You Gotta Hear This: New Music From Nina de Vitry, Paper Wings, and More

This week, BGS readers enjoyed track and video premieres from artists like Appalachian up-and-comer Colby T. Helms, jammy bluegrass string band Armchair Boogie, a full album preview from Clay Parker and Jodi James, a tender and heart-wrenching From ONE to Tenn. performance by Jaimee Harris, and many more.

Below, you’ll find each of our premieres from throughout the week, plus enjoy exclusive, brand-new songs from artists and musicians like Nina de Vitry, Paper Wings, Jesse Lynn Madera, Billy Gilman featuring Rhonda Vincent, The Coal Men, and more.

You Gotta Hear This!

Nina de Vitry, “If We Didn’t Have Night”

Artist: Nina de Vitry
Hometown: Born in Lancaster Pennsylvania, based in Nashville, Tennessee
Song: “If We Didn’t Have Night”
Release Date: January 26, 2024

In Their Words: “‘If We Didn’t Have Night’ was recorded during the creation of my recently-released, debut, full-length album, What You Feel Is Real. Though it echoes a similar theme of optimism to many of the songs on the album, I realized that it didn’t sonically belong in the collection and instead begged to be a standalone single. The song explores new territory in my songwriting journey, celebrating some of my deepest musical roots like old-time and country. At the time that I wrote it, I was listening to a lot of Dolly Parton and wanted to attempt to write a chorus inspired by her melodies. What ensued was a lively tune that called for some fiddle, pedal steel, and a two-stepping feel. I hope that it may uplift those who listen and help to keep the winter blues at bay!” – Nina de Vitry


Paper Wings, “Is It True”

Artist: Paper Wings
Hometown: Wila Frank – Nashville, Tennessee via Summit, Oregon; Emily Mann – Big Sur, California
Song: “Is It True”
Album: Listen to the World Spin
Release Date: January 18, 2024 (single); March 15, 2024 (album)
Label: Paper Wings Music, distributed by Free Dirt Records

In Their Words: “‘Is It True’ is our love letter to the hard-working, gritty, capable folks in our lives. Em and I both grew up in rural places around people who truly respect nature and the satisfaction that comes from a hard day’s work, out in the elements. After living in cities, we realized our modern-day culture often fails to celebrate physical labor and the strength of character that comes along with it. We thought it would be fun to shine a spotlight on some of the trademarks of a real hard-working character in a song. ‘Is It True’ is about the allure of someone who isn’t afraid to get their hands in the dirt. The more the world tries to sell us shiny new things, the more we appreciate the well-made, the well-worn, the well-loved.” – Wila Frank


The Coal Men, “Black Cat”

Artist: The Coal Men
Hometown: Nashville, Tennessee
Song: “Black Cat”
Album: Everett
Release Date: January 19, 2024 (single); March 29, 2024 (album)
Label: Vaskaleedez Records

In Their Words: “Some folks are magnetic but, ultimately, nothing but trouble. ‘Black Cat’ is a swampy-groove song about that kind of dangerous friend. Drummer Dave Ray got a great snare sound going with a cymbal on top of the drum to mimic an 808 drum machine. Paul Slivka’s thumb-strike bass is doubled with low octaves played by piano tuner Lane Kiefling. I’m playing a short-scale baritone telecaster with flat wound strings and when the fuzz solo comes around, I really tried to be violent with the panning in the mix to make a listener’s head spin. This song is a joy to feel, play, and sing. I hope it’s got a bit of Tony Joe White in my vocal delivery to drive home the ‘thin grin’ humor of the song and warn folks to stay away from that type of crazy.” – Dave Coleman


The Lucky Ones, “Since the Farm Got Sold”

Artist: The Lucky Ones
Hometown: Whitehorse, Yukon, Canada
Song: “Since The Farm Got Sold”
Album: A Nickel For The Fiddler (EP)
Release Date: January 19, 2024

In Their Words: “We wanted to pay homage to our roots with this EP, so that’s why we went with the title A Nickel For The Fiddler. It’s also a Guy Clark song, someone who’s a huge inspiration to us – along with Townes Van Zandt, Blaze Foley and Rodney Crowell. So it’s a bit of a tip-of-the-cap to that circle of songwriters, but more so it’s an homage to our friend and mentor, Joe Loutchan, who had a residency at the ’98 Hotel in Whitehorse up until his passing in 2021. We needed to include a traditional fiddle tune for him, although that led to us add another medley of traditional fiddle two-step tunes. Why stop at one, right?

