BGS 5+5: Them Coulee Boys

Artist name: Them Coulee Boys
Hometown: Eau Claire, Wisconsin
Latest album: Namesake (available August 6, 2021 on Some Fun Records)
Personal nicknames (or rejected band names): For better or worse, we’ve always been Them Coulee Boys.

(All answers from Soren Staff)

What’s the toughest time you ever had writing a song?

For me, it’s never about how tough it is writing a song, but rather when to move on from one. I generally build songs from a line or two that I’m excited about, whatever makes my stomach burn and rush to write more. Sometimes they come in minutes, but sometimes those lines can ruminate in my head for weeks or months, caught in limbo. When I try to force them out, it often isn’t something I’m proud of. The hardest part of writing for me is realizing when to take a step back and let songs breathe. That line is still going to be there when I come back, and maybe this time there’s more to the story. “Given Up” worked that way, and space let me fill out the story in a way not possible if I forced that out.

Which artist has influenced you the most … and how?

I feel like this is an answer that changes, but one artist that has loomed large in his influence on our work is Bruce Springsteen. It might not be sonically obvious, but I think every small town kid has looked at him and seen some of their story in his. The lesson I always come back to is that the intensely personal details can feel universal. On this next record particularly, I was more comfortable using characters that weren’t me. Just because you haven’t specifically lived it doesn’t mean someone you know and love hasn’t. We model so much of what we do off his example, be it in our powerful live performances, our evolving sound, or intimate style of writing. He’s a master at so many things, and I feel like I’m continually learning.

What’s your favorite memory from being on stage?

Right before COVID hit, we were on the biggest tour of our young careers, opening up for our friends in Trampled By Turtles at The Sylvee in Madison, Wisconsin. Being the closest show on the run to home, so many family and friends were in the audience, but in particular was the family of my dear friend Phil Marks. We lost Phil the year before, and this was the first time that his family could make a show. Every night when we play our song “I Won’t Be Defined” I talk about mental health, and that night I talked about Phil. When you get a crowd of 3,000 to go from joyfully dancing, to a complete silence, and then back to dancing, you feel the power in what you can do through song. I miss making people feel something, be it joy or sorrow. I’m so grateful to have that chance again very soon.

If you had to write a mission statement for your career, what would it be?

We are a band of family and friends that seek to create community through joy, energy, and sincerity in their work and performances. We learned very early how people respond to genuine expression, and we’ve made it our mission to be the absolute most authentic version of ourselves. We love what we do, and we hope you do too. One part bear hug, one part gut punch, and one part steadying hand. That’s what we want our listeners to feel when they listen to us.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Well, we are dreaming here, so I’m going all out! It’s tempting to think I’d be able to soak up some advice, but I love good food and I think I’d get distracted. First, I’d start with brunch with Joni Mitchell and my mother and let them do the talking. I’ve learned so much from them both and I know they’d hit it off. Then I’m headed over to LC’s, my favorite BBQ joint in Kansas City with Bob Dylan and the rest of Them Coulee Boys, if only to see how he handles the literal gallons of BBQ sauce in front of us. Finally, I’m ending the night drinking Handsome Johnnys with John Prine at my hometown Eau Claire, Wisconsin, dive The Joynt. I feel like he wouldn’t mind me picking his brain a bit with a few glasses of vodka and ginger ale.


Photo credit: Nathaniel Nelson

WATCH: Our Band, “Fading”

Artist: Our Band
Hometown: New York, New York
Song: “Fading”
Album: Bright as You
Release Date: June 25, 2021

In Their Words: “Our song ‘Fading’ was sparked by the sound of those first two chords against each other. There is a sweetness, coupled with a kind of foreboding feeling. Relationships have a kind of inevitable gravity to them, and this song deals with the moment where you take the plunge. You have to lose yourself a little, and it is mysterious and kind of frightening. Sasha and I tried to capture that moment musically, and the great nonagenarian Dean of American Folk Music, David Amram, is on flute. The sonority of the steel guitar, David’s flute, and a real vintage Mellotron tape-based sampler is one of my favorite textures on the album – a little vintage futurism, you could say.” — Justin Poindexter, Our Band


Photo credit: Gabriela Herman

WATCH: Jeremy Squires, “Fade”

Artist: Jeremy Squires
Hometown: New Bern, North Carolina
Song: “Fade”
Album: UNRAVEL
Release Date: July 30, 2021
Label: Blackbird Record Label

In Their Words: “‘Fade’ is about facing yourself and revisiting memories and/or demons and coming to terms with them. There were so many things going through my head when I wrote this song. My grandmother had passed and my life was changing and the people around me were changing and spiraling. I was faced with difficult life choices I had to make and this song was an outlet.

