The BGS Radio Hour – Episode 198

Welcome to the BGS Radio Hour! Since 2017, the show has been a weekly recap of all the great music, new and old, featured on BGS. This week, we’ve got new releases from Lindsay Lou and Blue Water Highway while we continue to celebrate our artist of the month – Black Pumas! Remember to check back every Monday for a new episode of the BGS Radio Hour.

APPLE PODCASTS, SPOTIFY

Blue Water Highway – “Grateful”

This quartet – who come from a working class, small town Texas background – bring us a mixtape, featuring their big inspirations, from Bruce Springsteen to Phoebe Bridgers. Blue Water Highway graces our show this week with this tongue-in-cheek take on thankfulness from their upcoming album Paper Airplanes.

David Huckfelt – “Hidden Made Known”

Iowa-based singer and songwriter David Huckfelt brings a single to the show this week, from his soon to be released Room Enough, Time Enough. “‘Hidden Made Known’ is about having faith in the basic intelligence of the universe, and what to do next when you lose it,” Huckfelt tells BGS. “From Wounded Knee to Sault Ste. Marie, tenderness is on the run.”

Black Pumas – “Fast Car”

Our current Artist of the Month, Black Pumas, recently caught up with BGS to talk about their biggest influences, from a gospel music upbringing to original MTV. Black Pumas (Deluxe Edition) is up for Album of the Year at the GRAMMYs!

Miko Marks – “Hard Times”

Miko Marks is reclaiming the music that Stephen Foster appropriated his way to success with. In anticipation of her upcoming album Our Country, what better place to start than this famous song?

Sway Wild – “Edge of My Seat” (with Anna Tivel)

Sway Wild brings us this appropriately titled anxiety-inspired song from their upcoming self-titled album. Based in the San Juan Islands of the Pacific Northwest, the group is not alone in needing to share their mental struggles as we journey through 2021.

Anya Hinkle feat. Graham Sharp – “What’s It Gonna Take?”

From the mountains of Western North Carolina, Anya Hinkle and Graham Sharp (Steep Canyon Rangers) bring us this new single, written on May 26, 2020 – the first day without George Floyd. “Only by listening to Black voices are we going to know what it is gonna take,” Hinkle told BGS. “We are still so divided and will remain ignorant until we can absorb what it’s like to be Black in America.”

Lindsay Lou – “Alright Sweet”

No stranger to BGS and the roots scene, Lindsay Lou offers The Suite Sweets, four songs combined into two for an A and B-side single. Inspired by Immersion Composition Society (ISC) writing lodges, writing for hours as uninhibitedly as possible, the Nashville-based artist combined these song segments into something that was greater than just the sum of their parts.

Chris DuPont – “Sandpaper Hymn”

Chris DuPont brings us a song from Floodplains, out now via Sharehouse Audio. Writing during a time of loss, DuPont recognized an opportunity to grow, for the great “sanding” of loss to smooth out the rough edges, and to not let bitterness overshadow the narrative.

Sideline – “Just a Guy in a Bar”

IBMA award winning band Sideline tells this story through both song and visual representation. The video tells the story of the song in perfect synchronicity, pulling the viewer even deeper into the story.

Rhiannon Giddens & Francesco Turrisi – “Last Night I Dreamed of Loving You”

From our 2020 Whiskey Sour Happy Hour segment, we’re bringing back this haunting performance from roots artist Rhiannon Giddens accompanied by Francesco Turrisi. Giddens, who has been outspoken throughout her career about the African-American origins of country music, is another featured artist in our Black Voices segment, uplifting the disenfranchised voices in roots music that helped create the genre.

Beth Lee – “Birthday Song”

Texas-based Beth Lee wrote this song before her birthday, and sent it to Vicente Rodriguez for his birthday (who would go on to be her producer for the record). Recorded by Lee, Rodriguez, and James Deprato – who coincidentally had a birthday during the week of recording – this song was the first sign to Lee that her Waiting On You Tonight was going to be a good record.

Mark Erelli feat. Maya de Vitry – “Handmade”

Though not originally written as a duet, nothing suited Erelli’s song better than vocal accompaniment from Maya de Vitry. Without holding anything back, they emphasize the song’s message – that we all have the opportunity to make something new.


