MIXTAPE: Celtic & American Folk Inspirations From Rakish

As a duo rooted in both Celtic and American traditions, we find the intersection of these worlds to be a rich and endlessly inspiring place. From the rhythmic drive of Irish & Scottish reels to the melodic storytelling of ballads, we’ve always been captivated by how these two traditions speak to one another. They each carry a sense of community and history, and both offer the chance to push boundaries and explore something new.

Our latest album, Now, O Now, wants to embrace this duality. It’s a reflection of our love for these traditions, but also a hope to continually reinterpret them. This Mixtape is a collection of the kinds of tunes and songs that have shaped our journey – music that evokes both the wild energy of a late-night session and the quiet contemplation of a solo walk through the woods.

These tracks are selected from the voices of friends, mentors, and heroes who have inspired our original music along the way. We hope you enjoy the mix! – Rakish

“6 Then 5” – Seamus Egan

We love to put this track on at the beginning of a long drive. Seamus continues to be a master of bringing together composition, sound design, and groove.

“Goodbye” – Sean Watkins & The Bee Eaters

This whole record is great; it combines Sean Watkins’ brilliance with the thoughtfulness of The Bee Eaters, who happen to be some of our favorite musicians in the world.

“765” – Rakish, Jamie Oshima

We composed these tunes and had the idea of having our good friend Jamie Oshima produce/remix the track. He’s an incredibly thoughtful and agile musician and brings such a unique aesthetic to new fiddle music. Thanks Jamie!

“Hidden Love/Sheila Coyles” – Four Men & A Dog

We listened to this album in the car recently and this track was so good that Conor had an epiphany about how it brought together all the elements of arranging music that inspire him: highly poetic language, mystery, and an excellent Irish tune.

“City In the North” – Maeve Gilchrist

Maeve is remarkable at seemingly everything she puts her hands to; this song highlights not only her virtuosity and inventive harmony, but also her narrative ability to weave melancholy and joy.

“Bull Frogs Croon (Suite)” – Aoife O’Donovan

This whole record is potent for so many reasons. Aoife’s setting of Peter Sears’ poems is a reminder of her singular gift for putting melody to text, and Jeremy Kittel’s string arrangements are some of the best we’ve ever heard!

“Jack Dolan” – John Doyle

Just of the grooviest versions of a ballad ever from the preeminent master of Irish guitar in the modern era.

“Imaginary People” – Viv & Riley

Viv & Riley are at the forefront of writing incredible original music inspired by their traditional music backgrounds. We’ve admired them for a long time and they always blow us away.

“6 O’Clock in the Morning” – Darrell Scott

Tristan Clarridge, who always has the best listening recommendations, turned us onto this album. This track stands out with its intense lyricism and amazing instrumental orchestration.

“Turn the Page Again” – Tim O’Brien

We’ve loved this song for so long. This whole album is incredible, but this track in particular has been a source of inspiration by bringing together Tim’s songwriting, John Doyle’s groove, and Casey Driessen’s improvisational style.

“We’ve Got Our Friends” – Maura Shawn Scanlin

Maura’s solo record impeccably brings together the many things she excels at (and some of the things this playlist hopes to demonstrate): instrumental acuity, lyrical thoughtfulness, and masterful arranging.

“Strange Vessels” – Caoimhin Ó Raghallaigh & Thomas Bartlett

Conor listens to this album all the time. It’s a source of inspiration and a reminder to make music that feels relaxed and to not use too many notes.

“Dear Starling” – Pumpkin Bread

This is a favorite tune from a band with some of our best friends we were a part of in our college days. Thanks for listening!


Photo Credit: Sasha Pedro

The BGS Radio Hour – Episode 199

Welcome to the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week we’ve got everything from quirky pop hooks by Aaron Lee Tasjan to outcries about workers’ rights by the Local Honeys. Remember to check back every Monday for a new episode of the BGS Radio Hour. 

APPLE PODCASTS, SPOTIFY

Black Pumas – “Black Moon Rising”

As we welcome the spring, we bid farewell to our February Artist of the Month – Black Pumas. The duo, up for a total of three Grammy Awards this March with their breakout album, sat down with BGS this month to talk about Black Pumas (Deluxe Edition), and the influences that brought them together.

Terrible Sons – “What A Friend”

From Christchurch, New Zealand, Terrible Sons brings us a song this week from their newly released Mass EP. “The song looks into a life that is unravelling internally and externally, a character who struggles to communicate, someone who’s on the edge,” the duo tells BGS. “We’re really singing about being a failure as a friend, about not being there.”

Aaron Espe – “Take You Home”

February brought many great releases; Aaron Espe’s Rock & Roll Man EP is certainly no exception. As the Nashville-based songwriter told BGS, songs can mean many things to many people, all of which are valid, and shouldn’t be ruined by the songwriter explaining it to them – so best for us not to spoil this one!

Lonesome River Band – “Love Songs”

Steve Martin used to tell a joke about how no one could be sad while playing the banjo. And while the banjo strikes a happy tone, songs from the bluegrass repertoire just aren’t the most optimistic – often, they are about heartbreak, loneliness, or death. In their new single, the Lonesome River Band recognizes that we have to write about what we know – and it ain’t always love songs.