“The video for ‘Fade’ was filmed at various locations in my hometown and in a small neighboring town. I filmed multiple scenes in my granny’s old home that she left to me. I feel the lyrics reflect the imagery in the video. I filmed a specific scene as I burned a life’s worth of papers and collected memories outside in her yard one night with an old crutch and it was cathartic. ‘Fade’ is one of my favorite videos and I feel that it is one of the best songs on the album. It is definitely one that I am connected to.” — Jeremy Squires


Photo credit: Shelley Ann Squires

WATCH: Eliza Gilkyson & Lynn Miles, “What If We”

Artist: Eliza Gilkyson & Lynn Miles
Hometown: Eliza: Taos, New Mexico; Lynn: Ottawa, Ontario, Canada
Song: “What If We” from Folk Alliance‘s Artists In (Their) Residences program
Release Date: June 14, 2021

In Their Words: “When Aengus Finnan first approached me about a co-write I was leaning towards not doing it due to my sort of Covid Contraction State of Being last year, but as soon as he suggested Lynn Miles as my co-writer all the doors and windows swung wide open. I am such a fan of Lynn’s music and she also happens to be a great friend. The whole process was as easy and as fun as I imagined it could be. Lynn had a song idea already percolating so she sent me some rough thoughts and it totally triggered ideas from me, so we just traded back and forth and I think gave each other space to do our thing and respect during the process. She also challenged me on some lyrics at one point and I just went with her thoughts and actually learned something different in my writing process. Never too old to learn something new! So it was a positive experience all around and I look forward to playing the song out at some point.” — Eliza Gilkyson

“Eliza is one of my songwriter heroes so I’m thrilled that we wrote this song together!” — Lynn Miles


 

WATCH: Joe Mullins & the Radio Ramblers, “Living Left to Do”

Artist: Joe Mullins & the Radio Ramblers
Hometown: Xenia, Ohio
Song: “Living Left to Do”
Album: Somewhere Beyond the Blue
Single Release Date: June 4, 2021
Label: Billy Blue Records

In Their Words: “We’re very thankful to have plenty of new music and a good tour schedule for 2021. But we’re most encouraged with the renewed opportunity to reunite with friends and loved ones we’ve missed so deeply, and to be back together doing what we love. ‘Living Left to Do’ was written by Conrad Fisher and is about enjoying our calling, celebrating God’s goodness, and the blessed assurance of life eternal. We’re ready to live, love, laugh and have a lot more to do!” — Joe Mullins


Photo credit: Kim Brantley

WATCH: The Lovestruck Balladeers, “Rivka Road Rag”

Artist: The Lovestruck Balladeers
Hometown: New York, Detroit, Chicago
Song: “Rivka Road Rag”
Album: The Lovestruck Balladeers

In Their Words: “We formed a strong bond working with filmmaker Horatio Baltz on our first two videos, which we shot in-person long before the pandemic. Last year, during lockdown, we started talking about a third collaboration. However, given the circumstances, it wasn’t obvious how we would go about it. We were spread out from coast to coast and from Canada down to Mexico, so the idea of a traditional shoot was off the table. After a fresh listen to the album, Horatio pitched us an idea for one of the band’s original compositions, Dalton Ridenhour’s ‘Rivka Road Rag.’ We readily agreed. Months later, when we could sit back and enjoy the final cut, we were all thoroughly charmed. With his artistry, Horatio once again had added a dimension to our music beyond what we’d envisioned ourselves.” — Jacob Sanders, The Lovestruck Balladeers


Photo credit: Aidan Grant

WATCH: Michigan Rattlers, “The Storm”

Artist: Michigan Rattlers
Hometown: Petoskey, Michigan
Song: “The Storm”
Album: That Kind of Life
Release Date: May 19, 2021
Label: Massasauga Records

In Their Words: “‘The Storm’ was the first song written for this new record, and in a lot of ways it set the tone for the songs that would follow. The storm is a beginning. I wanted to write about that feeling of encountering something that you know will change you forever. ‘It’s hard not to think I was born right there’ is the touchstone line of the song for me. There’s everything before and there’s everything after. As far as the construction of the song, this is a good example of how we were much more deliberate in our approach to arranging and recording this record. The songs on Evergreen are very loosely arranged and we approached those songs in the studio as we had been playing them live. On That Kind of Life, we spent considerable time on arranging and writing our parts. We never played these songs live before recording them which gave us freedom and the ability to really craft these songs in the studio.

“When it came to the video, we wanted to showcase a relationship, but not give away the whole story. We wanted to show snapshots of two people coming together and coming apart, the ebb and flow of a relationship. It feels like you’re waiting for something happen. You’re waiting for that storm to come. And I think when you hear or read the words ‘the storm’ you’re anticipating something bad will happen. But we approached the storm as love itself. Love is everything at once and that’s how I thought of the storm when writing the song and how we wanted to interpret it in the video. The video was directed by Allyson Bernstein, shot by Andrew Gulledge, and assisted by Ramie Cronkhite. It was the first project we did after the height of COVID and was a real collaborative effort.” — Graham Young, Michigan Rattlers


Photo credit: Andrew Gulledge

WATCH: Bendigo Fletcher, “Sugar in the Creek” (Blackacre Barn Session)

