The Show On The Road – The Wood Brothers

Right before the whole world as we know it shut down and they shortened their West Coast tour due to COVID-19, host Z. Lupetin spoke to Oliver and Chris Wood — Americana pioneers The Wood Brothers — about their renewed musical bond, how they grew up in Colorado jamming with their biology professor dad, and how they just barely missed the great East Nashville tornado earlier this month. When it rains it does pour, it seems.


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The Wood Brothers’ brand new record, Kingdom in My Mind, is a sweetly funky, ballsy, bluesy, booty-shaking, and romantic improvisational masterwork. Do yourself a favor and turn it up loud and proud — it will help you groove through the lockdown. If there is anything that’s clear in this deeply strange and unsettling time, it’s that we need music more than ever.

The Show On The Road – Dustbowl Revival

This week on the show, a very special finale to our winter season, featuring a group of world-traveling, folk-funk adventurers that have been catapulting American roots music into the 21st century with their exuberant melding of string and brass band traditions and their white knuckle, award-winning live shows. It’s Dustbowl Revival.

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To say today’s episode is personal would be an understatement. Your host Z. Lupetin founded Dustbowl Revival in Venice Beach, CA over ten years ago with a lucky Craigslist ad that started it all. What began as a clandestine jam group with as many as ten instruments going full blast at an after-hours advertising office soon moved to speakeasies and small venues around LA, with the band eventually recording their beloved live album With A Lampshade On at the famed Troubadour in LA and the Great American Music Hall in San Francisco.

In 2013 Liz Beebe joined the group as they began touring full time, becoming a powerhouse eight-piece band that wowed festivals and stages in over a dozen countries, playing over a hundred and fifty shows a year. They’ve released a total of seven full-length records along the way, including their soul-dipped, self-titled work from 2017, which was produced by Grammy-winner Ted Hutt, co-founder of Flogging Molly.

This week celebrates the release of their most daring work to date, Is It You, Is It Me, produced by Sam Kassirer (Lake Street Dive, Josh Ritter) and engineered by Brian Joseph (Bon Iver, Sufjan Stevens). Z. was able to gather the whole band around the mic while on the road in New Hampshire. Make sure you stick around to the end of the episode as the band shares their intimate acoustic single “Let It Go.”

The Show On The Road – Che Apalache

This week we feature a border-breaking bluegrass band who came all the way from Buenos Aires to celebrate their Best Folk Album Grammy nomination. Before Che Apalache hit the red carpet, they stopped by host Z. Lupetin’s LA living room studio to talk about their unlikely founding and how they’ve created their intoxicating brew of traditional North American and often overlooked South American string band sounds.

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Lead by a trilingual world traveler, fleet-bowed fiddler, spitfire vocalist, and sonic scholar Joe Troop, Che Apalache formed almost accidentally when Joe began teaching curious local Buenos Aires pickers his own North Carolina folk traditions. Amongst his talented students he found three kindred spirits in Argentinians Franco Martino on guitar and Martin Bobrik on mandolin, and Pau Barjau on banjo, who is originally from Mexico. The result has been one of the most unexpected and have-to-hear-this-to-believe-it stories in modern roots music, culminating in their brilliant second record, Rearrange My Heart, which was produced by fan of the band (and a guy pretty good on the banjo), Béla Fleck. Lucky for all us, Che Apalache play several songs during the episode!

The Show On The Road – Jason Hawk Harris

This week on the show, Z. meets up with cerebral, Texas-born roots rocker Jason Hawk Harris, who has recently struck out on his own, poking one foot through the torn tinsel of a Houston honky tonk and another through a haunted, California Black Mirror episode set in a tilted sci-fi future.

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While most songwriters hide behind walls and trapdoors of metaphor, Harris isn’t afraid to openly process his recent family traumas and loss on his stunning (and aptly titled) debut solo album, Love & The Dark, released by Bloodshot Records in 2019. Despite his youth, Harris has much to tell us and if this equally sensitive and swaggering sound is where the future of modern country music is headed, we’re in.

The Show On The Road – Dar Williams

This week, Z. Lupetin’s conversation with revered singing songstress and deeply wise wordsmith, Dar Williams.

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Coming out of the Hudson Valley outside New York City, Williams has released over thirteen albums across a quarter century as one of America’s touchstone folk poets, first bursting out of the famed Lilith Fair folk rock scene in the mid 1990s with contemporaries like Ani Difranco and the Indigo Girls and gaining a devoted following. She has toured with luminaries like Joan Baez and Patty Griffin, written a book about what makes communities resilient, she runs her own songwriting retreats, and has inspired generations of women to fearlessly embrace their creativity and exercise their limitless potential. Z. was able to catch up with Williams in the green room at the historic McCabe’s Guitar Shop before her second show of a sold out weekend in Los Angeles. A new album is on the way.

