Tag: Boston

WATCH: Grain Thief, “Chirps and Williams”

Posted on by Editor

Artist: Grain Thief
Hometown: Boston, Massachusetts
Song: “Chirps and Williams”
Album: Something Sour, Something Sweet
Release Date: October 29, 2021
Label: Plow Man Records

In Their Words: “‘Chirps and Williams’ is a tune by the great Métis fiddler Calvin Vollrath. It was a tune that our friends would call now and then at some of the jams we frequent in Boston, and it quickly became a favorite of ours because of its distinctly catchy melody and chord progression. It worked its way into our live set years ago and it’s been a regular ever since. For the fiddler it’s a particularly fun tune to play, because despite its rapid stream of eighth notes it all falls under the hand very naturally — a testament to Vollrath’s skill as an instrumentalist and tunesmith.” — Alex Barstow, Fiddle, Grain Thief

Photo credit: Joel McFadzen

WATCH: Kat Wallace and David Sasso, “Somes Pond”

Posted on by Editor

Artist: Kat Wallace and David Sasso
Hometown: New Haven, Connecticut
Song: “Somes Pond”
Album: Old Habits
Release Date: October 1, 2021

In Their Words: “David wrote this instrumental tune at a cabin on Somes Pond, Mount Desert Island, Maine, last summer. We recorded this track at Dimension Sound Studios in Boston with David on mandolin and octave mandolin and Kat on fiddle joined by Brittany Karlson on bass and Ariel Bernstein on drums. In rehearsal, this harmonically adventurous tune called for a ripping solo section, and Kat suggested inviting friends to contribute to a big party breakdown. After a sparse melodic beginning and solos by Kat, David, and Brittany, Ariel launches the track into a funky groove with solos from this all-star cast of featured guests: Max Allard (banjo), Joe K. Walsh (mandolin), Mark Kilianski (guitar), Mike Block (cello), Bronwyn Keith-Hynes (fiddle), and Mike Marshall (mandocello). A few harmonic twists bring the tune home.

“‘Somes Pond’ is the third single from our second album, Old Habits, which evolves from the raw and transparent fiddle/mandolin duo feel of our first album, Stuff of Stars, into a full band sound with guitar, bass, drums, and pedal steel. Our album’s eclectic songs explore the cyclical nature of life, love, and loss, taking inspiration from the isolation and pain of the past year’s pandemic yet reaching to find beauty in the blemishes of the human experience.” — Kat Wallace and David Sasso

Photo credit: Naomi Libby

LISTEN: Alisa Amador, “Burnt and Broken”

Posted on by Editor

Artist: Alisa Amador
Hometown: Boston, Massachusetts
Song: “Burnt and Broken”
Album: Narratives EP
Release Date: September 17, 2021

In Their Words: “This song is about rape culture and toxic masculinity: ‘What a world we live in with its endless charms / Blinded lies keep winning over open arms / Sticks and stones and systems built to cause you harm.’ However, this song can be used as a lens with which to examine myriad systems of oppression. Violence stems from fear, and fear grows from a lack of understanding. ‘The bruise of words unspoken’ illustrates the pain caused by an absence of conversation around these violences. Systematic violence is designed to trick you and distract you (‘a ruse, a plume of smoke’) from the reality: ‘the truth is burnt and broken.’

“The arrangement of this song is intentionally spare, like the exposed framework of a house after a fire. It is a fitting metaphor for this song: a hard look at the violence of misogyny, as Kaiti Jones, Hayley Sabella, and I stand among the wreckage, singing with broken hearts, and hot anger pulsing through us. We had to record our vocals apart from one another, but every time I hear this song, I feel stronger and broken open at the same time. Their voices are so poignant on this song.” — Alisa Amador

Photo credit: Jacquelyn Marie

The Show on the Road – The Ballroom Thieves

Posted on by Shelby Williamson

This week, The Show On The Road brings you an intimate conversation with avant-folk instrumentalists and songwriting team Martin Earley (guitar, vocals) and Callie Peters (cello-vocals) — the driving forces behind New England’s The Ballroom Thieves.