Artist: Bendigo Fletcher
Hometown: Louisville, Kentucky
Song: “Sugar in the Creek” (Blackacre Barn Session)
Album: Fits of Laughter
Release Date: August 13, 2021
Label: Elektra Records

In Their Words: “Playing ‘Sugar in the Creek’ live feels like floating compared to some of our other songs that probably require more attention to recreate. There are a few key and tempo fluctuations that we sort of arrive at and navigate as the song continues, and we just have to rely on staying in the moment together to hit those transitions naturally. Looking back, I think it was written under the spell of a band called Relatively Clean Rivers, whose only known album consists of those types of songs that just kind of start and end before you remember again that you’re in a human body.” — Ryan Anderson, Bendigo Fletcher


Photo credit: Jimmy Fontaine

WATCH: Turner Cody and the Soldiers of Love, “Lonely Days in Hollywood”

Artist: Turner Cody and the Soldiers of Love
Hometown: Brooklyn, New York
Song: “Lonely Days in Hollywood”
Album: Friends in High Places
Release Date: June 4, 2021
Label: Capitane Records

In Their Words: “‘Lonely Days in Hollywood’ is one of the older songs on Friends in High Places. I wrote it years ago at my friend’s house in Paris. After a night of singing traditional Jewish songs, I awoke humming those haunting, cantorial melodies. Eventually, the phrase lonely days in Hollywood appeared out of nowhere. I’d never been to LA, but I conceived the song to be in that noir-ish Raymond Chandler/Day of the Locust vein — a wanderer is on the outskirts of an alluring yet hostile place with a seedy underbelly; a place where promises are broken and dreams of stardom go to die.

“The song is a kind of meditation on the transactional nature of our culture of celebrity; how our dreams belie reality and nothing is for free. The song was originally more up-tempo, but Nicolas Michaux’s arrangement is slower and groovier. He also made a slight change to the chord progression that moved the song away from its klezmer roots. The result is moody and dark and reminiscent of Serge Gainsbourg. This recording came out of a true collaboration. The song travelled a long way from its original form but I love how it turned out.” (Read more below the video.)

“The Capitane Records team dreamt up a truly ambitious plan for the shooting of the video, especially as it turned out to be in the midst of the pandemic. To get the right feel, we needed a location that invoked Los Angeles without necessarily being Los Angeles. Not an easy task. But as it turned out, we had a connection to a photographer on the island of Ibiza who, along with her friends, could provide us the help we needed. And so, after a month of back-and-forth with various embassies, we converged on the island in March.

“Valentine Riccardi (our point person) had already scouted a bunch of locations of out-of-the-way beaches, country roads, old churches, and a beautiful organic farm. As the island was free of tourists due the pandemic, its usually bustling downtown was desolate, providing us the perfect lonely, dystopian backdrop we needed. Valentine’s friend and muse Susana Tartalos played the role of savior and paramour to my down-and-out and wandering cowboy who drifts from hotel room to hitchhiking odyssey to rain-soaked jalopy only to end up at a fire ceremony in the hands of his new companion. Ibiza is a beautiful and enchanted place, whose beaches, seascapes, pastures, and mountain ranges were perfect for the video. Valentine’s friends and their children were like an extended family to us over the two weeks we were there. Like the song, the video was truly a group effort.” — Turner Cody


Photo credit: Charles Paulicevich

WATCH: Charly Lowry & The Heart Collectors, “Navigating to Hope”

Artist: Charly Lowry & The Heart Collectors
Hometown: Charly Lowry: Pembroke, North Carolina; The Heart Collectors: Hinterland Byron Bay, NSW, Australia
Song: “Navigating to Hope” from Folk Alliance‘s Artists In (Their) Residence program
Release Date: June 1, 2021

In Their Words: “It’s safe to say this global ordeal has proven that no one being has all of the answers; we are all navigating this plane the best way we know how. The Heart Collectors and I find ourselves on opposite sides of planet Earth, navigating to hope. We likened our experiences during this time to being aboard a ship, fighting against Poseidon’s watery fists and underneath dark, ominous skies. We do so with the understanding that we are in this together, and instead of accepting the defeat of a sinking ship, we remain steadfast in our voyage to find our lighthouse, our beacon of hope. This type of imagery was key in the songwriting process and aided us in delivering a message for the downtrodden. Whatever your case may be, we encourage you to seek your peace first, and then move your vessel onward and forward to hope for a new day, season, or way of being.” — Charly Lowry

“Coming together in collaboration from all points on the earth is an extraordinary experience, and one that makes our world so much bigger. Hearing and being present to the stories of people and cultures from one side of the world to another made us see how we literally are all in this together, we have all suffered this at once. Not in our life time has a global experience like this ever been the case, and it brings everything to a level. Things that seemed important became unimportant. The heartbreak of individuals suffering has a profound way of naturally breaking us open to be so much more capable than the usual way of dealing with existence. Finding each other and joining in this online type of creative common room has been the unifying strength to move forward, one step at a time.” — The Heart Collectors


Photo credit: Courtesy of Folk Alliance, Charly Lowry, and the Heart Collectors