The Show On The Road – The Steel Wheels

This week on the very first episode of The Show On The Road in 2020, we welcome The Steel Wheels, a Virginia-based band of harmony masters and savvy string band experimenters who have quietly put together an impressive body of work over the last decade, corkscrewing their way across the country supporting seven diverse, acoustic-based albums. Along the way they’ve gained gangs of devoted fans of their big-hearted, peace-promoting songs.

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Taped live at historic Mccabe’s Guitar Shop in Los Angeles, Z. Lupetin gathered the boys around the mic to dive into their boundary-pushing 2019 release, Over The Trees, how they once toured on bicycles to spread climate change awareness, and how they survive 15-hour drives to strange shows in Iowa. They end the episode with their gorgeous acapella song, “This Year”.

The Show On The Road – JD McPherson

JD McPherson joins host Z. Lupetin for the final episode of The Show On The Road’s 2019 season.


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Oklahoma-born JD McPherson makes his own brand of high intellect, dance party-ready, Sun Studios-style rock ‘n’ roll. Last year he may have recorded one of the greatest original Christmas albums of the modern era with Socks.

While McPherson probably never dreamed he would become a new rock ‘n’ roll king of Christmas, Socks may be his most impressive feat yet. If you’re deeply suspicious of the capitalistic caterwauling of most modern holiday music on the airwaves (except you, Mariah!) you’ll still fall in love with JD’s sarcastic and sweet collection of holiday originals. The album deftly dives into lesser discussed Christmas subjects like broken expectations, inter-family angst, holiday horniness, and hilariously, the myth of why Santa must be grossly overweight to satisfy us fairy tale-loving kids. Give Socks a spin as you rock around the Christmas tree or the Hanukkah bush, or even better — keep it playing all year long.

 

The Show On The Road – Jason Lytle (Grandaddy)

This week on The Show On The Road, a special conversation with Jason Lytle, the founder and sonic visionary behind one of the America’s most beloved and underrated roots-and-noise-rock groups, Grandaddy.

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Starting from humble beginnings in the early 1990s as a trio of skateboarding friends in Modesto, CA, Grandaddy put out a series of daring, deeply weird records produced and written by Lytle that first caught fire in Europe. By the turn of the millennium, the band found themselves headlining rock festivals like Glastonbury in the UK and crashing late night TV in the US.

But Lytle wasn’t cut out for traditional cookie cutter stardom. Grandaddy broke up for six years, and after disappearing into the Montana wilderness, the soft spoken, mountain-crazy, multi-instrumentalist songwriter kept his devoted fanbase coming back for more.  His oddly-titled solo records, cinematically rich soundscapes that encircled whacked anti-heroes, and poetic, campfire-ready short story songs still make us worried kid listeners feel heard and seen — but also constantly keep us guessing.

His latest album, NYLONANDJUNO, which dropped in August on Dangerbird Records, is an experimental instrumental album made entirely with a nylon string guitar and a vintage Roland Juno synthesizer.

Host Z. Lupetin was able to catch up with Lytle before a recent rare solo show in LA.

The Show On The Road – Liz Vice

On this week’s episode of The Show On The Road, Liz Vice – a Portland born, Brooklyn-based gospel/folk firebrand who is bringing her own vision of social justice and the powerful, playful bounce of soul back to modern religious music.

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Liz Vice is following a rich tradition that goes back generations to powerful advocates like Sister Rosetta Tharpe, Sam Cooke, the Staples Singers, the Ward Sisters, Aretha Franklin, and especially Mahalia Jackson, who was the soundtrack to the civil rights movement. It was Mahalia who pushed Martin Luther King Jr. to tell the assembled masses in Washington, D.C. about his dream.

We often forget how much religious music was infused in the counterculture back in the 1960s, and as the BBC mentions in a great article about the era, “The music of the black church was infusing and inspiring the political consciousness of folk music; gospel was no longer just for the religious but the foundation for much ‘60s protest.” And so we bring you Liz Vice — and a little clear-eyed Christmas spirit to usher you into the twinkling darkness of December.

The Show On The Road – Madison Cunningham

This week Z. Lupetin welcomes Madison Cunningham — a gifted songwriter, singer, and guitar slinger who has quickly risen from shy Southern California prodigy to a nationally admired, Grammy-nominated, major label recording artist redefining what could be a new genre between the fertile plains of pop, jazz, and new wave folk music.

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As the eldest daughter of a big family, maybe Madison Cunningham was always meant to be an old soul. And as a young star on the rise, she thankfully hasn’t had to toil long in dive bars and retirement community gymnasiums, as many new artists do. She has already dazzled on large stages, opening for her heroes like the Punch Brothers, Iron & Wine, and Andrew Bird, all while teaming up with luminaries like Joe Henry to bring her songcraft to a new level.

If you have an hour, lock yourself in a dark room and listen to her newest release, Who Are You Now, and forget the failed love affairs and credit card debt and smoky bars of your youth and put your faith in the new generation. We are in good hands, no doubt about it.