Photos: (L to R) Black Pumas from the Late Show with Stephen Colbert; Rhiannon Giddens & Francesco Turrisi by Ebru Yildiz; Lindsay Lou by Scott Simontacchi

WATCH: Miko Marks, “Hard Times”

Artist: Miko Marks
Hometown: Flint, Michigan
Song: “Hard Times”
Album: Our Country
Release Date: March 26, 2021
Label: Redtone Records

In Their Words: “This is our arrangement of an 1854 song by Stephen Foster. Those who know about Foster’s involvement with minstrel shows earlier in his life may wonder why I would include a song of his on my album. Much of his success came through the appropriation of Black culture and music, and for me this felt like an opportunity to take a song of his and reclaim it through my own voice as a Black artist. It was also a way for me to pay tribute to Mavis Staples, whose arrangement of this song is absolutely gorgeous. The lyrics also have particular significance that I think everyone can relate to because of the hard times we’ve been going through this year. I love the melody and the mood. It’s sweet, sad, and hopeful all at the same time.” — Miko Marks


Photo credit: Beto Lopez, Mooncricket Films

LISTEN: Ida Mae, “Break the Shadows”

Artist: Ida Mae
Hometown: Nashville, Tennessee
Song: “Break the Shadows”
Album: Raining for You EP
Release Date: November 20, 2020
Label: Thirty Tigers / Vow Road Records

In Their Words: “This was one of the last songs we recorded for our new album as the pandemic put an end to our touring. We played our last show in Texas, round the corner from the Alamo, and flew straight back to Nashville and into quarantine. Our plans to record the next record had been ruined so whilst in lockdown we decided to wire the whole house into a remote recording studio with the analogue equipment we’ve been collecting over the years of touring and got to work. This song was inspired by the Stephen Collins Foster song ‘Hard Times’ written in 1854 … it’s an old song that was hugely popular and has been parodied for over 150 years… it felt an appropriate moment in history to use it as inspiration again. It’s the first song I wrote and recorded with my steel-bodied National Resophonic Style 0 resonator guitar, a very special instrument.” — Chris Turpin, Ida Mae


Photo credit: Zach Pigg

LISTEN: Andrea von Kampen, “Hard Times Come Again No More”

Artist: Andrea von Kampen
Hometown: Lincoln, Nebraska
Song: “Hard Times Come Again No More”
Album: From the original motion picture Molto Bella
Release Date: July 17, 2020 (Single)

In Their Words: “‘Hard Times Come Again No More’ is an American parlor song written by Stephen Foster that dates back to 1854. I had never heard of this song when I was asked to write the soundtrack for the film, Molto Bella. I knew that I wanted the soundtrack to be a combination of original songs and old folk tunes and when I came across the lyrics of this song, I knew they would fit well with what the characters in the film were going through. Little did I know that the lyrics would also be quite meaningful in the time we are currently living in. Much has changed since we shot this film in Italy and yet, the song is almost more meaningful now. The lyrics look forward to a time when hard times will end and the song also speaks to the hope while we go through hard times, we are in this together.” — Andrea von Kampen


Photo credit: Letura Idigima

Traveler: Your Guide to Unique Music Museums

When it comes to visiting music museums, there are the usual suspects: The Country Music Hall of Fame and Museum, the Birthplace of Country Music Museum, the Grammy Museum, and the International Bluegrass Music Museum. While they are definitely fine institutions, there are also a number of lesser-known collections that are slightly off the beaten path but worth discovering.

Woody Guthrie Folk Music Center

Photo courtesy of the Woody Guthrie Folk Music Center

Though Pampa is a small town in the Texas Panhandle, far from the state’s music centers, it holds an important spot in American music history because it is the place that Woody Guthrie moved to as a teenager and where he got in his first guitar. In 1991, several community leaders created the Woody Guthrie Folk Music Center, which is located in the old Harris Drug Store where Guthrie worked as a youth. While not as fancy as Tulsa’s recently opened Woody Guthrie Center, Pampa’s museum — currently open by appointment only — has a homespun charm that reflects Guthrie’s common man values. On display are Guthrie-related newspaper articles, old photos, and even an over-sized version of his “This Guitar Kills Fascists” guitar. Michael Sinks, the Center’s director, says Nora Guthrie is working on an exhibit for them. They also promote Guthrie’s legacy through public song circles on Friday nights and an annual concert in October (to mark Woody’s passing) that cowboy balladeer Don Edwards is headlining this year.

