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While creating Strange Medicine, she listened ​to ​a ​lot ​of ​instrumental ​music, allowing her ears ​to be bigger ​than ​they ​had ​been ​on ​previous ​records. Which translated to her being ​more ​willing ​to ​take ​big ​swings ​and ​risks. Kater ​attended school ​to ​learn film ​composition, ​allowing her to be more ​comfortable ​with being ​a ​little ​bit ​more ​overstated ​in ​her ​songs, which certainly proves true on the new record. Another good piece of news is that the banjo is back! After using it very minimally on her last release, Kaïa picked it up again after listening ​to ​a ​lot ​of ​Steve ​Reich, a composer who developed a groundbreaking minimalist style in the 1960’s that’s marked by repetition. His work ​helped ​Kater ​conceive ​of ​the ​banjo ​as ​an ​instrument ​that ​could ​hypnotically play ​patterns ​over ​and ​over. We go through this monumental album track by track and unwind songs with topics from Tituba’s revenge (the first to be accused during the Salem witch trials) to getting the critic out of the room, to realizing the critic is you. She also recounts her history in her hometown of Montreal and what the Internet was like when she first logged on in the 2000’s.


Photo Credit: Janice Reid

Basic Folk: Guster

On the latest episode of Basic Folk, frontman ​Ryan ​Miller joins us ​to ​talk ​about ​all ​things ​Guster. ​From ​their ​tried ​and ​true ​collaborative ​writing ​process ​to ​the ​theatrical ​delights ​of ​their ​recent “We ​Also ​Have ​Eras” ​tour, ​to ​what ​it ​really ​looks ​like ​to ​make ​environmental ​sustainability ​a ​priority ​on ​tour. ​

Guster ​has just released ​their ​9th ​studio ​album, ​Ooh ​La ​La. ​As ​we ​talked ​about ​the ​new ​record, ​Ryan shared ​how ​these ​new ​songs ​touch ​on ​questions ​that ​the ​band ​has ​been ​asking ​throughout ​their ​over 30-year ​career. For ​example, ​”Maybe ​We’re ​Al​right” ​calls ​back ​to ​the ​collectivist ​spirit ​that ​we ​loved ​in ​2003’s ​Keep ​It ​Together. ​​”Gaugin, Cezanne (Everlasting Love)” ​talks ​about ​God ​in ​a ​way ​that ​brought ​up ​new ​questions ​for ​me ​about ​2010’s ​album, ​Easy, ​Wonderful. ​This ​is ​what ​makes ​being ​a ​Guster ​fan ​so ​rewarding. ​The ​longer ​you ​listen ​to ​these ​guys ​and ​the ​deeper ​you ​dig, ​the ​more ​you ​feel ​empowered ​to ​ask ​questions ​about ​the ​world ​around ​you ​and ​approach ​the ​answers ​with ​playfulness. ​Guster ​is ​a ​band, ​but ​it ​is ​also ​a ​place ​where ​we ​all ​meet ​to ​dance ​away ​the ​big ​questions ​with ​whimsy ​to ​the ​beat ​of ​tasteful ​hand ​drums.

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It ​is ​no ​exaggeration ​to ​say ​that ​co-host Lizzie No ​has ​waited ​over ​20 ​years ​to ​talk ​to ​Ryan. ​They became ​a ​fan ​of ​the ​New ​England ​indie ​outfit ​in ​2003 ​when the group opened ​for ​John ​Mayer ​at ​the ​West ​Point ​Military ​Academy, ​of ​all ​places. ​The ​vibe ​in ​the ​room ​was ​a ​little ​stiff, ​but ​Guster ​was ​anything ​but. Their ​exuberant, ​generous, ​harmony ​filled, ​idiosyncratic ​performance ​blew her ​teenage ​mind. ​As Lizzie ​dug ​deeper ​into ​their ​lore, ​they ​discovered ​that they were ​a ​part ​of ​a ​vast ​network ​of ​weirdos: The ​Guster ​fandom. ​


Photo Credit: Alysse Gafkjen

Mitch Ballard (BMI) on Only Vans with Bri Bagwell

(Editor’s Note: BGS is proud to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Read more about our newest podcast coming on board here.)

Live from the legendary Saxon Pub in Austin, Texas, Only Vans host Bri Bagwell sits with friend and BMI’s Executive Director of Creative in Texas, Mitch Ballard. They discuss what BMI is and why it’s important, along with the constantly evolving nature of the music business and what BMI is doing to keep up and help artists.

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Only Vans would like to thank CH Lonestar Promo for being the best merch company in all the land!


 

Freedom in a Flip Phone: John Moreland’s Quest for a Simple Life

I hate surprises. However, Oklahoma’s pride and joy John Moreland surprised us in April with his latest album, Visitor, and I guess I’m okay with it. Moreland’s gone back to a sparse acoustic instrumentation, unlike the electronic sound (which I also loved) on his previous release, 2022’s Birds in the Ceiling. Recently, he took a page from his wife Pearl Rachinsky’s and musician (and recent tour buddy) Chris ​Staples’ books and quit his smartphone, took a social media break, and stopped all touring for six months. What ensued was an incredible psychic change discovered through living electronically off the grid. Another thing that came about during this simplicity in life: An album full of songs. He would take long drives at night, bringing along his guitar and making field recordings of his new writing. All this culminated into his beautiful new record.

