LISTEN: Warren Givens, “You’re on My Mind” (Featuring Ivy Givens)

Artist: Warren Givens
Hometown: Asheville, North Carolina
Song: “You’re on My Mind” (Featuring Ivy Givens)
Album: Rattle the Cages
Release Date: August 7, 2020

In Their Words: “In case it isn’t obvious, this is a good old-fashioned breakup song. I wrote it soon after releasing my first full-length record, when we were touring pretty heavily, about a short-lived fling that turned out to have a pretty lasting impact. Even though the song is about a breakup I went through, my idea at the time was to write a melody that Ivy (my sister) could sing. It was really fun to write something that was totally out of my range and to see how she really brought it to life. This is the only song on the record with someone besides Seth Kauffman (my producer and engineer) and me playing. Ivy flew down from New York and we gathered around one big dynamic mic — old-school bluegrass style. We did guitar, fiddle, and our vocals live, maybe two takes tops, and then Seth added the drums, bass, and electric guitar.” — Warren Givens


Photo credit: West Givens

WATCH: Zoe & Cloyd, “Where Do You Stand”

Artist: Zoe & Cloyd
Hometown: Asheville, North Carolina
Song: “Where Do You Stand”
Label: Organic Records

In Their Words: “‘Where Do You Stand’ is a commentary on the state of our national discourse. We had the idea for the line, ‘When all that’s left is left, right, or wrong’ in regards to the hyper-polarization we’ve been seeing for a while and we built the song from there. We wanted the song and video to be thought provoking and a call to action. Some people will always attempt to pit us against one another for personal and political gain but we can’t let divisive, inflammatory rhetoric win the day. For us to move forward, we must find common ground on which to build a path toward a just and sustainable future.

“We filmed the video not far from our house in Fairview, North Carolina, outside of Asheville. The old building with the painted tree is right along the road and we thought it was a quirky rural spot that contrasted nicely with the political imagery. The other location was an abandoned ball court that had some interesting delineated grass with a sort of ‘line in the sand’ vibe. It also looked a bit post-apocalyptic. The fence shots represent several concerns such as the border wall, the lack of voice and access in certain communities, and feelings of powerlessness to change the status quo.” — John Cloyd Miller


Photo credit: Sandlin Gaither

BGS 5+5: The Dead Tongues

Artist: The Dead Tongues
Hometown: Asheville, North Carolina
Latest album: Transmigration Blues

Answers by Ryan Gustafson

What other art forms — literature, film, dance, painting, etc — inform your music?

All of the above. Seems like that’s really a conversation about inspiration. A big part of my writing process is about connecting to moments that have moved me and letting those feelings resurface and become a shape of some sort. For instance last year I went up to NYC to go to Hilma af Klint show and was standing in front of her painting “The Dove, No. 1.” I was teary-eyed and moved to the core. In that moment something about love and regeneration made emotional sense to me. I found myself saying out loud “the world doesn’t make sense, but this does.” I don’t think I’ve ever tried to directly write about that experience but it surely has worked its way into my music because it’s something that lives in me.

What was the first moment that you knew you wanted to be a musician?

Since I can remember I’ve wanted to be a musician. Some of my earliest memories are ones of making noise and gaining an awareness of how to play with sound. I remember making rhythms and resonant sounds on kitchenware probably before I could really talk. It’s always been fascinating and endless to me. At some point in my childhood I started daydreaming of music and sounds and tones and could hear it all in my head. I think that was the moment I started to become a songwriter.

What rituals do you have, either in the studio or before a show?

When I’m in the studio I have a pretty tight routine and ritual practice. I’m usually up around sunrise, do yoga right away, meditate, then go for a run. I like to spend some time alone in the studio, even if it’s just like 5 or 10 minutes to sit in the space while it’s silent. While in the studio I’m usually working 15 hour days deeply immersed in production, performance and emotion. Really it’s those intentional moments that make it possible for me to stay present and make decisions during the making of an album.

Which elements of nature do you spend the most time with and how do those impact your work?

Currently I live in a cabin pretty deep into the Blue Ridge Mountains. I’m more immersed in nature than I’ve ever been. It’s stunning and dynamic with big sunsets, old growth trees and wild storms, bears and coyote packs, but the more time I spend out here, the more apparent the subtle changes in environment become. It’s always in transition and conversation. I feel like my music and writing is entirely affected by the environment I’m in and trying to understand my experience within it. Sometimes that comes out in story, imagery or just a sound. Without a doubt there’s a magic and spirit out here I’m reaching out to.

Since food and music go so well together, what is your dream pairing of a meal and a musician?