“The story behind ‘Since The Farm Got Sold’ has taken on greater meaning when we found out that the farmhouse where we recorded the EP was once the home of my great-grandfather and the property was once his farm. The house has had minor renovations to make the building work as a recording studio. However, it has been largely untouched and left with that vintage farmhouse appeal. It was profound – truly a spiritual experience – being in there. It was like stepping into a time machine, visiting with ghosts, and sharing songs and stories with the ancestors.” – Ryan James West, mandolin & vocals


Jesse Lynn Madera, “Austin”

Artist: Jesse Lynn Madera
Hometown: Currently based in Los Angeles, California
Song: “Austin”
Album: Speed of Sound
Release Date: January 19, 2024 (single); March 16, 2024 (album)
Label: Big Fat Dress

In Their Words: “When I was a teenager growing up in Houston, I used to sneak off some weekends to go hang with a guy who was in veterinary school at Texas A&M. This song is about when that rush of lust meets the thrill of the road. I replaced Houston with LA, because it sings and rhymes more easily. I tracked this song three times, in three ways, trying to nail the groove. My friend John ‘JT’ Thomas (Bruce Hornsby) played keys on the final product. I was blown away by the energy he brought to the track. Brian Whelan (Dwight Yoakum) sang harmony and played electric guitar, including the solo.” – Jesse Lynn Madera


Billy Gilman, “That’s Bluegrass To Me” (featuring Rhonda Vincent)

Artist: Billy Gilman
Hometown: Westerly, Rhode Island
Song: “That’s Bluegrass To Me” featuring Rhonda Vincent
Album: Roller Coaster 
Release Date: January 19, 2024 (single)
Label: Pinecastle Records

In Their Words: “This song is personal to me, because I wrote about a grandmother in the first verse sitting on her front porch listening to the Osborne Brothers. That grandmother represents my own grandmother, who used to sit in her house and listen to bluegrass music. That is where I first heard it. That is such a fond memory for me, and now it can live on in this song.” – Billy Gilman


Jaimee Harris, “Orange Avenue” for From ONE, to Tenn.

Artist: Jaimee Harris
Hometown: Born in Nacogdoches, Texas; Raised in Hewitt, Texas; Living in Nashville, Tennessee
Song: “Orange Avenue”

In Their Words: “My partner, Mary Gauthier, was given an incredible writing residency in Key West for the entire month of January 2022. We often tour together, so I decided I’d take the time of solitude to search for songs. I started my search in the panhandle of Florida and spent a month driving down to Key West. Every two to three days I traveled to a different town, collected stories, visited fascinating museums, explored the variety of Florida’s natural beauty, and wrote a song in every town I visited.

“I did not plan to stop by Pulse Nightclub, but I found myself there alone at night. The first thing that struck me about Pulse was its location. I imagined it would be located in a nightlife district, but that is not the case. I was surprised to find it standing at the end of Orange Avenue, across from a Dunkin’ Donuts – the only two businesses on a street lined with houses. Pulse was a queer-friendly club, but it was also a neighborhood bar. The entry age was 18, so there were plenty of teenagers who hung out at Pulse simply because it was a friendly place where they could dance without having to be 21 to enter.

“The second thing that struck me was a plaque that listed 48 names of those who were killed on June 12, 2016. The third thing I noticed was a block of text that read, ‘We honor the 49 angel birthdays by placing angel wings next to their name. You are always in our hearts.’ If there were 49 killed, then why were only 48 names listed? I then noticed a plaque that said, ‘Out of respect for the family’s wishes, a victim’s name has been kept private…'” – Jaimee Harris

Read more here.


Colby T. Helms, “Mountain Brandy”

Hometown: Boones Mill, Virginia
Song: “Mountain Brandy”
Album: Tales of Misfortune

In Their Words: “I am delighted my original song ‘Mountain Brandy’ is being featured on BGS. This song has been a local fan favorite for years. I wrote the song when I was 16 as a response to seeing my way of life disappearing around me. As a Franklin County, Virginia native, moonshine history and culture have been a part of my life for as long as I can remember. Over the years, family and friends have passed on, leaving behind a legacy and culture that I plan to keep alive. I wrote this song in honor of the culture, tradition, and landscape that has inspired me to pursue my passions. I hope that the fans of BGS identify with this tune and cherish it the way I have.” – Colby T. Helms

More here.