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During our Basic Folk chat, Moreland talks about the process of unraveling himself from his smartphone, reconnecting with the acoustic guitar, and getting to know himself again during this period of quiet. He talks about how playing live is very vulnerable for him, to the point where he started taking (and loving) beta-blockers to stave off anxiety and adrenaline. He is very candid with his current thoughts on body image – he has been known to experience body shaming online after performing live. We also get into something that’s been on my mind all year: Is climbing the professional songwriting ladder worth it? Pretty sure we figured out the answer. LOL


Photo Credit: Pearl Rachinsky

Basic Folk: Barnstar!

Barnstar!, Boston’s premier kinda bluegrass and definitely bombastic band, has released their new album Furious Kindness and we’re #blessed to welcome Mark Erelli and Zachariah Hickman to the pod. Originally a fun side hustle and bluegrass vehicle for Zack, the group – which also includes Charlie Rose and Taylor and Jake Armerding – started very casually performing at the legendary local Cantab Lounge. Zack accurately likens the vibe of the place to a basement Star Wars Cantina full of bluegrass bands.

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In between their main gigs with performers like Josh Ritter and Lori McKenna and amidst their solo careers, Barnstar! has cultivated explosive live performances filled with energy and emotional expression, leaving concert attendees cheering and crying along. Included in their repertoire are some of the finest covers including many that you’d never expect to see on a kind of bluegrass band album, like The Hold Steady, Patty Griffin, Elliott Smith, and Elizabeth & The Catapult.

On this episode of Basic Folk, we talk about what it’s like to bring a cover song to the band to learn as well as co-writing with friends like Dinty Child and Chuck Prophet. We’d be remiss if we did not address the alien-like quality of Mark Erelli’s singing voice and learn that it is because of his bestie Zack and Barnstar! that he can sing like this. Now he finds himself performing vocal warm-ups before hitting the stage with the guys. Not something he ever thought he’d do. All members of Barnstar! contribute to and sing on the new album, Furious Kindness, a recording that just wants to shout in your face about how awesome you really are.


Photo Credit: Sasha Pedro

ANNOUNCING: Only Vans with Bri Bagwell Joins BGS Podcast Network

BGS is excited to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Beginning today, May 20, the show – which is recorded from inside Bagwell’s tour van – will be distributed and promoted by BGS alongside hit podcasts such as Toy Heart and Basic Folk, and joining the ranks of fellow artist-hosted, artist-focused chat and performance podcast, the Travis Book Happy Hour. Only Vans is a podcast unlike any other, not just because it is recorded in a van (or Class C RV, to be specific), but because its conversation topics are anything but ordinary.

“[It’s] a podcast where I chat with my friends in the music community, from my van, about things that two buddies in a van would chat about,” Bagwell explains on her website. “It’s really insider info, like an Only Fans subscription… but clothes stay on (usually) and formality goes out the window.”

The banter between Bagwell and her friends and guests sounds and feels organic, because it is! With fifteen years of road experience, Bagwell hosts with ease, navigating topics that non-artists hosts perhaps can’t; and in that often unexplored landscape of crazy road stories, fond personal festival memories, and deep inner fears and beliefs, fans of the podcast say they really appreciate the raw honesty, insight, and hilarity that comes out in every Only Vans episode.

The first episode to be distributed by BGS features Bagwell’s friend and mentor, famed lead singer of Cross Canadian Ragweed, Cody Canada and his wife/manager Shannon. They cover a wide variety of topics like racial injustice, partying, the metal music scene, and shifting priorities after having kids. (Listen here.)

Bagwell, named Texas Female Artist of the Decade by the Texas Regional Radio Report, is a force to be reckoned with from her rousingly fun live performances to trailblazing recordings garnering her 12 #1 singles on Texas Country Radio and counting. People Magazine raves, “Bagwell increasingly finds her name being mentioned amongst country music truth-tellers such as Ashley McBryde and Morgan Wade.” Her latest album, Corazón y Cabeza (Heart and Head), has already spawned three #1 singles, “Trenches,” “Free Man,” and “Hello Highway,” the latter inspiring her 2023 summer tour across 10 states and Mexico.

In a time of growth for the BGS family – having just launched our curated email newsletter, GOOD COUNTRY, earlier this year – it’s especially exciting to bring on this new podcast, to welcome Bri Bagwell as a contributor, and to bring these intimate, fun, and one-of-a-kind interviews to our followers, listeners, and fans. Subscribe to Only Vans on Apple Podcasts here – or wherever you prefer to get podcasts. New episodes drop every other Monday!


 

Cody & Shannon Canada on Only Vans with Bri Bagwell

(Editor’s Note: BGS is proud to announce the addition of Only Vans with Bri Bagwell to the BGS Podcast Network! Read more about our newest podcast coming on board here.)

In the latest episode of Only Vans, Texas country artist and host Bri Bagwell chats with friend, mentor, and famed lead singer of Cross Canadian Ragweed, Cody Canada and his wife/manager Shannon in the bus, covering a wide variety of topics like racial injustice, partying, the metal music scene, and shifting priorities after having kids.

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Find Cody’s music, tour dates, and merchandise here.

Only Vans would like to thank CH Lonestar Promo for being the best merch company in all the land!

Intro music: “Free Man” by Bri Bagwell
Outro music: “Elle” by Cody Canada & The Departed