Ohhh, I would love to eat an artichoke with Alabaster DePlume. Artichokes are such a transformative food; it’s primal but as you get closer to the heart it’s like opening a lotus flower and becomes surprising and complex. There’s so much room for conversation with an artichoke, so who knows what would come up. I’ve been playing the album To Cy & Lee a bunch through the quarantine times, just a truly beautiful record.


Photo credit: Hunter Savoy Jaffe

The Shift List – A Final Course

“Food, like a concert, is never the same experience twice,” Chef Edward Lee told me during our interview back in October 2018. “You can’t remove the human element from either.” 

Back at the end of March of this year, about two weeks into the nationwide shutdown, we re-released Chef Lee’s episode to highlight the work he has been doing through the Restaurant Workers Relief Program and the Lee Initiative to feed and raise funds for out-of-work restaurant workers all over the country. The human element was removed from both the restaurant and concert industry in a way that no one could have predicted just three weeks earlier. 

The Shift List was created to explore the creative relationship that chefs have with music, and to that end, the unique experience and vibe they provide to diners at their restaurants. Over two seasons as host and producer of the show, I’ve been fortunate to speak to thirty chefs in four countries and a dozen world-class cities, including London, Copenhagen, Montreal, and my hometown of Los Angeles. It was a privilege to eat their food in the restaurants that they built. 

There’s a lot of uncertainty around when we’ll all be able to eat out at restaurants freely, the way we used to, so for now, The Shift List will conclude its 30-episode run and serve as a time capsule for an experience that we never knew we were taking for granted. 

To commemorate this, I’ve selected five episodes to help inspire your own cooking playlists, and have included a few of my personal favorite discoveries from the show that always set a great tone when I want to focus on cooking at home. A special ‘Best of The Shift List’ playlist is up now over on our BGS Spotify page. — Chris Jacobs, host

Ashleigh Shanti (Benne On Eagle) – Asheville, NC 


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If Chef Ashleigh Shanti weren’t running the kitchen at Benne On Eagle, a restaurant that pays homage to the rich African American culinary traditions that once thrived in an Asheville neighborhood known as The Block, she’d like to try her hand at being a rapper. Her Shift List included A Tribe Called Quest, Kendrick Lamar, and plenty of Pharrell Williams.

Favorite tracks: 

  • A Tribe Called Quest – “Check The Rhime” 
  • Nina Simone – “My Baby Just Cares For Me” 
  • Kendrick Lamar – “DNA” 
  • The Neptunes – “Frontin’ (Feat. Jay Z)”

Tom Harris (The Marksman Pub, St John) – London 


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Chef Tom Harris explained what a proper English pub is, threw down some amazing jazz/funk/Afrobeat playlists (including Fela Kuti, Roy Ayers, and James Brown), and explained why recipes should be described in musical terms.

Favorite tracks:

  • Fela Kuti – “Mr. Follow Follow” 
  • Johnny “Hammond” Smith – “Shifting Gears” 
  • Moses Boyd – “Rye Lane Shuffle” 
  • The English Beat – “Mirror In The Bathroom” 

Jessica Largey (formerly Manresa, Providence, Simone) – Los Angeles 


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Chef Jessica Largey’s Shift List included The Clash, David Bowie, and Neko Case. In her episode she reveals why Nina Simone was the namesake of the DTLA restaurant she helmed for a year in 2018.

Favorite tracks:

  • Shakey Graves – “Dearly Departed” 
  • Ben Sollee – “Mechanical Advantage” 
  • David Bowie – “Golden Years” 
  • Gap Band – “Outstanding” 

Miles Thompson (formerly Michael’s Santa Monica) – Santa Monica 


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When Chef Miles Thompson describes food, it sounds like jazz – “salt, umami, acid, sugar, spice, crunch!” His Shift List included the trippy guitar stylings of Bill Frisell, the rootsy wanderings of Jason Isbell, and classical suites from the likes of Debussy and Isaac Albéniz.

Favorite tracks:

  • Bill Frisell – “Telstar” 
  • Bill Frisell – “Del Close” 
  • Agustiín Barrios Mangoré – “Julia Florida”
  • The Beatles – “Savoy Truffle” 

Matt Orlando (Amass, noma, Per Se) – Copenhagen 


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Chef Matt Orlando’s Amass restaurant in Copenhagen is a fine dining establishment located in a sprawling industrial warehouse that is covered in graffiti and proudly blasts obscure and “sometimes aggressive” hip hop. His Shift List included Bay Area legends Hieroglyphics, plenty of Wu Tang Clan, and some obscure Scottish reggae music to round it all out.

Favorite Tracks: 

  • Hieroglyphics – 3rd Eye Vision (Note: this is the entire album. Just let it run. There is no better music to cook to!)