The Glass Hours, “Same Old You”

Artist: The Glass Hours
Hometown: Red Hook, New York
Song: “Same Old You”

In Their Words: “‘Same Old You’ started out as a straightforward observation of how hard it can be to change, even when we keep hitting the same proverbial wall. It then evolved into a diary of sorts about life on the road as a musician. As is often the case, the monetary yield of creativity turns out to be much slimmer than the soul yield. But in the end, we make art because we’re called to the process, and that’s really the spirit of the album.” – Megan Barbera

More here.


Clay Parker & Jodi James, Your Very Own Dream

Artist: Clay Parker & Jodi James
Hometown: Baton Rouge, Louisiana
Album: Your Very Own Dream

In Their Words: “We set out to make this record in early 2020, but things got a bit trivial then. However, we came out of the pandemic with some new ideas on how to approach these songs. Exploring the dynamics of two electric guitars sitting together against starkness was an exciting exploration for us and capturing that became our new focus. As for the songs, we didn’t really lean on any notions of genre; the stories themselves aren’t strictly linear. There are moments of bitter tenderness and some of flat-out absurdity – these songs are from those crossroads. Your Very Own Dream is equal parts plaintive folk existentialism, blue-note bluster, prairie-fire idealism, and fever dream ballad. It’s a raw representation of us searching for and finding a new sound.” – Clay Parker & Jodi James


Armchair Boogie, “Gone in a Day”

Artist: Armchair Boogie
Hometown: Madison, Wisconsin
Song: “Gone in a Day”
Album: Hard Time & Deadlines

In Their Words: “In my experience, some of the best songs are written to completion (or almost) within a few hours of starting. That’s what happened with ‘Gone in a Day.’ When you feel strongly about the subject matter, ideas tend to flow with far less second guessing. There was no rush, but all the feelings, words, and melodies were at the ready. It also didn’t take long at all to think of adding in our friend Jeremy Garrett on the fiddle to take it to new heights. We think it’ll be just as smooth a listen as it was to put together.” – Ben Majeska

More here.


Photo Credit: Nina de Vitry by Joseph Ross; Paper Wings by Sarah Kathryn Wainwright.

The BGS Radio Hour – Episode 215

Welcome to the BGS Radio Hour! Since 2017, this weekly radio show and podcast has been a recap of all the great music, new and old, featured on the digital pages of BGS. This week, the Radio Hour features a song that reclaims the image of the magnolia tree, we enjoy some blues and southern rock from folks like Charlie Parr, Christone “Kingfish” Ingram, and Larkin Poe, plus hear a “Wichita Lineman” cover by Colin Hay, and much more.

APPLE PODCASTS, SPOTIFY

Gregory Alan Isakov – “Salt And The Sea”

To celebrate the birthday of Dualtone Music Group, Gregory Alan Isakov covers The Lumineers’ “Salt And The Sea” on a new compilation record, Amerikinda: 20 Years of Dualtone, which features many of Dualtone’s artists from the past and the present performing each other’s songs in a whimsical, jovial tribute to the work and achievements of this beloved record company.


Adia Victoria – “Magnolia Blues”

On a new track inspired by the last year and its intentional pausing, Adia Victoria explores the magnolia as a symbol of the South: “The magnolia has stood as an integral symbol of Southern myth making, romanticism, the Lost Cause of the Confederates and the white washing of Southern memory. ‘Magnolia Blues’ is a reclaiming of the magnolia…”

Jim Lauderdale – “Memory”

One of the most eloquent tracks on Jim Lauderdale’s new album Hope — a collection reminiscent of dreamy ‘70s folk rock records — celebrates the legendary Grateful Dead lyricist Robert Hunter, a longtime friend and collaborator of Lauderdale’s who died in 2019. As one of the final songs they wrote together, “Memory” arrived on June 22, just one day before what would’ve been Hunter’s 80th birthday.

Carrie Newcomer – “A Long Way Up”

We caught up with singer-songwriter Carrie Newcomer for a 5+5 — that’s five questions and five songs — on growing up creative, writing stories, poetry, and essays, taking comfort in nature and its imagery, and more.

Larkin Poe & Nu Deco Ensemble – “Every Bird That Flies”

Larkin Poe grew up drawing inspiration from a wide range of genres, so they always dreamt of honoring their classical upbringing with orchestral arrangements of their music. Their first ever live album features Nu Deco Ensemble combining those classical elements with Larkin Poe’s Americana, blues, and Southern rock songs.”In hearing our Roots Rock ‘n’ Roll repertoire reinterpreted through an orchestral lens, it felt like a creative circle was being completed.”

