WATCH: Chris Coole, “My Name Is Lie”

Artist: Chris Coole
Hometown: Toronto, Ontario
Song: “My Name Is Lie”
Release Date: August 13, 2021

In Their Words: “I guess this song is a banjo-y meditation on the post-truth era we seem so hopelessly bogged down in. It’s sung from the perspective of the lie itself. I was inspired by the Dock Boggs song, ‘A Conversation With Death’ or ‘O Death,’ where death is given a voice. So, if a lie could talk, ‘My Name Is Lie’ is what I imagine it might be saying in today’s world. I’m not sure how obvious it is, but the last two verses deal with the Pandora’s box that is social media and how it has allowed lies to access ‘light speed’ so to speak.” — Chris Coole


Photo credit: Tyler Knight

WATCH: Suzie Ungerleider, “Baby Blues”

Artist: Suzie Ungerleider
Hometown: Vancouver, BC
Song: “Baby Blues”
Album: My Name is Suzie Ungerleider
Release Date: August 13, 2021
Label: MVKA

In Their Words: “‘Baby Blues’ is inspired by the idea that we all carry little movies in our minds about things that have scarred us in our childhoods. They replay in our heads and whisper in our ears and affect how we see the world so profoundly for the rest of our lives. They make maps in our brains that tie us forever to that geography of the past. The song is set on the country roads in Ontario, Canada, where there literally is a place called Fallowfield. Rolling hills and farmland and falling down barns dot the landscape. It’s beautiful and haunting all at once.” — Suzie Ungerleider


Photo credit: Stephen Drover

WATCH: Del Barber, “Nothing Left to Find”

Artist: Del Barber
Hometown: Inglis, Manitoba
Song: “Nothing Left to Find”
Album: Stray Dogs: Collected B-Sides Volume One
Release Date: August 20, 2021
Label: acronym Records

In Their Words:Stray Dogs is a result of over 10 years of writing and recording music. When the pandemic began I was lost, scared about the future and in the depths of an unprecedented creative slump. I built a studio out of an old shed on my farm in an attempt to force myself to try and write songs. Every day I’d go out there in the mornings and struggle to get one line that I liked or one chord progression that was inspired. I wasn’t getting anywhere and it was my first taste of the fabled ‘writer’s block.’ Instead of writing new material like I had intended, I began to delight in the process of looking back. ‘Nothing Left To Find’ was one song I kept coming back to. I had so many versions of it in my files, it begged to be finished. After cutting a dozen of the verses I had written, it’s now a short and sweet song that really ties the tonal landscape of Stray Dogs together.” — Del Barber


Photo credit: Haylan Jackson

LISTEN: Adeline Stringband, “Hickory”

Artist: Adeline Stringband (L to R: Chris Coole, Mark Kilianski, John Showman, Adrian Gross, Sam Allison)
Hometown: Toronto, Ontario
Song: “Hickory”
Album: Adeline
Release Date: July 23, 2021

In Their Words: “This session was definitely one of the loosest, most off-the-cuff, and most creative I’ve been a part of, and I’d hazard to say the same is true for the other guys. Smack dab in the middle of the pandemic — when none of us had really seen anyone besides immediate family for about a year — we holed up in a cabin in the woods and recorded old time tunes for three days and three nights. Seeing as it was -20º and there was a blizzard outside the whole time, there was nothing to do but pick tunes and roll the tape, and that’s exactly what we did. We learned “Hickory” from the great fiddler Earl White, and you can really hear the group interplay on this track.” — Adrian Gross


Photo credit: Chris Coole

BGS 5+5: Phöenix Lazare

Artist name: Phöenix Lazare
Hometown: Salt Spring Island, BC
Latest Album: Gold
Personal nicknames (or rejected band names): Fawkes, Bean, Peanuts, Peanuts & Popcorn, Pheen

Which elements of nature do you spend the most time with and how do those impact your work?

I’m from a small island off the coast of British Columbia, so I’ve always spent the most time with the Pacific Ocean. From a young age, whenever I needed space I would bring myself to the beach and let the sounds of crashing waves calm me down. Often I’ll bring a journal to do some free writing or even a guitar to explore song ideas, but I find that even the silence inspires me to go home and create. I’ve even used voice memos I took of birds and natural sounds to open songs before, including the album’s first single, “Against All Odds.” I took this particular voice memo recording at my grandmother’s house right after COVID hit, when the transition of winter to spring felt bittersweet.

Which artist has influenced you the most … and how?

Joni Mitchell has undoubtedly influenced me the most as an artist, songwriter and human. When I started taking music more seriously in adolescence, my parents bought me one of her biographies and I thought to myself, “Who is this crazy lady?” It took me a few years to finally pick up that book, but once I did I never looked back. I started listening through her discography and learning about her journey as a songwriter and performer. I was instantly captivated by her character; I admired her authenticity and radical unwillingness to conform to standards that the music industry pushes artists. The diversity in her music between albums is a beautiful reminder to create what feels good and not look back.

What’s the toughest time you ever had writing a song?

My song “The Other Side” took years and a lot of growth to complete. It’s a very vulnerable song that reflects on my first love, looking back with gratitude rather than regret. I was hesitant to record and put it on the album because it’s so personal, but I decided I want to be an example for songwriters that it means more when a song comes from a place of true authenticity. I’ve had a few audience members come up after shows and tell me how deeply they connected to it after a breakup, so I’m glad I set aside my doubts to write and share it.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

This is a very interesting question… as someone who is an enthusiast of both music and food, there are so many answers I could say. But for some reason, as a nod to my English roots, the one that sticks out in my mind is pairing Will Champion (drummer for Coldplay) with a classic Indian curry dish — my favourite is aloo gobi. I would love to share an order of garlic naan with Will and listen to his thoughts about his journey as a collaborative band member in the music industry. Coldplay has influenced my music and my life so heavily and their music would pair well with a spicy meal.