LISTEN: APPLE PODCASTS • SPOTIFY • STITCHER

Beginning as a hard-traveling duo — which also features longtime percussionist Devin Mauch — over a decade ago at Stonehill College in Massachusetts, the Ballroom Thieves began to turn heads and fill rooms when they added Peters and her fierce and poetic singing-style around eight years back. The Queen-meets-Wings stacks of harmonies, gorgeous string arrangements and slam-poetry off-kilter lyrics instantly made them stick out from their gentler rootsy peers. They recorded the beloved harmony-drenched debut, A Wolf In The Doorway, in 2015 and followed up with their soulful, expansively electric Nettwerk debut Deadeye, which has been streamed over 50 million times and counting. A tasteful covers record followed as they established themselves as international festival favorites.

2020 was supposed to be a triumphant year for the group, but of course that’s not how anything went last year, for anybody. Their playfully experimental and fearlessly political release Unlovely (your host Z. Lupetin’s new favorite record of this fractious era) got buried in the late winter tumult of the new pandemic, forcing the group to call off all touring and shelve all promotion. Holed up at home, the chastened group hoped the world might discover the deliciously angular anthems like “Vanity Trip,” “Homme Run” and the epic tempo-jumping opening title track (featuring fellow New England harmony-masters Darlingside) at a later, calmer date.

The world has not gotten calmer, of course. Earley and Peters had to push off marrying each other and percussionist Devin Mauch had to make the tough decision to leave the group and focus on his art career after a decade sharing stages across the world with his friends.

Despite all this, our talk was an upbeat one. The group recently returned to performing live and sold out their hometown venue the Sinclair in Boston with an expanded group of musicians backing their ever-evolving sound. New music is on the way — but in the meantime, give yourself a day to sit with Unlovely: one of the true lost gems of the 2020 musical year.

 

The Show On The Road – Lake Street Dive

Posted on by Shelby Williamson

This week, Z. Lupetin and The Show On The Road bring you a conversation with internationally loved soul-pop pioneers Lake Street Dive. Starting out as jazz nerds storming local folk festivals and tiny rock clubs around Boston, they’ve since become a well-oiled touring phenomenon, headlining Red Rocks, traveling across Europe, playing late night on Colbert and Kimmel, all while refusing to settle into an easily nameable genre. In 2021, after three years since their last release, they celebrated their much-awaited seventh studio album Obviously.

LISTEN: APPLE PODCASTS • SPOTIFY • STITCHER

Most notable bands are like sunsets: they flash their colors, they create a few memories and fade away. And most groups that attempt, somehow, to connect virtuoso players in the jazz, roots, and rock ‘n’ roll scenes never actually live in the same town. Each have a Beatles-esque knack for singing sublime harmony and writing effortlessly killer hooks (see fan favorites like “Go Down Smooth,” “Good Kisser,” or their new TikTok earworm, “Hypotheticals”) and also each have their own solo groups? Maybe they last a few fiery tours and finally disband. And yet Lake Street Dive have become a steady standard-bearer in the nascent Americana world — and only seem to be getting tighter and more creative 17 years in.

Founded in 2004 by luminous singer Rachael Price, upright bassist-songwriter Bridget Kearney, high-energy drummer Mike Calabrese, and the recently departed guitarist-trumpeter Mike “McDuck” Olsen at The New England Conservatory of Music in Boston, the group caught new wind and inspiration after adding kinetic keyboardist/singer-songwriter Akie Bermiss in 2017.

After months of planning, we finally caught up with Calabrese and Bermiss on Zoom to discuss how they are forging a fresh path forward after a tough year and a half away. Make sure you stick around to end of the episode to hear how they meticulously created their knockout a-cappella pop gem, “Sarah,” which closes out their new LP.

Photo credit: Shervin Lainez

WATCH: Rachel Sumner, “Lose My Love”

Posted on by Editor

Artist: Rachel Sumner
Hometown: Boston, Massachusetts
Song: “Lose My Love”

In Their Words: “A lot of the songs I write are carefully crafted over long stretches of weeks, months, and even years. ‘Lose My Love,’ however, was one of those songs that came to me fully formed in an instant. I was in the shower when I started singing the chorus and realized there was a little film noir playing in my mind underneath it. I rushed out, wrote it down, and let my imaginary movie guide the verses. At the time I was one of the writers and lead singers of the bluegrass band Twisted Pine, so we recorded and included it on our eponymous album released in 2017. After parting ways with the group in 2019, I decided to reclaim and rearrange this song for my live solo shows where it’s become a favorite of mine to play amid the trove of new songs that I’ve been working on for my debut LP — more on that soon, so stay tuned!!” — Rachel Sumner