Judith Hill – “Baby, I’m Hollywood!”

For Judith Hill, “Baby, I’m Hollywood!” is a defining statement, summing up the drama, love, and pain that surrounds her life as an entertainer in an epic performance and video.

Cristina Vane – “Prayer For the Blind”

From her upcoming Nowhere Sounds Lovely, Italy-born and Nashville-based Cristina Vane brings us an old-time banjo meditation on finding levity in heavy situations, and the bonds and intergenerational burdens shared between mothers and daughters.

The Wild West – “Better Way”

Women-led upergroup The Wild West strike on uniting us all amongst the differences that divide us – touching the idea of being born with love and without hate, and calling us to find our way back to innocence, understanding, and compassion.

Aaron Lee Tasjan – “Up All Night”

This Nashville artist is no stranger to BGS. Tasjan is his own producer on his newest release Tasjan! Tasjan! Tasjan!, the most-Tasjan album that he’s released so far — quite literally. From deep personal experiences in his writing to silly pop hooks, Tasjan’s newest album is one worth hearing.

Lily B Moonflower – “Midnight Song”

One thing we’re all surely missing is community, be it local jams, concerts, or just visiting with your neighbors. From Lawrence, Kansas, Lily B Moonflower brings us a song inspired by her community coming together through music and love, and the magic that follows on the honky-tonk floor.

Spencer Burton – “Memories We Won’t Soon Forget”

From Ontario, singer-songwriter Spencer Burton joins us for a 5+5 this week – that is, five questions, five songs to go along. From favorite stage memories to a dream musician and meal pairing, our conversation with Burton is one we won’t soon forget.

The Local Honeys – “Dying to Make a Living”

Even while they’re stuck at home like the rest of us, the Local Honeys continue to get their message out to the world. While in past times they’d be touring Europe with Colter Wall or Tyler Childers, the Kentucky-based duet now sit down with BGS to talk about the problems created by extractive industries like coal mining in Appalachia, reflected in their new two-song release.

Chris Pandolfi – “Astral Plane”

From Grammy Award-winning band the Infamous Stringdusters, ‘Panda’ joins us this week on a 5+5 in celebration of his latest album, Trad Plus Presents Trance Banjo. What’s better than banjos, beats, and Stuart Duncan?

Moira Smiley – “Days of War” (feat. Sam Amidon and Seamus Egan)

With the accompaniment of Sam Amidon and Seamus Egan, Moira Smiley brings us “Days of War,” a song written after yet another shockwave of white supremacy in 2017. While Amidon sings the ‘human’ voice in this song, Smiley is the ‘bird,’ who flies and sings in spite of all.


Photos: (L to R) Black Pumas; The Local Honeys by Melissa Stilwell; Aaron Lee Tasjan by Curtis Wayne

WATCH: Moira Smiley, “Days of War” (Feat. Sam Amidon and Seamus Egan)

Artist: Moira Smiley
Hometown: New Haven, Vermont
Song: “Days of War” (feat. Sam Amidon and Seamus Egan)
Album: In Our Voices
Release Date: February 19, 2021
Label: Moira Smiley Music

In Their Words: “As I write these words for the Bluegrass Situation, I’m traveling for the first time in nine months. I’m seeing the birds-eye view that ‘Days of War’ imagines… and it’s extraordinary to see this beautiful earth today. I’m flying to my beloved California to work with Tune-Yards and write some new music. ‘I fly because I must carry on.’ ‘Days of War’ is one of three banjo-driven tracks on my new album, In Our Voices. This album returns me to my a cappella, collaborative roots and kicks up a lot of percussive dust while bowing deeply to American folk music.

“Seamus Egan (Solas, Seamus Egan Project) and I wrote the core of this song after yet another shockwave of white supremacist hate hurt more people in 2017. It evolved into this form when my old friend and fellow Vermonter, Sam Amidon, said ‘yes!’ to singing the ‘human’ voice so I could converse with him as ‘the bird’ who flies and sings in spite of all. The bird is also the voice of our inner resilience — our artistic and humanistic gifts that carry us through times of upheaval and violence.” — Moira Smiley


Photo credit: Alexandra Defurio Photography

LISTEN: Seamus Egan, “Two Little Ducks”

Artist: Seamus Egan
Hometown: Philadelphia, Pennsylvania
Song: “Two Little Ducks”
Album: Early Bright
Release Date: January 17, 2020
Label: THL Records

In Their Words: “This mandolin-driven track is inspired by my love of Baroque music. I spent many hours as a teenager sitting in the front room of the great Irish musician and folklorist Mick Moloney’s house in Philadelphia, listening to mandolin concertos and trying to learn them by ear. I was never very successful in that endeavor, but my love of Baroque, and in particular, mandolin music endured.

“This track is also a nod, in its own way, to an old De Dannan track called ‘Arrival of the Queen of Sheba to Galway,’ from their 1983 album, Song For Ireland. This was their interpretation of the Handel piece, The Arrival of the Queen of Sheba. Hearing that track was a watershed moment for me. It opened my ears to what could be possible with Irish music. It was like getting permission to look outside the tradition and see what you could find and bring back with you. It was incredibly liberating. Joining on this track is Kyle Sanna on guitar and Owen Marshall on bouzouki.” — Seamus Egan