 

WATCH: Anya Hinkle, “Road of the Winds”

Artist: Anya Hinkle
Hometown: Asheville, North Carolina
Song: “Road of the Winds”
Label: Organic Records

In Their Words: “We are constantly moving closer toward our own homeland, a place we sense is there, somewhere, if we can just pay attention and listen closely to our inner voice. It takes tremendous courage and faith to believe that we can grow to become the person we were meant to be, doing the work we are meant to be doing. We are embarking on a great journey with each sunrise, with each day we are alive. This song helps me feel free to move ahead in new directions with boldness and conviction even though I don’t exactly know where it will all lead. But once you leave the shore you are committed to the journey – there is no turning back.” — Anya Hinkle


Photo credit: Rose Kaz

LISTEN: Zoe & Cloyd, “Where Do You Stand”

Artist: Zoe & Cloyd
Hometown: Asheville, North Carolina
Song: “Where Do You Stand”
Release Date: May 8, 2020
Label: Organic Records

In Their Words: “‘Where Do You Stand’ is a commentary on the state of our national discourse. Often, it’s the farthest ends of the political spectrum that make the news and it seems like inflammatory rhetoric is the only thing that gets heard these days. I’d like for us to remember that we’re all connected and are more alike than we are different, no matter who tries to convince us otherwise. For us to move forward, we have to find common ground on which to build a path toward a sustainable future.” — John Cloyd Miller

Crossroads Label Group · Zoe & Cloyd – Where Do You Stand

Photo credit: Sandlin Gaither

WATCH: Saro Lynch-Thomason & Sam Gleaves, “1920”

Artist: Saro Lynch-Thomason & Sam Gleaves
Hometown: Asheville, North Carolina
Song: “1920”
Album: I Have Known Women
Release Date: May 1, 2020
Label: Strictly Country Records

In Their Words: “This song was written to keep us mindful of the strong herstory of resisting oppression in the U.S. and to celebrate the centennial of the ratification of the 19th amendment. As this song states, ‘So much has changed. So much remains.’ There is much more work to be done before all U.S. residents are welcomed to participate in the democratic process. We hope that this song will serve as a reminder of the many generations of inspiring women who have brought us to this point in time, and inspire those in the present to keep fighting for justice and representation.” — Saro-Lynch Thomason and Sam Gleaves


Photo credit: Ben Bateson

LISTEN: Fireside Collective, “Bring It on Home”

Artist: Fireside Collective
Hometown: Asheville, North Carolina
Song: “Bring It On Home”
Album: Elements
Release Date: March 20, 2020
Label: Mountain Home Music Company

In Their Words: “We love all genres, especially funk. Getting to show that side of our band is always fun and a nice break from bluegrass, which we also love. Carson and Jesse worked a lot on getting the bass line as groovy as possible and I think they succeeded in making this one extra funky!” — Tommy Maher, dobro

“‘Bring It On Home’ is a great example of what can be done with bluegrass instruments outside of the bluegrass groove. The song begins with a unison riff before branching out into a funky groove with tight harmonies and tasty fills and solos to match. While it doesn’t land in the bluegrass groove, this song is a great example of where the genre is heading.” — Alex Genova, banjo


Photo credit: Heather Hambor

The String – Music City Postcard: Asheville, NC

Episode 121 of The String is a field trip to Asheville, NC, which Rolling Stone last year touted as one of the best music scenes in the country.


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Those of us who visit Western North Carolina regularly already knew that fact, and this week’s show surveys the talent and the institutions making the region important in roots music and beyond. Features: Amanda Anne Platt of the Honeycutters, Echo Mountain Studio, WNCW radio, Crossroads Music, Sarah Siskind, Morgan Geer and more.


Photo credit: @CarShowShooter on Foter.com / CC BY-NC-SA

WATCH: Brew Davis, “Another Scarecrow Learning How to Fly”

Artist: Brew Davis
Hometown: Asheville, North Carolina
Song: “Another Scarecrow Learning How to Fly”
Album: Another Scarecrow Learning How to Fly
Release Date: February 28, 2020
Label: Hellbender Records

In Their Words: “This song is about transcendence and trying to get beyond the ruts we get stuck in, especially in ‘middle age,’ which is where I find myself these days. The opening line came to me in church, actually, and the verses just flowed out from there. I wrote the chorus later but it was clear to me what I wanted to say about life — how we get tempted by the stuff the world tells us is important when really the most important things are the people and things (i.e., music) that we love and that make us happy. One fun tidbit is that the shirt I’m wearing was my granddad’s. He died several years ago at 93 and is one of the ones I talk about in the chorus who’s ‘calling to me from the other side.'” — Brew Davis


Photo credit: Andrew Kornylak, FourMile Media