What was the first moment that you knew you wanted to be a musician?

Although it might not be the very first moment, it’s the most memorable — years ago back in 2014 I brought together family, friends and community members to host a farewell concert at my hometown’s local theatre. It was a fundraiser to support the transition to my first year attending Berklee College of Music in Boston and the house was packed. Even though I was young and was still finding my sound, I performed alongside my dad, brother, and so many other talented friends. It meant the world to feel so supported in the pursuit of my dreams and in that moment I knew that music was what I was meant to do.


Photo credit: Stasia Garraway

WATCH: Brad Reid, “Northumberland Shores”

Artist: Brad Reid
Hometown: Halifax, Nova Scotia, Canada
Song: “Northumberland Shores”
Album: NEW Scotland

In Their Words: “This tune has pretty much become a meditation for me. Playing it gives me a sense of feeling calm and grounded, and I think the new video really enhances those feelings for the viewer. There’s the common element of feeling isolated, which I think everyone can relate to these days, and the healing benefits of being among nature. The ocean is also symbolic of how my Scottish ancestors came to America, and the tradition of fiddle playing that I grew up with.” — Brad Reid


Photo credit: Adele Beaton

WATCH: Jeffery Straker, “Ready to Be Brave”

Artist: Jeffery Straker
Hometown: Punnichy, Saskatchewan, Canada
Song: “Ready to Be Brave”
Album: Just Before Sunrise
Release Date: May 7, 2021

In Their Words: “At its core ‘Ready to be Brave’ is about reconciling; about mustering up the bravery to have a difficult conversation. In working with director Dylan Hryciuk we came up with this story together and I felt that telling it through a cast that didn’t include me would be an interesting approach. I love the way he brought the song to life visually — there’s so much love in it. And what better way to share such a beautiful story than during Pride month.” — Jeffery Straker

“As a director, there’s nothing more exciting to me than working on a project that you know will matter. It was an amazing experience creating this film with our cast and crew for Jeffery’s deeply personal song “Ready to be Brave.” I really think it’s one of the most important stories I’ve had the privilege of telling and I hope it resonates with people and maybe even sparks positive conversation.” — Dylan Hryciuk


Photo credit: Ali Lauren

LISTEN: Cat Clyde & Jeremie Albino, “Hello Stranger”

Artists: Cat Clyde & Jeremie Albino
Hometown: Toronto, Ontario, Canada
Song: “Hello Stranger” (The Carter Family cover)
Album: blue blue blue
Release Date: May 21, 2021
Label: Cinematic Music Group, Majesticsilk (CAN)

In Their Words: “It’s amazing to think the first recording of this old folk song was done about 80 years ago. It feels sad, but also beautiful. Playing with the perspectives brings out the vulnerability in the song. We’re all strangers really — but great connection can come from this knowing and an openness can unfurl that may not be there with someone you are already close to.” — Cat Clyde & Jeremie Albino


Photo credit: Second Prize

WATCH: Eliza Gilkyson & Lynn Miles, “What If We”

Artist: Eliza Gilkyson & Lynn Miles
Hometown: Eliza: Taos, New Mexico; Lynn: Ottawa, Ontario, Canada
Song: “What If We” from Folk Alliance‘s Artists In (Their) Residences program
Release Date: June 14, 2021

In Their Words: “When Aengus Finnan first approached me about a co-write I was leaning towards not doing it due to my sort of Covid Contraction State of Being last year, but as soon as he suggested Lynn Miles as my co-writer all the doors and windows swung wide open. I am such a fan of Lynn’s music and she also happens to be a great friend. The whole process was as easy and as fun as I imagined it could be. Lynn had a song idea already percolating so she sent me some rough thoughts and it totally triggered ideas from me, so we just traded back and forth and I think gave each other space to do our thing and respect during the process. She also challenged me on some lyrics at one point and I just went with her thoughts and actually learned something different in my writing process. Never too old to learn something new! So it was a positive experience all around and I look forward to playing the song out at some point.” — Eliza Gilkyson

“Eliza is one of my songwriter heroes so I’m thrilled that we wrote this song together!” — Lynn Miles


 

WATCH: Dana Sipos, “Breathing Barrel”

Artist: Dana Sipos
Hometown: Hamilton, ON (currently residing in Victoria, BC)
Song: “Breathing Barrel”
Album: The Astral Plane
Release Date: June 25, 2021
Label: Roaring Girl Records

In Their Words: “‘Breathing Barrel’ is ultimately a meditation on being at peace with the present moment. Written immediately upon returning home to the city from a music residency at the Banff Centre for the Arts, deep in the foothills of the Rockies, this song is an attempt to integrate a very powerful experience into the more mundane, everyday life. I was trying to trick or convince myself to ‘be July in the wintertime’ — ‘July’ being the Banff Centre in the middle of a bleak Toronto winter, trying to buoy myself and bring back that feeling of abundance and ripe possibility. So in visiting many landscapes, changing seasons, and fleeting moments while focusing on staying present, ‘Breathing Barrel’ turned into a bit of a dreamscape.

“The video was created by Victoria musician Trevor Lang, with dozens of high-resolution scans of vintage magazine cutouts, finely tuned to line up with the rhythm of the song. The pairing of vintage magazine cutouts with the text made to look as though it was coloured in by hand and was intended to mirror the warm and analog textural quality of the recording, the feeling of paper and pencil. The slightly unusual frame rate of this video (eight frames-per-second as opposed to the typical stop-motion animation of either six or 12 frames-per-second) was intended to give the video a familiar but unique rhythm akin to the drum machine featured throughout the song.” — Dana Sipos


Photo credit: Chris Dufour