Photo credit: Hannah Cohen

LISTEN: Tall Heights, “The Mountain”

Posted on by Editor

Artist: Tall Heights
Hometown: Boston, Massachusetts
Song: “The Mountain”
Release Date: June 15, 2021

In Their Words: “We never met the man whose photo inspired ‘The Mountain,’ but we felt his loss all the same. The image was of an old man, a friend’s grandfather, looking out at the Green Mountains of Vermont from his deathbed with the glow of the sunset on his face. It was a singular moment of imminent departure. And I think the song plays equally well at a wedding, and a funeral, as an agnostic promise for people in love even after death do them part. Verse one sums it up: ‘You always loved that mountain, so honey that’s where you’ll go. Not trying to be morbid, but at the end of your road, if you go somewhere else before I do, I’ll be looking at the mountain, honey, I’ll be making eyes at you.’ Even as we attempt some semblance of our old lives, there’s an elephant in the room of everything the pandemic has stolen from us, among them the ability to gather and collectively mourn those losses. It’s time to heal together.” — Tim Harrington and Paul Wright, Tall Heights

Photo credit: Mitchell Wojcik

WATCH: Aoife O’Donovan, “Transatlantic” (Feat. Kris Drever)

Posted on by Editor

Artist: Aoife O’Donovan (featuring Kris Drever)
Hometown: Newton, Massachusetts
Single: “Transatlantic”
Release Date: March 17, 2021
Label: Yep Roc Records

In Their Words: “I started writing ‘Transatlantic’ many years ago after one of my frequent trips across the pond. The lyric started as a classic love song, but when I dusted it off to complete it for this project with the Irish Arts Center, it became something different. I felt strangely moved by the nostalgia and longing for camaraderie, innocently described by my pre-pandemic self. As I finished the tune in January of this year — feeling certain of nothing but the uncertainty of these times — I immediately began to hear the voice of Kris Drever, a friend based in Glasgow. Kris enlisted his trio mates Euan Burton and Louis Abbott to be the rhythm section, and layered the recording with the inimitable strings of Jeremy Kittel. The refrain references the old classic ‘Loch Lomond,’ a ‘song from another time.’ Raise a glass. We will be together again.” — Aoife O’Donovan

Photo credit: Rich Gilligan

LISTEN: Will Orchard, “Rita”

Posted on by Editor

Artist: Will Orchard
Hometown: Boston, Massachusetts
Song: “Rita”
Album: I Reached My Hand Out
Release Date: March 18, 2021
Label: Better Company

In Their Words: “‘Rita’ is a song about the blurred lines between attraction that’s real and long-lasting, and attraction that’s intense and fleeting. To me, it’s about lacking trust in my own impulses, and constantly questioning if those feelings are valid. I wrote this song while on tour on two separate occasions about a year apart, and the distance between those two moments really helped me put what I was feeling in perspective. The contributions of Allen, Jess, James, and Miles really helped bring this song to life and create the dark and the anxious landscape of those emotions.” — Will Orchard

Photo credit: Tim Ryan

WATCH: The Burnt Pines, “Diamonds”

Posted on by Editor

Artist: The Burnt Pines
Hometown: Boston, Massachusetts, USA and Lisbon, Portugal
Song: “Diamonds”
Album: The Burnt Pines
Release Date: January 22, 2021
Label: Adraela Records

In Their Words: “This song offers a bit of a different twist on a typical love song, in that it’s told from the perspective of a faithful and committed partner, in a complicated and difficult relationship, as many relationships are. It’s an aching love song. Through the twists and turns and uncertainties of his relationship with his partner, and dealing with her indecision between wanting both a mutual commitment and a certain freedom that she imagines outside the relationship, he keeps returning to his intense and poignant feelings in the song’s chorus: ‘I bleed apart. Torment in the colorful rain. Diamonds, oh diamonds, I don’t mind getting old for you, babe.’ Love often isn’t easy.” — Aaron Flanders, The Burnt Pines

Photo credit: Rui Major, The Burnt Pines