Woody Guthrie Folk Music Center
320 S. Cuyler, Pampa, TX, 79065
Free admission; donations welcome
Open by appointment only. Call 806-664-0824 or email [email protected]

The Bluegrass Bus Museum

Photo courtesy of Danny Clark

After seeing Flatt & Scruggs perform on the Beverly Hillbillies, a young Don Clark became a lifelong bluegrass fan and dreamed about having a Martha White touring bus like Flatt & Scruggs had. After buying a bus like the duo’s, Clark filled it with his various bluegrass and country mementos and created the Bluegrass Bus Museum in the early 1990s. When you step inside the bus, you’ll be walking on vintage Grand Ole Opry carpeting. Clark’s eclectic array of Americana includes Lester Flatt’s old mailbox sign, antique Martha White mic stands, and a Bill Monroe’s stage suit. A centerpiece is the bus door that is covered with autographs from hundreds of musicians. After years of traveling all across America, the aging bus now only hits the road 5-10 times a year around the Nashville area, where Clark and his son Danny now reside. If you want to check out the museum, you can contact Danny through their website to arrange a visit. He is also keeping bluegrass history alive by posting on their YouTube channel a number of archival live performances that his father videotaped at festivals back in the day.

Bluegrass Bus Museum
To make an appointment, email [email protected] or phone 615-497-6731

Fur Peace Ranch

Photo credit: Scotty Hall

Why can you find a treasure trove of memorabilia for Haight-Ashbury’s golden age some 2,000 miles from San Francisco in southeastern Ohio’s rural countryside? Because this is where is Jorma Kaukonen (of Jefferson Airplane and Hot Tuna fame) and his wife Vanessa have their Fur Peace Ranch. Their ranch is best known for its long-running guitar camp and popular concert series, but Jorma and Vanessa decided a few years ago to transform an old silo into a '60s-centric museum named the Psylodelic Gallery as a way to share the many items he saved — along with offering a personal look into that historic era. Kaukonen’s original Fillmore posters adorn the walls. The typewriter heard on his famous bootleg recording with Janis Joplin is on display, as are period outfits like the one his bandmate Jack Casady wore at Woodstock. The gallery also hosts temporary exhibits, with the most recent one presenting Jerry Garcia paintings. If that isn’t enough of a flashback for you, there’s a Brotherhood of Light-designed liquid light show to further enhance the '60s vibe.

Fur Peace Ranch
39495 St. Clair Rd., Pomeroy, Ohio 45769
1 pm – 5 pm, Wednesday-Friday and during concerts
Free admission; donations welcome

Stephen Foster Folk Culture Center State Park

Photo credit: John Fletcher

Way down along the Suwannee River is a natural place to find a memorial to the man who penned the famous lyric: “way down upon the Swanee River.” (He took spelling liberties to suit his melody.) Located about an hour west of Jacksonville, in White Springs, Florida, this museum salutes the Pennsylvania-born songwriter, who apparently never actually visited the Suwannee River. On view are eight original dioramas inspired by Foster’s songs, along with a number of 19th-century pianos, including the one that he played. It’s hard to miss another main attraction — the 97-tubular bell carillon tower that plays Foster’s music throughout the day. The park, which also serves as Florida's official folk culture center, hosts the annual Florida Folk Festival and the Stephen Foster Old-Time Music Weekend. Sadly, the replica paddle steamers no longer travel the river as they once did.

Stephen Foster Folk Culture Center
11016 Lillian Saunders Drive / US HWY 41 North
White Springs, FL 32096
Park is open from 8 am to sunset
Museum and Tower are open 9 am – 5 pm daily
Admission Fee: $5 per vehicle. Limit 2-8 people per vehicle.
$4 Single Occupant Vehicle.
386-397-4331 / 386-397-4408 for tours