Christone “Kingfish” Ingram – “Too Young to Remember”

Christone “Kingfish” Ingram seemed to come out of nowhere with his 2019 Alligator Records debut, Kingfish. At 20 years old, the native of Clarksdale, Mississippi, emerged as a fully-formed guitarist, vocalist, and songwriter and was quickly hailed as a defining blues voice of his generation. Now his new record, 662, pays tribute to his upbringing and his home turf.

Jesse Lynn Madera – “Revel”

Jesse Lynn Madera has written a lot of sad, emotional songs, but writing “Revel” changed the way she approaches songwriting, recognizing the opportunity artists have to positively impact a person. She reflects, “Being human is rollercoaster enough without a pandemic to further complicate the experience. We’ve all suffered through our share, and hopefully we’ve all experienced the sun coming up over the horizon of despair. This will be no exception. The glow shall return, and we’ll all be reveling in it.”

Charlie Parr – “Last of the Better Days Ahead”

Blues picker Charlie Parr reflects on the days he’s currently living in on “Last of the Better Days Ahead.” As he tells us: “I’m getting on in years, experiencing a shift in perspective that was once described by my mom as ‘a time when we turn from gazing into the future to gazing back at the past…'”

Colin Hay – “Wichita Lineman”

“Wichita Lineman” was the first song where Colin Hay (of Men at Work) realized the importance of the written song, in and of itself. He tells us the song “spoke of things I could only wonder at. The geographical vastness of the land, the hopes and dreams of the man working the line, and indeed of all people who inhabit this country. And, a love story contained within achingly beautiful music and melody. I can’t think of a better song.”

Dillbilly – “Countries”

For a big part of their life, Dillbilly grew up feeling like country and bluegrass were genres that they could never be a part of even though the music has always felt like home. But in writing “Countries,” it felt so good for them to lean into those roots.

The Isaacs – “Turn, Turn, Turn”

Powerhouse bluegrass (and beyond) family The Isaacs have returned with new music, including their rendition of a Pete Seeger classic that Lily Isaacs recalls from her days of growing up as a folk music fan in 1960s New York City.


Photos: (L to R) Larkin Poe by Josh Kranich; Charlie Parr by Shelly Mosman; Adia Victoria by Huy Nguyen

WATCH: Jesse Lynn Madera, “Revel”

Artist: Jesse Lynn Madera
Hometown: LA and Nashville
Song: “Revel”
Release Date: July 23, 2021

In Their Words: “Writing ‘Revel’ changed the way I approach songwriting. It made me understand more about the opportunity we have as artists to positively impact a person’s day. I’ve written a lot of sad, emotional songs, and I’ve seen that those can be therapeutic. Knowing someone is getting cheered up, cheered on, inspired, by listening to one of my songs is pretty mind-blowing. I try to be a source of light for the people close to me, and this is the first time I’ve really been able to tap into that with my songwriting. ‘Revel’ was written around the holidays in 2020, in a living room that was still vibrating with all the good times we’ve had. I needed ‘Revel.’ I needed a reminder of all the light that follows darkness. Being human is rollercoaster enough without a pandemic to further complicate the experience. We’ve all suffered through our share, and hopefully we’ve all experienced the sun coming up over the horizon of despair. This will be no exception. The glow shall return, and we’ll all be reveling in it.” — Jesse Lynn Madera


Photo credit: Alysse Gafkjen

BGS Wraps: Jesse Lynn Madera Featuring Matt Rollings, “Have Yourself a Merry Little Christmas”

Artist: Jesse Lynn Madera Featuring Matt Rollings
Song: “Have Yourself a Merry Little Christmas”
Release Date: October 22, 2020

In Their Words: “What an honor, master class, and joy it was to sing with the legendary Matt Rollings as he produced and played on ‘Have Yourself a Merry Little Christmas.’ It was important to incorporate the weight of this transformative year into our interpretation, and I think Matt and I were feeling similarly about the events unfolding around us. For that reason, the emotions in our performances danced with ease that isn’t always so readily available in the studio. To have all the players on the same page in their heads, that’s unusual and nothing short of electric. Kristin Wilkinson added a phenomenal string arrangement to the mix. The stars really aligned for this track to happen, and I couldn’t be more proud or grateful to have my name on this.” — Jesse Lynn Madera

“Jesse Lynn Madera is an amazing artist and person. In the years we’ve known each other, I’ve seen her kindness, generosity and fierce spirit, and these traits all come out in her music. All I had to do was press record, sit at the piano, and start playing, and out came this incredible music. She told the story of this classic song in a way I’ve never heard before. Intimate, nostalgic, sad and beautiful…” — Matt Rollings


Enjoy more BGS Wraps here.