U.S. 23 Country Music Highway Museum

Photo courtesy of Paintsville Tourism Commission

While U.S. Route 23 stretches nearly 1,500 miles from Michigan to Florida, it is the 150 or so miles that runs through eastern Kentucky that has contributed so much to the music world that it has been officially named “The Country Music Highway.” Loretta Lynn, Tom T. Hall, Ricky Skaggs, the Judds, Billy Ray Cyrus, Dwight Yoakam, and Chris Stapleton — who have all called this area home — are among those honored at the U.S. 23 Country Music Highway Museum in Paintsville, Kentucky. Each of the 13 inductees have their individual exhibit, displaying personal items, such as a couple of Loretta dresses, a vintage Skaggs guitar, and a pair of Stapleton’s boots. As Paintsville’s executive director of tourism, Jeremiah Parsons, notes, all of these performers haven’t been afraid to be different and create their own unique style. If you visit on a Thursday, stick around for their Front Porch Picking night; maybe some of the region’s musical magic will rub off on you.

US 23 Country Music Highway Museum‬
100 Stave Branch Road, Paintsville, KY 41256
9 am – 5 pm Monday-Saturday; 12:30 pm – 5 pm Sunday
Admission: $4
606-297-1469‬

The Big House

Photo courtesy of the Big House Museum

Mention “The Big House” in Macon, Georgia, and it means only one thing — the place where the Allman Brothers called home in the early ‘70s as they rose to stardom. In 2009, the old Grand Tudor mansion opened as the Allman Brothers Band Museum. Visiting it is like walking through the coolest music-themed house ever. Some rooms, like Duane’s Room and the “Casbah” Music Room, resemble how they looked when the band lived there. The Living Room and Old Dining Room, meanwhile, now present a wealth of Allman artifacts — Where else will you see Cher and Gregg Allman’s pool table? — and the walk-in closet is lined with posters and photos instead of clothes. The “Fillmore East Room,” where the group used to jam, is stocked quite appropriately with their old instruments. There’s even a room that salutes their roadies! Besides its central role in Allman Brothers history, the Big House also is where latter-day Allmans Warren Haynes and Allen Woody lived in 1994 when they put together their own band Gov’t Mule.

The Big House Museum
2321 Vineville Ave, Macon, GA 31204
11 am – 6 pm Thursday through Sunday
Admission: $10 adults, $4 children 3-10
478-741-5551


Lede photo courtesy of the Big House Museum

LISTEN: Rosanne Cash and others with the Cincinnati Pops Orchestra, ‘Camptown Races’

What do you get when you combine Rosanne Cash, Joe Henry, Dom Flemons, Aoife O'Donovan, Over the Rhine, the Comet Bluegrass All-Stars, and the Cincinnati Pops Orchestra with the songs Stephen Foster? A performance — and now an album — that celebrates the earliest days of the Great American Songbook in a whole new way. Conducted by John Morris Russell, the Pops and guests worked through 17 of Foster's compositions — including "O! Susannah," "Amazing Grace," "My Old Kentucky Home," and "Camptown Races" — over the course of two nights at Cincinnati's historic Music Hall. The recordings have now been gathered up as the American Originals LP.

Artist: Rosanne Cash with the Cincinnati Pops Orchestra
Song: “Camptown Races”
Album: American Originals
Release Date: August 28

In Their Words: “These live performances with the Cincinnati Pops were, in a way, terrifying. With a rock band, if you miss your cue, the band will just hang out and vamp and wait for you. With an orchestra … not so much. If you miss your cue, you better find a way to get back inside the arrangement or the ship will sail without you. However, it's nice to know I still have the ability to be terrified after 35 years of doing this. As my daughter Chelsea told me, 'Mom, if you're nervous, it means you still care about what you do.' I still care. This finale (in the concerts, as well as on the album) was a culmination of all the nerves, all the adrenaline, and all the energy in that room. When I hit the stage with my dear friends and fellow musicians, the nerves flew away and all 100+ of us on stage just let loose. See you on the ship.” — Rosanne Cash

“The music that [Stephen Foster] heard in Cincinnati, he transposed and created the music of America. And it changed us and brought us together as a nation. And it continues to bring us together — sharing sorrows, joys, hopes, and merriment. He captured both the pathos and tragedy, but also the grandeur, the celebration, and the spirit of America in all of his songs. And there’s one song, in particular, that captures the great merriment that we all feel here. Made famous by Foghorn Leghorn, here is ‘Camptown Races.’” — John Morris Russell, conductor